Relevant bibliographies by topics / Architecture of the second half of 20th century

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Architecture of the second half of 20th century'

Author: Grafiati
Published: 4 June 2021
Last updated: 12 February 2022

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Journal articles on the topic "Architecture of the second half of 20th century"

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Garnova, N. "ARCHITECTURE OF RESIDENTIAL BUILDING INDUSTRIAL MANOR OF THE SECOND HALF OF THE XIX CENTURY-EARLY XX CENTURY IN IVANOVO-VOSNESENSK." Technical Aesthetics and Design Research 2, no. 3 (January 15, 2021): 50–61. http://dx.doi.org/10.34031/2687-0878-2020-2-3-50-61.

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The pre-revolutionary industrial estates of the Ivanovo (until 1871 referred to as the village of Ivanovo, and since 1871 – the city of Ivanovo-Voznesensk) are the least studied and most susceptible to loss of architectural monuments of the city. This is greatly facilitated by the lack of a comprehensive architectural study, including an architectural analysis of all buildings that were part of industrial estates and their relationship at different stages of development of the complexes. The object of the study is all residential buildings of industrial estates that were part of the complexes in the second half of the 19th century - the beginning of the 20th century. The methodological basis of the work is based on the principles of an interdisciplinary approach, which allows considering the entire range of issues related to the object of research from the point of view of archeology, history, history of architecture, and urban planning. The study was carried out on the basis of a comparison of field surveys and archival sources of the state archives of the Ivanovo and Vladimir regions as well as the Ivanovo State Historical and Cultural Museum named after D.G. Burylin. As a result, the classification of residential buildings of industrial estates of the second half of the 19 th century – the beginning of the 20th century is presented on the basis of the façades and architectural projects made by the author.
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Nikitin, Yury, Vasiliy Goryunov, Vera Murgul, and Nikolay Vatin. "Research on Industrial Exhibitions Architecture." Applied Mechanics and Materials 680 (October 2014): 504–9. http://dx.doi.org/10.4028/www.scientific.net/amm.680.504.

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All-Russian and regional exhibition architecture in the second half of the 19th century through the early 20th century had varied distinct differences in style and design. Temporality of exhibition architecture in those days contributed to a variety of experiments made for pavilions in the context of styles and structures. There was a high demand for the Russian style to be applied for pavilions both in Russia and abroad. First search and application experience in respect to the modern art principles are connected with exhibition architecture. These experiments in the national architecture and art are of a high interest. Neo-classicism was applied in exhibition architecture in the early 20th century to a large extent. The exhibitions of the early 20th century appeared to be special ‘style workshops’. Organizers of certain exhibitions tried to keep uniformity of style of basic constructions. The major merit of exhibition architecture is that it contributed to the transition from eclecticism to a new style on the cusp of the 19th and beginning of the 20th centuries.
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Gudro, Ilze, and Jānis Krastiņš. "Contribution of Architect Daina Danneberga to the Architecture in the Second Half of the 20th Century." History of Engineering Sciences and Institutions of Higher Education 3 (October 15, 2019): 11–34. http://dx.doi.org/10.7250/hesihe.2019.002.

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The article reflects the contribution of the renowned Latvian architect Daina Danneberga to Latvian architecture, as well as the significant events and growth of her life. While living and working in Soviet times, the architect has designed both residential and public buildings, which are still in use and whose cultural and historical significance has surely increased over the time. The most recognizable object designed by the architect is the Student Campus of Riga Polytechnic Institute (RPI), now Riga Technical University (RTU), on the Ķīpsala Island. It was designed by D. Danneberga from 1969 to 1986. The architect has also developed projects for several other educational institutions as well as public and residential buildings, both in Latvia and abroad.
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Özten, Ülkü. "CONCEPTUAL EVOLUTION OF ARCHITECTURAL PROGRAM THROUGH THE SECOND HALF OF THE 20TH CENTURY." Tasarım + Kuram 11, no. 19 (July 12, 2016): 37. http://dx.doi.org/10.23835/tasarimkuram.239588.

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Tarasova, I. V., and A. V. Shvets. "Architectural process in Russia in second half of the 20th - early 21st century." IOP Conference Series: Materials Science and Engineering 687 (December 10, 2019): 055068. http://dx.doi.org/10.1088/1757-899x/687/5/055068.

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Izquierdo, Sara. "Open Al-Andalus: Hispanic-Muslim Heritage Impact on Spanish Contemporary Architecture." Arts 7, no. 4 (October 16, 2018): 66. http://dx.doi.org/10.3390/arts7040066.

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Spanish architecture, towards the end of the 19th century and the beginning of the 20th, was characterized by the development of a variety of styles, including Neo-Muslim. The Alhambra of Granada, the Mosque of Cordoba, and the Giralda Tower of Seville, served as inspiration to the design of works that would follow these models, some to a greater extent than others, and would eventually give rise to an architectural trend that would make its way all across Spain. As such, this article attempts to provide some examples of said architecture found in different autonomous communities in Spain, examining them through four typologies, as well as to discuss the consideration and use of the Neo-Muslim style after the second half of the 20th century. The methodology behind this research involved extensive reading and analysis of both general and specific works on the subject, the study of archival materials relative to some of the selected buildings, about which preserved evidence was scarce, as well as taking photographs of the properties included in the text.
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Plewka, Anna. "Ślady przeszłości w starych wnętrzach – architektura mazowieckich wnętrz z drugiej połowy XX wieku." Mazowsze Studia Regionalne, no. 27 (December 2018): 123–37. http://dx.doi.org/10.21858/msr.27.07.

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Su, Su, Swe Swe Aye, and Win Shwin et alt. "Modern Movement in Myanmar." Modern Southeast Asia, no. 57 (2017): 38–45. http://dx.doi.org/10.52200/57.a.kapxztkx.

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This paper highlights the course of the development of modern architecture in Myanmar, a country with an original and vital architectural tradition. There are case studies of well-known foreign and Myanmar architects who dealt with the relationship of spatial, cultural and environmental factors of modern architecture. Some architectural masterpieces created during the second half of the 20th century between 1950 and 1970 in Yangon are presented in this article in order to highlight the inspiration, imagination and limitation of these pioneer architects. The main reason for selecting these case studies are not only because of the influences from the outside world occurred in the post-independence period, but they can reveal the intertwined logic of the nation’s identity-building. They reveal the new consciousness of globalization as well as the development of regionalism.
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Hryhorov, V. "Monumental and decorative art of the second half of the 20th century in specialized literature." Research and methodological works of the National Academy of Visual Arts and Architecture, no. 27 (February 27, 2019): 99–104. http://dx.doi.org/10.33838/naoma.27.2018.99-104.

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The article deals with a number of issues highlighted in the research of monumental painting during the 1960–2000s, and follows the development of art studies literature during the specified period. Ukrainian monumental painting during the second half of the 20th century evolved rather unequally, which affecte the art criticism reflections. In the 1960's and 80's the active and dynamic development of monumental art took place. Research in this area also reached the peak of its popularity. For example, the article of I. Pronina contains a review of publications from 1973–1974, and the author brought the statistics indicating more than 200 works. (180) Since the mid-1960's, academics have been increasingly focusing on monumental art. The attitude to monumental painting in the art history literature of the 1960's is ambiguous. However, most researchers are still critical of post-war practice and consider monumental works of the late 1950`s and 1960`s as a step forward. The distinctive differences between the 1960's and 1970's – 1980's lie in various attitudes towards themes and scenes of the monumental painting. In the 1960's the monumentality was associated with the laconic content, using a set of all understandable associative attributes. The expansion of the range of themes in monumental painting in the professional literature occured in the 1970's. Since the research problem stands at the crossroads of various branches of art, important scientific advancements were reflected in such prominent professional publications as: "Architecture of the USSR", "Decorative art of the USSR" and "Fine Arts". In the 1970's the publishing house "Soviet artist" released a series of articles compilations called "Soviet monumental art." The state of monumentalism significantly changes in 1990's as there was a significant decline in the activity of this artistic direction. At this time the monumental painting fell into the field of wide-scale artistic studies. In the professional literature of the last decade the scope of art study themes has changed to a certain extent as the art historians more often address the issues previously tabooed in Soviet times, and some of them partially or fully relate to the monumental painting. To such themes belong the Sixties and Boichukizm. Today the problem of the preservation of Soviet monumental works sharply appears. Many authors turn to the theme of monumental art in order to attract the attention of society to the rapid destruction of mosaics and wall murals, and to prove their value for Ukrainian fine arts.
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Ben-Abdallah, Philippe, and Svend-Age Biehs. "Thermotronics: Towards Nanocircuits to Manage Radiative Heat Flux." Zeitschrift für Naturforschung A 72, no. 2 (February 1, 2017): 151–62. http://dx.doi.org/10.1515/zna-2016-0358.

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AbstractThe control of electric currents in solids is at the origin of the modern electronics revolution that has driven our daily life since the second half of 20th century. Surprisingly, to date, there is no thermal analogue for a control of heat flux. Here, we summarise the very last developments carried out in this direction to control heat exchanges by radiation both in near and far-field in complex architecture networks.
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Dissertations / Theses on the topic "Architecture of the second half of 20th century"

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Erten, Erdem 1972. "Shaping "The Second Half Century" : the Architectural Review, 1947-1971." Thesis, Massachusetts Institute of Technology, 2004. http://hdl.handle.net/1721.1/17662.

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Thesis (Ph. D.)--Massachusetts Institute of Technology, Dept. of Architecture, 2004.
Includes bibliographical references (p. 297-315).
This study explores the editorial policies of the British periodical, The Architectural Review, in the quarter century between 1947 and 1971. In January 1947, its fiftieth anniversary, The Architectural Review published an editorial manifesto, entitled "The Second Half Century," declaring a program that aimed to influence the postwar reconstruction effort in Britain. In 1971, H. de C. Hastings, the co-owner of the Architectural Review disbanded the editorial board, composed of J. M. Richards (1907-1992), Nikolaus Pevsner (1902-1983), Hugh Casson (1910-1999, who joined in 1951) and himself, which reigned continuously since 1947. In this period, AR ran campaigns in accordance with the program declared in "The Second Half Century." Articulating a trajectory for the future of the periodical, the editors not only aimed to shape post-war modem architecture in Britain, but also around the world. They reinterpreted British romanticism in order to conceptualize a model of environmental intervention, known under the rubric of "Townscape." The scope of this program, however, was far larger than the mere urban design methodology that "Townscape" stands for today. It was linked to a project of cultural continuity and renewal. The reinterpretation of British romanticism provided a field of negotiation with the tendencies of modernism-e.g. the ascendance of bureaucratic and technocratic expertise, rationalization of industrial production and increasing specialization-that the editors held responsible for creating an unacceptable uniformity and a sense of alienation. By analyzing the dialogue between the written works of the editors and the specific selection of material included in the periodical, this study aims to clarify the nature of AR's postwar effort by questioning
(cont.) the conflicting models of progress it harbored. It aims to reveal its complex position with respect to cultural continuity, modernity and avant-gardism. Pointing toward the cultural ideals that underlined this position, it covers an interdisciplinary territory that existed in the background where the editors drew the argumentative core of their polemics; a territory that covers the history of political science, cultural anthropology and art history in order to provide a depth of understanding and to reveal the larger constituency and hybridity of architectural discourse.
by Erdem Erten.
Ph.D.
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Turnock, Steven Thomas. "The impact of changing anthropogenic emissions on European atmospheric aerosols over the second half of the 20th Century." Thesis, University of Leeds, 2016. http://etheses.whiterose.ac.uk/14253/.

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Across Europe anthropogenic emissions have changed substantially over recent decades, due in part to the implementation of air pollution control legislation. It is important to understand the effect that such changes in emissions have on atmospheric aerosols and their impact on air quality and climate. The composition climate model HadGEM3-UKCA and long term observations of aerosols are used to simulate and evaluate the change in aerosols over the period 1960 to 2009. Simulated sulphate mass, total aerosol mass and aerosol number concentrations from HadGEM3-UKCA were underestimated but temporal trends were in better agreement when compared to observations. The inclusion of aerosols was found to be essential when reproducing the observed brightening trend in surface solar radiation across Europe since 1990. The all-sky aerosol radiative forcing (relative to a 1980-2000 mean) increased by >3 W m-2 during the period 1970-2009 due to reductions in aerosol concentrations. The sensitivity of sulphate aerosol formation and aerosol radiative effects to an increase in cloud water pH were investigated over the period 1970 to 2009. Sulphate aerosol mass increased over regions with large SO2 emissions but decreased at other locations. A positive response in the all-sky aerosol radiative effect was simulated due to reductions in aerosol number concentrations. Over Europe the aerosol radiative forcing between 1970 and 2009 varied from +1.5 to +7 W m-2 depending on whether an increase or decrease in cloud water pH was assumed. This shows the additional uncertainty that could exist in aerosol radiative effects if temporal changes in such parameters are not considered. Two emission scenarios have been used to assess the effect of European air quality legislation and technology improvements since the 1970s on particulate air quality, human health and climate. European annual mean PM2.5 concentrations reduced by 35% and are calculated to have prevented 80,000 premature deaths annually across the European Union, a perceived financial benefit to society of US$232 billion. A positive response in the all-sky aerosol radiative effect was simulated, which has increased European annual mean surface temperatures by 0.45 °C. The implementation of legislation and technology improvements has improved air quality and human health across Europe but also had an unintended impact on climate.
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Ray, Thomas. "Statistics as facts about society : the functions of statistics in Britain in the second half of the 20th century." Thesis, Open University, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.740996.

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Pavelec, Boris. "The Role of the United States Dollar as an International Currency in the Second Half of the 20th Century." Master's thesis, Vysoká škola ekonomická v Praze, 2014. http://www.nusl.cz/ntk/nusl-201892.

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This thesis maps the role of the U.S. dollar as an international currency with a main focus on the second half of the 20th century and the role of dollar in the world economy. The thesis spans from the end of the Second World War to the eve of the last global financial crisis. The thesis documents, how dollar became the leading international currency during the Bretton Woods system era. Although the inner conflicts led to breakup of the system, dollar remained the most important currency. Despite many attempts, a successful reform of the international monetary system never happened since then. In the last 30 years, the uncoordinated U.S. monetary policy led to rapid growth of imbalances in the world economy and consequently to the 2007/08 Financial crisis. The thesis shows that the viable reform can build on the original plan of John M. Keynes, which prepared for the Bretton Woods conference.
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Berg, Lovisa Ulrika. "Creating a man, a mouse or a monster? : masculinity as formulated by Syrian female novelists through the second half of the 20th century." Thesis, University of Edinburgh, 2017. http://hdl.handle.net/1842/22952.

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This literary study examines the formulation of masculinity in Syrian novels authored by women. The thesis covers the period between 1959 and 2000, corresponding to both the development of the female-authored novel in Syria and the creation of the modern Syrian state. This research engages with studies of masculinity in general and literary masculinity studies in particular. Drawing on the seminal work of Raewyn Connell as well as engaging with studies on masculinity and feminine narratology in Swedish, English and Arabic, the thesis analyses the formulation of literary masculinity through the fictional societies’ ideal masculinity on the one hand, and the female characters’ views and reactions to masculinity on the other. From a general survey of the field, 34 novels undertaking the formulation of gendered relations were identified and chosen for this study. From this selection, five themes emerged, forming the foundation of this thesis’ main chapters. The five themes explore, in turn, how stereotypes are utilised to critique gender roles, ways in which male and female characters collaborate to formulate gender norms, how female characters capitalise on patriarchy in order to enhance their lives, male characters as symbols for social and political change and finally, the difficulties included in the performance of masculinity. Each theme is exemplified through one novel, which is analysed in detail. Throughout the five chapters, the main novel chosen for analysis is put into conversation with other novels with similar themes but from different decades. This allows for an examination of changing ideals of masculinity in addition to the theme itself. The first theme, how stereotypes are utilised to critique gender roles, is studied through a close reading of al-Ẓahr al-‘ārī (The Naked back) by Hanrīyit ‘Abbūdī. The analysis illustrates how the expected normative behaviour of men and women is utilised in order to comment on the formulation of gender roles. The chapter further demonstrates ways in which what is seen as gender specific behaviour can be appropriated by the opposite gender. This is further developed through the examination of female writers taking over the male voice through a first person male narrator. The second theme, ways in which male and female characters collaborate to formulate gender norms, is discussed through a close reading of the novel Khaṭawāt fī al-ḍabāb (Steps in the fog) by Malāḥa al-Khānī. This chapter illustrates the similar expectations that both male and female characters have on their sons and fellow male characters. This includes taking on the role of provider and protector, even in the cases where the female characters are able to look after themselves. The third theme, how female characters capitalise on patriarchy in order to enhance their lives, is elaborated through a close reading of Ayyām ma‘ahu (Days with him) by Kūlīt Khūrī. This theme demonstrates how the female character constructs herself and her world around the idea of a perfect male, whom she thinks will save her. The analysis examines what is seen as ideal traits in a man. It further discusses the change of the female character and how her initial utilisation of patriarchal structure transforms into a critique of the same structure. The fourth theme, male characters as symbols for social and political change, is seen through a close reading of Dimashq yā basmat al-ḥuzn (Damascus, o smile of sadness) by Ulfat al-Idlibī. The chapter connects between changing social ideals and ideal masculinity. Through Bayrūt 75 (Beirut 75) by Ghāda al-Sammān, the fifth theme, the difficulties included in the performance of masculinity, is studied. The problematic masculinity presented is then put in contrast with what appears to be a suggestion that a performance of femininity could be an alternative to unsuccessful masculinity. Whereas the novels differ in their presentation of masculinity and the utilisation of ideal masculinity, they agree on a set of core traits summarised in a hegemonic ideal of masculinity as an ability to provide and protect. The ways in which this should be performed is however closely connected to the female characters’ ideas of emancipation and women’s rights. The female writers’ formulation of masculinity can hence be said to mirror the development of the female characters and their awareness of women’s rights. The thesis hopes that its original contribution to knowledge is the identification and examination of constructed masculinities in Syrian female-authored fiction. Moreover, this thesis studies a body of Syrian fiction previously largely unstudied in Western academia, and in a framework of Swedish, English and Arabic secondary sources.
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Lebednykaitė, Miglė. "Šventadienės prijuostės Lietuvos kultūroje. XIX a. – XX a. pirmoji pusė." Doctoral thesis, Lithuanian Academic Libraries Network (LABT), 2013. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2013~D_20130627_103017-08749.

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Disertacijos tyrimo objektas – šventadienė prijuostė, tradicinio liaudies kostiumo dalis, kuri pristatoma ne tik kaip drabužis, bet kaip sąlyginai savarankiškas daugiaplanis kultūros objektas, tapęs etninių tradicijų ir tautinės savimonės raiškos simboliu. Tyrimo laikotarpis – XIX a.–XX a. pirmoji pusė. Tai pirmasis mokslinis darbas, nuosekliai atskleidžiantis procesą, kaip prijuostė, prarasdama savo pirminę paskirtį, XX a. pirmojoje pusėje įgavo naują prasmę ir tapo tautiškumo simboliu, reprezentantu ne tik Lietuvoje, bet ir užsienyje. Darbe analizuojami iki šiol sistemingai netyrinėti XIX a.–XX a. pirmosios pusės šventadienių prijuosčių (taip pat prijuostėlių) rinkiniai Lietuvos ir kitų šalių (Baltarusijos, Lenkijos, Prancūzijos) muziejuose. Tyrimo metu užsienio šalių muziejuose surastos ir identifikuotos lietuvių šventadienės prijuostės yra vertingas ne vien šių muziejų, bet ir visoje Lietuvoje turimų šios rūšies liaudies tekstilės dirbinių fondo papildymas. Atsiranda galimybė įvertinti šventadienės prijuostės meninės raiškos formas, atlikimo technikų ir medžiagų ypatumus, kurių visumą kaip svarbų šaltinį galima pritaikyti tradicinių liaudies drabužių rekonstravimo darbų praktikai ir tautinio kostiumo studijoms. Atliktas tyrimas aktualizuoja prijuostės sociokultūrinės raiškos aspektus, leidžia giliau pažinti jų meninės formos bruožus, gali pasitarnauti kaip svarbi medžiaga lyginamosioms lietuvių liaudies meno studijoms, tolimesniems Lietuvos kultūros tyrinėjimams.
This doctoral dissertation analyses a part of the traditional folk costume – festive apron – which is presented not only as a garment, but also as a relatively independent and multidimensional cultural object, and a symbol of ethnic traditions and expressions of national identity. The research covers the period from the 19th century through the early 20th century. It is the first research systematically revealing the process of the apron losing its originally intended use and being given a new meaning in the first half of the 20th century, concurrently becoming a symbol and representative of national identity not only in Lithuania but also in foreign countries. The thesis analyses collections of festive aprons (including votive aprons) of the 19th century and the first half of the 20th century available in Lithuanian and foreign museums that have not been previously analysed on a systematic basis. Lithuanian festive aprons identified in foreign museums during the research are valuable supplementation not only to the holdings of these museums, but also to the fund of folk textiles of this type available in Lithuania. This provides an opportunity to assess the forms of artistic expression, the peculiarities of weaving techniques of, and the fabrics used for, festive aprons which, in their entirety, can be used as an important source for reconstructing traditional folk clothing and for studies of the national costume. The research actualises the aspects of socio-cultural... [to full text]
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Turzová, Lenka. "Nové formy bydlení na počátku 21. století." Master's thesis, 2013. http://www.nusl.cz/ntk/nusl-328147.

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New forms of housing at the beginning of the 21st century Various forms of housing evolve gradually depending on the technical development, life style and different cultural environments. The goal of this is to observe the evolution of residential housing from 1960's to the present. The key point of this dissertation is to find new forms of living at the beginning of the 21st century and its use in lower level buildings. When we consider "new forms of housing" we mainly speak about buildings with contemporary architectonical style, uncommon interior dispositions or the use of innovative constructional material (copper, corten and copilit). Next chapter explores typical and specific examples of these new architectonical styles that had been build in the Czech republic in the past few years. Each individual house or building is characterized and deeply analyzed. We can think of the terrace house - residential villa in "Kosire", villa style residence at "Hanspaulka" or isolated residential house in "Bohumilec". This dissertation is based on projects that had either been constructed, are being built right now or are simply ideas that might or might not be build in the near future. At the end of this dissertation I focus on issues with these new forms of living compared to the evolution of architecture...
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VESECKÁ, Denisa. "Asanace Pražského předměstí od 50. do 80. let dvacátého století." Master's thesis, 2018. http://www.nusl.cz/ntk/nusl-385136.

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The diploma thesis is dealing with the process of sanitation of the Prague suburb in Czech Budweis from 1950´s to 1980´s. The first chapter outlines the development of the Prague suburb from its early beginnings to the first half of the 20th century. The main concern of this work is put on the construction of the suburb which took place in the second half of the 20th century; moreover, the text refers to the sanitation works which were necessary to be made before constructing the new buildings which were constructed in this time period. There is Koldům form 50´s/60´s which was built by architect Bohumil Böhm. From the following decade, there is the department house called Družba which was designed by architects Ladislav Konopka and Alois Hlouška. The last building to be selected is the post office which originates in 80´s and it was also built by Ladislav Konopka. All chosen buildings are thoroughly discussed from the historical point of view; furthermore, the text also refers to the significance of these buildings and their present condition. The diploma thesis aims to depict in detail the phases of the sanitation of the Prague suburb. Through this description the text is trying to reveal the overall scope of the urban changes which took place in this oldest part of the city.
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Kherad, Nastaran 1964. "Re-examining the works of Ahmad Mahmud : a fictional depiction of the Iranian nation in the second half of the 20th century." 2013. http://hdl.handle.net/2152/21577.

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In this dissertation, I examine the work of an important yet insufficiently studied Iranian novelist and short-story writer, Ahmad Mahmud. Because of his early affiliation with leftist socialist groups, Mahmud's work has been subject to various, sometimes contradictory, interpretations by critics. Such readings of Mahmud's work have resulted in making him a controversial literary figure. Hence, this project aims to re-examine the critics' current viewpoint of Mahmud's works, which they regard as "ideologically driven" and "Marxist and/or political writing." Although Mahmud's ideology played a significant role in creating his stories, particularly in his early works, I argue that storytelling is the predominant concern for Mahmud. In fact, a large portion of his writing depicts his own life and his own development as a person and a writer. Mahmud's portrayal of the main protagonist of his stories, Khaled, who goes through various stages of transformation, indeed reflects his own evolution and development. In other words, I contend that Mahmud's literary output is essentially "autobiographical." In addition, I argue that Mahmud's autobiographical fiction helps to shape and articulate his emerging role as a novelist as he strives to record decades of turbulent social and political upheaval and change in the post-1950s era, as the Iranian nation undergoes various stages of transformation and growth in search of a new identity and political autonomy. With an analysis of a select number of Mahmud's novels, furthermore, I discuss the social and historical nature of this transformation of the author/protagonist/nation and argue that from early on Mahmud was determined to depict the linear socio-political movement that took place in the modern history of Iran in the character of his memorable hero, Khaled, who appears in various guises and matures both as a person and a social entity from one novel to the next.
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Lopes, Nuno Miguel Godinho Correia. "Vasco Cunha, cinquenta anos de obra arquitectónica em Coimbra – 1962 a 2012." Master's thesis, 2013. http://hdl.handle.net/10400.26/16820.

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Esta dissertação estuda a obra arquitectónica de Vasco Cunha, cuja actividade durou cerca de cinquenta anos, desde o início da década de 1960 até Junho de 2013, localizando-se, principalmente, na cidade de Coimbra. Mantendo-se aquele autor a laborar até praticamente ao presente, para o desenvolvimento do conhecimento aqui produzido, usufruiu-se do seu testemunho pessoal, bem como da detalhada consulta do arquivo que mantém. Em complemento, examinaram-se os Processos de Licenciamento, relativos aos seus projectos existentes no Arquivo da Câmara de Coimbra e de Arganil. Para completar o estudo, foi realizada uma análise in situ de algumas das edificações da sua autoria. O percurso académico e as primeiras experiências profissionais que Vasco Cunha teve no Porto, foram fortemente influenciados por relevantes figuras presentes naquela cidade e com quem se cruzou, de onde realçamos os arquitectos Robert Auzelle, Fernando Távora, a dupla Arménio Losa e Cassiano Barbosa e Lixa Filgueiras. As primeiras obras de Vasco Cunha, datadas do princípio da década de 60, tiveram forte impacte em Coimbra, dando-lhe os créditos que fizeram com que, nas décadas seguintes, projectasse grande número de planos urbanísticos e de edifícios, para aquela cidade, sendo, maioritariamente, esses projectos resultantes da iniciativa privada. Com esta investigação, pretendeu-se compreender os vários aspectos arquitectónicos envolvidos nos projectos daquele arquitecto, procurando identificar constantes conceptuais, características morfológicas e construtivas, e a relação com os modelos que estiveram na sua origem. Desse modo, analisaram-se os edifícios, desenhados por Vasco Cunha, considerados exemplares e relevantes, concretizando-se uma síntese do conjunto da sua obra, revelando até que ponto é que ela foi inovadora e influenciadora, em Coimbra, contribuindo para a divulgação dos projectos daquele arquitecto, cujo labor tanto marcou essa cidade.
This dissertation studies the architectural work of Vasco Cunha, whose activity lasted about fifty years, from the beginning of 1960 until June 2013, located mainly in Coimbra. Vasco Cunha kept an professional active life practically until the present day, and therefore the present study benefited from his personal testimony as well as from a detailed research into his personal archive. In addition, the Licensing Processes of his project works were also examined in the municipal Archives of Coimbra and Arganil. A survey analysis in situ of some of the architect buildings completed this study. The academic and early professional experiences that Vasco Cunha had in Oporto were strongly influenced by relevant figures who he met there. Some of them are worth mentioning as is the case of the architects Robert Auzelle, Fernando Távora, Arménio Losa and Cassiano Barbosa and Lixa Filgueiras. The first works of Vasco Cunha, dated from the beginning of the 60s, had a strong impact in Coimbra, paving his way in the following decades, as the author of a large number of projects for buildings and urban plans for that city, most of them being from private sector origin. This research work aimed to understand the various aspects involved in his architectural projects, to identify conceptual constants, morphological and constructive features, compared with the models they derived from. Thus, the buildings designed by Vasco Cunha analyzed here are considered exemplary and relevant, embodying a synthesis of all of his work. This research work aimed to reveal the extent to which he was innovative and influential, in Coimbra, and also contribute to the dissemination of the projects authored by an architect whose trace has indelibly marked this city.
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Books on the topic "Architecture of the second half of 20th century"

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Norris, Ken. Report on the second half of the 20th century. [Winnipeg, Man.]: Muses' Co., 2000.

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Łopuski, Jan. Maritime law in the second half of the 20th century: Selected articles. Toruń: Wydawnictwo Naukowe Uniwersytetu Mikołaja Kopernika, 2008.

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Maritime law in the second half of the 20th century: Selected articles. Toruń: Wydawnictwo Naukowe Uniwersytetu Mikołaja Kopernika, 2008.

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30-second twentieth century: The 50 most significant ideas and events, each explained in half a minute. New York, NY: Metro Books, 2015.

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Reynolds, Jonathan T., and Grace Chee. 30-second twentieth century: The 50 most significant ideas and events, each explained in half a minute. Crows Nest, NSW: Pier 9, an imprint of Allen & Unwin, 2015.

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The private collections of Russian Turkestan in the second half of the 19th and early 20th century. Berlin: Klaus Schwarz Verlag, 2004.

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Srpska arhitektura XX veka: Od istoricizma do drugog modernizma = Serbian 20th century architecture : from historicism to second modernism. Beograd: Arhitektonski fakultet Univerziteta u Beogradu, 2003.

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Polish analytical philosophy: Studies on its heritage : with the appendix containing the bibliography of Polish logic from the second half of the 14th century to the first half of the 20th century. Warszawa: Wydawn. Naukowe "Semper", 2009.

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Architecture in uniform: Designing and building for the Second World War. Montréal: Canadian Centre for Architecture, 2011.

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Väliyev, Ädalät. Belief, spirit and theatre: A sociophilosophical and politico-ideological paradigm of concepts of National Theatre in Azerbaijani during the second half of the 20th century. London, England: Open Theatres, 2014.

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Book chapters on the topic "Architecture of the second half of 20th century"

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Temam, Roger. "Some Developments on Navier-Stokes Equations in the Second Half of the 20th Century." In Development of Mathematics, 1950–2000, 1049–106. Basel: Birkhäuser Basel, 2000. http://dx.doi.org/10.1007/978-3-0348-8968-1_36.

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Rayhanova, Baian. "Modern Arabic Short Story: Genre Transformations in the Second Half of the 20th Century." In Оријенталистика јуче-данас-сутра, 397–407. Београд: Филолошки факултет Универзитета у Београду, 2019. http://dx.doi.org/10.18485/orijentalistika_jds.2019.ch27.

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Gulyaev, Rudolf A. "Fundamental Contributions of the Solar Eclipse Observations to Solar Physics in the Second Half of the 20th Century." In Theoretical and Observational Problems Related to Solar Eclipses, 21–24. Dordrecht: Springer Netherlands, 1997. http://dx.doi.org/10.1007/978-94-011-5492-5_5.

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Dakich, Eva. "Theoretical and Epistemological Foundations of Integrating Digital Technologies in Education in the Second Half of the 20th Century." In IFIP Advances in Information and Communication Technology, 150–63. Berlin, Heidelberg: Springer Berlin Heidelberg, 2014. http://dx.doi.org/10.1007/978-3-642-55119-2_10.

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Roca Ricart, Rafael. "The reception of Tirant lo Blancin Valencia in the second half of the 19th century and the beginning of the 20th century." In IVITRA Research in Linguistics and Literature, 139–52. Amsterdam: John Benjamins Publishing Company, 2015. http://dx.doi.org/10.1075/ivitra.10.09roc.

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Luna, Pablo F. "3. Property, Dominium, and the Hispanic enlightenment on both sides of the Atlantic in the second half of the eighteenth century." In Property Rights, Land Markets and Economic Growth in the European Countryside (13th-20th Centuries), 87–104. Turnhout: Brepols Publishers, 2013. http://dx.doi.org/10.1484/m.rurhe-eb.4.00139.

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Hofmann, Hasso. "Chapter 10 The Development of German-Language Legal Philosophy and Legal Theory in the Second Half of the 20th Century." In A Treatise of Legal Philosophy and General Jurisprudence, 285–365. Dordrecht: Springer Netherlands, 2016. http://dx.doi.org/10.1007/978-94-007-1479-3_10.

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Hidalgo, J. Carlos González, Martín de Luís Arrillaga, and Josep Raventós Bonvehí. "The Spatial and Temporal Structure of Rainfall Trends in the Valencia Region (Eastern of Spain) over the Second Half of the 20th Century." In Detecting and Modelling Regional Climate Change, 175–89. Berlin, Heidelberg: Springer Berlin Heidelberg, 2001. http://dx.doi.org/10.1007/978-3-662-04313-4_16.

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Măran, Mircea. "Intellectual Elites and Serbian-Romanian Relations in the Serbian Banat of the Second Half of the 19th and the Beginning of the 20th Century." In Intercultural Conflict and Harmony in the Central European Borderlands, 151–62. Göttingen: V&R unipress, 2017. http://dx.doi.org/10.14220/9783737006927.151.

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Cârja, Ion. "The Dilemmas of Cohabitation: The Orthodox and the Greek Catholic Communities in Transylvania in the Second Half of the 19th and Early 20th Century." In Intercultural Conflict and Harmony in the Central European Borderlands, 163–74. Göttingen: V&R unipress, 2017. http://dx.doi.org/10.14220/9783737006927.163.

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Conference papers on the topic "Architecture of the second half of 20th century"

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Butorina, Irina. "Urban Heritage Conservation in the Second Half of the 20th Century: from Monuments' Restoration to Sustainable Development." In Proceedings of the 2019 International Conference on Architecture: Heritage, Traditions and Innovations (AHTI 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/ahti-19.2019.29.

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Santa Lucia, Andrew. "A Strange Transamerican Optimism." In 2016 ACSA International Conference. ACSA Press, 2016. http://dx.doi.org/10.35483/acsa.intl.2016.57.

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A contemporary strand of Transamerican architects working between the American continents have developed a discernible attitude towards architecture, a Strange Optimism, a radical agenda of novel social participation encompassed by progressive architectural instrumentality. This work runs counter to the more accepted genealogies of Latin American architecture and its utilitarian, political or contextual in the second half of the 20th century. This essay will define a Strange Transamerican Optimism in the work of Sydney/New York/Madrid’s Fake Industries Architectural Agonism, Mexico’s Pedro y Juana andBolivia’s Freddy Mamani Silvestre.
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Garcia Lammers, Federico, and Jessica Garcia Fritz. "The Dark God of Efficiency and the Economical Forms of Eladio Dieste." In 2016 ACSA International Conference. ACSA Press, 2016. http://dx.doi.org/10.35483/acsa.intl.2016.7.

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“Efficiency is the dark god to whom we sacrifice so many things”. Since the rise of the Industrial Revolution in the 18th century, “innovation as progress” became a mantra of industrialized societies. As new materials and the methods for making them emerged, architectural education shifted from an École des Beaux-Arts education rooted in the principles of classicism to an arts and crafts based education definitive of the Bauhaus. This shift allowed architecture students the opportunity to work with new materials such as iron, steel, and reinforced concrete. Throughout the 20th century, innovations came less in the form of the methods that impacted material and construction and more in the form of representational tools. By the end of the century, digital tools dominated both architectural education and practice. In the last half of the 20th century Uruguayan engineer, Eladio Diesterecognized a representational fetish in architecture as he claimed that “current methods of construction and even our professional training teach us to do projects, not build buildings―we think more about the plans than the structure, or we only think about the structure through the framework of the plans.” In his own practice, Dieste was able to collapse the space between representational and material knowledge by focusing on what he defined as Cosmic Economy. The first half of this paper will introduce the circumstances and methods associated with Dieste’s practice in the context of Cosmic Economy. The second half of the paper will describe representation and construction processes as a means to exercise material knowledge in an ongoing student project at South Dakota State University.
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De Marco, Paolo, and Antonino Margagliotta. "La construcción del lenguaje en el Teatro Popular de Sciacca de Giuseppe y Alberto Samonà. *** The construction of language in the Sciacca popular Theatre by Giuseppe and Alberto Samonà." In 8º Congreso Internacional de Arquitectura Blanca - CIAB 8. Valencia: Universitat Politècnica València, 2018. http://dx.doi.org/10.4995/ciab8.2018.7580.

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El Teatro popular de Sciacca de Giuseppe Samonà y su hijo Alberto –dos importantes guras de la arquitectura italiana– es una de las más significativas obras italianas de la segunda mitad del siglo XX. Inaugurado en 2015, después de una larga construcción de cuarenta años, el teatro tiene una original implantación con doble sala; está compuesto por tres grandes volúmenes (un paralelepípedo, un cono y una pirámide) y expresa una arquitectura de la imagen, una idea de un espacio determinado por formas puras y del uso de un único material (el hormigón visto). El uso de tres formas arquetípicas es una vuelta a los orígenes, una idea casi clásica y racional de la arquitectura; al mismo tiempo es la evocación de una perfección arcaica. Para esta idea es fundamental el empleo del hormigón, conceptualmente entendido como material primordial, que participa en la expresión de estabilidad y duración. El edificio se convierte en icono y se inserta en el paisaje como un monumento. En este sentido, esta arquitectura es un homenaje a Le Corbusier, construida a través de la interpretación del lenguaje del gran maestro. El Teatro de Sciacca representa, probablemente, el más notable ejemplo de arquitectura le corbuseriana en Italia.***The Sciacca Popular Theatre by Giuseppe Samonà and his son Alberto - two important figures of Italian architecture - is one of the most significant Italian building of the second half of the 20th century. Inaugurated in 2015, after a forty years long construction, the building has an original layout with two auditoriums; composed by three big volumes (a parallelepiped, a cone and a pyramid) and expresses an architecture of image, an idea of space determined by pure forms and using a single material (the raw concrete). The use of three archetypal forms is a return to the origin, an idea al- most classical and rational of architecture; at the same time is the evocation of an archaic perfection. Within this context, the use of raw concrete is also fundamental. Understood as primitive material, it participates to the expression of stability and durability across the building. As a result, the building is converted to an icon that sits in the landscape like a monument. In this sense, this architecture is a tribute to Le Corbusier, built through the interpretation of the great master language. The Sciacca Theatre represents, probably, the most remarkable example of architecture by Le Corbusier in Italy.
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Lopes Dias, Tiago. "La mirada de Pedro Vieira de Almeida a Le Corbusier: una visión desde Portugal en la segunda mitad del siglo XX." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.732.

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Resumen: Pedro Vieira de Almeida (Lisboa, 1933 – Matosinhos, 2011) es uno de los más importantes críticos y teóricos de la arquitectura en la segunda mitad del siglo XX en Portugal. En 1963, presenta en la Escuela de Bellas Artes de Oporto una tesis titulada “Ensayo sobre el espacio de la arquitectura”, influida por el pensamiento de Bruno Zevi. Hasta la Revolución de los Claveles (1974), va a compaginar su práctica profesional como arquitecto con una intensa actividad crítica ejercida sobre todo en periódicos y revistas culturales. Desde sus primeros trabajos se evidencia una notable capacidad de utilizar conceptos críticos innovadores en el análisis de obras de arquitectura, lo que será fundamental en sus estudios historicos desarrollados a lo largo de su vida, dados a conocer en publicaciones y exposiciones retrospectivas sobre arquitectos clave. Este ensayo propone una reflexión sobre el legado de Le Corbusier poniendo el aciento en algunos artículos de Vieira de Almeida escritos entre 1965 y 1970, así como en la investigación que ha llevado a cabo en los últimos años de su vida. Esta lectura diacrónica pone de relieve el papel central del maestro franco-suizo en la lectura crítica de Vieira de Almeida del racionalismo, a través de las nociones por él manejadas: “estructura crítica como condición base de la creación”, las vertientes poético-simbólica y mítica de la arquitectura o el concepto de carácter más instrumental de la “espesura”. Abstract: Pedro Vieira de Almeida (Lisbon, 1933 – Matosinhos, 2011) is one of the most prominent critics and theorists of architecture in the second half of the 20th century in Portugal. In 1963, he presented at the Oporto School of Fine Arts a thesis entitled “Essay on architectural space”, clearly influenced by the thoughts of Bruno Zevi. Until the Carnation Revolution (1974), he will combine his professional practice as an architect with an intense critical activity, developed mainly in newspapers and cultural magazines. Since his early work, a remarkable ability to use innovative concepts in the critical analysis of buildings have been put forth, with major consequences in his historiographical studies, developed throughout his life through publications or retrospective exhibitions on key architects. The following paper proposes a reflection on the legacy of Le Corbusier based on Vieira de Almeida’s theoretical work, linking some texts written between 1965 and 1970 with his research carried out in his last years of life. This diachronic study highlights the central role of Le Corbusier in Vieira de Almeida’s critical approach to rationalism, by means of notions as: “criticism as a basic condition of creation”, poetic-symbolic and mythical aspects of architecture, or the more instrumental concept of “thickness”. Palabras clave: Crítica; Teoría; Pedagogía; Poética; Espesura; Ronchamp. Keywords: Critique; Theory; Pedagogy; Poetics; Thickness; Ronchamp DOI: http://dx.doi.org/10.4995/LC2015.2015.732
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Steklyannikova, Svetlana. "Russian Poetry In German Anthologies From Second Half Of The 20Th Century." In International Scientific Conference «Social and Cultural Transformations in the Context of Modern Globalism» dedicated to the 80th anniversary of Turkayev Hassan Vakhitovich. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.10.05.450.

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Rinkevica, Rudite. "CONCEPT OF CHILD IN LATVIAN PROSE OF SECOND HALF OF THE 20TH CENTURY." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018h/61/s11.027.

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Kristianova, Katarina. "ALFONZ TORMA AND SLOVAK LANDSCAPE ARCHITECTURE OF THE 2ND HALF OF THE 20TH CENTURY." In 2nd International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2015. Stef92 Technology, 2015. http://dx.doi.org/10.5593/sgemsocial2015/b41/s15.030.

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Bayeva, Olga. "Characteristics of Nakhichevan-on-Don Residential Architecture of the Second Half of the 19th Century." In Proceedings of the 2019 International Conference on Architecture: Heritage, Traditions and Innovations (AHTI 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/ahti-19.2019.7.

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Zaks, Lev. "Culture of the Second Half of the 20th Century through the Early 21st Century in Action: Creation of Contemporary Publicity." In The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2019. http://dx.doi.org/10.35853/ufh-public/private-2020-01.

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The article offers a culturological vision of publicity, and partly correlative privacy as universal aspects of the joint existence of people. The analysis methodology is based on the perception of culture as a universal specific way of existence of people and society; the perception of society as a sociocultural system; the perception of the evolution of society and all areas of its existence as a result of their holistic sociocultural determination. Publicity is considered in terms of its characterisation as a sociocultural phenomenon (space-time, socioanthropological, functional, communicative, discursive), and then the evolution of publicity as a function and the product of the cultural system is outlined. The main (and diverse) sociocultural influential factors having determined substantial changes in features of publicity (and its relationship with privacy) as from the second half of the 20th century to the present day are analysed: left-wing influence and democratisation of societies after World War Two; rising prosperity of citizens; origination of consumer society; release of public psychology from some conventional cultural taboos including as a result of secularisation and the sexual revolution; widespread and influential mass-media; informational revolution (information society). Critical effects of these factors in respect of publicity and its evolution have been shown. The information revolution of the second half of the 20th century to the early 21st Century is considered as the crucial factor of the radical qualitive transformation of social life, processes of its institutionalisation and with it, public and private spheres. Peculiarities of contemporary online publicness and its relationship with online privacy are addressed. Axiological problems of online publicness are highlighted.
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Reports on the topic "Architecture of the second half of 20th century"

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Covey, Curt, and Forrest Hoffman. C-LAMP Subproject Description:Climate Forcing by the Terrestrial Biosphere During the Second Half of the 20th Century. Office of Scientific and Technical Information (OSTI), October 2008. http://dx.doi.org/10.2172/1113396.

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