Journal articles: 'Architecture, Russian'

1

Brumfield, William Craft. "Photographing Russian Architecture." Visual Resources 5, no. 4 (January 1989): 259–88. http://dx.doi.org/10.1080/01973762.1989.9659188.

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Permilovskaya, Anna B. "Mythology of the russian orthodoxy and wooden church architecture." Yaroslavl Pedagogical Bulletin 2, no. 119 (2021): 151–58. http://dx.doi.org/10.20323/1813-145x-2021-2-119-151-158.

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This research topic is the initial stage of new work. The influence of the mythopoetic worldview of Russians and Orthodoxy on the architectural structure and symbolism in the concept of wooden temple building in the northern and arctic territories is considered an integrative scientific field in the article. This is founding a confirmation in the organization of the cultural and sacred landscape, in historical traditions and legends about the choosing of a place for the building of a temple (chapel). As well as the special status of «sacred» and «roadside» groves of trees, the selection of these trees for construction in a sacred meaning and using of individual parts of these temples as a community center and place for ancient rituals. The lexis, connected with the folk architecture, indicates the anthropomorphic nature of the architectural space of the temple. The construction, as it were, is assembled from «large», qualitatively significant components of the human body: head, neck, face, eyes, kokoshnik, forehead, rib, human bust, etc. This tradition is preserved and strengthened by the circumstance that since ancient times, the proportions of the human body acted as a tectonic (building) model of the entire architectural structure. The research substantiates an algorithm for the interactionof the mythopoetic worldview and the Orthodoxy on the architectural structure, and the significance of church architecture. The temple occupied a central place in the sacred space of the northern peasant world. The conducted research made it possible to convincingly prove that wooden churches are a symbolic heritage of the Russian North and the Arctic. The pinnacle of the development of wooden architecture, embodied in the northern temple architecture, was a natural result of ancient Russian architectural – constructional traditions and a reflection of the talent of the Russian people, which allows us to translate the concept of «Russian carpenter» into the category of «Russian architect».

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Dymchenko, М. Е., М. F. Dakoro, and D. G. Dadiyan. "The problem of form in modern architecture." E3S Web of Conferences 281 (2021): 02026. http://dx.doi.org/10.1051/e3sconf/202128102026.

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The problems of architectural shaping and thinking evolution in the context of the modern society development are considered in the article. The most important issue is the preservation of cultural-historical and ethnonational codes of collective social experience architectural expression in modern Russia. Distinctive features of Russian architecture development on the background of changes in the Western world and consciousness in the globalization era are marked. The contradictions and challenges of establishing a new architectural language in the context of different vectors of the reception of historical heritage and renewal of the cultural layer of Russian society are characterized.

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O'Connell, Lauren M. "A Rational, National Architecture: Viollet-le-Duc's Modest Proposal for Russia." Journal of the Society of Architectural Historians 52, no. 4 (December 1, 1993): 436–52. http://dx.doi.org/10.2307/990867.

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Viollet-le-Duc earned a privileged place in the annals of modern architecture by elaborating a general theory that could respond flexibly to a variety of local traditions, cultural practices, and material resources. In 1877 he undertook to test this theory by applying it to an unfamiliar case-the architecture of Russia. The first study of its type to appear in the West, L'Art russe chronicled Russia's architectural past and predicted its future. The book touched a nationalist nerve in the Russian audience and engendered a heated debate in Russia about the nation's ethnic identity and architectural destiny. Analysis of the text and its critical reception will demonstrate the political timeliness of Viollet-le-Duc's argument for the eminent rationality of allowing national traditions, tastes, and resources to inspire the architect's design choices.

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Chen, Lei, Yan Li, Dong Xu Zhang, and Yu Chen. ""Russian Architecture Prototype” in the Role of Shaping the Form of Contemporary Architecture in Harbin." Applied Mechanics and Materials 174-177 (May 2012): 1682–87. http://dx.doi.org/10.4028/www.scientific.net/amm.174-177.1682.

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The paper tries to use the idea of architecture typology basing on the theory of prototype to analyze the “Russian architecture prototype” wildly distributed in Harbin, which is representative by “Russian building”, and discuss the “Russian architecture prototype” in the role of shaping the form of contemporary architecture in Harbin. We wish to summarize the former experience and provide reference for architectural creation in Harbin in the future.

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Farley, Brigit, and William Craft Brumfield. "Lost Russia: Photographing the Ruins of Russian Architecture." Slavic and East European Journal 42, no. 2 (1998): 332. http://dx.doi.org/10.2307/310027.

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7

Chechel', I. "MODERN DESIGN CONDITIONS AND COMPONENTS OF THE ARCHITECTURAL CONCEPT OF SECONDARY SCHOOLS." Bulletin of Belgorod State Technological University named after. V. G. Shukhov 6, no. 7 (July 10, 2021): 73–88. http://dx.doi.org/10.34031/2071-7318-2021-6-7-73-88.

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Today, large-scale programs for the construction of general education facilities are being implement-ed in the country. The Russian architecture of general educational buildings is gradually moving away from the standard architectural solutions approved by practice. This is influenced by the condi-tions of the current stage in the development of the state and society, and the tasks for the formation of an individual and a new generation of citizens. An analysis of the works of modern Russian architects suggests that the country has begun and is steadily gaining momentum in the process of forming the architecture of a new generation of school buildings. According to the author, the process is under the influence of a number of objective conditions. They are: the need to provide cost-effective architectur-al solutions of the design documentation for the mass construction of an object of General education in Russia; the continuation of the traditions of the author's architectural design for the public sector in education and the growing influence of the architecture of the non-public (private) sector to create innovative school buildings of the new generation; the impact of the reform processes in the field of pedagogical technologies in the system of General education and in solving complex issues of security and anti-terrorist protection of the object of General education on the formation of architecture of the school building; the operation of the object of General education in Emergency situation ( pandemic) and transition to the information society in the era of digitalization,; the enforcement of Federal laws of the Russian Federation in the field of safety of object of General education. Based on the identified conditions, a new systematization of the components of the architectural concept is proposed and the principles necessary for the creation of a general education building that marks the end of time are formulated.

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Fajar, Chairul, and Asep Kamaluddin Nashir. "Russian Military Intervention In The Middle East Security Architecture." Jurnal ICMES 3, no. 1 (June 29, 2019): 75–100. http://dx.doi.org/10.35748/jurnalicmes.v3i1.41.

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Fluctuations in liquid security polarity and the likelihood of the agenda of interests have created a power contestation followed by security uncertainty in the Middle East. The eruption of the Arab Spring followed by conflict in Syria posed a threat to Russia's national interests by the potential collapse of Syrian government authority. Military intervention later became a step for Russia to overcome the potential threat. It is strongly believed that the Russian military intervention has obtained a number of achievements as well as from the game changer of the course of the war in Syria as well as the value of strategic advantages in the scope of the Middle East security order. In this study using the theory of regional security complex and military intervention. The results of this study found that Russian military intervention in Syria had expanded Russia's role in Syria and the Middle East as one of the important players who created variations in the power map in the region while thwarting the design of the US version of the Middle East security.

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9

Shopina, E., M. Markova, and A. Blagireva. "ARCHITECTURAL APPEARANCE OF THE FORTRESSES OF THE RUSSIAN NORTH." Technical Aesthetics and Design Research 1, no. 2 (December 24, 2020): 36–44. http://dx.doi.org/10.34031/2687-0878-2019-1-2-36-44.

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Russian defense architecture, characterized by its uniqueness, is a heritage of Russian culture, includes images of towers and walls, and embodies the embodiment of progressive ideas of the Russian people, their traditional views, labor and heroic deeds. Elements of fortifications have their own distinctive features and are divided depending on them into types and types. The object of the study is the features of structures, distinctive features, functionality and device of defense structures of the Russian North. As a result of the study, the authors conclude that the historical role of fortifications in the Russian North lies in its influence on the architectural heritage of Russia. According to the authors, the influence of defense architecture found its distribution on other types of buildings and was directly dependent on the climatic conditions of the northern terrain. Fortifications played an important role in the defense of the Russian state and the formation of the outlines of the cities of the Russian North.

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10

Brumfield, William C. "(Re)presenting Russian Architecture." Visual Resources 26, no. 3 (September 2010): 322–30. http://dx.doi.org/10.1080/01973762.2010.499654.

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11

Kiyanenko, Konstantin. "Environmental design research in Russian architecture." Archnet-IJAR: International Journal of Architectural Research 13, no. 2 (July 15, 2019): 260–75. http://dx.doi.org/10.1108/arch-03-2019-0048.

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Purpose The topics “environment,” “environmental design” and “environment and behavior studies” are important and promising in architectural discourse. The academic culture of the global west plays a unique role in the development of the knowledge within the field of environmental design research (EDR), from which these concepts originate. This paper examines the western names, works and ideas related to EDR that have spread into Russian architectural discourse. The purpose of this paper is to consider the status quo of Russian knowledge of EDR and its connection with the western EDR tradition. Design/methodology/approach The method of research in this paper is the analysis of references and keywords of architectural publications from the largest Russian academic online library – e-library.ru. Findings The origin, evolution and current state of environmental architectural knowledge in Russia are discussed. Its segmentation including the presence of several self-organized spheres within the EDR domain and the variety of “dialects” of environmental language are illustrated. The connections of each segment of Russian knowledge with western authors and sources are traced. Further, conclusions are drawn regarding the similarities and differences between Russian and western knowledge in the field of EDR. Originality/value The relationship of Russian architectural theory with western EDR knowledge has not previously been the subject of a comparative scientometric study.

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12

Belov, A. Yu. "Openness as a feature of the cultural code of Russian architecture: from ancient Russia to the Russian avant-garde." Bulletin of Kazakh Leading Academy of Architecture and Construction 80, no. 2 (June 29, 2021): 57–67. http://dx.doi.org/10.51488/1680-080x/2021.2-05.

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The article describes the cultural feature of the national character of the Russian people - openness. The manifestation of this feature in Russian medieval architecture is considered, and the influence and development of this feature in the architecture of the Russian avant-garde is traced. The author reached conclusion about the continuity and development of openness in Russian medieval architecture and the architecture of the Russian avant-garde.

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13

Chernyy, Valentin D. "FOREIGNERS IN MUSCOVY OF THE LATE XV-XVI CENTURIES: PERCEPTION OF DEVELOPMENT AND ARCHITECTURE OF RUSSIAN CITIES." Articult, no. 4 (2020): 43–53. http://dx.doi.org/10.28995/2227-6165-2020-4-43-53.

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The article considers the peculiarities of foreigners' perception of Russian cities, their development, planning and architecture during the late XV-XVI centuries. The restoration of a single state, called Muscovy in Europe, has attracted the attention of many countries, communities, and individuals seeking to establish profitable political, commercial, and cultural ties with Russia. Russian cities, especially the capital, with unusual layout, buildings and architecture fall into the sphere of attention of foreigners. In their assessments of Russian realities, the authors proceeded from their own ideas and interests that developed in other historical and cultural conditions. For this reason, they often preferred European cities and buildings. As Russia's contacts with foreign countries develop, foreigners' knowledge of Russian cities becomes more accurate.

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14

Nikitin, Yury, Vasiliy Goryunov, Vera Murgul, and Nikolay Vatin. "Russian Sections at World and International Fairs." Advanced Materials Research 1065-1069 (December 2014): 2674–80. http://dx.doi.org/10.4028/www.scientific.net/amr.1065-1069.2674.

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Russian exposition pavilions at world and international fairs, expressive and unique in their artistic formulation, were always among the most visible national buildings. Beginning with the first structures at the 1867 World Fair in Paris, Russia presented medieval Russian architectural forms at all subsequent exhibitions. An important feature of Russia’s exhibition building abroad was the supreme desire to achieve high quality despite the fact that the structures were doomed to destruction. Russian architects strove to create an original image of the national exhibition pavilion, and so their appeal to medieval Russian architecture was natural. The path followed by Russia when participating in world and international exhibitions was not chosen by chance. This was the route to Russia’s assertion of her national culture in the West.

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15

Babinovich, N. U., and E. V. Sitnikova. "MODEL CONSTRUCTION IN RUSSIAN CITIES AND TOMSK." Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture 22, no. 5 (October 31, 2020): 25–35. http://dx.doi.org/10.31675/1607-1859-2020-22-5-25-35.

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The article examines the general trends in design and construction in accordance with the model projects on classicism in Russia and the city of Tomsk. The development stages of design and construction in Russia late in the 18th and early 19th centuries are presented. Stand ard design ensures fast and high-quality construction throughout the country. This phenomenon covers almost and all design areas has a strong impact on the architecture of the Russian cities. The research concerns the preservation of historical buildings built in accordance with the model projects widespread in the Russian cities in the 18–19th centuries. Despite many works on classical architecture in the Russian cities, it has not been studied enough for Siberian cities and, in particular the city of Tomsk.The purpose of this work is to study the development stages of the model design, identify bjects built according to the model projects in Tomsk and other cities of Russia, and carry out the comparative analysis. The following methods are explored: the literature review, comparative architectural analysis and cross-sectional analysis of the data obtained.The novelty is the comparative analysis of classical buildings in Russia. This research involves previously unpublished archival materials and field studies.It is found that in the 18–19th centuries, the spontaneous construction was ceased in Russia.The streets took on clear geometric outlines and the houses met the given requirements accompanied by the model projects. In Tomsk and other Siberian cities, the model projects were based on wooden architecture that continued until the end of the 19th century. Buildings built during this period already had deviations from the classical style, namely the odd number of windows, symmetry breaking, and fillet decoration.

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Tumanik, A. G. "ARCHITECTURE AND HISTORY OF ZHYTOMYR TRANSFIGURATION CATHEDRAL." Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture, no. 1 (February 27, 2019): 74–84. http://dx.doi.org/10.31675/1607-1859-2019-21-1-74-84.

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This article in the historical and professional context reconstructs the process of creating, characterizes the architectural and artistic quality of the Orthodox Cathedral in the name of the Transfiguration of Christ in Zhytomyr, created in the second half of the 19th century and is currently one of the category of the rarest monuments of the historic Russian temple architecture, but exists outside the bounds of the cultural space of modern Russia.

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ChESNOKOVA, D. M. "FOREIGN AND RUSSIAN EARTHEN BUILDING EXPERIENCE." Urban construction and architecture 3, no. 1 (March 15, 2013): 38–44. http://dx.doi.org/10.17673/vestnik.2013.01.7.

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The objects of research are the earth and unfired clay as building materials used for architectural forming. The article shows the research regarding the traditional techniques of foreign and Russian Earthen Architecture, which oﬀers a new development prospective of architecture of diﬀerent times. The usage of those techniques allowed the construction of energy-eﬃcient houses, which means that in spite of the weather conditions, the living standard in those houses is quite high and at the same time the use of heating and airconditioning systems is minimized. Building technologies and their historical development are viewed.

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18

Gerstein, Linda, and William Craft Brumfield. "A History of Russian Architecture." American Historical Review 99, no. 4 (October 1994): 1360. http://dx.doi.org/10.2307/2168888.

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19

Schmidt, Albert J., and William Craft Brumfield. "A History of Russian Architecture." Russian Review 54, no. 1 (January 1995): 133. http://dx.doi.org/10.2307/130792.

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20

Shopina, E., and A. Drobot. "RUSSIAN WOOD ARCHITECTURE AS AN EXAMPLE OF HOUSEHOLD BUILDINGS." Technical Aesthetics and Design Research 1, no. 3 (December 23, 2020): 45–53. http://dx.doi.org/10.34031/2687-0878-2019-1-3-45-53.

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In terms of state-of-art cultural development the deeper understanding and study of Russian heritage with centuries-old knowledge and skills for a designer and architect becomes important. Object of the study is Russian wooden architecture of household buildings, including storehouses. Research methodology consists of the following: a challenge problem; review of specialized literature; generalization and interpretation of the term; historical and cultural analysis. Results of the study: it was found that the specificity of the wooden architecture of the Russian North is authenticity and relation with natural feature of area where the buildings are located. According to the author’s opinion, understanding of relevance to study the history of Russian people and the knowledge accumulated by them in relation to wooden architecture will greatly affect the further development of the architectural mentality of a modern designer.

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21

Brumfield, William C. "Anti-Modernism and the Neoclassical Revival in Russian Architecture, 1906-1916." Journal of the Society of Architectural Historians 48, no. 4 (December 1, 1989): 371–86. http://dx.doi.org/10.2307/990455.

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The appearance of the "style moderne" in Russian architecture at the turn of the century reflected not only the assimilation of the new European architecture (Secession, Art Nouveau), but also the movement toward an urban environment that would accommodate a social order based on private capital and the ascendency of Russia's nascent bourgeoisie. Claims for the democratic basis of the new style acquired distinctly political overtones in critical articles published between 1900 and 1905. After 1905 (a year of widespread revolutionary disorder in Russia), a reaction against the modernist aesthetic can be traced in the work of architects and critics who supported a revival of Neoclassicism. Although the new classicism provided the means to apply technological and design innovations within an established tectonic system, it was also widely interpreted as a rejection of the unstable values of individualism and the bourgeois ethos. Neoclassical architecture became the last hope for a reconciliation of contemporary architecture with cultural values derived from an idealization of imperial Russian grandeur. Yet the revival of Neoclassicism quickly manifested the same lack of aesthetic unity and theoretical direction as had the moderne, thus leading certain critics and architects to question the entire social order within which architecture functioned in the decade before the 1917 Revolution.

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CHENPALOV, Mark F., and Mikhail Yu ZHURAVLEV. "AUTHENTICATION OF NOVGOROD SCHOOL OF ANCIENT RUSSIAN TEMPLE ARCHITECTURE." Urban construction and architecture 8, no. 1 (March 15, 2018): 85–90. http://dx.doi.org/10.17673/vestnik.2018.01.15.

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Taking into account the historical context the characteristic features of the Novgorod architectural school of Orthodox temple architecture of the 12th-15th centuries are explored. A comparative analysis of the most signifi cant objects of this period is carried out. The process of formation of the Novgorod style is traced. The volume-spatial and architectural-artistic features of a number of buildings are listed and described. A conclusion is drawn about authentic elements and expressive methods characteristic of this direction.

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23

Curcic, Slobodan, and James Cracraft. "The Petrine Revolution in Russian Architecture." American Historical Review 95, no. 3 (June 1990): 868. http://dx.doi.org/10.2307/2164410.

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Hughes, Lindsey, and James Cracraft. "The Petrine Revolution in Russian Architecture." Russian Review 49, no. 3 (July 1990): 336. http://dx.doi.org/10.2307/130167.

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25

Gervits, Maya. "Russian Art and Architecture: Fundamental Sources." Art Documentation: Journal of the Art Libraries Society of North America 18, no. 2 (October 1999): 40–46. http://dx.doi.org/10.1086/adx.18.2.27949029.

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26

Tsvetnov, Vladimir A. "P.D.Baranovsky. Unknown Pages in the Protection of Architectural Monuments of the Russian North (1920-1970)." Scientific journal “ACADEMIA. ARCHITECTURE AND CONSTRUCTION”, no. 2 (June 28, 2018): 35–39. http://dx.doi.org/10.22337/2077-9038-2018-2-35-39.

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This article explores views of Petr Baranovsky (1892-1984), well-known preservationist and architectural conservator, about issues concerning the protection of architectural monuments of the Russian North. In the 1920s P.D. Baranovsky organized the first Russian skansen - an open-air museum of wooden architecture in Kolomenskoye outside Moscow and became its director. He managed to bring to Kolomenskoye several examples of wooden architecture that otherwise might have been destroyed. In the process of transportation the monuments hardly survived. One of them - the "Mokhovaya Tower of the Sumsky Ostrog" - was assembled and installed in Kolomenskoye only in the 1990s. The author argues that P.D. Baranovsky changed his views over time. In the 1970s he, along with his colleagues and members of the Architectural section of the VOOPIK (All-Russan Society for Protection of Monuments of History and Culture) began developing a new "territorial" approach to protection of cultural heritage. Instead of bringing buildings together in a museum, they advocated protection of cultural heritage sites and structures in their original historical and natural settings. This is similar to the modern "cultural landscape" approach, although that name was not in use at Baranovsky's time. The article is based on unpublished archival documents.

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Glatolenkova, Ekaterina. "Architecture of residential environment in the settlements along the Chinese Eastern Railway." Урбанистика, no. 1 (January 2020): 34–48. http://dx.doi.org/10.7256/2310-8673.2020.1.32316.

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This article examines the peculiarities of formation of residential areas along the Chinese Eastern Railway (CER); analyzes the pattern of settlements; and examines the architectural nuances of residential buildings. The object of this research is the architectural urban development peculiarities of Russian railroad stations on the territory of Northern Manchuria. The subject of this research is the residential environment in the settlements along the Chinese Eastern Railway. The chronological framework covers the first three decades of the XX century: beginning of construction and first years of exploitation of the railway, characterized by active urban development process and creation of full-fledged environment for accommodation of construction workers, railway workers, migrants from Russia, Southern Manchuria and mainland China. The theoretical foundation for this study consists in the systemic-axiological approach, according to which the culture defines the system of materialistic and spiritual values passed from one generation to another, and allows determining the value grounds of cultural interaction and its panhuman significance. The work explores the peculiarities of architecture and urban development in the settlements along CER. Study is carried out on the construction process of the railway and living conditions of first workers, approaches towards design of the stations of the main line and the southern branch, as well as architecture of residential building of the settlements. The author considers the impact of Russian environment upon the existing Chinese cities, and the use of the traditional Chinese approaches in the projects by the Russian engineers and architects.

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Nikitin, Yury, Vasiliy Goryunov, Vera Murgul, and Nikolay Vatin. "Research on Industrial Exhibitions Architecture." Applied Mechanics and Materials 680 (October 2014): 504–9. http://dx.doi.org/10.4028/www.scientific.net/amm.680.504.

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All-Russian and regional exhibition architecture in the second half of the 19th century through the early 20th century had varied distinct differences in style and design. Temporality of exhibition architecture in those days contributed to a variety of experiments made for pavilions in the context of styles and structures. There was a high demand for the Russian style to be applied for pavilions both in Russia and abroad. First search and application experience in respect to the modern art principles are connected with exhibition architecture. These experiments in the national architecture and art are of a high interest. Neo-classicism was applied in exhibition architecture in the early 20th century to a large extent. The exhibitions of the early 20th century appeared to be special ‘style workshops’. Organizers of certain exhibitions tried to keep uniformity of style of basic constructions. The major merit of exhibition architecture is that it contributed to the transition from eclecticism to a new style on the cusp of the 19th and beginning of the 20th centuries.

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Yamshanov, Igor, Vasiliy Goryunov, Vera Murgul, and Nikolay Vatin. "Neogothic Public and Industrial Buildings in the Russian Empire XIX Century." Advanced Materials Research 1065-1069 (December 2014): 2669–73. http://dx.doi.org/10.4028/www.scientific.net/amr.1065-1069.2669.

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The publication is devoted to development of neogothic architecture in Russia. The little-known facts concerning features of a shaping of architectural forms in neogothic stylistics of the XIX century are considered. The comparative analysis of domestic and foreign monuments of architecture of neogothic style is carried out. Features of development of domestic neogothic public and industrial buildings are accented.

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REPINA, Evgeniya A., and Dariya N. ROMANOVA. "EVOLUTION OF PROFESSIONAL INTEREST FOR ANONYMOUS LANGUAGE PHENOMENON." Urban construction and architecture 7, no. 1 (March 15, 2017): 87–93. http://dx.doi.org/10.17673/vestnik.2017.01.15.

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The relevance of modern Russian anonymous architecture is studied. The evolution of the concept «anonymous» and the variety of its connotations in different contexts are viewed. A brief overview of researches influenced on new values formation is presented. Philosophical and cultural background of inclusion of anonymous language in professional field are analyzed as well as mutual influence of artistic and architectural practices. The question of research typological boundaries is raised. The examples of anonymous language legitimation in Russian and world professional architectural practice are presented. Potential values of Russian vernacular architecture are revealed and classified for professional practice. Objects created by non-professionals demonstrate respect for the place, cultural continuity, careful attitude to things, to manual labor and love of folk material culture.

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Nikitin, Yury. "ARCHITECTURE OF RUSSIAN EXHIBITION PAVILIONS AT INTERNATIONAL NORDIC EXHIBITIONS IN THE LATE 19TH – EARLY 20TH CENTURIES." Architecture and Engineering 5, no. 4 (2020): 35–43. http://dx.doi.org/10.23968/2500-0055-2020-5-4-35-43.

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Introduction: In the 19th – early 20th centuries, Russia actively participated in world’s and international exhibitions in Europe and the USA. Purpose of the study: We aim to study the typology of Russian expo construction abroad consisting of three branches: construction of model facilities, construction of official ceremonial buildings and facades, and, finally, construction of exposition pavilions. Methods: Despite the inevitable demolition of the facilities, Russian exposition pavilions built abroad always strained after high quality of architecture, which is quite important. Results: A peculiar type of buildings — the Russian national exhibition pavilion — formed, which is traditionally styled after old Russian architecture but, at the same time, meets the new exposition and functional requirements.

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Starodubtscev, Oleg V. "Philosophical Ideas of the Romanticism and Russian Ecclesiastical Architecture of the 19th Century." Observatory of Culture, no. 5 (October 28, 2015): 49–51. http://dx.doi.org/10.25281/2072-3156-2015-0-5-49-51.

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The article considers philosophical views of the Romanticism regarding the Russian ecclesiastical architecture of the 19th century. Resting upon some paradigmatic architectural research, the author demonstrates principal features of the ecclesiastical architecture evolution in particular, to which it is sometimes impossible to apply common for the architecture of the 19th century in general rules and regularities. Among other things, the following thesis is proposed: the Romanticism is not the first stage of the Eclecticism but a natural continuation of the Classicism. Moreover, in the ecclesiastical architecture, unlike in the secular one, the ideas of Romanticism were relevant in quite different historical periods.

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Emel'yаnov, E. Y., and E. V. Sitnikova. "MODERNISM IN TOMSK WOODEN ARCHITECTURE IN THE EARLY 20th CENTURY." Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture, no. 1 (February 27, 2019): 114–25. http://dx.doi.org/10.31675/1607-1859-2019-21-1-114-125.

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The paper considers the development of modernism in the wooden architecture in the city of Tomsk in the context of national trends. The paper studies design features and specificity of wooden decoration of buildings made in the modern style or with the use of architectural elements performed in accordance with the variation of the neo-Russian style and “northern mo dernity”. The originality of the author's interpretations of style trends and those of the professional architects is described.The relevance of the study is stipulated by preserving wooden buildings in the cities of Russia and Siberia and the loss of valuable decorations of buildings, in particular. Despite the wide range of works involved in studying modernism in the architecture of Russian cities, not all aspects and trends of phenomena observed in Tomsk architecture in the early 20th century have been investigated so far.The purpose of this paper is to study the wooden buildings of Tomsk made in the modern style or with architectural elements of this style.The paper uses the methods of comparative and architectural analyses. It is considered how modernist-style wooden buildings have been designed and built in the in the cities of Siberia, and in particular, the city of Tomsk.It is shown that by the beginning of the 20th century, the folk traditions are combined with the works of professional architects. Wooden buildings, made in the modernist style, are distinguished by complex compositional solutions. This is evident by the mansions designed mainly for a circular view. The attitude to the wood has changed, not only in terms of building and finishing material, but also as a means of a new architectural and artistic embodiment of the independent artist idea.

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Kokoreva, Maria, and Anastasia Stepanova. "Financial Architecture and Corporate Performance: Evidence from Russia." Journal of Corporate Finance Research / Корпоративные Финансы | ISSN: 2073-0438 6, no. 2 (September 4, 2012): 34–44. http://dx.doi.org/10.17323/j.jcfr.2073-0438.6.2.2012.34-44.

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Authors: Kokoreva Maria Sergeevna - assistant professor, lecturer, HSE Higher School of Economics, deputy head of the school of finance, researcher of the scientific and educational laboratory of corporate finance, director of the joint educational program for the preparation of bachelors in the direction of "Economics" USU and HSE. E-mail: maria_kokoreva@mail.ru. Anastasia N. Stepanova National Research University The Higher School of Economics, anstepanova@hse.ru In this paper we study the performance effects of capital structure, ownership structure choices and corporate governance mechanisms of Russian companies. To address the lack of research in corporate performance modeling in emerging markets we contribute to the literature by introducing cluster analysis of financial architecture and market performance of Russian companies. Our idea is to find out the efficient and inefficient types of financial architecture in emerging markets. On the sample of 50+ largest Russian nonfinancial companies within the period of 2005-2010 years we demonstrate the existence of three sustainable types of financial architecture in Russia. Using cluster analysis we form the cluster of companies in pre-crisis period and then demonstrate the relationship between the financial architecture type and the level of corporate market performance.

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Vinogradova, Evgenia I., and Evgeny V. Kilimnik. "ANALYSIS OF COLLABORATIVE RESEARCH IN ARCHITECTURE AND PSYCHOLOGY OF THE LATE TWENTIETH-EARLY TWENTY-FIRST CENTURY." Articult, no. 3 (2020): 137–48. http://dx.doi.org/10.28995/2227-6165-2020-3-137-148.

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The article analyzes the work of Western and Russian scientists, conducted in the past three decades, on the relationship of psychology and architecture. It is shown that in the West, the neuropsychological aspects of the relationship of psychology and architecture are studied thanks to modern neurobiological equipment, while in Russia there is a clear gap between the representatives of neuroscience, their technical support, and the architectural scientific community. As a result of the analysis conducted in the article, it is concluded that two research blocks can be distinguished. The first of them highlights the relationship between the psyche of the viewer and architecture. This may include research, both revealing the features of the perception of objects, and the influence of an architectural object on the viewer. Another block of research is connected with the psyche of the architect: and here the features of the design process itself are examined, as well as the influence of the personality of the architect on the features of the architectural object. It is concluded that the topic of reflecting the individual or individually-typological psychological characteristics of the personality of an architect in a specific architectural work remains undeveloped both in the West and in Russia, although it is extremely relevant today.

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PONOMARENKO, Elena V. "MOSCOW’S INFLUENCE IN THE ARCHITECTURE OF RURAL CLASSICAL CHURCHES IN THE MIDDLE VOLGA REGION." Urban construction and architecture 11, no. 1 (December 15, 2021): 118–24. http://dx.doi.org/10.17673/vestnik.2021.01.16.

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A study done at the expense of the State program of the Russian Federation “Science and technology” in the framework of the plan of basic scientifi c research Ministry of Russia and the RUSSIAN. In the article, an att empt has been made to the analysis of a wide range of issues related to the formation of the rural architecture of Orthodox churches in the territory of the Middle Volga region in the 19th century. Considered layout, composition and stylistic features of the architecture of Orthodox churches in the region. Peculiarities of regional religious architecture of the Middle Volga region. Provides extensive material fi eld surveys.

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Kozyrenko, Nataliya Efremovna. "Russian Harbin: architecture of the mansion of G. I. Kroll." Урбанистика, no. 3 (March 2020): 26–36. http://dx.doi.org/10.7256/2310-8673.2020.3.33397.

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The subject of this research is the architectural and style peculiarities of the mansion of G. I. Kroll. The object is the Harbin architectural landmarks built in the early XX century in the New City area. Presently the are in a critical condition. Their physical state testifies to the upcoming demolition of the unique objects of Russian Harbin. The author examines the historical aspect of construction and functionality of the objects, architectural specificities, and current physical state of the architectural landmarks. Special attention is paid to the architectural-planning peculiarities of the constructs: pattern, decorative elements, style. The main conclusion of the conducted research consists in the need for urgent restoration works of the structural elements and façade reconstruction of the landmarks. Layout of the two objects, interiors of all indoor spaces, and surrounding environment are subject to repair. These works would take place in the context of the new functionality of the objects – “Russian Harbin” hotel. Such approach would allow to not only preserve the objects of Russian architecture, but also reproduce the distinct environment of Harbin of the early XX century. The scientific novelty lies in conducting an on-site inspection of the constructs to find damages in structural elements, do measurements, develop reconstruction projects based on the results of determined architectural and style peculiarities of the landmarks.

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Mamieva, Iraida A. "Large-span structures in diploma projects of students architects of RUDN University." Structural Mechanics of Engineering Constructions and Buildings 16, no. 3 (December 15, 2020): 233–40. http://dx.doi.org/10.22363/1815-5235-2020-16-3-233-240.

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At present, there is a renewed interest in the design and application of wall structures in architecture and construction. With the advent of modern computers, refined methods for calculating shells, new building materials, the development of differential geometry and the rapid growth of numerical methods of calculation, it became possible to create architectural masterpieces from shells of canonical and non-canonical forms, which can be the hallmark of a city or country. This emerging trend among young Russian and foreign specialists inspires optimism among scientists who are researching thin-walled shells. The article considers some results of the work of the Department of Civil Engineering of the Engineering Academy of the Peoples Friendship University of Russia on attracting students to architectural design and involving undergraduates in researches on architecture, the theory of thin-walled spatial structures and their application in construction and architecture. The publications of students in this field are presented.

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Shopina, E., N. Orlov, and E. Anpilogova. "INDUSTRIAL BUILDINGS OF RUSSIAN NORTH." Technical Aesthetics and Design Research 1, no. 4 (December 23, 2020): 19–28. http://dx.doi.org/10.34031/2687-0878-2019-1-4-19-28.

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Nowadays, architecture and design mainly is oriented on development of new technologies. In these conditions it is important to use traditional styles and techniques. This knowledge can help to form a basis for future architects and designers as well as for professionals is to know current ideas and projects. Object of research is Russian wooden architecture, in particular, industrial buildings of Russian North; historical background of formation of this style. These knowledges is an essential base for professional mentality of architects and designers. Results of the study: it was found that specificity of Russian wooden architecture consists of combination of traditions in this region. According to the author’s opinion, understanding of the individual architecture of this region, the specifics of the construction of wooden buildings and untraditional mentality of ancient architects, opens up a large field for investigation of the culture of this region.

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Richardson, William, and William C. Brumfield. "Reshaping Russian Architecture: Western Technology, Utopian Dreams." Russian Review 51, no. 2 (April 1992): 271. http://dx.doi.org/10.2307/130705.

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Hudson, Hugh D., and William Craft Brumfield. "The Origins of Modernism in Russian Architecture." Russian Review 52, no. 1 (January 1993): 99. http://dx.doi.org/10.2307/130866.

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Schmidt, Albert J., and William Craft Brumfield. "The Origins of Modernism in Russian Architecture." American Historical Review 97, no. 2 (April 1992): 584. http://dx.doi.org/10.2307/2165829.

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Rappaport, Alexander G., and Arch Tait. "The Tungus Meteorite of Russian Architecture Studies." Art in Translation 10, no. 4 (October 2, 2018): 422–73. http://dx.doi.org/10.1080/17561310.2018.1551662.

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Frolov, V. P. "RUSSIAN PAVILIONS AT UNIVERSAL EXPOSITIONS:CONSTRUCTION AND ARCHITECTURE." Vestnik MGSU, no. 6 (June 2013): 42–49. http://dx.doi.org/10.22227/1997-0935.2013.6.42-49.

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Kennedy, Janet, and William Craft Brumfield. "The Origins of Modernism in Russian Architecture." Slavic and East European Journal 37, no. 2 (1993): 263. http://dx.doi.org/10.2307/309239.

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Beaujour, Elizabeth Klosty, and William C. Brumfield. "Reshaping Russian Architecture: Western Technology, Utopian Dreams." Slavic and East European Journal 37, no. 3 (1993): 408. http://dx.doi.org/10.2307/309303.

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조규연. "Revolution and Russian Architecture: The Case of Neo-classicism." Russian Language and Literature ll, no. 53 (May 2016): 7–33. http://dx.doi.org/10.24066/russia.2016..53.001.

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Kozyrenko, Ivan Sergeevich. "Contemporary styles and images in Harbin architecture." Урбанистика, no. 1 (January 2020): 82–103. http://dx.doi.org/10.7256/2310-8673.2020.1.32190.

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The object of this research is the contemporary architecture of Harbin, which is currently developing as a megalopolis of the Northeast of China. The subject of this research is the architectural peculiarities of cultural public objects, built in the first decade of the XXI century. At the present time, Harbin determines the old districts of the Russian period of development of the city; new building imitating historical architectural styles; and unique objects of cultural designation. The authors of exclusive projects and the Chinese architectural firms that recently improves their rating not only in China, but also abroad. The scientific novelty is defined by the rapid construction rates in Harbin and formation of its new architectural image. The article is first to explore contemporary architecture of the unique objects for the purpose of determination of stylistic and imagery characteristics. This would allow forecasting future development of architectural environment of the “Russian Atlantis”. The main conclusion consists in the fact that Harbin actively develops cultural functions that increase its status as an international tourism center. Chinese and foreign architectural firms are attracted to design of the objects. Their works indicate the search of memorable and remarkable objects with attached profound semantic meaning. Contemporary architectural objects reflect history, culture and traditions of China, as well as innovative approaches to the formation of urban environment.

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Artamonov, V., V. Lukin, and T. Musienko. "Geopolitics of the arctic: the problem of security maintenance." National Security and Strategic Planning 2020, no. 1 (March 30, 2020): 9–22. http://dx.doi.org/10.37468/2307-1400-2020-1-9-22.

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The process of formation and the main elements of the security architecture of the Arctic zone of the Russian Federation , global, regional and national levels are revealed. The structure, place and role of the Russian unified system of emergency prevention and response and the integrated security system of the EMERCOM of Russia are shown.

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Ovsyannikova, Elena, and Vladimir Shukhov. "Phenomenon of the Russian Avant-garde. Moscow Architectural School of the 1920s." For an Architect’s Training, no. 49 (2013): 22–27. http://dx.doi.org/10.52200/49.a.hm02emc3.

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he phenomenon of the Russian Avant–garde architecture formed under the influence of the Moscow Higher School of Architecture and Art is today widely known by the name of VKHUTEMAS. This school is mentioned in the context of professional activity of the artists and architects who also worked in other institutes, but who had creative links. In the limelight is Nikolai Ladovsky, creator of the introductory course on architectural composition, lecturing along with many authoritative Moscow utilitarian architects, such as Alexander Kuznetsov, Vesnin brothers and others.

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Journal articles on the topic 'Architecture, Russian'

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