Relevant bibliographies by topics / Architecture, Renaissance / Dissertations / Theses
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Dissertations / Theses on the topic 'Architecture, Renaissance'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2024

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1

Lasansky, D. Medina. "Italian Renaissance refashioned : Fascist architecture and urban spectacle /." View online version; access limited to Brown University users, 1999. http://wwwlib.umi.com/dissertations/fullcit/9936645.

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2

Clarke, Georgia Margot. "Italian Renaissance urban domestic architecture : the influence of Antiquity." Thesis, Courtauld Institute of Art (University of London), 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.264517.

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3

Gaitán, Salinas Candela. "Principes vitruviens dans l'architecture italienne et espagnole entre les années 1540 et 1575. Deux exemples de l'architecture périphérique dans le contexte du plan impérial : Jaén et Gênes." Thesis, Paris Sciences et Lettres (ComUE), 2017. http://www.theses.fr/2017PSLEP021.

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Ce projet de thèse, développée en co-tuelle entre l’université de Malaga et l’EPHE, est centré les mutations des langages architecturaux telles qu’elles se profilent en Italie et en Espagne, particulièrement en Andalousie, au milieu du XVIème siècle. Vis-à-vis de l’Italie, l’assimilation des principes vitruviens par les architectes espagnols est tardive et s’appuie sur des traités. Dès les années trente fut publié celui de Diego de Sagredo, Las medidas del romano, centré sur les proportions du corps humain et les ordres architecturaux. En 1552, eut lieu traduction du Quatrième et Troisième Liv
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4

Kramer, Erik Russell. "H2ODC: The Renaissance of Water Culture in D.C." Thesis, Virginia Tech, 2014. http://hdl.handle.net/10919/24776.

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Washington DC is seen as a center of politics, bureaucracy, litigation, legislation, and the trading of power and resources. For this reason outsiders are both attracted to and repelled from our city. For many of us transplants and government workers, a large portion of our collective self-image is dictated by the ebb and flow of our governing body.<br>Master of Architecture
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5

Barry, Marie Porterfield. "Lesson 08: The Renaissance." Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/art-appreciation-oer/9.

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This lesson covers artworks created during the Renaissance in Europe. It begins with a preface on artworks created prior to the Renaissance that focused on Christian ideology and iconography. Artists discussed include Botticelli, Donatello, Michelangelo, Bernini, and Leonardo da Vinci.
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6

Lee, Jae Yong M. Arch Massachusetts Institute of Technology. "Renaissance of the ramp : reconceptualization of National Assembly's architectural symbolism and accessibility." Thesis, Massachusetts Institute of Technology, 2018. http://hdl.handle.net/1721.1/115615.

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Thesis: M. Arch., Massachusetts Institute of Technology, Department of Architecture, 2018.<br>This electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.<br>Cataloged from student-submitted PDF version of thesis.<br>Includes bibliographical references (page 72).<br>This thesis examines the architectural potential through the functional extension of the plaza and reconstruction of the symbolic National Assembly to answer questions. Creating a space of ramps will heighten perceptions of accessibility of the Na
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7

Wheeler, Katherine Jean. "The reception and study of Renaissance architecture in Great Britain, 1890-1914." Thesis, Massachusetts Institute of Technology, 2007. http://hdl.handle.net/1721.1/38540.

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Thesis (Ph. D.)--Massachusetts Institute of Technology, Dept. of Architecture, 2007.<br>This electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.<br>"February 2007."<br>Includes bibliographical references (p. 267-292).<br>The writing of Renaissance architectural history in the period 1890-1914 in Great Britain changed dramatically. Despite modernism's tenet of rejecting history from design, Renaissance architectural history in Great Britain functioned as both an alternative to and a source of inspiration f
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8

Georgel, Christophe. "Architecture, espace et représentation en Lorraine à la Renaissance (1500-1550)." Université Marc Bloch (Strasbourg) (1971-2008), 2004. http://www.theses.fr/2004STR20021.

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La structure et le régime symboliques de l'architecture et de l'espace architectual en Lorraine au moment du renouveau stylistique à l'aube de la Renaissance sont analysés dans trois champs géographiquement et historiquement dépendants les uns des autres : 1) la production régnicole sous les ducs René II et Antoine qui s'articule autour du palais ducal de Nancy, élevé dans le contexte idéologique postérieur à la Bataille de Nancy. La représentation et la légitimation du pouvoir, dans le cadre d'une rénovation humaniste de l'idéal chevaleresque, se diffusent alors principalement à travers la fo
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9

Davies, Paul. "Studies in the Quattrocento centrally planned church." Thesis, Courtauld Institute of Art (University of London), 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.319331.

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10

Grube, Hans Achim. "Renaissance der E-Werke : historische Industriearchitektur im Wandel /." Berlin : Jovis, 2003. http://catalogue.bnf.fr/ark:/12148/cb40025428k.

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11

Pereira, Claudio C. (Caludio Calovi) 1961. "Architectural practice and the planning of minor palaces in Renaissance Italy, 1510-1570." Thesis, Massachusetts Institute of Technology, 1998. http://hdl.handle.net/1721.1/69404.

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Thesis (Ph. D.)--Massachusetts Institute of Technology, Dept. of Architecture and Planning, 1998.<br>Includes bibliographical references (v. 1, leaves 157-164).<br>This dissertation proposes to study how the commission and design of minor palaces contribute to the understanding of architectural practice in early 16th century Italy. The particular nature of the small urban palace as a reduced and less expensive version of larger palaces and its recurrent nature in the practice of architects malke this type of building very important in illustrating the changes in the profeSSion at that time. Mi
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12

Lepik, Andres. "Das Architekturmodell in Italien : 1335-1550 /." Worms : Wernersche Verlagsgesellschaft, 1994. http://catalogue.bnf.fr/ark:/12148/cb39052518k.

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13

Kirkbride, Robert. "The renaissance studioli of Federico da Montefeltro and the architecture of memory /." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=82902.

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This investigation of the studioli, small contemplation chambers in the ducal palaces of Urbino and Gubbio, considers their position in the western tradition of the memory arts. Drawing upon select images in the studioli, as well as text sources readily available to Duke Federico da Montefeltro (1422--82) and the members of his court, this inquiry examines how the discipline of architecture equipped the late quattrocento mind with a bridge between the mathematical arts, which lend themselves to mechanical practices, and the art of rhetoric, a discipline central to the cultivation of mem
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14

Cartmell, D. "Edmund Spenser and the literary uses of architecture in the English Renaissance." Thesis, University of York, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.377294.

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15

Ruas, Réjane. "L'architecture d'une ville marchande sous l'Ancien Régime : Beaucaire de la Renaissance à la Révolution." Thesis, Montpellier 3, 2015. http://www.theses.fr/2015MON30069.

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Beaucaire, petite ville située sur la rive du du Rhône, à la frontière entre le Languedoc et la Provence, sur le territoire de l'Argence, présente un patrimoine architectural hors du commun. Composé d'églises et de chapelles, de couvents et de collèges, d'édifices publics et surtout d'un très grand nombre d'hôtels particuliers, ce patrimoine monumental, pour l'époque moderne, n'a jamais été étudié dans son intégralité.Pourtant, Beaucaire fut dès le Moyen-Age une cité prospère, dont la foire développait un chaland qui s'étendait du haut pays cévenol, jusqu'aux grandes capitales marchandes (de L
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16

Roberts, G. "Inigo Jones : the architectural historiography." Thesis, University of Essex, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.387414.

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17

Angélil, Marc Angélil Marc M. Angélil Marc M. Angélil Marc M. "Technique and formal expression in architecture : theory in architectural technology from the Renaissance to the Age of reason /." [S.l.] : [s.n.], 1987. http://e-collection.ethbib.ethz.ch/show?type=diss&nr=8322.

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18

Angélil, Marc M. "Technique and formal expression in architecture theory in architectural technology from the Renaissance to the Age of Reason /." [S.l. : s.n.], 1987. http://e-collection.ethbib.ethz.ch/cgi-bin/show.pl?type=diss&nr=8322.

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19

Caye, Pierre. "Le savoir de Palladio : architecture, métaphysique et politique dans la Venise du Cinquecento." Paris 4, 1991. http://www.theses.fr/1991PA040301.

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20

Popp, Roger. "Die Mittelmasse in der Architektur : Wesen, Bedeutung und Anwendung von der Antike bis zur Renaissance /." Hamburg : Kovač, 2005. http://catalogue.bnf.fr/ark:/12148/cb40920391d.

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21

Terim, Berrin. "Filarete's Body: Unpacking the Pregnancy analogy in the Renaissance Patronage Context." Diss., Virginia Tech, 2007. http://hdl.handle.net/10919/104118.

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Fifteenth century Florentine architect Il Filarete authored the first illustrated book on architecture, with a distinct pedagogical agenda to teach his patron to build nobly. Written as a dialogical narrative, taking place between a patron and his architect, the treatise's pedagogical tone unfolds as a form of storytelling about the design and construction of an ideal city. Despite its miscellaneous aspects embedded in the book, which differentiates it significantly from the architectural treatises belong to the Western cannon, the author stresses his role as an architect, and proposes an unpr
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Terim, Berrin. "Filarete's Body: Unpacking the Pregnancy Analogy in the Renaissance Patronage Context." Diss., Virginia Tech, 2021. http://hdl.handle.net/10919/104118.

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Fifteenth century Florentine architect Il Filarete authored the first illustrated book on architecture, with a distinct pedagogical agenda to teach his patron to build nobly. Written as a dialogical narrative, taking place between a patron and his architect, the treatise's pedagogical tone unfolds as a form of storytelling about the design and construction of an ideal city. Despite its miscellaneous aspects embedded in the book, which differentiates it significantly from the architectural treatises belong to the Western cannon, the author stresses his role as an architect, and proposes an unpr
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23

Guidicini, Giovanna. "Scotland triumphant : the relevance of Stewart triumphal celebrations in shaping Scottish Renaissance architecture." Thesis, University of Edinburgh, 2009. http://hdl.handle.net/1842/8725.

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This thesis discusses Scottish triumphal entries, and Scottish triumphal culture in general, and aims to advance understanding of the local application of Renaissance ideas, in relation to art and architecture. Triumphal language represented a strongly unifying element in XVI century European culture. Through temporary architecture, decorations, and entertainments, many sovereigns showed visually to a local and international audience their increasing power, legitimate rule, personal qualities, and ambitions. Urban entries also represented an important moment of dialogue with the local authorit
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24

Rachele, Cara Paul. "Building Through the Paper: Disegno and the Architectural Copybook in the Italian Renaissance." Thesis, Harvard University, 2015. http://nrs.harvard.edu/urn-3:HUL.InstRepos:17467183.

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The dissertation looks at architectural theory in early modern Italy through a history of its drawings. It examines a group of early-sixteenth-century drawing books, made in and around Rome, that comprised reproductive drawings based on circulating drawing exemplars from the late fifteenth century. The drawing books are identified as study tools made by artisans who aspired to the practice of architecture. The study illuminates the broader shift toward drawing as the primary means of architectural design. The first chapter contends that the distinctive drawing practices of architecture arose f
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25

Chechik, Liya <1989&gt. "Re-inventing the East: the interpretation of Eastern Architecture in Venetian Renaissance painting." Doctoral thesis, Università Ca' Foscari Venezia, 2016. http://hdl.handle.net/10579/10254.

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La presente dissertazione dottorale si occupa di indagare i rapporti esistenti fra Venezia e l'Oriente nella pittura veneziana rinascimentale. Nel primo capitolo, Venezia e l’Oriente vengono analizzati nel contesto dei legami storici fra essi esistenti, poiché il problema del “proprio-altro da sé” è riflesso nella realtà della vita veneziana del Medioevo e del Rinascimento. Vengono analizzate in modo più ampio e dettagliato le tappe e le modalità con cui i veneziani (non soltanto soldati, mercanti, viaggiatori, ma anche colti intellettuali e artisti) entravano in contatto con le manifestazioni
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26

Bödefeld, Gerda. "Die Villen von Siena und ihre Bauherren : Architektur und Lebenswirklichkeit im frühen 16. Jahrhundert /." Berlin : D. Reimer, 2003. http://catalogue.bnf.fr/ark:/12148/cb39220827m.

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27

Burioni, Matteo. "Die Renaissance der Architekten Profession und Souveränität des Baukünstlers in Giorgi Vasaris Viten." Berlin Gebr. Mann, 2005. http://d-nb.info/984439064/04.

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28

Calado, Margarida 1947. "Arte e sociedade na época de D. João V." Phd thesis, Instituições portuguesas -- UNL-Universidade Nova de Lisboa -- FCSH-Faculdade de Ciências Sociais e Humanas -- -Departamento de História da Arte, 1995. http://dited.bn.pt:80/29841.

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29

Hathaway, Michael Jason Daniel. "The Resonance of Michelangelo." Thesis, Virginia Tech, 2017. http://hdl.handle.net/10919/74440.

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This thesis is an exploration of creating an essence in architecture through a sense of ambition and harmony. The ambition for a design to have an architectural presence and establish a clear identity, while achieving a harmony of numerous aspects of the project in order to simplify the inherent complexities of architecture and allow the ambitious identity to be clearly present. The investigation begins with the analysis of ruins as the result of a natural process that strips down a building of secondary components and leaves the exposed soul of the architecture. As a specific example, t
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30

Akcay, Aysegul. "The Architectural City Images In Cinema: The Representation Of City In Renaissance As A Case Study." Master's thesis, METU, 2008. http://etd.lib.metu.edu.tr/upload/12609699/index.pdf.

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The aim of this study is to understand the limits of spatial transformations of architectural images in cinema. In this exposition the architectural city images are analyzed with referenced to case study by reading the representation of space and city in model film Renaissance which in the city becomes notion. The interaction between architecture and cinema is discussed by using concepts such as space, time, perception, framing, editing and continuity in addition to their relations with future cities and spatial designs in these worlds.
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31

Michailidis, Melanie. "Landmarks of the Persian Renaissance : monumental funerary architecture in Iran and Central Asia in the tenth and eleventh centuries." Thesis, Massachusetts Institute of Technology, 2007. http://hdl.handle.net/1721.1/41720.

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Thesis (Ph. D.)--Massachusetts Institute of Technology, Dept. of Architecture, 2007.<br>Includes bibliographical references (p. 375-414).<br>This dissertation investigates the sudden proliferation of mausolea in Iran and Central Asia in the tenth and eleventh centuries and how their patrons, who were secular rulers of Iranian descent, drew on the pre-Islamic past in new ways specific to each region. Mausolea constructed in the tenth and eleventh centuries have a wide geographical spread across modem Iran and the ex-Soviet Central Asian republics. However, the monuments take two different forms
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32

Barry, Marie Porterfield. "Lesson 09: Michelangelo- From High Renaissance to Mannerism." Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/art-appreciation-oer/10.

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Barry, Marie Porterfield. "Lesson 13: Mirrors in Renaissance and Baroque Art." Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/art-appreciation-oer/14.

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34

Lebeaux, Mélanie. "L'architecture dans le comté de Périgord à la Renaissance (fin XVe-début XVIIe) : évolutions, influences, acteurs." Thesis, Toulouse 2, 2013. http://www.theses.fr/2013TOU20083.

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La Renaissance en Périgord souffre d’un vide historiographique et scientifique ponctuellement compensé par la publication de monographies et de recherches universitaires. Pourtant, de la fin du XVe siècle au début du XVIIe siècle, le comté de Périgord, vaste territoire à l’est de la Guyenne, se couvre en abondance de demeures civiles et sacrées rénovées ou reconstruites selon les nouveaux critères de confort et d’esthétique. Cette vitalité est assurée par une forte densité nobiliaire qui, grâce aux réseaux d’influences et aux questions de goût et d’imitation, contribuent à sa diversité. Parmi
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35

Brunckhorst, Friedl. "Architektur im Bild : die Darstellung der Stadt Venedig im 15. Jahrhundert /." Hildesheim ; Zürich ; New York : G. Olms, 1997. http://catalogue.bnf.fr/ark:/12148/cb37038639k.

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36

MacElwee, Andrea L. (Andrea Laurel). "Allegory and the architecture of Francesco Borromini." Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=22545.

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This thesis relates the aspirations (examined in political treatises, literary programs and scientific treaties) of Pope Urban VIIIth with the allegorical spaciality of the architecture of Francesco Borromini. The projects initiated under the patronage of the Pope are particularly related to the Pope's election. Urban's personal impressa, the Angelic Sun is an emblem of this election, a reborn sun, a second personal birth and the elevation of the Angelic Pope (the leader of the age of the Holy Spirit). This is allegorically a metamorphosis like the re-birth of Daphne into Laurel; the Tree of A
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37

Heil, Elisabeth. "Fenster als Gestaltungsmittel an Palastfassaden der italienischen Früh- und Hochrenaissance /." Hildesheim ; Zürich ; New York : G. Olms, 1995. http://catalogue.bnf.fr/ark:/12148/cb370347643.

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Marianacci, Caitlyn D. "Old Masterpieces, New Mistress-pieces: Cindy Sherman's Reinterpretations of Renaissance Portraits of Women." Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/scripps_theses/840.

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This thesis examines a selection of eight photographs in the History Portraits series by American photographer, Cindy Sherman, produced from 1989 to 1990. The photographs are based on Renaissance paintings of biblical and secular women painted by old master artists such as Leonardo da Vinci, Sandro Botticelli, and Raphael. Sherman focused on the female types of Biblical mother and femme fatale, as well as wives and models. These types are defined in their relation to men and are depicted by men. In Sherman’s reinterpretations of their portraits, she retells the stories of these women in ways t
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Barry, Marie Porterfield. "Lesson 10: The Northern Renaissance and Arnolfini Double Portrait." Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/art-appreciation-oer/11.

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Barrett, Anne Rachelle. "The Consul Smith Palladio at Virginia Commonwealth University and the American Renaissance /." VCU Scholars Compass, 2006. http://hdl.handle.net/10156/1239.

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Hayden, Margaret. "The Medici Example: How Power Creates Art and Art Creates Power." Digital Commons @ East Tennessee State University, 2021. https://dc.etsu.edu/etd/3917.

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This project looks at two members of Florence’s Medici family, Cosimo il Vecchio (1389-1464) and Duke Cosimo I (1519-1574), in an attempt to assess how they used the patronage of art to facilitate their rule. By looking at their individual political representations through art, the specifics of their propagandist works and what form these pieces of art came, it is possible to analyze their respective rules. This analysis allows for a clearer understanding of how these two men, each in very different positions, found art as an ally for their political endeavors. While they were in power only on
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Gómez-Moreno, Calera José Manuel. "La arquitectura religiosa granadina en la crisis del Renacimiento, 1560-1650 : Diócesis de Granada y Guadix-Baza /." Granada : Universidad de Granada, 1989. http://catalogue.bnf.fr/ark:/12148/cb35511831v.

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Ben, Jemâa Hadhami. "L'invention de l'architecture de la Renaissance française au XIXè siècle : le regard de Léon Palustre." Thesis, Tours, 2013. http://www.theses.fr/2013TOUR2025.

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La littérature artistique française du XIXe siècle est bipolaire dans sa représentation de l’introduction de l’italianisme en France. Entre décadence du génie français et célébration de la rénovation architecturale opérée par des agents de la Péninsule, rares se font les positions nuancées. La figure de Léon Palustre marque le paysage historiographique de l’époque par une approche dialectique aboutissant à une synthèse réconciliant les styles. Le présent travail analyse les topoï d’une historiographie où le récit événementiel, la rhétorique et l’attributionnisme postulent une symbiose entre Re
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Roy, Francine 1948. ""...Templum nova forma constructum..." : early 17th-century late Gothic churches in Wolfenbüttel and Bückeburg." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=31137.

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In the years around 1600, a change was noted in architecture towards a return to Gothic elements in Europe. The Gothic, in contrast to the Classical or Ancient, became a "new manner", a modern style. The residence churches at Wolfenbuttel and Buckeburg, which were erected around 1600 by Lower Saxon territorial princes, are Late Renaissance constructions that were made to look partly Gothic. This was neither a lingering on of Late Gothic design nor a misunderstanding of Renaissance architecture: it was rather a conscious evocation of the past and its merger with contemporary architecture. The f
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Kanerva, Liisa. "Defining the architect in fifteenth-century Italy : exemplary architect in L. B. Alberti's De Re aedificatoria /." Helsinki : Academia scientiarum fennica, 1998. http://catalogue.bnf.fr/ark:/12148/cb391068384.

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Tipton, Susan. "Res publica bene ordinata : Regentenspiegel und Bilder vom guten Regiment : Rathausdekorationen in der Frühen Neuzeit /." Hildesheim : G. Olms, 1996. http://catalogue.bnf.fr/ark:/12148/cb39149345k.

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Vigouroux, Elodie. "Damas après Tamerlan. Étude historique et archéologique d'une renaissance (1401-1481)." Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040278.

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Durant l’hiver 1400, le chef turco-mongol Timur Lang/Tamerlan, occupe Damas. Quand ses troupes quittent la ville en mars 1401, elle est détruite et exsangue. Si les sources historiques et les études menées présentent cet événement comme un cataclysme, l’impact des troupes mongoles sur la ville doit être nuancé. En évaluant, grâce au croisement des éléments précis présentés par les textes,l’état de Damas avant et après son passage et il est possible de proposer une vision renouvelée des événements. Cette démarche permet d’aborder sous un angle nouveau l’étude de la renaissance de la ville, d’en
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Herrera, Rachael. "Body, Blood, and Flood: The Ripple of Kinesics through Nature in Leonardo da Vinci's Art." Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/scripps_theses/1019.

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Leonardo da Vinci's art and science have a dynamic relationship that can be used to better understand the role of the individual and the human body within his art. Leonardo believed that movements of the body were expressions of the soul. He also thought that the body was as a microcosm of the physical world. The theories, based in ancient tradition, would be challenged by his work with the human anatomy. By studying his notebooks it becomes evident that Leonardo held nature to be the highest creator of the world but as he worked to understand the human body and through extension the physical
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Ceccotti, Camilla. "L’architettura del rinascimento a Poitiers : la ricezione del linguaggio architettonico all’antica negli edifici residenziali tra la fine del quattrocento e la metà del cinquecento." Thesis, Sorbonne université, 2018. http://www.theses.fr/2018SORUL073.

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Notre travail de recherche se concentre sur l’apparition de la Renaissance à Poitiers et dans le territoire environnant entre la fin du XVe et le milieu du XVIe siècle. Nous en avons identifié les caractéristiques spécifiques dans le domaine de l’architecture en analysant notamment la typologie de bâtiment la plus diffusée dans le contexte urbain : celle de l’hôtel. Poitiers a connu une intense activité sur le plan architectural dès la fin du XVe siècle. Malgré cela, les études concernant le patrimoine bâti de la ville à l’époque de la Renaissance demeurent essentiellement peu développées comp
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Jacquemart, Jean-Pierre. "L'architecture comtoise au second seizième siècle : classicisme renaissant et maniérisme." Besançon, 1995. http://www.theses.fr/1995BESA1036.

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Abstract:
Apres les devastations de 1479, la reconstruction des cites comtoises s'inspire longtemps des schemas medievaux. A partir de 1522-1525, l'esthetique renaissante penetre en franche-comte, grace a l'impulsion de notables, proches de marguerite d'autriche. L'edification du palais granvelle a besancon, en 1534, s'inscrit encore dans la ligne du quattrocento. Des 1560, s'effectue dans le nord de la province, puis a dole, l'emergence de la sensibilite artistique nee de la rencontre entre le modele bisontin et les realisations de dijon, langres et du pailly. Vers 1575, le long regne des le rupt a dol
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