Relevant bibliographies by topics / Architecture of ancient Persia

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Architecture of ancient Persia'

Author: Grafiati
Published: 4 June 2021
Last updated: 12 February 2022

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Journal articles on the topic "Architecture of ancient Persia"

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Valaei, Zakarya. "Consideration on Sassanid architectural works and urban planning in ancient Persia." Indian Journal of Science and Technology 4, no. 10 (October 20, 2011): 1384–90. http://dx.doi.org/10.17485/ijst/2011/v4i10.31.

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Dever, William G., A. Kempinski, and R. Reich. "The Architecture of Ancient Israel from the Prehistoric to the Persian Periods." Journal of the American Oriental Society 113, no. 3 (July 1993): 495. http://dx.doi.org/10.2307/605414.

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Davies, G. I., A. Kempinski, and R. Reich. "The Architecture of Ancient Israel from the Prehistoric to the Persian Periods." Vetus Testamentum 44, no. 3 (July 1994): 432. http://dx.doi.org/10.2307/1535238.

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Schwartz, Joshua. "The Architecture of Ancient Israel: From the Prehistoric to the Persian Periods." Journal of Jewish Studies 46, no. 1-2 (July 1, 1995): 352–53. http://dx.doi.org/10.18647/1849/jjs-1995.

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Sheijani, Zeinab Soleimani, Seddighe Soleimani Sheijani, and Mojgan Khakpour. "A Review on the Concepts of Traditional Architecture by Mulla Sadra’s Al-Hikmat Al-Mota'alie." Journal of Islamic Architecture 4, no. 4 (December 24, 2017): 146. http://dx.doi.org/10.18860/jia.v4i4.4225.

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Paying little attention to the roots of today's architecture has departed the contemporary architecture from its conceptual origins. However, the single application of traditional architecture principles does not fulfill the demands of today's life. Although by peering into the traditional Iranian architecture, principles and specific ideas implicit in the Islamic wisdom of Iran are revealed. In addition to maintaining the values of traditional architecture, a new approach to architectural design can also be achieved by recognizing and integrating these principles with the necessities of today's life. The article aims to answer whether it is possible to create a link between the traditional Iranian architecture concepts and the principles of contemporary rational architecture, similar to what Mulla Sadra, the great Persian philosopher, created between the Iranian ancient wisdom and al-Hikmat al-Masha which was solely a rational philosophy. To achieve the mentioned aim, first Mulla Sadra's intellectual structure has been studied, after modeling <em>al-</em><em>Hikmat al-Mota'alie</em>. Then the traditional architecture has been analyzed in order to recognize its being (<em>al-</em><em>Wojud</em>) and essence (<em>al-</em><em>Mahiyat</em>). The priority of being has been introduced in the next step, followed by levels of being. The next pace was to discuss the structure of Mulla Sadra's thinking method in architecture. The results of study indicate that the process of communication between ancient wisdom and <em>al-</em><em>Hikmat al-Masha</em>explained by Sadra can be classified in two phases, cognizing and integrating. In the stage of integration Sadra used rational reasoning to prove the issues that have been obtained through intuition and the same trend can be applied in architecture. The intuitive aspects of traditional architecture can also be presented within the framework of today's rationalist architecture in two steps, including cognizing and integrating.<p> </p>
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Gorbyk, Olena. "ARCHITECTURE OF THE MEDITERRANEAN OIKUMEN: HE BIRTH OF THE MONUMENTAL FACADE (2 MILLENNIUM BC) AND ITS TRANSFORMATION INTO A PORTICO (FIRST HALF OF THE 1ST MILLENNIUM BC)." Current problems of architecture and urban planning, no. 59 (March 1, 2021): 3–15. http://dx.doi.org/10.32347/2077-3455.2021.59.3-15.

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The article presents a general picture of the development of architecture of the Ancient World in the 3nd - 1st millennium BC. identified three main style-making cultures of the Mediterranean (Egypt, Mesopotamia with the Levant, the Aegean world with Antalya) which were formed in 3 thousand BC. and changing trends in the development of their architecture, the birth of the facade composition and its change from plane to spatial, which, according to the author, reveals historical development through architectural form – socio-cultural, worldview changes. At the level of 3 thousand BC. it is possible to state formation of a theme of a monumental portal: in Egypt and in the Mesopotamia. But meaningful construction of the facade, the creation of a presentable facade composition has not yet taken place. from the middle of 2 thousand BC in Egypt and Assyria, symmetrical planar façade compositions were formulated (paired pylons in the temple in Egypt and paired towers at the entrance arch portal in palaces and citadels in Assyria and the Hittites). This architecture stops the visitor not only in its form: small entrance opening against the dominant deaf array presents secrecy, remoteness and elitism of the content of the building. Instead, the traditions of secular open facade with a two-column loggia on the facade denote the megarons of the acropolises of the Aegean world and a bit-hilani house. An echo of such traditions can be considered two-column facades of Georgian traditional folk housing darbazi, which can be considered as characteristic of the region not only of the Caucasus. It should be noted as a change in the ratio of the area of the opening to the plane of the facade indicated the degree of elitism, esoteric or vice versa - democracy of a society and a certain type of building. It is established, as after long stagnation of development and conservation of achieved ideals in schemes of facade compositions noticeable changes occurred around 6-5 centuries. BC, when both in the Aegean region and in Antalya and Persia the formation of the composition of the open facade took place in monumental elite and sacred architecture. Mediterranean architecture opens up, becomes public, social, humane - it is time to form the space of a secular public city square surrounded by columned symmetrical portico facades - time of antique classical architecture.
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Sousa, G., G. Carlos, R. Florentino, and T. Bermudez. "MULTIDISCIPLINARY ANALYSIS OF THE VERNACULAR SETTLEMENTS IN USHGULI (UPPER SVANETI, GEORGIA)." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLIV-M-1-2020 (July 24, 2020): 189–93. http://dx.doi.org/10.5194/isprs-archives-xliv-m-1-2020-189-2020.

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Abstract. Ushguli, located in the Upper Svaneti region (Georgia), represents the highest point of human occupation before the permanent snowed highlands that separate Georgia from Russia. The local inhabitants (Svan) are described as an aggressive community with warrior habits. Their history is one of permanent conflict. Most of the major empires of the ancient world (Persia, Greece, Rome and Byzantium) disputed this territory. In the Middle Ages, when natural conditions secured their isolation, the established feudal system preserved, until recent times, the warrior culture of the Svan through a judicial system based on blood feuds. The necessity to defend their territory from invaders, as well as the violent conflicts between families, influenced their settlement morphology, as well as their vernacular architecture. Four small settlements (Chvibiani, Zhibiani, Chazhashi and Murkmeli) constitute the Ushguli province, inscribed in the UNESCO World Heritage Site list since 1996. This paper aims to study the Ushgulli traditional urban morphology, which does not correspond to any classical urban element. The overlapping between private and public spaces and the inexistence of a standard concept of street or square are some of their peculiar features; some of which have an important influence on the organization of vernacular buildings. These buildings do not present a dominating facade or any other type of hierarchical composition towards the exterior. Under the scope of the Project 3D Past a multidisciplinary approach (Architecture, Urban Morphology and History) is used to better understand the original features of these peculiar settlements.
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Hallote, Rachel S. "The Architecture of Ancient Israel from the Prehistoric to the Persian Periods. Aharon Kempinski , Ronny Reich." Journal of Near Eastern Studies 55, no. 3 (July 1996): 228–30. http://dx.doi.org/10.1086/373850.

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Zorn, Jeffrey. "The Architecture of Ancient Israel: From the Prehistoric to the Persian Periods. Aharon Kempinski and Ronny Reich." Biblical Archaeologist 57, no. 3 (September 1994): 176–77. http://dx.doi.org/10.2307/3210419.

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Dusinberre, Elspeth R. M. "The collapse of empire at Gordion in the transition from the Achaemenid to the Hellenistic world." Anatolian Studies 69 (2019): 109–32. http://dx.doi.org/10.1017/s0066154619000073.

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AbstractGordion, ancient capital of Phrygia, was a large and thriving city of secondary importance during the period of the Achaemenid Persian Empire (ca 550–333 BC). Recent work makes possible a reconsideration of the site: evaluating its architecture, finds and use of landscape within and after the socio-economic and administrative context of the Achaemenid imperial system enables the following new overview. During the Achaemenid period, Gordion’s populace participated in the broad cultural exchanges enabled by the imperial system and may have emphasised animal husbandry. When Alexander’s conquest led to the collapse of the Achaemenid administrative infrastructure, the impact on Gordion’s economy and cultural circumstance was profound. Its population plummeted, the architectural and spatial organisation of the site changed dramatically and new directions and means of trade and cultural interaction developed. Gordion’s archaeological remains reflect and emphasise the tremendous historical and political changes attending the end of the Empire and the beginning of the Hellenistic period.
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Dissertations / Theses on the topic "Architecture of ancient Persia"

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Bashardanesh, Mohammad. "Historic Persian buildings and structures: windwards, refrigerators and structural foundations." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2017.

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Architecture in life is the light of the culture in any society and closely relates with historical, political, economic and social aspects of the society. Persian architecture and building construction should be properly examined from the depths of the history of this ancient land. Persian architecture goes back to six centuries before Christ and it has over 6000 years of continuous history. Since then ever, architecture has been related to various issues, especially religious, and has developed and evolved for centuries. Persian architecture has features that in comparison with other countries are of particular value. Properties such as good design, precise calculations, the correct form of coverage, compliance with technical and scientific issues in the building, high balconies, tall pillars and the various decorations that each of them represent the magnificent of Persian architecture. This study assumes that architecture and building construction are the full manifestation of human culture, and focus on some of the important elements in traditional Persian architecture: windwards, traditional refrigerators and foundations.
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Spence, Katherine Emma. "Orientation in ancient Egyptian royal architecture." Thesis, University of Cambridge, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.299468.

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Nanji, Nawazish Godrej. "Giving Architecture to Fire." Thesis, Virginia Tech, 2006. http://hdl.handle.net/10919/33592.

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For centuries, fire has been a sacred symbol from the eastern cultures to western regions. As one of the four states of matter, fire represents the great essence in our daily lives as an energy source with its warmth, light and aura, kindling feelings of truth and spirituality within us. In his poetic verses, fire was venerated by Zoroaster who led mankind to believe that there is one supreme lord that we may follow; a being that can only be known by the quest for truth (Asha). For Zoroaster truth was symbolic with fire as it brought people together in prayer. With the passage of time fire became consecrated in different orders with the higher ones being placed within covered buildings for protection. These buildings became temples of fire or Fire Temples where an eternal flame was kept and looked after by a priest so as to keep alive the salvation of humankind and continue our journey towards righteousness with the blessings of the supreme. With this, faith stayed alive as long as the Fire burned. Herein lies my celebration of fire where I announce it to the follower on the path to truth as an eternal flame burning, yet resting in a place worthy of all its glory; an ambiance created to venerate the flame and reassure the traveler that its light has more to offer than meets the eye.
Master of Architecture
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Rossi, Corinna. "Mathematics and design in ancient Egyptian religious and funerary architecture." Thesis, University of Cambridge, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.621688.

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Packer, John Aidan. "Influences of Ancient Egypt on architecture and ornament in Scotland." Thesis, University of Edinburgh, 2012. http://hdl.handle.net/1842/7708.

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This work seeks to identify the forms and origins of Ancient Egyptian architecture and the complex historical progress which brought these to Scotland, identifying the affinities shared by both countries and their evolving role from their first arrival to the present day. The thesis follows Egypt’s first appearance in Scottish legend and its later influence, at the close of the 16th century, in the practices of organised Freemasonry, to be followed, from the second quarter of the 17th century, by numerous obelisk sundials and with the construction of the first pyramid towards its close. In the 18th century, single obelisk monuments with Masonic implications appeared, and the outstanding significance of the Scottish Enlightenment and its fascination with Antiquity are noted. That this coincided with the Grand Tour encouraged Scottish aristocrats, architects, and artists to observe, to study and to be inspired by Egyptian forms, principally in Rome, which then appeared in Scottish country house and garden. The first recorded visit of a Scot to Egypt, in 1768, led to the delayed publication of an account in 1793 and the century closed with the outbreak of the British military campaign in Egypt against Napoleon’s invading forces. The participation of Scots troops led to a new familiarity with the land and, albeit from France, there were produced the first accurate details of the country’s monuments and an ensuing enthusiasm for an ‘Egyptian Revival’. This thesis goes on to record the 19th century absorption with mourning, when the use of Egyptian symbols, aided by industrial methods of production, grew to a peak, allied to new archaeological discoveries by visiting Scots and the growth of accurate publications. These two latter, increased by the growing number of Scots who visited the country, influenced the use of Egyptian themes in a wide range of buildings, religious, domestic and industrial. The 20th century rejection of both religion and commemoration, except in acknowledgement of the sacrifice of those who gave their lives in the First and Second World Wars, led to the decline of Egyptian mourning themes and new building techniques left little place for Egyptian references which were mainly reduced to mere surface ornament. This thesis concludes with an important 21st century military example which contains within it, a unique range of Egyptian symbols of commemoration.
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Gleason, Kathryn Louise. "Towards an archaeology of landscape architecture in the ancient Roman world." Thesis, University of Oxford, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.359735.

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Clark, Julian David. "Architecture and processes in modern and ancient deep-marine channel complexes." Thesis, University of Leicester, 1994. http://hdl.handle.net/2381/35001.

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Quantitative analysis of modern submarine channels has permitted a more rigorous classification than has hitherto existed. Channel sinuosity varies with slope gradient, reaching a maximum sinuosity at an optimum gradient. Modern submarine channels may be classified by maximum sinuosity and slope gradient giving high-sinuosity, low-gradient, to low-sinuosity, high-gradient channels. This study highlights similarities between the geometry of submarine meanders and those of large terrestrial rivers. An architectural element analysis scheme is presented in this thesis to enable qualitative comparisons between modern and ancient channels. For submarine channels, using this architectural element scheme, two end-member models are proposed for modern and ancient systems. This thesis examines the classic channel-complex deposits of the Eocene Hecho Group, south-central Pyrenees, Spain, to emphasise the range of channel architectural styles found in a foreland basin. Seven distinct channel types are recognised in this basin, generally representing different levels of erosional and depositional architecture and facies. A variety of modern and ancient submarine channel elements have been studied to show that channel architecture is strongly controlled by the type of channelised flow process. Synthesising data from modern and ancient channels provides some predictions about preferential sites of sand accumulation within channel-levee complexes, e.g., at channel bends associated with flow stripping; channel confluences; point bar deposits; channel benches and terraces; channel thalwegs; and other hitrachannel hydraulic jump sites, such as cross channel growth faults.
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McEwen, Indra Kagis. "Socrates' ancestor : architecture and emerging order in archaic Greece." Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=60468.

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Socrates claimed Daedalus, the mythical first architect, as his ancestor. Taking this as a point of departure, the thesis explores the relationship between architecture and speculative thought, and shows how the latter is grounded in the former. A detailed examination of the Anaximander fragment, the earliest surviving record in Western philosophy, is considered in relation to Anaximander's built work. This three-part cosmic model which included a celestial sphere, the first map of the world, and a sun clock (the gnomon), reveals the fragment to be a theory of the work in that the cosmic order Anaximander was the first to articulate was discovered through the building of the model. The model is seen as comparable to a daidalon, a creation of Daedalus, whose legend reflects the importance of craft in the self-consciousness of archaic Greece where the kosmos (order) of civilization were seen as having emerged with the kosmos allowed to appear through the making of the artifact. Archaic self-consciousness is further examined through the emergence of the Greek city-state (the polis) and in the building of the first peripteral temples, both of which are revealed as necessary antecedents to birth of theory, understood as the wondering admiration of the well-made thing.
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Rezaee-Tafrechy, Tayyebeh. "L'eau : les réalités (les qanât), les mythes et les rites (la déesse Anahita) : de l'Iran préislamique à certaines coutumes et traditions conservées dans l'Iran contemporain." Thesis, Limoges, 2015. http://www.theses.fr/2015LIMO0094.

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Cette thèse porte sur les influences de la condition géographique du plateau iranien sur la création du mythe d’Anāhitā et les croyances concernant l’eau chez les iraniens et nous essayons de démontrer pourquoi ses mythes et ses rites sont différents de ceux des autres peuples qui bénéficiaient de la présence de l’eau. La situation particulière de sa géographie et le manque naturel de l’eau font de l’Iran un pays chaud et sec. Il y a quatre mille ans, ce manque de pluie sur le plateau iranien a engendré plusieurs croyances religieuses et rituelles en Perse, nous remarquons ce fait dans Avesta et les autres œuvres de l’époque préislamique. Nous voyons clairement la trace de ces croyances dans les folklores contemporains. Les travaux de recherche sur la langue de cette époque sont nombreux par rapport à l’étude des mythes et leurs formations dans la pensée iranienne préislamique. Plusieurs éléments favorisent cette pensée. Notre tâche dans ce travail consiste à les classer pour pouvoir ressortir les structures élémentaires de ces croyances qui perdurent jusqu’à aujourd’hui et les traces sont présentes dans les folklores contemporains. Notre corpus est constitué de l’ensemble des textes de cette époque et en grande partie les textes religieux notamment Avesta qui reste presque intact jusqu’à aujourd’hui et continue à influencer malgré l’arrivé des autres cultures et religions, mais ce qui est intéressant c’est que la pensée iranienne préislamique a su apprivoiser ces cultures et les localiser et leurs donner une forme iranienne
This thesis focuses on the influences of the geographical condition of the Iranian plateau on the creation of the myth of Anāhitā and the beliefs concerning water in Iran and we are trying to demonstrate why its myths and rituals are different from those of other peoples benefited from the presence of water. The particular situation of its geography and the natural lack of water make Iran a hot and dry country. Four thousand years ago, this lack of rain on the Iranian plateau generated several religious and ritual beliefs in Persia as we can notice in Avesta and other works of pre-Islamic era. We clearly see the trace of these beliefs in the contemporary folklores. Researches on the language of that time are numerous compared to the study of the myths and their formations in the pre-Islamic Iranian thought. Several factors support this thought. Our task in this work consists in classifying them to be able to arise the basic structures of these beliefs which continue until today and the traces are present in the contemporary folklores. Our corpus consists of the whole of the texts of that time and mainly the religious texts in particular Avesta which remains almost intact until today and continue to influence despite of the arrival of the other cultures and religions, but what is interesting it is that the pre-Islamic Iranian thought knew how to tame these cultures and to locate them and to give them an Iranian form
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Steinberg, Marc J. (Marc Jonathan) 1969. "6,000 years of copper smelting : Center for the Study of Copper Smelting in Ancient Societies." Thesis, Massachusetts Institute of Technology, 2000. http://hdl.handle.net/1721.1/70324.

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Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 2000.
Includes bibliographical references (p. 95).
In 1959 professor of archeology Beno Rothenberg began investigating the production of copper in the Sinai desert and Aravah region of southern Israel. He discovered over 650 previously unknown ancient copper mining and smelting sites. The Timna Valley is one of the most significant sites discovered and is believed to be the first site of copper production, beginning six-thousand years ago. Within this rich historical context, I propose to build an international center for desert studies and copper production in ancient societies. Faculty, students, and researchers will examine desert climate, vegetation, and wildlife. Equally important, they will study the process of mining and smelting copper. The center will also be open to individual tourists and larger groups. Following an introductory lecture, tourists will produce their own small samples of copper. The architecture of the building is driven from the nature of the smelting process. In this process, copper is chemically separated from impurities in a smelting furnace. Heavy metallic copper sinks to the bottom of the furnace. Slag forms above the copper and gas evaporates. The layers of the building mimic this process and are made from copper, slag, and glass. The overall design theme of the building also seeks to demonstrate a clear interaction between building, landscape, and environment.
by Mark J. Steinberg.
M.Arch.
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Books on the topic "Architecture of ancient Persia"

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Gianroberto, Scarcia, ed. Iran: The art and architecture of Persia. New York: Abbeville Press, 2007.

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Zadeh, Hamid N. Ancient Persian Empire: A three dimensional commemorative. Studio City, Calif: Geomancy, 2012.

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Jilvahʹhāyī az hunar-i miʻmārī-i Īrānʹzamīn: Justārhā-yī darbārah-ʼi bisyārī az sāzahʹhā, iṣṭilāḥhā va maṣāliḥ-i sākhtimānī va ṣanʻathā-yi vābastah-ʼi bih miʻmārī-i sunnatī-i Īrān az dīrbāz tā aknūn. Tihrān: ʻIlm va Dānish, 2009.

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Nardo, Don. Ancient Persia. San Diego, Calif: Blackbirch Press, 2004.

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John, Curtis. Ancient Persia. Cambridge, Mass: Harvard University Press, 1990.

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Curtis, John. Ancient Persia. London: British Museums Publications, 1989.

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Bramwell, Neil D. Discover ancient Persia. Berkeley Heights, NJ: Enslow Publishers, 2014.

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Empires of ancient Persia. New York: Chelsea House, 2009.

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Bruce, Wannell, and Omrani Bijan, eds. Irân: Persia : ancient and modern. Hong Kong: Odyssey, 2010.

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Stierlin, Henri. The cultural history of Persia. London: Aurum Press, 1985.

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Book chapters on the topic "Architecture of ancient Persia"

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Kharazmi, Mahsa, Reza Afhami, and Mahmood Tavoosi. "A Study of Practical Geometry in Sassanid Stucco Ornament in Ancient Persia." In Persian Architecture and Mathematics, 227–50. Basel: Springer Basel, 2012. http://dx.doi.org/10.1007/978-3-0348-0507-0_4.

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Olbrycht, Marek Jan. "Macedonia and Persia." In A Companion to Ancient Macedonia, 342–69. Oxford, UK: Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444327519.ch17.

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Orefici, Giuseppe. "Cahuachi Architecture." In The Ancient Nasca World, 343–62. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-47052-8_15.

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Juhel, Alain. "Touring Persia with a Guide Named … Hermann Weyl." In Persian Architecture and Mathematics, 203–26. Basel: Springer Basel, 2012. http://dx.doi.org/10.1007/978-3-0348-0507-0_3.

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Dunham, Sally. "Ancient Near Eastern Architecture." In A Companion to the Ancient Near East, 266–80. Oxford, UK: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470997086.ch20.

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Saliou, Catherine. "Architecture and Society." In A Companion to Ancient Aesthetics, 128–39. Hoboken, NJ: John Wiley & Sons, Inc, 2015. http://dx.doi.org/10.1002/9781119009795.ch8.

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Evans, Jean M. "Religious Architecture." In A Companion to Ancient Near Eastern Art, 433–56. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2018. http://dx.doi.org/10.1002/9781118336779.ch18.

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Thomas, Edmund. "The Beauties of Architecture." In A Companion to Ancient Aesthetics, 274–90. Hoboken, NJ: John Wiley & Sons, Inc, 2015. http://dx.doi.org/10.1002/9781119009795.ch18.

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Fauerbach, Ulrike, Willike Wendrich, Salma Khamis, Martin Sählhof, Bethany Simpson, and Angela Susak. "AEgArOn – Ancient Egyptian Architecture Online." In Digital Heritage, 463–72. Berlin, Heidelberg: Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-16873-4_37.

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Fu, Xinian. "The Architecture in Ancient China." In History of Science and Technology in China, 281–325. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-15-7853-3_9.

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Conference papers on the topic "Architecture of ancient Persia"

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"Identifying and Studying the Role of Women in Ancient Persia." In March 13-15, 2017 Dubai (UAE). HEAIG, 2017. http://dx.doi.org/10.15242/heaig.h0317434.

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Radicioni, Fabio, Pietro Matracchi, Aurelio Stoppini, Grazia Tosi, and Laura Marconi. "THE ETRUSCAN CITY GATES OF PERUGIA: GEOMATIC TECHNIQUES FOR THE DOCUMENTATION AND STUDY OF AN URBAN HISTORY HERITAGE." In ARQUEOLÓGICA 2.0 - 9th International Congress & 3rd GEORES - GEOmatics and pREServation. Editorial Universitat Politécnica de Valéncia: Editorial Universitat Politécnica de Valéncia, 2021. http://dx.doi.org/10.4995/arqueologica9.2021.12058.

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The Engineering Department of the University of Perugia and the Architecture Department of the University of Florence have started a research project on the ancient city gates of Perugia, belonging to the Etruscan city, dating between the third and second centuries b.C., and to the subsequent city wall completed in the twelfth century. In this paper, focus is placed on three Etruscan gates - Porta Eburnea (also called Porta della Mandorla), Porta Cornea and Porta Trasimena – which have in common profound Middle Age transformations and further significant context changes following the loss of function as defensive walls. Due to the decommissioning of this urban infrastructure, the gates have assumed a marginal role; nowadays they are almost completely absorbed by residential buildings, almost losing the memory of their origins and of the important Etruscan remains that are still preserved in the gates. Geomatic surveys on the three Etruscan gates were carried out by the Geomatics Laboratory of Perugia University in the frame of a research project financed by the Cassa di Risparmio di Perugia Foundation. The survey was carried out by means of a coordinated use of more Geomatic techniques: GNSS, Total Station, Terrestrial LIDAR and Digital Photogrammetry. From LIDAR and photogrammetry were derived dense point clouds, beside CAD plans, sections and elevations. The information acquired with these detailed surveys provide a completely new and accurate documentary evidence of the gates’ consistency, allowing to identify the actions and interventions that have changed their structure over time.
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Shadravan, Shideh, and Behnam Shadravan. "A Structural and Architectural Review of the Ancient Persian Domes and Arches." In AEI 2019. Reston, VA: American Society of Civil Engineers, 2019. http://dx.doi.org/10.1061/9780784482261.033.

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Hu, Jun, and Chen Li. "Lightning protection of Chinese ancient architecture." In 2011 7th Asia-Pacific International Conference on Lightning (APL). IEEE, 2011. http://dx.doi.org/10.1109/apl.2011.6110245.

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Jingyi, Zhu, Wu Di, Fan Wensilu, Chen Tianding, and Chen Yingdan. "Three-Dimensional Reconstruction of Ancient Chinese Architecture." In 2014 Sixth International Conference on Measuring Technology and Mechatronics Automation (ICMTMA). IEEE, 2014. http://dx.doi.org/10.1109/icmtma.2014.194.

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Feng, Li. "Column Carving Art in Ancient Huizhou Architecture." In 2018 8th International Conference on Social science and Education Research (SSER 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/sser-18.2018.20.

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Xu, Zhihua. "Jingdezhen Ancient Site Landscape Architecture Form Elements." In 3rd International Symposium on Social Science (ISSS 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/isss-17.2017.94.

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Yan, Jun, and Xiaoxian Shan. "On the national characteristics of Chinese ancient architecture." In ADVANCES IN ENERGY SCIENCE AND ENVIRONMENT ENGINEERING II: Proceedings of 2nd International Workshop on Advances in Energy Science and Environment Engineering (AESEE 2018). Author(s), 2018. http://dx.doi.org/10.1063/1.5029795.

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Wu, Guo, Zhang Yunyi, Han Dongfeng, and Li Wenhui. "A hybrid modeling method of Chinese ancient architecture." In The 7th ACM SIGGRAPH International Conference. New York, New York, USA: ACM Press, 2008. http://dx.doi.org/10.1145/1477862.1477895.

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Chen, Liyan, and Beizhan Wang. "Research on digital reconstruction of Chinese ancient architecture." In 2013 International Conference on Anti-Counterfeiting, Security and Identification (ASID). IEEE, 2013. http://dx.doi.org/10.1109/icasid.2013.6825319.

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