Relevant bibliographies by topics / Architecture radicale

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Architecture radicale'

Author: Grafiati
Published: 4 June 2021
Last updated: 9 February 2022

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Journal articles on the topic "Architecture radicale"

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Verstraeten, F., R. Göstl, and R. P. Sijbesma. "Stress-induced colouration and crosslinking of polymeric materials by mechanochemical formation of triphenylimidazolyl radicals." Chemical Communications 52, no. 55 (2016): 8608–11. http://dx.doi.org/10.1039/c6cc04312g.

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Yaneva, Albena, and Liam Heaphy. "Urban controversies and the making of the social." Architectural Research Quarterly 16, no. 1 (March 2012): 29–36. http://dx.doi.org/10.1017/s1359135512000267.

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On the one hand, architectural knowledge advances very rapidly, with new types of materials and technological innovations entering the field and multiplying architectural invention. On the other hand, urban experts, architects and engineers often debate publicly uncertain urban knowledge and technologies, risky plans and daring designs, polarising opinion - as witnessed on numerous blogs, citizen forums and architecture websites. This radical transformation in building technologies, in the reliance upon experts and in the expansion of architectural networks could have remained practically invisible were it not for the presence of another phenomenon: the digitalisation of architecture and the availability of enormous Internet databases. The digital technologies at our command provide us with abundant resources to follow architectural controversies.
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Quiclet-Sire, Béatrice, and Samir Z. Zard. "Some aspects of radical chemistry in the assembly of complex molecular architectures." Beilstein Journal of Organic Chemistry 9 (March 18, 2013): 557–76. http://dx.doi.org/10.3762/bjoc.9.61.

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This review article describes briefly some of the radical processes developed in the authors’ laboratory as they pertain to the concise assembly of complex molecular scaffolds. The emphasis is placed on the use of nitrogen-centred radicals, on the degenerate addition–transfer of xanthates, especially on its potential for intermolecular carbon–carbon bond formation, and on the generation and capture of radicals through electron transfer processes.
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Samalavičius, Almantas. "A conversation with architect and urban planner Leon Krier." JOURNAL OF ARCHITECTURE AND URBANISM 37, no. 4 (December 24, 2013): 227–30. http://dx.doi.org/10.3846/20297955.2013.859445.

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Leon Krier hardly needs to be introduced to anyone who has a professional or academic interest in the discussions of architecture and urbanism of recent decades. An internationally established architect, architectural theorist and urban planner, he is well-known not only as the author of numerous architectural and urban design projects and master-plans, but also for his defense of what is sometimes called „neo-traditional” architecture and the values that were and continue to be associated with the role and aesthetics of the architecture of past centuries. Although he has been attacked for his non-conformist views and critical attitude towards radical modernism, Leon Krier remains an important figure in discussions of architecture and urbanism, and his interests overlap with present concerns for environment and sustainable future. The talk by the editor of the journal with Leon Krier is an attempt to discuss the flaws of contemporary architectural and urban practice as well as to indicate its roots and draft some prospects for the future.
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Chapman, Michael. "Bloody fingerprints: Tschumi and the avant-garde." Architectural Research Quarterly 17, no. 3-4 (December 2013): 293–302. http://dx.doi.org/10.1017/s1359135514000116.

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This paper investigates the radical approach to architectural representation of Bernard Tschumi in the late 1970s and its relationship to the literary and visual practices of Dada and Surrealism. Focussing on Tschumi's Advertisements for Architecture and Manhattan Transcripts, the paper demonstrates how the critique of avant-garde tactics in Peter Bürger and Walter Benjamin applies to a broader understanding of politics in architecture and its efficacy.
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Lynch, Dylan M., and Eoin M. Scanlan. "Thiyl Radicals: Versatile Reactive Intermediates for Cyclization of Unsaturated Substrates." Molecules 25, no. 13 (July 7, 2020): 3094. http://dx.doi.org/10.3390/molecules25133094.

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Sulfur centered radicals are widely employed in chemical synthesis, in particular for alkene and alkyne hydrothiolation towards thioether bioconjugates. The steadfast radical chain process that enables efficient hydrothiolation has been explored in the context of cascade reactions to furnish complex molecular architectures. The use of thiyl radicals offers a much cheaper and less toxic alternative to the archetypal organotin-based radical methods. This review outlines the development of thiyl radicals as reactive intermediates for initiating carbocyclization cascades. Key developments in cascade cyclization methodology are presented and applications for natural product synthesis are discussed. The review provides a chronological account of the field, beginning in the early seventies up to very recent examples; a span of almost 50 years.
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Karassowitsch, Michael. "Architecture is not Technology:- The Space of Differentiation in Architectural Education." Open House International 40, no. 3 (September 1, 2015): 11–23. http://dx.doi.org/10.1108/ohi-03-2015-b0004.

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An unspoken issue of increasing priority in architectural education is the under developed differentiation between architecture and technology. Almost all of the qualifications whereby an architect is prepared for and is permitted to practice professionally are technological parameters. But architecture is not technology. Architecture is, however, both protected by and obscured thru technology being in the forefront that means it is both of benefit and a hindrance. Architecture being undifferentiated from technology and named in terms of technology thus allows the issue to stay safely within the pragmatic assertion of professionalism that is set up during an education mainly controlled by the profession. Within that is a nascent architectural impulse that resides largely unspoken but which is nonetheless evolved and evolving and shared. The unrevealed architecture generates an aura of the mysterious and the radical which that contributes a greatly to the intensity of mundane and well known work. This paper examines how architectural technology obviates a space of differentiation within architecture, which may be examined phenomenologically in terms of the essence of humanity, whereby architecture has an original ontological correlation with human aspiration. This will be supported with the well known — for brevity — theoretical and practical examples around the work of Heidegger, Louis I. Kahn. Along with phenomenology, we will introduce philosophies of spiritual practice collectively called rajayoga. The latter is a millennia long experiment with well documented research into human aspiration. The paper concludes with examples of architecture presencing this space of differentiation and suggests the implications on the profession of an education that scan develop the super-ordinate program that is architectural practice.
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Chaillou, Stanislas. "Latent architecture: a semanticist’s perspective." Architectural Research Quarterly 24, no. 4 (December 2020): 309–13. http://dx.doi.org/10.1017/s1359135521000087.

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Artificial Intelligence (AI) is an emerging reality for the architectural discipline. Our work over the past three years has been to demonstrate AI’s relevance for architecture. Among many aspects, AI fundamentally opens up access to a new approach to formal experiments through the concept of ‘latent space’. We believe this concept represents a radical improvement in generating architectural forms, and comes at a time when cities are pressurised by the burning challenges they face: ecology, urban densification, the rapid mutation of modes of living, etc. In return, architecture is charged to come up with new typologies, able to handle these pressing concerns. AI invites us to reinvest in formal research in order to design the habitat of tomorrow.
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Emmons, Paul. "Diagrammatic Practices: The Office of Frederick L. Ackerman and "Architectural Graphic Standards"." Journal of the Society of Architectural Historians 64, no. 1 (March 1, 2005): 4–21. http://dx.doi.org/10.2307/25068122.

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The office of Frederick Ackerman (1878-1950) was the source of the first modern architectural handbook, Architectural Graphic Standards (1932), which was intended as a radical manifesto. Basing his practice on the economic critique of "conspicuous consumption" by Thorstein Veblen (1857-1929), Ackerman was a leader of the technocratic movement. Ackerman directed his employees to develop factual architectural data. The authors of Graphic Standards, Charles Ramsey (1884-1963) and Harold Sleeper (1893-1960), worked at Ackerman's firm, and it was for Ackerman's projects that the first versions of the handbook's plates were drawn. Graphic Standards reflected Ackerman's technocratic approach to architecture, whereby he isolated functional facts from appearance, which was understood as self-expression. In its use of diagrams, Graphic Standards reflected the view that such schematic representations were the transparent rendering of facts. Yet, as seen in some of the plates of Graphic Standards, even the most reductive diagrams inevitably include expressive elements. Through many editions, Graphic Standards has been widely hailed as the "bible" of architectural practice, and it is paradoxical that Ackerman's radical practice became the basis of today's normative commercial practices. The attempt to separate functional fact from aesthetic self-expression was an impossible project, but Ackerman's efforts to achieve a modern architecture that was derived from the nature of its use and construction to replace the design of novelties remain a significant achievement.
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Manic, Bozidar, Dragana Vasiljevic-Tomic, and Ana Nikovic. "Contemporary Serbian Orthodox church architecture: Architectural competitions since 1990." Spatium, no. 35 (2016): 10–21. http://dx.doi.org/10.2298/spat1635010m.

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This paper focuses on the architectural competitions for Orthodox Christian churches in Serbia since 1990, both on the analysis of the designs submitted and the competition requirements. The first competition for an Orthodox church in Serbia after World War II was announced for Pristina in 1991. After that, competitions for the temple in Cukarica, Novi Beograd, Nis, Aleksinac and Krusevac were conducted. Thanks to the fact that architectural competitions allow a greater degree of creative freedom to the architects than regular practice, various solutions were offered, from replicas of models from architectural history and tradition to fully non-traditional proposals. Depending on the relationship to tradition, architectural design approaches can be classified into three main groups: radically modernizing, conservatively traditionalist, and compromising. Of the six competitions conducted, four churches were built, which are among the most architecturally successful newer churches in Serbia. This points to the importance of the implementation of the architectural competition in this field of architecture. The diversity of the award-winning projects shows that there is awareness of the possibility for the further development of church architecture, favouring a moderate approach.
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Dissertations / Theses on the topic "Architecture radicale"

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Brayer, Marie-Ange. "Entre art et architecture : la maquette comme objet d'expérimentation au XXe siècle." Paris, EHESS, 2016. http://www.theses.fr/2016EHES0136.

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La maquette d'architecture est envisagée comme un objet d'expérimentation au confluent des pratiques artistiques et architecturales. Trois moments de rupture ont été circonscrits qui, à chaque fois, bouleversèrent la compréhension de la maquette : les avant-gardes historiques ; l'architecture radicale des années 1960-1970 ; l'architecture numérique. Si la maquette est appréhendée jusqu'au XXe siècle dans un rapport analogique à l'architecture, elle s'affirme comme un objet autonome d'expérimentation avec les avant-gardes historiques. L'œuvre se convertit alors en maquette d'architecture, en « construction spatiale » tandis que la maquette d'architecture acquiert un statut d'objet esthétique, interférant avec les autres champs de la création (sculpture, photographie, film, théâtre, etc). L'architecture expérimentale des années 1960-1970 ouvre une brèche utopique dans la notion de projet architectural. On assiste alors à l'effondrement du projet architectural comme langage codifié, qui se dissémine en multiples modes d'expression (performances, objets de design, environnements, etc. ) qui viendront se substituer aux outils projectuels. L'avènement des technologies numériques dans les années 1990 modifiera en profondeur le rôle de la maquette d'architecture qui se convertit au sein de l'espace digital en matrice numérique, code, image, prototype, objet générique. Comme dans les avant-gardes historiques et l'architecture radicale, la maquette est à nouveau un dispositif articulant différents plans de perception, dans une dimension physique et cognitive, où s'échangent les régimes de l'image et de l'objet, dans une « mutabilité » des langages et des échelles
The architectural model is envisaged as an object of experimentation, at the crossroads of artistic and architectural practices. Three moments of epistemological rupture have been identified, each of which has in turn shattered the understanding of the model: The historical avant-gardes; The radical architecture of the 1960s-1970s in Europe; Digital architecture. Although up to the beginning of the 20th century the model was grasped in its analogical relation to architecture, the practices of the historical avant-garde movements led to its being increasingly seen as an object of experimentation. The avant-gardes transformed the work into a model, into a "spatial construction" while the architectural model acquired the status of aesthetic object, interfering with the other fields of creation (sculpture, photography, film, theater, etc. ). The experimental architecture of the 1960s-1970s opened a utopian breach in the concept of the architectural project. This resulted in the collapse of the architectural project as the production of a codified language which was now disseminated though multiple modes of expression (performances, design objects, environments, etc. ), and which gradually began to replace the tools for planning. The advent of digital technologies in the 1990s profoundly transformed the role of the architectural model, which within digital space became a digital matrix, code, image, prototype, generic object. As with the historical avant-gardes and radical architecture, the model has once again become a device for joining different planes of perception, in a physical and cognitive dimension, where the rules governing the image and the object are interchangeable, in a "mutability" of languages and scales
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Fumanal, Quintana Maria. "Radical-Pair Formation in Organic π-Stacked Architectures." Doctoral thesis, Universitat de Barcelona, 2015. http://hdl.handle.net/10803/345173.

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Interest in organic molecule-based materials has extraordinarily grown in both the electronic and data storage industries. Specifically, research in the development of new plastic devices for technological proposes has emerged as they may provide lower manufacturing costs, more versatile synthetic processes and better mechanical properties (i.e. transparency, flexibility) than standard inorganic materials. However, in order to compete with these inorganic-based materials in terms of effectiveness, their conductive, magnetic and switchable characteristics must be improved, such that they can be applied as high-performance molecular conductors, magnets and memory devices. The physical properties of these organic materials not only depend on the nature of its constituent molecules (magnetic, biocompatible) but on how they organize in the solids (polymeric, amorphous, crystalline). Therefore, predicting and achieving a particular final behaviour is challenging and requires investigations on the structure-property relationships as well as on the nature of the chemical species. Over the last years, continuous effort has been done aimed at developing new purely organic-based materials with technologically relevant properties. Since Gomberg's synthesis of the triphenylmethyl neutral radical, a large variety of stable organic radicals have been reported, such as nitroxides, verdazyl-, phenoxyl-, phenalenyl-, dithiazolyl- and triazinyl-based compounds, as well as several functionalized radical ions based on tetracyanoethylene (TCNE), and tetrathiafulvalene (TTF+.) among others. These particular families of organic radicals can be used as versatile templates for the synthesis of new derivatives with improved characteristics by the introduction of different substituents into their basic skeleton. However, further progress in novel materials must be achieved through a rational design of new chemical structures. In this context, the available computational tools can substantially contribute to obtain the necessary knowledge of the factors controlling the final target physical properties, namely conductivity, magnetism and bistability, which are essentially dominated by the electronic structure of these materials. The work presented in this thesis is devoted to study different purely organic derivatives that have been shown to be promising for the development of new functional materials. In particular, the attention has been focused on three different families of organic radicals that present interesting physical properties as a consequence of a Tr-stacked radical-pair formation in the condensed phase, that is: (1) radical ions, (2) phenalenyl- and (3) triazinyl-based compounds. Overall, the present PhD thesis aims at contributing to the field of computational chemistry as well as to the understanding of the electronic properties that govern the Tr-dimerization of these systems, which, ultimately, determine their magnetic and switchable behaviour.
En els últims anys, s'ha fet un esforç continu per desenvolupar materials nous purament orgànics amb propietats tecnològicament rellevants. Des de la síntesi de Gomberg del radical neutre trifenilmetil, s'ha reportat una gran varietat de radicals orgànics estables, com ara els nitròxids, verdazils, fenoxils, fenalenils, ditiazolils i compostos basats en triazinil, així com diversos ions radicals funcionalitzats basats en tetracianoetilè (TCNE-•), i tetratiafulvalè (TTF1-.), entre d'altres. Aquestes famílies de radicals orgànics s'utilitzen per a la síntesi de nous derivats amb característiques millorades a partir de la introducció de diferents substituents en el seu esquelet bàsic. No obstant això, els avenços en nous materials s'han d'aconseguir a través d'un disseny racional de les noves estructures químiques. En aquest context, les eines computacionals disponibles poden contribuir substancialment a obtenir els coneixements necessaris sobre els factors que controlen les propietats físiques desitjades, a saber, la conductivitat, el magnetisme i la biestabilitat, dominades fonamentalment per l'estructura electrònica d'aquests materials. El treball presentat en aquesta tesi està dedicat a estudiar diferents derivats purament orgànics que han demostrat ser prometedors per al desenvolupament de nous materials funcionals. En particular, l'atenció s'ha centrat en tres famílies de radicals orgànics que presenten propietats físiques interessants com a conseqüència de la formació de parells de radical Tr, aquests són: (1) els ions radicals, (2) els fenalenils i (3) els compostos basats en triazinil. En global, aquesta tesi doctoral té com a objectiu contribuir al camp de la química computacional, així com a la comprensió de les propietats electròniques que regeixen la dimerització Tr d'aquests sistemes, que, en última instància, determina el seu comportament magnètic i commutable.
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Long, David. "Waste City: alternative architecture for radical change." Master's thesis, University of Cape Town, 2010. http://hdl.handle.net/11427/19086.

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This thesis is an exploration into the possible creation of radically alternative ways of dwelling within the city, whereby inhabitants would construct their own environments through the use of waste as a building resource. The project challenges and contests the status quo of architectural production, market driven planning and a societal structure which is governed by the continuous consumption of 'stuff', while simultaneously attempting to address the ever-increasing social inequality experienced within Cape Town. Given our present conditions of crisis born out of modernity and the processes of modernization, the research brings foreword the utopian debate, questioning how we might begin to envision a better future. To this end the research begins with an exploration into the conditions of modernity and the implications these conditions have had on human existence. The modern social project of architecture forms the basis of this study, unpacking the complexities it faced when confronting the social conditions of modernity and its attempts to bring about social transformation. The conclusions drawn from this study formed the development of a personal philosophical position and the development of a series of propositions presented in the form of cartoons. The study thus formed the basis and genesis of ideas for the design project. This ideological response comes in the form of self-sufficiency support structures, whereby inhabitants would construct their own environment to meet their own desires. Free from the constraints of capital labour, people could engage in free play, creativity and celebrate collective life, thus potentially overcoming the alienating and fragmenting forces associated with the conditions of modernity. This thesis is an exploration into the possible creation of radically alternative ways of dwelling within the city, whereby inhabitants would construct their own environments through the use of waste as a building resource. The project challenges and contests the status quo of architectural production, market driven planning and a societal structure which is governed by the continuous consumption of 'stuff', while simultaneously attempting to address the ever-increasing social inequality experienced within Cape Town. Given our present conditions of crisis born out of modernity and the processes of modernization, the research brings foreword the utopian debate, questioning how we might begin to envision a better future. To this end the research begins with an exploration into the conditions of modernity and the implications these condition~ have had on human existence. The modern social project of architecture forms the basis of this study, unpacking the complexities it faced when confronting the social conditions of modernity and its attempts to bring about social transformation. The conclusions drawn from this study formed the development of a personal philosophical position and the development of a series of propositions presented in the form of cartoons. The study thus formed the basis and genesis of ideas for the design project. This ideological response comes in the form of self-sufficiency support structures, whereby inhabitants would construct their own environment to meet their own desires. Free from the constraints of capital labour, people could engage in free play, creativity and celebrate collective life, thus potentially overcoming the alienating and fragmenting forces associated with the conditions of modernity.
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Carlmark, Anna. "Complex Macromolecular Architectures by Atom Transfer Radical Polymerization." Doctoral thesis, KTH, Fibre and Polymer Technology, 2004. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-3740.

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Controlled radical polymerization has proven to be a viableroute to obtain polymers with narrow polydispersities (PDI's)and controlled molecular weights under simple reactionconditions. It also offers control over the chain-]ends of thesynthesized polymer. Atom transfer radical polymerization(ATRP) is the most studied and utilized of these techniques. Inthis study ATRP has been utilized as a tool to obtain differentcomplex macromolecular structures.

In order to elaborate a system for which a multitude ofchains can polymerize in a controlled manner and in closeproximity to one another, a multifunctional initiator based onpoly(3-ethyl-3-(hydroxymethyl)oxetane was synthesized. Themacroinitiator was used to initiate ATRP of methyl acrylate(MA). The resulting dendritic-]linear copolymer hybrids hadcontrolled molecular weights and low PDI's. Essentially thesame system was used for the grafting of MA from a solidsubstrate, cellulose. A filter paper was used as cellulosesubstrate and the hydroxyl groups on the cellulose weremodified into bromo-]ester groups, known to initiate ATRP.Subsequent grafting of MA by ATRP on the cellulose made thesurface hydrophobic. The amount of polymer that was attached tothe cellulose could be tailored. In order to control that thesurface polymerization was -eliving-f and hence that thechain-]end functionality was intact, a second layer of ahydrophilic monomer, 2-hydroxyethyl methacrylate, was graftedonto the PMA- grafted cellulose. This dramatically changed thehydrophilicity of the cellulose.

Dendronized polymers of generation one, two and three weresynthesized by ATRP of acrylic macromonomers based on2,2-bis(hydroxymethyl)propionic acid. In the macromonomerroute, macromonomers of each generation were polymerized byATRP. The polymerizations resulted in polymers with low PDI's.The kinetics of the reactions were investigated, and thepolymerizations followed first-order kinetics when ethyl2-bromopropionate was used as the initiator. In the-egraft-]onto-f route dendrons were divergently attached to adendronized polymer of generation one, that had been obtainedby ATRP.

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Marraccini, Marco. "Radical reuse : from the superfluous to the exquisite." Thesis, Massachusetts Institute of Technology, 2006. http://hdl.handle.net/1721.1/35613.

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Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 2006.
Leaves 73-74 blank.
Includes bibliographical references (leaves 68-69).
This thesis focuses on the systematic possibilities for the intricate architectural reuse and reconfiguration of the radial tire and the PET plastic bottle. Both waste products demonstrate significant structural and phenomenological potential and are abundantly available at the global scale. Through the specific exploration of these systems, reuse will be introduced to America's high-end architectural client base. Work in this well-established field has been typically associated with squatter settlements, ecological housing, and low-income developments. The objective is to demonstrate the elegance and sophistication that this strategy can yield. It is through the attention to the detail and the specific aggregation of waste materials that the exquisite and desirable can be created out of the unwanted, thus demonstrating the possibilities for future reuse in the larger construction market.
by Marco Marraccini.
M.Arch.
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Liu, Tengjia. "Preserving bad architecture : radicaL preservation in the post-disaster era." Thesis, Massachusetts Institute of Technology, 2016. http://hdl.handle.net/1721.1/103477.

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Thesis: M. Arch., Massachusetts Institute of Technology, Department of Architecture, 2016.
Cataloged from PDF version of thesis.
Includes bibliographical references (pages 126-127).
The essence of trauma is precisely that it is too horrible to be remembered, to be integrated into our symbolic universe. All we have to do is to mark repeatedly the trauma as such. - Slavoj Žižek This thesis re-examines the role of ruins preservation by speculating on the inherent tension between disaster ruins, psychological interventions and collective memorialization. It challenges the misconception of architectural preservation which is against human interaction as well as possibilities for future change. In other words, the historicization of past events should not only be manifested as the physical integrity of artifacts, but rather shape and be shaped by the present and future of a place. The thesis seeks to rethink the act of preservation as a means of integrating memorialization into the everyday experience of the inhabitants. Sited in the 2008 Wenchuan Earthquake in China, the thesis proposes an alternative way to restore and memorialize the aftermath of the Beichuan town. By establishing a live memorial versus a frozen ghost town, the thesis positions the quake aftermath in a direct relationship with the contemporary citizens and thus projects the site towards its future. The thesis traces the frozen ruins in both geographical and ideological terms. It explores preservation through memorialization by embracing future collapse, growth or transformation. After analyzing the existing urban context, the thesis welcomes change as a positive element in the preservation process. The project adapts and recycles building waste; transforms physical memories into resilient infrastructure; utilize the secondary disaster to reshape the landscape: and celebrates the tectonic rubbles together with natural or sub-natural elements, such as debris, dust, mud, as well as annual flooding.
by Tengjia Liu.
M. Arch.
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Berríos, Negrón Luis Rafael 1971. "The Turtle : an American school of architecture : a radical mediocracy." Thesis, Massachusetts Institute of Technology, 2006. http://hdl.handle.net/1721.1/34649.

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Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 2006.
Vita.
Includes bibliographical references (p. 98-103).
This thesis evolves as a curatorial exercise with three phases: revisiting the practical and aesthetic position of the architecture thesis, structuring a design environment within MIT for fellow thesis candidates, leading to the development of a 1:1 test case - the Turtle. The Turtle will transport past student theses while also serving as a remote "pin-up" review space. The unit travels through and out of campus, in order to place greater publicity on the output of MIT both within and beyond the Institute. This provides theses candidates with a prop for their respective presentations allowing for more informed contributions to the MIT School of Architecture. The Turtle ultimately aims to serve as cultural equipment towards informing a broader sphere of knowledge that becomes more accessible to the contemporary architecture student, their critics/consultants, and their respective audiences. Considering MIT's digital thesis search engine, D-Space, these additional terms are addressed: a new type of specialist, authorship, collaboration, collective imagination, communication, digital, Venturi's duck, education, endless, fact, faction, fear, fiction, Gehry's fish, hegemony, human, infinite, interference, knowledge, lack of knowledge, learning, material, mode of production, movement, myth, need, open source, optimism, party, political imagination as risk society, practice, propaganda, property, public programs, Goulthorpe's rabbit, relations, research, reticulation, rhinoceros, scale, simulation, spiritual, student tools, students as medium, teaching, technological, truth, turtle, variation.
by Luis Rafael Berríos Negrón.
M.Arch.
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Shooter, Andrew James. "Living free radical polymerisation." Thesis, University of Warwick, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.263817.

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Lee, Sang-Hun. "Supramolecular architectures : macrocycles, catenanes and polyrotaxanes /." Diss., This resource online, 1996. http://scholar.lib.vt.edu/theses/available/etd-08232007-112703/.

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Ellis, Charles. "Direct Radical Intuition: toward an 'Architecture of Presence' through Japanese ZEN Aesthetics." University of Cincinnati / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1306498199.

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Books on the topic "Architecture radicale"

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Frederic, Migayrou, ed. Architecture radicale: Institut d'art contemporain--IAC, Villeurbanne, du 12 janvier au 27 mai 2001. Villeurbanne: IAC. Institut d'art contemporain, 2001.

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Lebbeus, Woods. Radical reconstruction. New York: Princeton Architectural Press, 1997.

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Radical reconstruction. New York: Princeton Architectural Press, 1997.

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Interrogando la Arquitectura Contemporánea (2002 Centro Atlántico de Arte Moderno). Arquitectura radical. [Canary Islands]: Centro Atlántico de Arte Moderno, 2003.

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Internationaler, Architekturworkshop "Radical City Vision" (1st 2001 Hannover Germany). Radical city vision. Sulgen: Niggli, 2002.

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1965-, Ross Philip, ed. Radical office design. New York: Abbeville Press, 2006.

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Klanten, Robert. The sky's the limit: Applying radical architecture. Berlin: Gestalten, 2012.

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International Architectural Exhibition (6th 1996 Venice, Italy). Radicals, architettura e design 1960-75 = Radicals, design and architecture 1960-75. Venezia: La Biennale di Venezia, 1996.

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Radical games: Popping the bubble of 1960s' architecture. Rotterdam: NAi Publishers, 2009.

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ArchiLab, Conference (2002 Orléans France). ArchiLab's earth buildings: Radical experiments in land architecture. New York, N.Y: Thames & Hudson, 2003.

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Book chapters on the topic "Architecture radicale"

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Gaynor, Scott G., Dorota Greszta, Jin-Shan Wang, and Krzysztof Matyjaszewski. "Atom Transfer Radical Polymerization Including Degenerative Transfer: Novel and General Pathways Towards “Living” / Controlled Radical Polymerization." In New Macromolecular Architecture and Functions, 1–9. Berlin, Heidelberg: Springer Berlin Heidelberg, 1996. http://dx.doi.org/10.1007/978-3-642-80289-8_1.

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Crivillers, Núria, Marta Mas-Torrent, Cláudia Simão, Markos Paradinas, Carmen Munuera, Carmen Ocal, Stefan T. Bromley, Concepció Rovira, and Jaume Veciana. "PTM Radicals for Molecular-Based Electronic Devices." In Architecture and Design of Molecule Logic Gates and Atom Circuits, 71–85. Berlin, Heidelberg: Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-33137-4_6.

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Sawamoto, Mitsuo, and Masami Kamigaito. "Living Radical Polymerization via Reversible Homolytic Activation of Carbon-Halogen Bonds with Metal Complexes." In New Macromolecular Architecture and Functions, 11–20. Berlin, Heidelberg: Springer Berlin Heidelberg, 1996. http://dx.doi.org/10.1007/978-3-642-80289-8_2.

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Astesiano, Egidio, Maura Cerioli, and Gianna Reggio. "Architecture Specific Models: Software Design on Abstract Platforms." In Radical Innovations of Software and Systems Engineering in the Future, 1–15. Berlin, Heidelberg: Springer Berlin Heidelberg, 2004. http://dx.doi.org/10.1007/978-3-540-24626-8_1.

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Glazebrook, Trish. "Ihde’s Revolutions: From Paris to Science, Rock, and Radical Architecture." In Philosophy of Engineering and Technology, 19–41. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-35967-6_3.

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Schmidt, Heinz W., Bernd J. Krämer, Iman Poernomo, and Ralf Reussner. "Predictable Component Architectures Using Dependent Finite State Machines." In Radical Innovations of Software and Systems Engineering in the Future, 310–24. Berlin, Heidelberg: Springer Berlin Heidelberg, 2004. http://dx.doi.org/10.1007/978-3-540-24626-8_22.

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Burks, Arthur W. "A radically non-von-Neumann-architecture for learning and discovery." In Lecture Notes in Computer Science, 1–17. Berlin, Heidelberg: Springer Berlin Heidelberg, 1986. http://dx.doi.org/10.1007/3-540-16811-7_148.

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Lewis, Bruce. "Architecture Based Model Driven Software and System Development for Real-Time Embedded Systems." In Radical Innovations of Software and Systems Engineering in the Future, 249–60. Berlin, Heidelberg: Springer Berlin Heidelberg, 2004. http://dx.doi.org/10.1007/978-3-540-24626-8_17.

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Cheng, Fei, and Frieder Jäkle. "New Architectures and Applications of Organoboron Polymers Prepared via Controlled Radical Polymerization." In ACS Symposium Series, 27–38. Washington, DC: American Chemical Society, 2012. http://dx.doi.org/10.1021/bk-2012-1101.ch003.

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Tumanov, Vladimir E., Elena S. Amosova, and Andrei I. Prokhorov. "Using Fuzzy Knowledge Base to Evaluate a Classical Potential Barrier of Liquid Phase Reactions of Tert-Butyloxyl Radicals with Hydrocarbons." In Information Systems Architecture and Technology: Proceedings of 37th International Conference on Information Systems Architecture and Technology – ISAT 2016 – Part I, 199–209. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-46583-8_16.

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Conference papers on the topic "Architecture radicale"

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Santa Lucia, Andrew. "A Strange Transamerican Optimism." In 2016 ACSA International Conference. ACSA Press, 2016. http://dx.doi.org/10.35483/acsa.intl.2016.57.

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A contemporary strand of Transamerican architects working between the American continents have developed a discernible attitude towards architecture, a Strange Optimism, a radical agenda of novel social participation encompassed by progressive architectural instrumentality. This work runs counter to the more accepted genealogies of Latin American architecture and its utilitarian, political or contextual in the second half of the 20th century. This essay will define a Strange Transamerican Optimism in the work of Sydney/New York/Madrid’s Fake Industries Architectural Agonism, Mexico’s Pedro y Juana andBolivia’s Freddy Mamani Silvestre.
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Woolley, Tom. "Architectural Education and Community Power." In 1995 ACSA International Conference. ACSA Press, 1995. http://dx.doi.org/10.35483/acsa.intl.1995.53.

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Architectural Education in the UK has drifted toward an esoteric preoccupation with style and artistic production and is ignoring important issues of society and urban change. Techniques of user participation and involvement of students in real life social problems is on the agenda in only a few schools of architecture. Yet in the real world more emphasis is being placed on tenants and resident participation in social housing programmes. The Community Technical Aid movement is going from strength to strength. However UK schools of architecture are not preparing students for work of this kind. In this paper it is argued that architectural history and theory is largely to blame for placing too much emphasis on precedent studies divorced from social and political context. Progressive movements in CIAM and radical social programmes are ignored in favour of pre-occupation with fashionable but content free stylisms.
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Martin Fuentes, Javier. "Turning Point at the UNESCO Headquarters. Crossed Influences between Pier Luigi Nervi and Marcel Lajos Breuer." In 8º Congreso Internacional de Arquitectura Blanca - CIAB 8. Valencia: Universitat Politècnica València, 2018. http://dx.doi.org/10.4995/ciab8.2018.7424.

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The history of architecture is closely linked to the evolution and the use of materials. Concrete was the most important material of the 20th century, becoming the medium for a new architecture. Many different architects not only relied on the use of concrete as their main mode of expression but also got involved in the quest for a new architectural language for the so-called new material. Pier Luigi Nervi and Marcel Breuer are not only among the great architects of the last century, but above all, they are masters of concrete, both developing extensive bodies of work based on the use of the material. Nervi and Breuer worked together in a virtuosic piece of architecture, the building for the UNESCO Headquarters in Paris. Built mainly in concrete and inaugurated in 1958, it occupies a relevant place in the history of architecture. This paper wants to highlight how during that process, both architects underwent a radical change in their careers and in relation to the use of concrete, turning this project in a milestone for the history of architecture as a whole.
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Grönstedt, Tomas, Carlos Xisto, Vishal Sethi, Andrew Rolt, Nicolás García Rosa, Arne Seitz, Kyros Yakinthos, et al. "Ultra Low Emission Technology Innovations for Mid-Century Aircraft Turbine Engines." In ASME Turbo Expo 2016: Turbomachinery Technical Conference and Exposition. American Society of Mechanical Engineers, 2016. http://dx.doi.org/10.1115/gt2016-56123.

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Commercial transport fuel efficiency has improved dramatically since the early 1950s. In the coming decades the ubiquitous turbofan powered tube and wing aircraft configuration will be challenged by diminishing returns on investment with regards to fuel efficiency. From the engine perspective two routes to radically improved fuel efficiency are being explored; ultra-efficient low pressure systems and ultra-efficient core concepts. The first route is characterized by the development of geared and open rotor engine architectures but also configurations where potential synergies between engine and aircraft installations are exploited. For the second route, disruptive technologies such as intercooling, intercooling and recuperation, constant volume combustion as well as novel high temperature materials for ultra-high pressure ratio engines are being considered. This paper describes a recently launched European research effort to explore and develop synergistic combinations of radical technologies to TRL 2. The combinations are integrated into optimized engine concepts promising to deliver ultra-low emission engines. The paper discusses a structured technique to combine disruptive technologies and proposes a simple means to quantitatively screen engine concepts at an early stage of analysis. An evaluation platform for multidisciplinary optimization and scenario evaluation of radical engine concepts is outlined.
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Oğuzhan, Adnan, and Cenk Hamamcıoğlu. "Spatial and Structural Analysis of Futuristic Urban Utopian Thoughts in Climate Change Dystopias." In 4th International Conference of Contemporary Affairs in Architecture and Urbanism – Full book proceedings of ICCAUA2020, 20-21 May 2021. Alanya Hamdullah Emin Paşa University, 2021. http://dx.doi.org/10.38027/iccaua2021tr0067n17.

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It is thought that climate change will radically affect societies in the future, leading to radical changes in the structural and spatial mechanisms of cities. Today, most of the World, particularly 10% of the World's population living in settlements below the sea level are expected to be affected by extreme climatic conditions such as sea-level rise, change in ocean currents, destructive weather events and heat waves (IPCC, 2019). As discussed in the literature (see. Hjerpe & Linner, 2009; Foust, 2009), in this study, the most severe effects of climate change are described as a dystopian period. In this direction, the study aims to share and discuss the samples of futurist urban utopia thoughts for the environments such as floating, underwater/sub aqua, underground/subterranean and overhead/aerial (sky, space), which are considered as uninhabitable or difficult to live under normal conditions together with their structural and spatial properties, in order for societies to survive in the dystopia of climate change. In the context of climate change, the futurist urban utopias, which are envisaged for different environments, are analyzed through four variables; technological features, ways of obtaining resources, spatial and urban form conceptions, and their mutual evaluation has been determined as the method to be followed in the study.
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Claypool, Molly. "Disrupting the Digital: An Architecture of Parts." In 2018 ACSA International Conference. ACSA Press, 2018. http://dx.doi.org/10.35483/acsa.intl.2018.16.

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The paper ascribes to a belief that architecture should be wholly digital – from the scale of the micron and particle to the brick, beam and building, from design to fabrication or construction. This embodies a fundamental and disruptive shift in architecture and design thinking that is unique to the project images included, enabling design to become more inclusive, participatory and open-source. Architecture that is wholly digital requires a radical rethinking of existing design and building practices. Thes projects described in this paper each develops a set of parts in relationship to a specific digital fabrication technology. These parts are defined as open-ended, universal and versatile building blocks, with a digital logic of connectivity. Each physical part has a malefemale connection which is the equivalent of the 0 and 1 in digital data. The design possibilities – or the way that parts can combine and aggregate – can be defined by the geometry and therefore, design agency, of the piece itself. This discrete method advances a theoretical argument about the nature of digital design as needing to be fundamentally discrete, and at the same time responding to ideas coming from open-source, distributed modes methods of production. Furthermore it responds to today’s housing crisis, providing for a more democratic and equitable framework for the production of housing. To think of architecture as wholly digital is to substantially disrupt the way that we think about design, authorship, ownership and process, as well as the building technologies and practices we use in contemporary architectural production.
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Yang, Sheng, Thomas Page, and Yaoyao Fiona Zhao. "Understanding the Role of Additive Manufacturing Knowledge in Stimulating Design Innovation for Novice Designers." In ASME 2018 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2018. http://dx.doi.org/10.1115/detc2018-85644.

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Additive manufacturing (AM) is recognized as a disruptive technology that offers significant potentials for innovative design. Prior experimental studies have revealed that novice designers provided with AM knowledge (AMK) resources can generate a higher quantity and quality of solutions in contrast with the control groups. However, these studies have adopted general evaluation metrics that fall short in correlating AMK with radical or architectural innovation. This deficiency directly affects how AMK should be captured, modeled, and delivered so that novel opportunities may be more efficiently utilized in the ideation stage. To refine the understanding of AMK’s role in stimulating design innovation, an experimental study is conducted with two design projects: (a) a mixer design project, and (b) a hairdryer redesign project. The former of which aims to discover whether AMK inspiration increases the quantity and novelty of working principles (i.e. radical innovation), while the latter examines the influence of AMK on layout and feature novelty (i.e. architectural innovation). The experimental study indicates that AMK does have a positive influence on architectural innovation, but the effects on radical innovation are very limited if the provided AMK is functionally irrelevant to the design problems. Two strategies are proposed to aid the ideation process in maximizing the possibility of identifying AM potentials which facilitate radical innovation. The limitations of this study and future research plans are also discussed.
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Marzot, Nicola. "The Cyclicality of the Anthropic Space in Urban Morphology: an architectural perspective." In 24th ISUF 2017 - City and Territory in the Globalization Age. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.4812.

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This paper intends to offer a systematic reflection on the significance of “cyclicality” in the processual development of the anthropic space, ranging from the territorial to the architectural scale. The reflection will essentially focus on those theoretical contributions emerging from the disciplinary field of architecture and urban design. Among them, three outstanding research positions can be clearly listed over the last century and will therefore be analyzed in-depth: Saverio Muratori’s definition of “Storia Operante”; John Habraken’s system of “Support and infill” and the Re_Cycle Italy research network program on “Recycle”. Beyond those stances, modern precedents can be traced back in some Neo avant-garde movements, especially Japanese Metabolism and Radical architecture. The topic rapidly assumes nowadays an increasing interest because of the financial crisis which is still affecting the world on a global scale and the subsequence necessity to critically reflect on the responsible reuse of heritage to face the challenging demand of a sustainable approach in the building market. The reflection is intentionally limited to the western country panorama, since there is an historical evidence of its long-lasting legacy in the transformation of the city form over the millennia. One of the expected results of the paper is to contribute to the definition of a new design strategy, in order to profit from the increasing presence of waiting lands and vacant buildings to drawn the society of the near future, offering room for experimentation to the emerging driving forces which claim a role in its deployment.
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Boardman, Jonathan W., and Ying Xie. "Radically Simplifying Gated Recurrent Architectures Without Loss of Performance." In 2019 IEEE International Conference on Big Data (Big Data). IEEE, 2019. http://dx.doi.org/10.1109/bigdata47090.2019.9005975.

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Doyle, Shelby Elizabeth. "Bringing Bauhaus Back: Digital Architecture + Contemporary Craft." In 2016 ACSA International Conference. ACSA Press, 2016. http://dx.doi.org/10.35483/acsa.intl.2016.12.

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“The Bauhaus believes the machine to be our modern medium of design and seeks to come to terms with it.”—Walter Gropius, The Theory and Organization of the Bauhaus German architect Walter Gropius founded the Bauhaus in 1919 and after fourteen prolific years, it closed. Despite its short tenure, the ramifications of the Bauhaus are still present in architectural education and practice. Its core objective was a radical, and still unrealized, concept: the unity of art and technology. The introduction of contemporary digital tools, techniques, and materials make this unity possible in new and profound ways thereby extending the Bauhaus project into the present day as a meaningful model for architectural education and digital craft.
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