Academic literature on the topic 'Architecture romane'

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Journal articles on the topic "Architecture romane"

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Cabrero-Ravel, Laurence. "Clochers provençaux de l'époque romane." Bulletin Monumental 157, no. 2 (1999): 218. http://dx.doi.org/10.3406/bulmo.1999.2282.

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Havard, Isabelle. "La cathédrale romane de York." Bulletin Monumental 161, no. 3 (2003): 259–60. http://dx.doi.org/10.3406/bulmo.2003.1230.

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Garrigou Grandchamp, Pierre. "La maison romane de Beaugency." Bulletin Monumental 165, no. 1 (2007): 91–98. http://dx.doi.org/10.3406/bulmo.2007.1415.

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Gautier, Nicolas. "Le Mans. Découverte d’une maison romane." Bulletin Monumental 176, no. 4 (2018): 337–38. http://dx.doi.org/10.3406/bulmo.2018.13487.

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Caldano, Simone. "L’architecture romane en Ligurie. État des questions." Bulletin Monumental 174, no. 1 (2016): 35–46. http://dx.doi.org/10.3406/bulmo.2016.12749.

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Büttner, Stéphane. "Vézelay. Une relecture archéologique de l’abbatiale romane." Bulletin Monumental 174, no. 4 (2016): 499–501. http://dx.doi.org/10.3406/bulmo.2016.12901.

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Kahn, Deborah. "La sculpture romane en Angleterre : état des questions." Bulletin Monumental 146, no. 4 (1988): 307–40. http://dx.doi.org/10.3406/bulmo.1988.3181.

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Vergnolle, Éliane. "La signification du terme « Sculptor » à l'époque romane." Bulletin Monumental 147, no. 1 (1989): 86–87. http://dx.doi.org/10.3406/bulmo.1989.4689.

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Spencer, Thomas. "Saint-Quentin de Troyes : une église romane retrouvée." Bulletin Monumental 164, no. 4 (2006): 339–46. http://dx.doi.org/10.3406/bulmo.2006.1381.

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Aleksandravičius, Egidijus. "Argentinos lietuvių meistrystė Henriko Lukaševičiaus romane „Likimo žaismas“." OIKOS: lietuvių migracijos ir diasporos studijos 34, no. 2 (2022): 81–99. http://dx.doi.org/10.7220/2351-6561.34.4.

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Dissertations / Theses on the topic "Architecture romane"

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Roux, Caroline. "Portails romans de Haute-Auvergne : études de sites /." [Aurillac] (rue Arsène-Vermenouze, 15000) : Société des lettres, sceinces et arts La Haute-Auvergne, 2005. http://catalogue.bnf.fr/ark:/12148/cb399210584.

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Cosmen, Alonso María Concepción. "El arte románico en León : diócesis de Astorga /." [S.l.] : Universidad de León, Secretariado de publicaciones, 1989. http://catalogue.bnf.fr/ark:/12148/cb35506954s.

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Boss-Favre, Myrielle. "Les Archivoltes figurées de France à l'époque romane /." Zurich : Éditions du Grand Midi, 1987. http://catalogue.bnf.fr/ark:/12148/cb34948406d.

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Ostermann, Patrick. "Romanische Sakralarchitektur zwischen Maas und Aisne /." Hildesheim : G. Olms, 1998. http://catalogue.bnf.fr/ark:/12148/cb392413105.

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Ternet, Sylvie. "La construction romane en angoumois." Poitiers, 2003. http://www.theses.fr/2003POIT5019.

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La présente étude concerne les techniques de construction, les matériaux utilisés, des déductions sur l'organisation possible des chantiers, l'analyse des divers éléments de la construction, l'observation des courants artistiques dans lesquels se place la création romane, avant, après et autour du chantier de la cathédrale d'Angoulême, dans le contexte historique particulier à l'ancien diocèse, aux XIe et XIIe s. Les 155 édifices étudiés, dont 4 donjons et 151 églises, ont tous été construits dans une fourchette chronologique restreinte, du milieu du XIe au milieu du XIIe s. C'est donc sur un territoire de faible étendue, essentiellement rural, doté d'un sous-sol principalement calcaire et favorable à la construction, que s'est déroulé le phénomène roman en Angoumois, observable sur un siècle seulement. La synthèse sur la construction fait l'objet de deux volumes de texte et d'illustrations, suivis du catalogue de notices sur les édifices en trois volumes
The present study concerns techniques of construction, nature of materials, deductions on the possible organization yards, analysis of the various elements of the construction, observation of the artistic influences in which romanesque creation can be located, before, after and around the yard of Angoulême's cathedral, in the particular historical context of the ancient diocese, during theXIth and XIIth c. 155 studied structures, whose 4 dungeons and 151 churches, were all built in a narrow chronological range, between the middle of the XIth to the middle of the XIIth c. It is therefore on a small area, essentially rural, fitted with a mainly chalky substratum favourable to builder's yards, that has unfolded the romanesque phenomenon in Angoumois, observable only during a century. Synthesis on construction makes the object of two text and illustration volumes, followed by the catalogue of notes on structures, in three volumes
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Leroy, François Persyn-Vialard Sandrine Eichelbrenner Jean-Michel. "Terminologie de l'architecture et de la sculpture romanes." [S.l.] : [s.n.], 2007. http://cyberdoc.univ-lemans.fr/memoires/lexicologie/20070917_FLLEXFD.pdf.

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Ternet, Sylvie Coutureau Michel. "Les églises romanes d'Angoumois /." Paris : le Croît vif, 2006. http://catalogue.bnf.fr/ark:/12148/cb40936377h.

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Schünke, Susanne. "Entwicklung in den Chorformen englischer Kirchen vom 11. bis ins 13. Jahrhundert /." Köln : Copy-Star, 1987. http://catalogue.bnf.fr/ark:/12148/cb34925133b.

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Meyer, Jean-Philippe Prache Anne. "Voûtes romanes : architecture religieuse en Alsace de l'an mil au début du XIIIe siècle /." Strasbourg : Publications de la Société savante d'Alsace, 2003. http://catalogue.bnf.fr/ark:/12148/cb39093170n.

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Texte remanié de: Th. doct.--Histoire de l'art--Paris 4, 2002. Titre de soutenance : Le développement de l'architecture voûtée en Alsace à l'époque romane : an mil - vers 1220.
Bibliogr. p. 552-556. Glossaire. Index.
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Losowska-Kolenda, Hanna. "Pile romane et son importance dans la formation du pilier gothique." Paris 4, 1995. http://www.theses.fr/1995PA040143.

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Les recherches de l'origine de la pile composée romane dans l'architecture antique. L'avènement et l'évolution du pilier articulé ; les premiers exemples de son apparition en orient et en occident avant l'an mil. Le pilier composé dans l'architecture occidentale de la première moitié du 11e siècle : l'importance de l'architecture catalane ; les premiers exemples du support composé apparus dans les monuments italiens, dans ceux de l'empire germanique et dans les constructions françaises. L'extension et les variantes du pilier roman dans les monuments élevés après le milieu du 11e siècle. L'aspect du pilier dans la première architecture gothique ; ses relations avec la voute sur croisée d'ogives ; la nouvelle technique face à une structure encore romane avant le milieu du 12e siècle dans les constructions de l’Île-de-France. L'évolution du pilier gothique au cours de la deuxième moitié du 12e siècle au nord de la France. Les recherches et les expériences de l'époque précédant la construction de la cathédrale de Chartres en France et dans d'autres pays d'occident. L'évolution du pilier gothique dans les constructions françaises du 13e siècle et dans l'architecture des pays étrangers. Le rôle du progrès technique et des valeurs graphiques dans le développement du support gothique et l'importance des racines romanes dans la naissance de l'art gothique
The research of the origin of the Romanesque compound pier in the antique architecture. The advent and evolution of the articular pillar. The first examples to the seen in Orient and Occident before the year one thousand. The compound pier in occident architecture in the first half of the eleventh century: the importance of catalane architecture; the first examples of the compound support appeared in the Italian, German empire and French monuments. The extension and variants of the Romanesque pier in the monuments erected after the middle of the eleventh century. The aspect of the pier in the beginning of gothic architecture ; their connections with the rib vault ; the new technique facing a structure which was still Romanesque during the first half of the twelfth century in the Île-de-France region. The evolution of the gothic pillar during the second half of the twelfth century in the north of France. The researches and experiences previous to the construction of Chartres cathedral in France and other western countries. The evolution of the gothic pillar in thirteenth century French constructions and in architecture of other foreign countries. The role of technical progress and graphical values in the development of the gothic support and importance of the Romanesque roots in the origin of gothic art
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Books on the topic "Architecture romane"

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Oursel, Raymond. France romane. [Saint-Léger-Vauban, France]: Zodiaque, 1989.

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Gabriella, Costantino, and Santoro Rodo, eds. Sicile romane. La Pierre-Qui-Vire (Yonne): Zodiaque, 1986.

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La France Romane. Paris: Editions Nathan, 1991.

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Lobbedey, Uwe. Westphalie romane. Saint-Léger-Vauban: Zodiaque, 1999.

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Chantal, Arnaud, Berry Walter, and Guillard Jacques, eds. Bourgogne romane. Dijon: Faton, 2006.

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Bourgogne romane. Lyon: Éditions Stéphane Bachès, 2013.

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Paul, Gisserot Jean, ed. Architectures romane et gothique. Paris: J.-P. Gisserot, 2001.

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Sylvain, Sonnet, ed. La France romane. Paris: Nouvelles éditions de l'université, 2011.

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Jacques, Hampé, ed. L' architecture romane en Alsace. [Colmar]: Jérôme Do Bentzinger, 2002.

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Déceneux, Marc. La Bretagne romane. Rennes: Ed. Ouest-France, 1998.

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Book chapters on the topic "Architecture romane"

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Caillet, Jean-Pierre. "Reliques et architecture religieuse aux époques carolingienne et romane." In Les reliques. Objets, cultes, symboles, 169–97. Turnhout: Brepols Publishers, 1999. http://dx.doi.org/10.1484/m.hag-eb.4.00096.

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Plagnieux, Philippe. "La première architecture romane cistercienne : le chevet « bernardin » en question." In Regards croisés sur le monument médiéval, 271–87. Turnhout, Belgium: Brepols Publishers, 2018. http://dx.doi.org/10.1484/m.csm-eb.5.116260.

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Booms, Dirk. "Architecture, Roman." In Encyclopedia of Global Archaeology, 930–42. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-30018-0_1470.

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Booms, Dirk. "Architecture, Roman." In Encyclopedia of Global Archaeology, 480–92. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4419-0465-2_1470.

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Perring, Dominic. "Domestic Architecture, Roman." In Encyclopedia of Global Archaeology, 3337–45. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-30018-0_1448.

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de Haan, Nathalie. "Roman Domestic Architecture." In A Companion to Science, Technology, and Medicine in Ancient Greece and Rome, 711–29. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2016. http://dx.doi.org/10.1002/9781118373057.ch43.

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Perring, Dominic. "Domestic Architecture, Roman." In Encyclopedia of Global Archaeology, 2173–81. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4419-0465-2_1448.

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Thomas, Edmund. "Roman Architecture as Art?" In A Companion to Roman Art, 344–64. Chichester, UK: John Wiley & Sons, Ltd, 2015. http://dx.doi.org/10.1002/9781118886205.ch18.

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Nielsen, Inge. "Creating Imperial Architecture." In A Companion to Roman Architecture, 45–62. Oxford: Blackwell Publishing Ltd, 2013. http://dx.doi.org/10.1002/9781118325117.ch3.

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Roller, Duane W. "Roman Monumental and Public Architecture." In A Companion to Science, Technology, and Medicine in Ancient Greece and Rome, 693–710. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2016. http://dx.doi.org/10.1002/9781118373057.ch42.

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Conference papers on the topic "Architecture romane"

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Roma, Chiara. "Possibles liens avec le monde Antique. La suggestion des ruines dans les œuvres de Le Corbusier: de l'architecture Romaine au bâtiment de la Haute-Cour de Justice de Chandigarh." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.728.

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Résumé: La recherche s'intéresse à la formation de Le Corbusier et à sa capacité d'abstraction au travers des mémoires, images liées à la connaissance du monde antique; un approfondissement qui traite le lien entre les œuvres du Maître et l'étude de l'architecture romaine, soulignant ainsi deux clés de lecture: une liée à l'archétype des modèles classiques, et une seconde liée aux ruines et à son paysage archéologique. Si la première laisse apparaitre clairement la composante rationnelle, volonté de poursuivre une architecture universelle, dans laquelle s'affirme l'utilisation de la raison que seuls les archétypes peuvent enseigner; la seconde tente de délimiter la relation entre le pouvoir évocateur de la ruine et les suggestions personnelles de l'architecte. Parcourant les phases de sa formation, la recherche se concentre sur les connaissances que le jeune Jeanneret acquiert durant son séjour allemand (1910-1911), première phase d'étude de l'architecture romaine qui alimente un intérêt destiné à se développer grâce à l'expérience du Voyage d'Orient et à l'approfondissement de certaines sources, tels que les vues de Piranesi. Cet approfondissement se retrouve dans de nombreux dessins et réflexions contenus dans les carnets 4 et 5 rédigés durant le séjour romain. Ces expériences représenteront une source d'inspiration pour sa production architecturale et théorique, présuppositions qui semblent apparaitre dans certaines œuvres de l'architecte y compris la Haute Cour de Justice de Chandigarh en 1952. Abstract: The research focuses on Le Corbusier educational process and on his ability to abstract, through his memories, the images related to the knowledge of the Ancient World; a study that addresses the clear connection between the works of Le Corbusier and his knowledge of Roman architecture, outlining two interpretations: the first one linked to the archetype of classic models, and the second one to ruins and archaeological landscape. The first interpretation clearly illustrates the rational perspective, the will to pursue an universal architecture distinguished by use of reason, that only archetypes can teach, whereas the second interpretation attempts to outline the relationship between the evocative influence of the ruin and the personal suggestions of the architect. Retracing the steps of his educational process, the research investigates the knowledge acquired by the young Jeanneret during his German stay (1910-1911). This is the first phase of the study of Roman architecture, that inspires him an interest that will be pursued later through the experience of the Voyage d 'Orient and the study of some sources, such as Piranesi's views. This learning is reflected in numerous drawings and reflections contained in Carnet 4 and in Carnet 5, elaborated during his stay in Rome. These experiences will be a source of inspiration for his architectural production and theoretical assumptions, and they seem to be reflected in some works of the architect, as the Chandigarh Haute Cour of 1952. Mots-clés: ruines; architecture Romaine; Villa Adriana; Haute Cour. Keywords: ruins; Roman architecture; Villa Adriana; Haute Cour. DOI: http://dx.doi.org/10.4995/LC2015.2015.728
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Cosenza, Federica. "I Casali e le Architetture della Campagna Romana nel Basso Medioevo. Realtà archeologica e fonti documentarie." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11462.

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The Casali and the Architectures of the Campagna Romana in the Late Middle Ages. Archeaological and archive sourcesThe territory of the Roman countryside in the Late Middle Ages was extended from the city of Rome to 40 miles in the Suburb, between the coasts of the Tyrrhenian Sea, the Albani Mountains, the Lepini Mountains and the course of the Tiber. In the twelfth century various events started in this territory which will greatly influence its appearance until today: the castra arise, as forms of aggregation of a territory enclosed by defensive elements; burgi and villae, small fortified centers; and the casali, special production farmhouses characterized by the presence of a tower and other defensive, residential and productive structures. The militarization of the landscape began for reasons partly linked to the general instability of the period. Despite the basic differentiations in the forms of the population as in the functionalities themselves entrusted to the circumscribed territory, the forms of the basic architecture remained the same: the tower, the walls, albeit in variety in terms of technique, magnificence and complexity. This research can be tackled thanks to a direct analysis of the architecture of the towers which characterize the Roman countryside, occasionally accompanied by other elements, like the walls. The results of this study can be compared with the information reported in medieval sources, in which a specific language is used to describe the architecture and the characteristics of every form of human anthropization. The analysis of the differences and affinities between these territorially structures and the comparison with the contemporary urban architectures, allows to recreate a general picture of the architecture in the Roman countryside in the Low Middle Ages.
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Anders, Selena Kathleen. "Medieval Porticoes of Rome: New Methods and Technologies for Revealing Rome’s Architectural and Urban Heritage." In 24th ISUF 2017 - City and Territory in the Globalization Age. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.4505.

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At the moment there are few comprehensive texts or instruments that allow architects, designers, historians, planners or even students the ability to understand the complex layers of a city’s urban fabric. As a result, this paper was prepared in order to be uploaded to a digital tool that allows for such exploration of the built environment. The transformation of the city of Rome is documented in a number of sources and as a result makes it the ideal city for study of architectural and urban evolution. As a case study in digital documentation this paper examines the medieval façade porticoes of Rome at three scales: urban, architectural, and detail. The identification and mapping of these structures, are shown together allowing one to examine them in relation to historic and present day city maps. In addition, their location is analyzed in relation to ancient Roman streets and historic processional routes, to observe the connection amongst their location and that of major thoroughfares of antiquity, the Middle Ages, and the Renaissance. At the architectural scale, the detailed documentation in plan and elevation reveal four distinct variations that existed in the use of the residential façade portico. At the scale of architectural detail, an inventory of reused architectural elements or spolia that make up the residential porticoes reveal the reuse of ancient Roman column shafts, bases and capitals as well as the medieval masons’ preference for the use of the Ionic capital in particular. This paper prepares a methodology for digital deployment of traditional scholarship focused on architecture and the built environment.
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Cope, Zoe Lynne. "Architectural Ghosts: Storytelling and the Urban Imaginary." In 2018 ACSA International Conference. ACSA Press, 2018. http://dx.doi.org/10.35483/acsa.intl.2018.50.

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‘Architectural Ghosts’ proposes architecture as a series of eleven speculative cities that function as characters engaged in a theatrical masque set in contemporary Rome, Italy. The project challenges traditional methods of architectural preservation and memory by presenting a new way to imagine history at the intersection of narrative and architecture. ‘Architectural Ghosts’ seeks to qualify experiences of architecture, performance and the social imaginary as catalyzed by the urban environment.
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Mollica, Sonia. "Tradition and semantics: the case of Aeolian architecture." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Valencia: Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.14070.

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Vernacular architecture is identified as a structure based on specific local needs, on the presence of building materials present in the place and on the extemporaneousness of the architecture, built according to structural dogmas based on the local construction tradition. This is confirmed by the etymology of the word ‘vernacular’, from the Latin “vernaculus”, meaning "indigenous, domestic", or from “verna”, that is "native slave". In the present, vernacular architecture takes on new meanings, often used as an identifier for popular architecture - as also stated by Allen Noble in "Traditional Buildings: A global Survey of Structural Forms and Cultural Functions" of 2007 - or rather structures belonging to common people but «That can be built by skilled professionals, using local and traditional designs and materials», which is also supported by the Oxford English Dictionary. It is in this context that the vernacular Aeolian architecture fits, which significantly and identically characterize the entire territory of the Aeolian Islands, awarded the title of World Heritage Site by UNESCO. Aeolian architecture is inextricably linked to the history of the invasions of different peoples that have taken place in this area, such as the Greek-Roman, Islamic and finally Campania influences, due to their modifications both from an urbanistic and compositional point of view. But today how is it possible to encourage the dissemination and knowledge of these architectures which are so identifying for the Sicilian territory? Cataloging and semantics are configured as fundamental actions for the analysis and use of the architectural heritage, broken down into its deepest formal and compositional characteristics, identifiable in Aeolian architecture through the identification of semantics with a peculiar nomenclature. This article therefore investigates the aspects of semantics applied to traditional language and the compositional characteristics of Aeolian architecture, treated as an indissoluble link of knowledge and analysis of the building, through possible uses of digital applications.
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Calisi, Daniele, Maria Grazia Cianci, and Matteo Molinari. "Il sistema dei Casali Fortezza. Il caso studio di Castellaccio di Monteroni." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11395.

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The Casali Fortezza system. The case study of Castellaccio di MonteroniThe landscape of Lazio’s Tyrrhenian coasts is strongly characterized by the presence of fortifications. Parallel to them, in the interland, the baronial expansion, between the tenth and eleventh centuries, paved the way to a large-scale fortification of the Roman countryside. Along the main routes were built lookout towers, farmhouses were consolidated with defense mechanism and the first castles were constructed. The research focuses on the study of Castellaccio di Monteroni in Ladispoli, built in the fifteenth century on Roman structures and on previous constructions dating back to the period of the Baronial expansion. The Castellaccio di Monteroni is one of the few remaining examples of Casale Fortificato (Fortified Manor). It is placed on the 35th kilometer of the Via Aurelia and takes its name Castellaccio from the abandonment over the centuries and Monteroni due to the heaps of the nearby Etruscan necropolis. The main function carried out over the centuries was a resting place, a sure point of reference for couriers, travelers and pilgrims traveling along the Via Aurelia. When in the nineteenth the route of the Via Aurelia was moved to the present one the fortification fell into abandonment. The analysis of this architecture is of great interest, not only for the knowledge of the geometry of the fortifications of the Roman countryside, but also because it is one of the few remaining examples of Casale Fortificato, representing a rare medieval architectural heritage.
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Picone, Renata. "Vernacular architecture and archeological remains: Direct links in the Phlegraean Fields in Campania (Italy)." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Valencia: Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.15626.

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The paper analyze some vernacular architecture typologies in the italian region of Campania which are intimately linked to the archaeological remains of the architectures that preceded them.. These vernacular architectures have been poles for many centuries for the organization and management of the territory and have contributed to the definition of the historical landscape of the Phlegraean area.The economic and political importance of the Phlegraean territory in Roman times is amply evidenced not only by ancient literary sources, but also by the wide presence of archaeological remains. Alongside the major Roman monuments of Pozzuoli, Cuma and Baia, noble villas, cisterns and funeral buildings are developed throughout the area of the Phlegraean fields, specially along the Via consularis Puteoli Capuam which connected the flourishing port of Pozzuoli to the city of Capua.It is on these remains that, starting from the sixteenth century, rural farms have been developed often re-using the archeological rests, as foundations for the new buildings or employing archaeological materials inside the building.This heritage, which is in a state of disuse and abandonment, is not yet fully known and catalogued and constitute an important example of local built heritage for the values of construction tradition, materials and techniques that they preserve. The study is characterized by an interdisciplinary approach and will address the close relationship with the landscape of these settlements, continuity of use and bioclimatic characteristics and materials which make this heritage a good reference for sustainability and ecological way to built and live. The essay will address some emblematic case studies that illustrate the characteristic values of this vernacular architecture, their state of conservation analyzed with respect to the structural instability and degradation in order to identify guidelines for the conservation and enhancement of this rural heritage.
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Russo, Michele, Fabio Lanfranchi, and Laura Carnevali. "The ancient Roman gate along Appian way: San Sebastiano Gate." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11337.

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The application of integrated survey techniques and 3D modelling methodologies for Cultural Heritage analysis is now considered a consolidated process, while preserving and suggesting continuous research lines related from one side to the evolution of acquisition and restitution instruments, from the other to the problems linked to the specific case study and the goal of the research. This article describes the analysis of one of the largest and best-preserved gates of Rome, located within the Aurelian walls: Porta San Sebastiano. The original name of this gate was Porta Appia, transformed in the Middle Ages into San Sebastiano from the name of the Christian martyr buried in the Basilica on the Via Appia, located just outside the walls. The current gate aspect is the result of many architectural changes over the centuries, as well as a transformation happened in the twentieth century which has led it to a residential use, a unique example of its kind. Through the integration of different survey techniques, a geometric analysis of the complex building is completed, highlighting the construction complexity and the spatial articulation. A parametric model of a portion of the building is then suggested, aimed at understanding the logic underlying the definition of a HBIM model related to an existing complex artefact. Through an integrated analysis, the aim of the article is to provide an advancement in the knowledge of the specific Cultural Heritage through the integration of complementary methods of analysis and representation.
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Cappelli, Luigi. "Vernacular architecture on archaeological remains. Conservation and enhancement of the “Villa San Limato” in Cellole." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Valencia: Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.14365.

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The paper aims to analyze a case of vernacular architecture in Cellole (Italy) built on the roman maritime villa of Sofonio Tigellino, prefect under the Emperor Nero.‘Villa San Limato’, built in the eighteenth century, includes a roman cryptoporticus and some thermal rooms of the original roman villa. The roman walls, the ancient mosaics and the marmoreal rests of San Limato were accidentally found in 1954, during agricultural works. Only in 1971 the roman villa was fully excavated by Werner Johannowsky.The roman villa of ‘San Limato’ is a rare example of suburban roman villa with private baths, included in a much larger archaeological area on the edge of the ancient Roman colony of Sinuessa (296 a.C. – V century). The ruins of Sinuessa are still visible on the seacoast of Mons Massicus and, underwater, off the coast of Mondragone.The ‘Masseria San Limato’ is an interesting case study for examine the coexistence between archaeological pre-existence and rural architecture. It’s possible to study how the rural farm have been developed often re-using the archeological rests, as foundations for the new buildings or employing archaeological materials inside the building.The ‘Masseria San Limato’, which is largerly in a state of disuse and abandonment, is not yet fully known and constitute an important example of local built heritage for the values of construction tradition, materials and techniques that they preserve.The study is characterized by an interdisciplinary approach. It will illustrate the characteristic values of an emblematic vernacular architecture and his state of conservation analyzed with respect to the structural instability and degradation in order to identify guidelines for the conservation, enhancement and the storytelling, at the same time, of the rural and archeological heritage.
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Erdogmus, E., J. Freedland, A. Jording, A. Kousgaard, and C. M. Buckley. "Material Condition and Deterioration Assessment Program for a 3rd Century Roman Temple." In Architectural Engineering Conference 2013. Reston, VA: American Society of Civil Engineers, 2013. http://dx.doi.org/10.1061/9780784412909.084.

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Reports on the topic "Architecture romane"

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Hunter, Fraser, and Martin Carruthers. Iron Age Scotland. Society for Antiquaries of Scotland, September 2012. http://dx.doi.org/10.9750/scarf.09.2012.193.

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The main recommendations of the panel report can be summarised under five key headings:  Building blocks: The ultimate aim should be to build rich, detailed and testable narratives situated within a European context, and addressing phenomena from the longue durée to the short-term over international to local scales. Chronological control is essential to this and effective dating strategies are required to enable generation-level analysis. The ‘serendipity factor’ of archaeological work must be enhanced by recognising and getting the most out of information-rich sites as they appear. o There is a pressing need to revisit the archives of excavated sites to extract more information from existing resources, notably through dating programmes targeted at regional sequences – the Western Isles Atlantic roundhouse sequence is an obvious target. o Many areas still lack anything beyond the baldest of settlement sequences, with little understanding of the relations between key site types. There is a need to get at least basic sequences from many more areas, either from sustained regional programmes or targeted sampling exercises. o Much of the methodologically innovative work and new insights have come from long-running research excavations. Such large-scale research projects are an important element in developing new approaches to the Iron Age.  Daily life and practice: There remains great potential to improve the understanding of people’s lives in the Iron Age through fresh approaches to, and integration of, existing and newly-excavated data. o House use. Rigorous analysis and innovative approaches, including experimental archaeology, should be employed to get the most out of the understanding of daily life through the strengths of the Scottish record, such as deposits within buildings, organic preservation and waterlogging. o Material culture. Artefact studies have the potential to be far more integral to understandings of Iron Age societies, both from the rich assemblages of the Atlantic area and less-rich lowland finds. Key areas of concern are basic studies of material groups (including the function of everyday items such as stone and bone tools, and the nature of craft processes – iron, copper alloy, bone/antler and shale offer particularly good evidence). Other key topics are: the role of ‘art’ and other forms of decoration and comparative approaches to assemblages to obtain synthetic views of the uses of material culture. o Field to feast. Subsistence practices are a core area of research essential to understanding past society, but different strands of evidence need to be more fully integrated, with a ‘field to feast’ approach, from production to consumption. The working of agricultural systems is poorly understood, from agricultural processes to cooking practices and cuisine: integrated work between different specialisms would assist greatly. There is a need for conceptual as well as practical perspectives – e.g. how were wild resources conceived? o Ritual practice. There has been valuable work in identifying depositional practices, such as deposition of animals or querns, which are thought to relate to house-based ritual practices, but there is great potential for further pattern-spotting, synthesis and interpretation. Iron Age Scotland: ScARF Panel Report v  Landscapes and regions:  Concepts of ‘region’ or ‘province’, and how they changed over time, need to be critically explored, because they are contentious, poorly defined and highly variable. What did Iron Age people see as their geographical horizons, and how did this change?  Attempts to understand the Iron Age landscape require improved, integrated survey methodologies, as existing approaches are inevitably partial.  Aspects of the landscape’s physical form and cover should be investigated more fully, in terms of vegetation (known only in outline over most of the country) and sea level change in key areas such as the firths of Moray and Forth.  Landscapes beyond settlement merit further work, e.g. the use of the landscape for deposition of objects or people, and what this tells us of contemporary perceptions and beliefs.  Concepts of inherited landscapes (how Iron Age communities saw and used this longlived land) and socal resilience to issues such as climate change should be explored more fully.  Reconstructing Iron Age societies. The changing structure of society over space and time in this period remains poorly understood. Researchers should interrogate the data for better and more explicitly-expressed understandings of social structures and relations between people.  The wider context: Researchers need to engage with the big questions of change on a European level (and beyond). Relationships with neighbouring areas (e.g. England, Ireland) and analogies from other areas (e.g. Scandinavia and the Low Countries) can help inform Scottish studies. Key big topics are: o The nature and effect of the introduction of iron. o The social processes lying behind evidence for movement and contact. o Parallels and differences in social processes and developments. o The changing nature of houses and households over this period, including the role of ‘substantial houses’, from crannogs to brochs, the development and role of complex architecture, and the shift away from roundhouses. o The chronology, nature and meaning of hillforts and other enclosed settlements. o Relationships with the Roman world
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