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Journal articles on the topic 'Architecture, Mughal'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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1

Hashmi, Arsala. "Philosophy of Interior Design in Mughal Era Mosques of Lahore: A case study of Maryam Zamani and Wazir Khan Mosques." Journal of Art, Architecture and Built Environment 01, no. 02 (2018): 55–73. http://dx.doi.org/10.32350/jaabe.12.04.

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A great reflection and convergence of Persian, Turkish and Indian architecture is observed in Mughal architecture, which is known as a remarkably symmetrical and decorative amalgamation of these architectures. Muslim and non-Muslim scholars of history have appreciated, identified and recognized the extremely attractive Mughal signs, decorations and beautifications. It has been observed that Mughal architecture is not limited and specified to mosques only but has been used in all other Islamic buildings including their gardens. These signs and decorations have combined different features, eleme

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2

Iqbal, Saira. "Scenic and Scientific Representation of Water in Mughal Architecture: A case study of ShahJahan’s Quadrangle Lahore Fort, Pakistan." Academic Research Community publication 2, no. 2 (2018): 11. http://dx.doi.org/10.21625/archive.v2i2.485.

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Nothing is useless in this world. Everything has its specific purpose and objectives with respect to its importance. The present-day hardware and materials utilized as a part of building swallow noteworthy measure of our national vitality. Ancient monumental buildings and palaces are still a place to relax without fans, coolers and air conditioners. There is a need to study the traditional buildings because they are time-tested. Mughal Architects are legendary for their creativity. Without beauty, architecture would just be the combination and amalgamation of some material. Hence, art is the s

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Arif, Anas Mahmud, Adnan Anwar, and Memoona Ilyas. "Mughal Garden Wah: Architecture, Conservation Issues and Tourism Management." Global Social Sciences Review VI, no. I (2021): 455–69. http://dx.doi.org/10.31703/gssr.2021(vi-i).46.

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Mughal Garden Wah is one of the masterpieces built by Mughals on GT Road near the city of Hassan Abdal. It was private property that was later on taken by the government due to its historical and architectural significance. This site is not only a picnic point for the local community but has the potential to attract thousands of national and international tourists to enjoy its landscape and architecture. The current state of the garden is not praiseworthy, and if proper measures are not taken well in time, this masterpiece of art and architecture will vanish soon. The current study is an attem

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4

Hillenbrand, Robert. "Mughal Architecture Explored." South Asian Studies 12, no. 1 (1996): 105–23. http://dx.doi.org/10.1080/02666030.1996.9628514.

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Shirajom Monira Khondker. "Study of the Distinguishing Features of Mughal Mosque in Dhaka: A Case of Sat Gambuj Mosque." Creative Space 6, no. 2 (2019): 85–100. http://dx.doi.org/10.15415/cs.2019.62007.

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Mosque is the main focal point of Islamic spirit and accomplishments. All over the world in the Muslim settlements mosque becomes an edifice of distinct significance which is introduced by Prophet Muhammad (Sm.). Since the initial stage of Islam, Muslim architecture has been developed as the base point of mosque. Mosque architecture in medieval time uncovering clearly its sacred identity especially during the pre-Mughal and Mughal period in Bengal. Dhaka, the capital city of independent Bangladesh, is known as the city of mosques. The Mughal mosques of Dhaka are the exceptional example of mosq

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Koch, Ebba, and Catherine B. Asher. "Architecture of Mughal India." Journal of the American Oriental Society 114, no. 3 (1994): 521. http://dx.doi.org/10.2307/605135.

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Kabir, Najma, Ghulam Abbas, and Khizar Hayat. "A Historic Journey of the Lahore City, to Attain Its Identity through Architecture." European Journal of Interdisciplinary Studies 3, no. 3 (2017): 87. http://dx.doi.org/10.26417/ejis.v3i3.p87-97.

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Lahore is a historical and the second largest city of Pakistan. It has a unique geographical location as it is located on the main trade and invasion routes to South Asia. Its history dates back to 1000BC, when its foundations were laid by the Hindu prince Loh, son of Rama Chandra. After the invasion of Mahmud of Ghazni in 1000AD, the city of Lahore has grown, flourished, suffered invasions and destruction, and yet survived through the Sultanate (1206-1524), the Mughal (1524-1712) and Sikh (1764-1849) periods with an uneven, yet unbroken, cultural evolution. This is evident in the form of monu

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Kabir, Najma, Ghulam Abbas, and Khizar Hayat. "A Historic Journey of the Lahore City, to Attain Its Identity through Architecture." European Journal of Interdisciplinary Studies 8, no. 1 (2017): 87. http://dx.doi.org/10.26417/ejis.v8i1.p87-97.

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Lahore is a historical and the second largest city of Pakistan. It has a unique geographical location as it is located on the main trade and invasion routes to South Asia. Its history dates back to 1000BC, when its foundations were laid by the Hindu prince Loh, son of Rama Chandra. After the invasion of Mahmud of Ghazni in 1000AD, the city of Lahore has grown, flourished, suffered invasions and destruction, and yet survived through the Sultanate (1206-1524), the Mughal (1524-1712) and Sikh (1764-1849) periods with an uneven, yet unbroken, cultural evolution. This is evident in the form of monu

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9

Rehman Ganie, Zahied. "CONTRIBUTION OF ROYAL MUGHAL LADIES IN THE FIELD OF ART AND ARCHITECTURE FROM 1526-1707 A.D: A BRIEF SURVEY." International Journal of Research -GRANTHAALAYAH 6, no. 12 (2018): 34–37. http://dx.doi.org/10.29121/granthaalayah.v6.i12.2018.1074.

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Indian woman since ancient days had played an important role in the socio-cultural and philosophical development of the country. Especially in Medieval India, the royal ladies of the Mughal court were almost as remarkable as their male counterparts. Royal Mughal ladies like Hamida Banu Begam, Haji Begam, Nurjahan Begam, Jahanara Begam, Roshanara Begam, Zeb-un-Nisa Begum etc. not only played a dominant role in contemporary politics but also contributed a lot to artistic field. The present article is an attempt to highlight the contribution of Royal Mughal ladies especially in Artistic field.

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10

Chowdhury, Shubhajit, Kawshik Saha, Mohammad Samsul Arefin, and Mahinul Haque. "INVESTIGATING THE ARCHITECTURAL ORIGIN OF THE GAYEBI MOSQUE IN OSMANPUR, SYLHET, BANGLADESH." Journal of Islamic Architecture 5, no. 4 (2019): 243–54. http://dx.doi.org/10.18860/jia.v5i4.7569.

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This study aimed to investigate the architectural origin, style, and legacy of the Gayebi Masjid (Divine Mosque), which is located as a witness of time in Osmanpur, Balaganj, Sylhet, Bangladesh. The origin of the mosque is shrouded in mystery, as the actual construction period and the patronizing builder is unknown to the people. On the other hand, based on the characteristics and features, it can be generally assumed that the mosque was constructed either in the Sultanate or the Mughal period of Muslim rule in Bengal. The mosque has prominent architectural features that can also be found in o

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11

Sinha, Vandana. "Documentation of Indo-Islamic architecture built along a 16th-century highway." Art Libraries Journal 44, no. 3 (2019): 98–107. http://dx.doi.org/10.1017/alj.2019.14.

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An internationally recognized presence in the documentation of Indic and South East Asian art and architecture, the Center for Art and Archaeology (CA&A) of the American Institute of Indian Studies (AIIS) conducted a documentation project in 2007 that explored an interesting range of built heritage arrayed along a 16th-century highway, the Agra – Lahore route, laid by the Mughal rulers of India. The stretch of the Agra – Lahore highway this project traced, crossed two north Indian states of independent India – Haryana and Punjab, and documented built heritage that survives on that road. Th

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Zulfazdlee Abul Hassan Ashari, Mohamad, Nursafira Lubis Safian, Napisah Karimah Ismail, and Ezad Azraai Jamsari. "JAHANGIRS (1627-1658) LEADERSHIP ENDEAVOURS IN STRENGTHENING THE CONTINUITY OF THE MUGHALS IN INDIA." International Journal of Advanced Research 9, no. 08 (2021): 1160–64. http://dx.doi.org/10.21474/ijar01/13365.

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Jahangir succeeded his father, Akbar after the latter stabilised Mughal rule in India. Although there are arguments that Jahangir did not achieve successes like his father, there were some endeavours by Jahangir which strengthened the continuity of Mughal rule. Hence, the purpose of this article is to examine his efforts to consolidate Mughal rule in India in his time. On the whole, this is a qualitative research using the methods of historical study and content analysis. Data was collected from primary and secondary sources and analysed. Research findings show that Jahangir was more focused o

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Pandey, Anjali. "ORCHHA- THE ARCHITECTURAL HERITAGE OF MADHYA PRADESH." International Journal of Research -GRANTHAALAYAH 8, no. 4 (2020): 262–74. http://dx.doi.org/10.29121/granthaalayah.v8.i4.2020.32.

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Orchha is a historically famous site of Bundelkhand region in Niwari district of Madhya Pradesh. It has the wide collection of tremendous Imperial monuments with historic importance and natural and living heritage at National and international level. The Jahangir Mahal, Raj Mahal and Sheesh Mahal are the three sections of Orchha Palace Complex. The blend of Mughal and Bundelkhandi style of architecture is really appreciable for its harmony, intelligent engineering and magnificent building. Jahangir Mahal was built in honour of Mughal Emperor Jahangir. Orchha is also famous for the Ram Raja tem

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14

Lowry, Glenn D. "Humayun's Tomb: Form, Function, and Meaning in Early Mughal Architecture." Muqarnas 4 (1987): 133. http://dx.doi.org/10.2307/1523100.

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Lowry, Glenn D. "HUMAYUN'S TOMB: FORM, FUNCTION, AND MEANING IN EARLY MUGHAL ARCHITECTURE." Muqarnas Online 4, no. 1 (1986): 133–48. http://dx.doi.org/10.1163/22118993-90000212.

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Qureshi, Shabbirullah, and M. Ashraf Khan. "MAHABAT KHAN MOSQUE - AN ISLAMIC SYMBOL OF PEACE." Journal of Research in Architecture and Planning 28, no. 1 (2020): 20–30. http://dx.doi.org/10.53700/jrap2812020_2.

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It is ironical that the Mughals are remembered as warriors yet their breathtaking architecture offers an inspiration for regional peace. Separatist narratives may attempt to emphasise the ideological differences in the Indian subcontinent, but the centuries-old resonance of architectural magnificence of the Taj Mahal in India and the Shalimar Gardens in Pakistan simply mocks any divisions. It is within this perspective that the preservation and restoration of the Mahabat Khan Mosque in Peshawar deserves more attention than it has been accorded. Papers published so far have served well by detai

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17

Tembhekar, Nalini K. "Forts in Western Vidarbha." IRA-International Journal of Management & Social Sciences (ISSN 2455-2267) 7, no. 2 (2017): 148. http://dx.doi.org/10.21013/jmss.v7.n2.p4.

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<div><p><em>Forts have played a prominent role in the military system of any Kingdom in Medieval Period. So the Bahmanis did much for military architecture as they had powerful enemies on all sides. Gawilgarh and Narnala are the significant forts of Bahmani Sultanate. These forts are regarded as the greatest and most abiding monuments and superior to European forts of the same period (Circa 1350-1500). Grawilgarh and Narnala in Berar are examples of engineering skill and architecture appropriate for mountain strong holds of good taste and lavish expenditure. Combined with ele

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18

Islam, Sk Zohirul. "Six-Pointed Star Motif in Muslim Architecture of Bangladesh (Past Bengal) and Turkish Influence: An Historical Study." Bangladesh Journal of Multidisciplinary Scientific Research 2, no. 1 (2020): 40–47. http://dx.doi.org/10.46281/bjmsr.v2i1.565.

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With the rise of Islamic states as the dominant powers of India and Indian Sub- Continent (India, Pakistan and Bangladesh) and South Asia Sultanate and Mughal period (1200-1800 A.D.), by Turkish heroic figure (horsemen), Indian art was subjected to Islamic influence, resulting in a hybrid aesthetics as well as Indo- Islamic art which flourished to varying extends across south and southeast Asia. Bangladesh is world third largest Muslim majority country and situated in South Asia. So the main and primary identity of the notion is mosque architecture and then languages via culture in Bangladesh

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19

Jahnkassim, Puteri Shireen, and Norwina Mohd Nawawi. "ALLUSIONS TO MUGHAL URBAN FORMS IN THE MONUMENTALITY OF CHANDIGARH’S CAPITOL COMPLEX." Journal of Architecture and Urbanism 40, no. 3 (2016): 177–90. http://dx.doi.org/10.3846/20297955.2016.1210050.

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The formative influence of the Mughal gardens on the urban spaces of the Capitol Complex, Chandigarh is discussed as part of Le Corbusier’s vision in realising new urban symbols to represent an independent India. Corbusier had not only “regionalised” Modernist elements of architectural design but had “modernised” past urban forms by artfully rejecting the traditional gridded patterns and urban traditions such as the Mughal gardens, and transforming them into a dynamic restructuring and interplay of urban forms and spaces. To disassociate the new capital from its Colonial past and to create a n

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20

Dasgupta, S. "DOCUMENTATION & CONDITION MAPPING FOR RESTORATION & REVITALISATION OF HISTORIC SHEESH MAHAL & CHAR BAGH COMPLEX IN PATIALA (PUNJAB), INDIA." ISPRS Annals of Photogrammetry, Remote Sensing and Spatial Information Sciences IV-2/W2 (August 16, 2017): 47–52. http://dx.doi.org/10.5194/isprs-annals-iv-2-w2-47-2017.

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Located in the Northern State of Punjab, the historic city of Patiala has always been a centre of culture in north India, and has seen the evolution of its own distinct style of architecture with Rajput and Mughal influences. The city is renowned for its rich architectural heritage, Music, Craft, Sports and Cuisine. The fourth Maharaja Narinder Singh was a great patron of art, architecture and music and it was during his time that several palaces like the Moti Bagh Palace, Sheesh Mahal and Banasur Bagh were designed followed by Baradari Palace. Later it was Maharaja Bhupinder Singh (1900&a

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21

Kane, Carolyn, and Ebba Koch. "Mughal Architecture: An Outline of Its History and Development (1526-1858)." Journal of the American Oriental Society 116, no. 2 (1996): 339. http://dx.doi.org/10.2307/605760.

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Chandra, Pramod, and Ebba Koch. "Mughal Architecture: An Outline of Its History and Development (1526-1858)." Journal of the American Oriental Society 123, no. 4 (2003): 909. http://dx.doi.org/10.2307/3590000.

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23

Chida-Razvi, Mehreen. "From Function to Form: Chini-khana in Safavid and Mughal Architecture." South Asian Studies 35, no. 1 (2019): 82–106. http://dx.doi.org/10.1080/02666030.2019.1626589.

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24

Chida-Razvi, Mehreen. "Resituating Mughal Architecture in the Persianate World: New Investigations and Analyses." South Asian Studies 35, no. 1 (2019): 1–6. http://dx.doi.org/10.1080/02666030.2019.1628690.

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25

Raheem, Adeeba Abdul, and Muhammad Akram Tahir. "Mughal architecture under the cloud of demolition: Environmental effects on monuments." Journal of Building Appraisal 4, no. 2 (2008): 103–14. http://dx.doi.org/10.1057/jba.2008.26.

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26

Banerjee, Sushmita. "Monumental matters: the power, subjectivity and space of India's Mughal architecture." Contemporary South Asia 22, no. 4 (2014): 428–30. http://dx.doi.org/10.1080/09584935.2014.965490.

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27

Flood, Finbarr Barry. "Before the Mughals: Material Culture of Sultanate North India." Muqarnas Online 36, no. 1 (2019): 1–39. http://dx.doi.org/10.1163/22118993-00361p02.

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Abstract This article presents an overview of the current state of knowledge regarding the material culture of north India under the Delhi sultans and the regional sultanates that emerged in Bengal, Gujarat, Jaunpur, and Malwa during the fourteenth and fifteenth centuries. Highlighting lacunae in existing scholarship, it also draws attention to material and textual sources that underline the strong transregional filiations of Sultanate art and architecture. It suggests that negotiations between regional artistic forms and styles and those that reflect transregional connections in Sultanate art

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Koch, Ebba. "The Wooden Audience Halls of Shah Jahan: Sources and Reconstruction." Muqarnas Online 30, no. 1 (2014): 351–89. http://dx.doi.org/10.1163/22118993-0301p0014.

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Even before the great audience halls at Agra, Lahore, and Delhi, Shah Jahan (r. 1628–58) built wooden audience halls as a new type of palace architecture for his court receptions. Contemporary descriptions, paintings, and regional wooden mosques enable a reconstruction that also sheds light on the exchange of forms and ideas between Mughal India and Iran.

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Mani, Manimangai. "Unblinding History through Literature in Tanushree Podder’s, Escape from Harem." International Letters of Social and Humanistic Sciences 53 (June 2015): 60–67. http://dx.doi.org/10.18052/www.scipress.com/ilshs.53.60.

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The history of India had been coloured by series of brutal invasion, torture, bloodshed and massacre in the name of religion and conquest. One of the most remembered invasions is by the Mughals in the beginning of 16th. century where Babar successfully established the Mughal dynasty in 1526. The Mughal dynasty, from the eyes of the historians is one of the most dynamic dynasty which possessed splendour, wealth, bravery, artistic architecture and conquerors who fought to glorify Islam. While historians and history were limited to the study of chronological events, the historical novel Escape fr

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이춘호. "Ab-Islamic Elements in Mughal Architecture: Focused on Fatehpur Sikri and Sikandra." Journal of South Asian Studies 15, no. 1 (2009): 173–89. http://dx.doi.org/10.21587/jsas.2009.15.1.008.

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31

Losensky, Paul E. "“Square Like a Bubble”." Journal of Persianate Studies 8, no. 1 (2015): 42–70. http://dx.doi.org/10.1163/18747167-12341278.

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The career of the poet Kalim Kāshāni (d. 1061/1651) exemplifies two significant developments in the social and cultural life of the Persianate world of the seventeenth century. First is the oft-noted mobility of poets, scholars, and administrators between Safavid Iran and Mughal India. Second is the revival of the verbal description of architecture (ekphrasis) as a major mode of panegyric poetry. As the ruling elite invested heavily in constructing palaces and cities as a projection of their imperial power, poets increasingly integrated these projects into their celebrations of their patrons.

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32

Brand, Michael. "Orthodoxy, Innovation, and Revival: Considerations of the Past in Imperial Mughal Tomb Architecture." Muqarnas 10 (1993): 323. http://dx.doi.org/10.2307/1523197.

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Brand, Michael. "ORTHODOXY, INNOVATION, AND REVIVAL: CONSIDERATIONS OF THE PAST IN IMPERIAL MUGHAL TOMB ARCHITECTURE." Muqarnas Online 10, no. 1 (1992): 323–34. http://dx.doi.org/10.1163/22118993-90000320.

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34

Pandey, Anjali. "WATER MANAGEMENT SYSTEM OF KALIYADEH MAHAL." International Journal of Research -GRANTHAALAYAH 6, no. 3 (2018): 302–7. http://dx.doi.org/10.29121/granthaalayah.v6.i3.2018.1531.

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Water in architecture of India played an important role in the culture. Indians developed the traditional hydro engineering to conserve Rain water, Ground water, river, and other natural resources. It could be seen since earliest times. Stepwells were first used as an art form by the Hindus and they influenced many other structures, Mughal Gardens are the examples of the incorporation of water in the design of Architecture. The designs of the gardens are of the medieval Islamic Period. Kaliadeh Mehel near Bheravgarh Fort at the bank of River Kshripa. Ujjain (Madhya Pradesh) is well known

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35

Arif, R., and K. Essa. "EVOLVING TECHNIQUES OF DOCUMENTATION OF A WORLD HERITAGE SITE IN LAHORE." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W5 (August 18, 2017): 33–40. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w5-33-2017.

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Lahore is an ancient, culturally rich city amidst which are embedded two world heritage sites. The state of historic preservation in the country is impoverished with a dearth of training and poor documentation skills, thus these monuments are decaying and in dire need of attention. The Aga Khan Cultural Service - Pakistan is one of the first working in heritage conservation in the country. AKCSP is currently subjecting the UNESCO World Heritage site of the Mughal era Lahore Fort to an intensive and multi-faceted architectural documentation process. This is presented here as a case study to cha

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Rajagopalan, Mrinalini. "Cosmopolitan Crossings:." Journal of the Society of Architectural Historians 77, no. 2 (2018): 168–85. http://dx.doi.org/10.1525/jsah.2018.77.2.168.

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Between 1805 and 1836, the wealthy dowager ruler Begum Samrū built two large mansions and a Catholic church in North India. In both the makeup of her court and the character of her architecture, the begum's choices reflected her cosmopolitanism. The bishop of her church was from Rome, her closest political allies were English, and her main advisers were Indian. Her architecture, similarly, combined neoclassical façades and Italianate porticoes with Islamic detailing such as muqarnas and Mughal pietra dura; Indian elements such as hammams (bathhouses) sat alongside European-style salons. In Cos

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Klingelhofer, William G. "The Jahangiri Mahal of the Agra Fort: Expression and Experience in Early Mughal Architecture." Muqarnas 5 (1988): 153. http://dx.doi.org/10.2307/1523115.

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Masselos, J. "SANTHI KAVURI-BAUER. Monumental Matters: The Power, Subjectivity, and Space of India's Mughal Architecture." American Historical Review 117, no. 5 (2012): 1575–76. http://dx.doi.org/10.1093/ahr/117.5.1575a.

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Klingelhofer, William G. "THE JAHANGIRI MAHAL OF THE AGRA FORT: EXPRESSION AND EXPERIENCE IN EARLY MUGHAL ARCHITECTURE." Muqarnas Online 5, no. 1 (1987): 153–69. http://dx.doi.org/10.1163/22118993-90000227.

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Koch, Ebba. "Santhi Kavuri-Bauer,Monumental Matters: The Power, Subjectivity, and Space of India's Mughal Architecture." Art Bulletin 96, no. 3 (2014): 362–65. http://dx.doi.org/10.1080/00043079.2014.933660.

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41

SINGH, DEVIKA. "Approaching the Mughal Past in Indian Art Criticism: The case of MARG (1946 –1963)." Modern Asian Studies 47, no. 1 (2012): 167–203. http://dx.doi.org/10.1017/s0026749x1200090x.

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AbstractThe paper examines the model value of the Mughal period in MARG, the leading art journal of 1940s and 1950s India. It combines a discussion of some of the key historiographical questions of Indian art history and the role played by specific art historians, including European exiles who were among the contributors to the journal, with broader questions on the interaction of national cultural identity with global modernism. In this context, the Mughal period—celebrated in MARG for its synthesis of foreign and indigenous styles—was consistently put forward as an example for contemporary a

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Mansoor Ahmed. "Encapsulating the Translatory Attributes in the Formulation and Development of the Selected Modernist Building Constructed in Islamabad, Capital of Pakistan." Creative Space 4, no. 2 (2017): 179–88. http://dx.doi.org/10.15415/cs.2017.42003.

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Right after the construction of Islamabad, National Capital of Pakistan, different foreign architectswere hired by the State to undertake landmark projects in the city. Most notable among them were Doxiadis, Kenzo Tange, Edward Durell Stone. The preference given to these foreign architects over the local architect was tied to the inherited ideas of Modernist Supermacy, ‘glorified western cultures’ and their understanding of the traditional architecture specifically the so called, Islamic architecture. It was assumed that the architecture, foreign architects will produce would be technologicall

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43

Balasubramaniam, R. "On the Modular Design of Mughal Riverfront Funerary Gardens." Nexus Network Journal 12, no. 2 (2010): 271–85. http://dx.doi.org/10.1007/s00004-010-0014-8.

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44

Parpia, Shaha. "Reordering Nature: Power Politics in the Mughal Shikargah." International Journal of Islamic Architecture 7, no. 1 (2018): 39–66. http://dx.doi.org/10.1386/ijia.7.1.39_1.

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45

Johnson-Roehr, Susan N. "Centering the Chārbāgh." Journal of the Society of Architectural Historians 72, no. 1 (2013): 28–47. http://dx.doi.org/10.1525/jsah.2013.72.1.28.

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In Centering the Chārbāgh: The Mughal Garden as Design Module for the Jaipur City Plan, Susan N. Johnson-Roehr argues that the privileging of a Hindu-Vedic worldview has had a significant effect on our understanding of Jaipur City’s history. Current interpretive approaches assume that the city’s patron, Sawai Jai Singh II, relied on the maṇḍala when shaping the city plan in the eighteenth century. The emphasis on the maṇḍala as governing device has encouraged historians to neglect other sources of Jaipur’s city plan. Specifically, scholars have not considered the role of the quadripartite Mugh

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Emami, Farshid. "Royal Assemblies and Imperial Libraries: Polygonal Pavilions and Their Functions in Mughal and Safavid Architecture." South Asian Studies 35, no. 1 (2019): 63–81. http://dx.doi.org/10.1080/02666030.2019.1605564.

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47

Asher, Catherine B. "Monumental matters: the power, subjectivity and space of India's Mughal architecture, by Santhi Kavuri-Bauer." South Asian History and Culture 4, no. 1 (2013): 155–58. http://dx.doi.org/10.1080/19472498.2012.750468.

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Sherwani, Rummana Khan. "Technological Advancement in Mapping of Heritage by Using GIS (Mapping of Heritage: Preservation for the Future)." International Journal of System Modeling and Simulation 2, no. 4 (2017): 11. http://dx.doi.org/10.24178/ijsms.2017.2.4.11.

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Abstract:

Lahore the historic city is expanding day by day. The urban expansion affected the heritage boundaries, results into shrinking and deteriorating the precious structures. The study aims to map the historic sites by looking into it the impacts of urban development through boundary delineation process. The pictorial journey elaborates how the precious heritage are being packed into haphazard containers of irregular boundaries, which vanished the beautiful impacts of Mughal gardens around the historic structures helplessly standing there to feel pity in them. In order to improve the effectiveness

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Rehman, Abdul. "Garden of Nobility: Placing Ali Mardan Khan’s Baradari at Peshawar in the Context of Mughal Architecture." South Asian Studies 35, no. 1 (2019): 129–44. http://dx.doi.org/10.1080/02666030.2019.1605577.

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Ray, Avishek. "Book Review: Santhi Kavuri-Bauer,Monumental Matters: The Power, Subjectivity and Space of India’s Mughal Architecture." International Sociology 30, no. 2 (2015): 221–23. http://dx.doi.org/10.1177/0268580915571823a.

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