Relevant bibliographies by topics / Architecture Semiotics and architecture

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Architecture Semiotics and architecture'

Author: Grafiati
Published: 4 June 2021
Last updated: 17 February 2022

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Journal articles on the topic "Architecture Semiotics and architecture"

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Stamatovic-Vuckovic, Slavica. "Architectural communication: Intra and extra activity of architecture." Spatium, no. 29 (2013): 68–74. http://dx.doi.org/10.2298/spat1329068s.

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Apart from a brief overview of architectural communication viewed from the standpoint of theory of information and semiotics, this paper contains two forms of dualistically viewed architectural communication. The duality denotation/connotation (?primary? and ?secondary? architectural communication) is one of semiotic postulates taken from Umberto Eco who viewed architectural communication as a semiotic phenomenon. In addition, architectural communication can be viewed as an intra and an extra activity of architecture where the overall activity of the edifice performed through its spatial manifestation may be understood as an act of communication. In that respect, the activity may be perceived as the ?behavior of architecture?, which corresponds to Lefebvre?s production of space.
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Munro, C. F. "SEMIOTICS, AESTHETICS AND ARCHITECTURE." British Journal of Aesthetics 27, no. 2 (1987): 115–28. http://dx.doi.org/10.1093/bjaesthetics/27.2.115.

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Allahham, Abeer. "Metamorphosis of mosque semiotics." Archnet-IJAR: International Journal of Architectural Research 13, no. 1 (March 18, 2019): 204–17. http://dx.doi.org/10.1108/arch-11-2018-0001.

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Purpose Compared with its status in Islamic history, the mosque today has become a distinctive phenomenon, perceived as an identity vessel of contemporary Islamic architecture that conveys sacred metaphysical meanings. Since the advent of modernity Muslim societies has become increasingly secularized; the relationships of the sacred–secular and the divine-based demythologized knowledge have been deformed. The mosque was glossed over as the sole contemporary sacred edifice that bears metaphysical/Islamic connotations with cultural continuity. Its architecture, meanings and function have gone through a process of metamorphosis, particularly the state mosques. The contemporary mosque as such is facing a “semiological deterioration.” State mosques today are symbolic statements and communicative messages of their rulers’ power and national sovereignty, with a subsidiary role for worship, i.e., the sacred has turned into a secular power metaphor. This led to a state semantic confusion accompanied by a loss in the deeply rooted collective cultural codes of the sacred. The purpose of this paper is to investigate the metamorphosis of the semiological connotation of the contemporary mosque, with a special focus on grand state mosques, and its effects on the architecture of the contemporary mosque. Design/methodology/approach This paper is theoretical research (no case studies included). Findings The metamorphosis that the contemporary mosque is experiencing today as a religious edifice with symbolic connotations and architectural iconism is but an effect of the changes that occurred in the concept of the scared and its relationship to the secular in contemporary Muslim communities, as a result of modernity. Such conceptual changes led to altering the deeply rooted cultural codes to be replaced by new intentional codes, used today as vehicles of communication in mosque architecture, especially in grand state mosques. Contemporary state mosques with its new symbolism and semantic meanings have contributed to redefining the concept of the contemporary mosque in general. Originality/value Mosque architecture today receives a significant importance. Many conferences and awards are dedicated to celebrating this phenomenon. Attempts to define the criteria and style of the contemporary mosque architecture are mounting. However, rarely there are studies that defy such attempts in a critical manner. This research seeks to criticize such approaches by highlighting the essence of the transformation in mosque architecture and its relationship to the concepts of the sacred and the secular, from a semiological perspective.
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Kostić, Miloš. "Semiotics of architectural: Detail between rationalisation and representation." SAJ - Serbian Architectural Journal 10, no. 1 (2018): 59–70. http://dx.doi.org/10.5937/saj1801059k.

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The aim of this paper is to discuss the realm of values upon which thoughts on architecture have been conceived, through the drawings of architectural detail. Although modernism, which opposes technical detail and ornament, is still regarded as influential theoretical position, it neglects to address a broader meaning of a detail in architecture. The research disputes the opposition between an ornament and a technical detail, claiming that a detail in architecture is the more abstract term, which represents a certain level of design thought besides utility and embellishment. It is argued that both modern and traditional values from different aspects of societal and cultural activities, as for their changes were being referenced to the micro level of architecture, transforming the way of their presence through different visual representations of detail along the history and theory of profession. In this paper, the small-scale drawings are used as a medium a medium which reflects transdisciplinarity of the profession and its entanglement with the knowledge and dynamics of other fields of human activity such as philosophy, economy, religion, engineering, and arts.
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Stevanović, Vladimir. "Phenomenologies of architecture." SAJ - Serbian Architectural Journal 6, no. 1 (2014): 89–106. http://dx.doi.org/10.5937/saj1401089s.

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This paper, in terms of analytic aesthetics, conducts a meta-discussion on the ways of using the term and notion of phenomenology in the discourse of architectural theory. The assumption is that one cannot argue with precision and certainty that the theorists who concern themselves with phenomenological thinking in the context of architecture target the same topics and problems. If in the architectural theory there is a parallel development of a number of different phenomenologies, the central issue becomes their mutual compatibility. Analysis conducted will open the possibility of consideration of the cases in which these phenomenologies are instrumentalized for the purpose of advocacy and promotion of certain stylistic and morphological architectural concepts. Such explicit sympathies for some architects and styles mostly evidence an affirmation of personal taste and subjective preferences of architectural theorists of phenomenology. Identifying, examination and interpretation of contradictions in phenomenologies of architecture, and then of their instrumentalizations, shall be conducted in relation to a broader theoretical and social context, starting from the second half of the twentieth century. This period chronologically determines the discussion, for it is then when the constitutive interaction of phenomenology and architectural theory happened. In this respect, variations in the phenomenologies of architecture shall be considered in their relation to: 1) architectural theories and practices of high modernism and postmodernism such as positivism, semiotics, abstraction and figuration; 2) socio-historical context that includes the dominance of liberal capitalism, consumerism, the consequences of technological progress, mass culture and populism, as well as media hyper production.
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Perin, Gavin John, and Linda Matthews. "Organizing Architectural Atmospheres." International Journal of Creative Interfaces and Computer Graphics 10, no. 1 (January 2019): 16–29. http://dx.doi.org/10.4018/ijcicg.2019010102.

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The article outlines an alternative type of digital drawing technique for architecture called chromatic mapping. This new procedural drawing technique redefines the theoretical frameworks of digital design practice by manipulating the formal and spatial capacities of data captured in the image. The ensuing discursive and practical changes to architectural design practice deliberately leverage the ability of image-based software to gather, collate and modify real-world data. The pixel is central to chromatic mapping because it is the medium that translates form and space into color. This alterative definition of form as visual data contests the orthodoxy that only the line can delineate form and reactivates the issues surrounding the role of the image in architectural production. While maintaining digital architecture's ambition to reduce the procedural and formal consequences of postmodern semiotics, this new drawing technique recalibrates the part images play in architectural production by activating image data to foreground drawings that simulate architecture's atmospheric qualities.
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Yussupova, Akmaral Ardasher, Liu Songfu, Ardasher Namazbay, Farzad Pour Rahimian, and Ahad Nejad Ebrahim. "ORNAMENTAL ART AND SYMBOLISM: ACTIVATORS OF HISTORICAL REGENERATION FOR KAZAKHSTAN’S LANDSCAPE ARCHITECTURE." International Journal of Architectural Research: ArchNet-IJAR 11, no. 3 (November 22, 2017): 193. http://dx.doi.org/10.26687/archnet-ijar.v11i3.1358.

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The use of symbolism in contemporary architecture is increasingly gaining momentum, especially so in the Eastern countries currently undergoing rapid economic development. Sociologically, this phenomenon can be related to a desire to manifest a vast wealth of national art and respond to the globalisation and unification of world culture. Taking this tendency as a prompt, this study explores different ways of implementing symbolic ornaments in landscape architecture. Traditionally architecture has been defined through and judged against culturally acceptable criteria that set the norm for appropriate form and expression. Yet, technical advances have altered this process and contributed to a certain level of oblivion of traditional architectural form. Thus, the meaning of many Kazakh ornaments has been lost through time. On one hand, this paper collects historical information on the semiotics of Kazakh ornaments and on the other hand, it conducts field studies focusing on the cultural tradition of the native people in Eurasia. The study introduces the use of symbolism in landscape architecture as an aspiration for luck and prosperity which then dictates the quality of the landscape compositions. The findings show that the use of symbolic ornamentation in architecture is not bound to specific geographic areas but rather motivated by broader underlying principles. Through analytical exploration of different cultures and their use of symbols in architecture, this study identifies four main categories of architectural symbolism relating to floral, zoomorphic, geometric and cosmogonic patterns. Each nation then recognises its own identity in the semiotics of those patterns and incorporates them in the urban realm as part of its cultural legacy.
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Krampen, Martin. "Semiotics in Architecture and Industrial/Product Design." Design Issues 5, no. 2 (1989): 124. http://dx.doi.org/10.2307/1511519.

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Marotta, Anna, Roberta Spallone, Massimiliano Lo Turco, Ursula Zich, Marco Vitali, Elena Marchis, and Martino Pavignano. "Visual Images and Language in Architecture: Signifier Semiotics and Meaning Semiotics." Proceedings 1, no. 9 (November 22, 2017): 964. http://dx.doi.org/10.3390/proceedings1090964.

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Jones, Paul. "Putting Architecture in its Social Place: A Cultural Political Economy of Architecture." Urban Studies 46, no. 12 (October 16, 2009): 2519–36. http://dx.doi.org/10.1177/0042098009344230.

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As well as being shaped by bureaucratically codified state regulations, architecture is also fundamentally conditioned by the broader political-economic context in which it is commissioned, designed and understood. However, drawing attention to these noncodified regulations can be controversial, as it necessitates questioning the complex social production of architecture, in the process challenging those discourses that position architecture as a practice concerned primarily with the design of socially meaningful form and meaning. Such discourses have been problematised elsewhere and, building on these contributions, this paper suggests a framework for taking seriously architecture’s distinctive relationship with aesthetics and semiotics while also maintaining a sense of architects’ position as a cultural élite working in definite political-economic contexts. Drawing primarily on theories associated with Pierre Bourdieu and cultural political economy, the paper uses the case of iconic architecture to illustrate this argument. The central role of architecture in recent place-marketing strategies is understood as a resonance between the agendas of high-profile architects and those political and economic agencies ‘selling places’. The role of architecture in providing a culturalised frame within which economic transformation is embedded is a crucial consideration here. In short, this paper suggests the necessity of a non-reductionist, political-economic foundation to the regulation and built environment research agenda.
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Dissertations / Theses on the topic "Architecture Semiotics and architecture"

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Walker, Paul Joseph. "Semiotics and the discourse of architecture." Thesis, University of Auckland, 1987. http://wwwlib.umi.com/dissertations/fullcit/8812775.

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This thesis addresses a problematic of meaning and of semiotics in architecture by considering a number of questions. Why have meaning and semiotics been of concern in architectural discourse? How did semiotics enter that discourse? How does it operate there? The first chapter explores the notion of meaning in art, assuming this to have bearing on meaning in architecture. Functionalism is investigated as an implicitly semantic view of architecture: it is proposed that it is the failure of functionalism in practice which underlies the recent concern with meaning. Chapter 2 introduces the work of eight semioticians: Saussure, Peirce, Morris, Mukarovsky, Jakobson, Levi-Strauss, Barthes, and Eco. Chapter 3 poses the question of why semiotics has been attractive to architects. Attention is given to Tafuri's notion that semiotics serves both to bolster the current status of architecture (by blockading investigation of its discursive characteristics) and as radial criticism. Work by Norberg-Schulz and by Jencks is shown to be blockade; that by Agrest and Gandelsonas more nearly critical. It is proposed that semiotics and the discourse of modern architecture are epistemologically analogous, which circumstance has facilitated and been conditional to the entry of semiotics into architecture. The fourth chapter examines Eco's and Preziosi's rigorous semiotic theories of the built. Both have been posited, however, as theories of architecture; as such they impede rather than foster theorizing with respect to architectural discourse. Chapter 5 assumes a (semiotic) model of architecture as a hierarchy of codes (building, language, drawing, photography). The role of language in architecture is shown to be more important than is generally conceded. Architectural discourse is also shown to be dependent on photography, and, by implication, on other graphic modes. While bearing in mind the links between the postmodern and radical strains of semiotics, the final chapter surveys architecture in culture's present postmodern moment. If the problematic of meaning in architecture has been motivated by the 'emptiness' of the built world constructed under the aegis of functional architecture, this problematic cannot be taken as a recuperation. Rather, the advent of semiotics in the discourse of architecture may signify its transposition to an unknown discursive configuration.
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Seegmullser, Rainer Karl. "Shelley and architecture : Romanticism and the semiotics of the architectural descriptions in Shelley's letters from Italy." Thesis, University of Oxford, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.306809.

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Bāo, Chén. "Écrire l'idée [Xie Yi] : entre l'écriture idéographique et l'écriture architecturale." Phd thesis, Université Toulouse le Mirail - Toulouse II, 2012. http://tel.archives-ouvertes.fr/tel-00736206.

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Un bâtiment ne parle pas, mais il communique d'une autre manière des messages qui sont le reflet des idées des architectes. Si l'architecture est un langage, si elle est une " écriture d'idées ", alors comment rendre l'idée visible ? Comment peut-on, dans un sens métaphorique, faire parler un bâtiment ? Nous proposons alors une hypothèse analogique : " Si le bâtiment parlait alors il parlerait chinois ". Cette hypothèse oriente nos recherches vers l'étude des rapports entre langage architectural et langage naturel. À l'intérieur de ce champ interdisciplinaire, l'écriture graphique et idéographique chinoise devient notre objet référentiel. Les caractères chinois unifient la forme et le sens en même temps, ils proposent une figuration des idées fondée sur le système idéographique. De par sa logique combinatoire et ses procédés rhétoriques, le processus de figuration des caractères chinois est un processus de transformation de formes simples vers des formes complexes, passant de significations limitées à des significations riches. Ce processus de conception de caractères montre également une série de schèmes idéographiques qui pourrait constituer un système méthodologique de sémantisation pour la représentation architecturale. Ainsi, l'écriture idéographique et l'écriture architecturale, pris comme deux processus de figuration peuvent parallèlement se comparer, et l'écriture idéographique pourrait proposer un outil conceptuel pour l'écriture architecturale. Il s'agit d'examiner un nouveau modèle linguistique qui pourrait être utile pour la conception de l'architecture contemporaine.
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Tan, Chekfoung. "Organisational semiotics inspired abductive methodology in developing information architecture for healthcare organisations." Thesis, University of Reading, 2016. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.694644.

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Morris, De'Sean B. "Finding A Lost Style: Study 01_Questioning Relationships Between Black Architecture, Black Film, and Black Communities in the United States." University of Cincinnati / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1627661571907818.

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CLARKE, JOSEPH. "INDEXING THE ARBITRARY." University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1148058132.

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Stenglin, Maree K. "Packaging curiosities towards a grammar of three-dimensional space /." Connect to full text, 2004. http://hdl.handle.net/2123/635.

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Thesis (Ph. D.)--University of Sydney, 2004.
Title from title screen (viewed 14 May 2008). Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Dept. of Linguistics, Faculty of Arts. Includes bibliographical references. Also available in print form.
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Mello, Ricardo Bianca de. "A cultura da crença: uma reflexão sobre o espaço simbólico e o simbolismo na arquitetura religiosa." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/16/16138/tde-19092007-143534/.

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Esta dissertação tem por objetivo explorar a espacialidade simbólica em arquitetura. Para tanto, principia expondo de maneira sucinta conceitos fundamentais de semiótica arquitetônica, situando o debate do simbolismo em arquitetura dentro de uma abordagem comunicacional do fenômeno arquitetônico. Em seguida expõe algumas considerações acerca da questão mais ampla do sentido em arquitetura, da qual entende-se que a questão do simbolismo em arquitetura faça parte. Apesar de partir inicialmente de uma visão vulgar do conceito de símbolo, baseada livremente na conceituação dada por Charles Peirce, esta dissertação explora também diferentes abordagens oriundas da semiótica, da lingüística, da psicanálise, da filosofia e da própria arquitetura, de forma a encontrar novos elementos que a auxilie a alcançar uma posição particular em relação ao símbolo, adequada ao seu uso em teoria da arquitetura. Partindo desta exploração do conceito de símbolo, a dissertação prossegue analisando a construção do símbolo em arquitetura ? seus mecanismos e aplicação. Trata então do simbolismo estrutural, implícito e identificado com o edifício em si, e do simbolismo aplicado, explícito e aposto à edificação. Para tanto parte da distinção que Venturi, Brown e Izenour fazem do simbolismo do ?pato? e do ?galpão decorado?. Em sua segunda parte a dissertação oferece exemplos do simbolismo em arquitetura religiosa, não se limitando a uma tradição ou a um contexto específico. A intenção é ilustrar o debate teórico desenvolvido na primeira parte ao mesmo tempo em que se aprofunda a questão de um simbolismo arquitetônico específico ? aquele da arquitetura religiosa. Além de uma introdução geral ao simbolismo do edifício religioso são analisadas as diferentes escalas de manifestação do símbolo no edifício: em sua localização, implantação, forma e conteúdo. A dissertação conclui com uma reflexão acerca de algumas das questões suscitadas e uma especulação acerca de caminhos possíveis para futuras pesquisas.
The aim of this dissertation is to explore the symbolic quality of space in architecture. Hence, it begins showing in a concise way basic concepts of architectural semiotics, placing the debate of the symbolism in architecture inside a communicational approach of the architectural phenomenon. After that it displays some considerations about the broadest question of the meaning in architecture, of which one understands that the question of architectural symbolism is a portion. Despite starting out from a vulgar concept of symbol, based freely in its given conceptualization by Charles Peirce, this dissertation explores also different approaches deriving from the semiotics, the linguistics, the psychoanalysis, the philosophy and the architecture itself, in such a way to find new elements that assist it to reach a particular position in relation to the symbol, proper for its use in architectural theory. Leaving from this exploitation of the symbol concept this dissertation goes on analyzing the construction of the symbol in architecture ? its mechanisms and application. It deals then with the structural symbolism, implicit and identified with the building in itself, and with the applied symbolism, explicit and attached to the building. For that, it parts from the distinction that Venturi, Brown and Izenour make of the symbolism of the \"duck\" and of the symbolism of the \"decorated shed\". In its second part this dissertation presents examples of the symbolism in religious architecture, not limiting itself to a tradition or a specific context. The intention is to illustrate the developed theoretical debate of its first section altogether deepening the debate of a specific architectural symbolism ? that of the religious architecture. Beyond a general introduction to the symbolism of the religious building, the different scales of manifestation of the symbol in the building are analyzed: in its localization, implantation, form and content. This dissertation concludes with a reflection concerning some of the stirred up questions and a speculation about possible paths for future researches.
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Stenglin, Maree Kristen. "Packaging curiosities : towards a grammar of three-dimensional space." University of Sydney. Linguistics, 2004. http://hdl.handle.net/2123/635.

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Western museums are public institutions, open and accessible to all sectors of the population they serve. Increasingly, they are becoming more accountable to the governments that fund them, and criteria such as visitation figures are being used to assess their viability. In order to ensure their survival in the current climate of economic rationalism, museums need to maintain their audiences and attract an even broader demographic. To do this, they need to ensure that visitors feel comfortable, welcome and secure inside their spaces. They also need to give visitors clear entry points for engaging with and valuing the objects and knowledge on display in exhibitions. This thesis maps a grammar of three-dimensional space with a strong focus on the interpersonal metafunction. Building on the social semiotic tools developed by Halliday (1978, 1985a), Halliday and Hasan (1976), Martin (1992) and Matthiessen (1995), it identifies two interpersonal resources for organising space: Binding and Bonding. Binding is the main focus of the thesis. It theorises the way people�s emotions can be affected by the organisation of three-dimensional space. Essentially, it explores the affectual disposition that exists between a person and the space that person occupies by focussing on how a space can be organised to make an occupant feel secure or insecure. Binding is complemented by Bonding. Bonding is concerned with the way the occupants of a space are positioned interpersonally to create solidarity. In cultural institutions like museums and galleries, Bonding is concerned with making visitors feel welcome and as though they belong, not just to the building and the physical environment, but to a community of like-minded people. Such feelings of belonging are also crucial to the long-term survival of the museum. Finally, in order to present a metafunctionally diversified grammar of space, the thesis moves beyond interpersonal meanings. It concludes by exploring the ways textual and ideational meanings can be organised in three-dimensional space.
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Price, Christine Rosalie. "Redesigning landscape architecture in higher education: a multimodal social semiotic approach." Doctoral thesis, Faculty of Humanities, 2021. http://hdl.handle.net/11427/32967.

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This investigation is a case study of landscape architectural design education in South Africa. Current forms of landscape architectural education are influenced by Global North perspectives and often, if not consciously, privilege particular ways of meaningmaking, and exclude or marginalise experiences or ways of knowing that are different. The aim of this research is to develop a landscape architectural pedagogy for diversity that fosters multiple perspectives and valorises resources that students bring to their learning environment, in order that students may both access and challenge the dominant landscape educational discourse. In grappling with these concerns, this research finds resonance with a multimodal social semiotic approach. Instead of labelling students as (in) competent or (under)prepared, a multimodal social semiotic approach emphasises the interest, agency and resourcefulness of the student as meaning-maker. The research thus reframes landscape architectural design processes through a multimodal social semiotic lens, providing new insights and clarity to these processes. The approach foregrounds interpersonal and social meanings of space and, to some extent, challenges traditional landscape architectural design practices that tend to value compositional and conceptual meanings. The methodology centers around a spatial model project in the second half of a first-year landscape architectural design studio subject. The data includes students' texts and their presentations. The research develops a methodological framework that outlines a range of ideational, interpersonal and textual meaningpotentials of landscape spatial and visual texts and applies this framework to the analysis of students' 2D and 3D texts. Through careful analysis of students' design trajectories, this research uncovers the types of resources students draw on, including semiotic, experiential, social, interactive and pedagogical resources. The analysis shows that students' transformation of resources results in innovative spatial designs, and expands on what and how landscape spaces can mean. Through the investigation, tenets for a multimodal pedagogy for diversity are developed: recognition of the rich and diverse resources students bring to their learning environment; acknowledgment that these resources are apt ‘precedent' for landscape architectural design processes; and explicit attention to multimodal moments and activities that may prompt re-(inner) conceptualisation in design trajectories. This pedagogical approach begins to address past educational imbalances and inequalities, and ensures that diverse, Global South perspectives contribute to the production of knowledge.
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Books on the topic "Architecture Semiotics and architecture"

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Carlson, Marvin A. Places of performance: The semiotics of theatre architecture. Ithaca, N.Y: Cornell University Press, 1989.

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Lukken, Gerard. Semiotics and church architecture: Applying the semiotics of A.J. Greimas and the Paris School to the analysis of church buildings. Netherlands: Kok Pharos Publishing House, 1993.

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Negrin, Chel. El mensaje arquitectónico. México, D.F: Universidad Autónoma Metropolitana, 1987.

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Tropisms: Metaphoric animation and architecture. Rotterdam: NAi Publishers, 2001.

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Catastrophisme architectural: L'architecture comme sémio-physique de l'espace social. Paris, France: Harmattan, 2003.

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Adadewes. [Mexico City]: Universidad Autónama Metropolitana, 2003.

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Les formes du patrimoine architectural. Paris: Economica, 2010.

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Language in a semiotic perspective: The architecture of a Marathi sentence. Pune: Shubhada-Saraswat Prakashan, 1997.

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Meissner, Eduardo. Semiótica de la arquitectura. 2nd ed. Concepción, Chile: Ediciones Universidad del Bío-Bío, 2006.

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Cognitive architecture: From bio-politics to noo-politics ; architecture & mind in the age of communication and information. Rotterdam: 010 Publishers, 2010.

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Book chapters on the topic "Architecture Semiotics and architecture"

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Maggi, Roberto. "Toward a Semiotics of Digital Places." In Reframing Information Architecture, 85–102. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-06492-5_7.

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Urban, Florian. "Churches, Semiotics, and Patriotism." In Postmodern Architecture in Socialist Poland, 47–82. Abingdon, Oxon; New York : Routledge, 2021.: Routledge, 2020. http://dx.doi.org/10.4324/9781003016731-02.

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Effah, John, Prince Kwame Senyo, and Stephen Opoku-Anokye. "Business Intelligence Architecture Informed by Organisational Semiotics." In IFIP Advances in Information and Communication Technology, 268–77. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-94541-5_27.

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Eco, Umberto. "2. Function and Sign: Semiotics of Architecture." In The City and the Sign, edited by M. Gottdiener and Alexandros Ph Lagopoulos, 55–86. New York Chichester, West Sussex: Columbia University Press, 1986. http://dx.doi.org/10.7312/gott93206-004.

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Monnai, Teruyuki. "Semiosis in Architecture: A Systemic Analysis of the Traditional Towntextures in Japan." In Foundations of Semiotics, 101. Amsterdam: John Benjamins Publishing Company, 1991. http://dx.doi.org/10.1075/fos.8.06mon.

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Pinnow, Rachel J. "A Patriot is Respectful: (Re-)Examining the Architecture of Ideology in Educational Contexts." In International Handbook of Semiotics, 1249–69. Dordrecht: Springer Netherlands, 2015. http://dx.doi.org/10.1007/978-94-017-9404-6_60.

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Patidar, Shikha, Brishbhanlali Raghuwanshi, and Sonal Tiwari. "Transformation in Vernacular Architecture of Baiga Tribe of Central India." In Reframing the Vernacular: Politics, Semiotics, and Representation, 107–26. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-22448-6_10.

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Anggraeni Dyah, S., and Farhan Kahirillah Zein. "The Influence of Cultural Acculturation on Architecture Keraton Kasepuhan Cirebon." In Reframing the Vernacular: Politics, Semiotics, and Representation, 251–60. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-22448-6_20.

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Gantini, Christina. "‘Bale Kulkul’ Architecture as the Representation of Balinese Autonomy Tradition." In Reframing the Vernacular: Politics, Semiotics, and Representation, 31–41. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-22448-6_3.

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Rong, Wenge, and Kecheng Liu. "A Multi-agent Architecture for CSCW Systems: From Organizational Semiotics Perspective." In Agent Computing and Multi-Agent Systems, 766–72. Berlin, Heidelberg: Springer Berlin Heidelberg, 2006. http://dx.doi.org/10.1007/11802372_92.

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Conference papers on the topic "Architecture Semiotics and architecture"

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Aziz Amen, Mustafa, and Hourakhsh Ahmad NIA. "The Effect of Cognitive Semiotics on The Interpretation of Urban Space Configuration." In 4th International Conference of Contemporary Affairs in Architecture and Urbanism – Full book proceedings of ICCAUA2020, 20-21 May 2021. Alanya Hamdullah Emin Paşa University, 2021. http://dx.doi.org/10.38027/iccaua2021227n9.

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Urban space is composed of various dimensions and contexts that generate urban forms. The spatial distributions of urban elements have different layers of connotative indications associated with Society's shared knowledge. The implying semiotics affect space configuration that could lead either to generate a compact or sprawl urban fabric. However, it is essential to know how the semiotic elements affect space configuration. The research aims to locate semiotic elements that have a role in space configuration. The research methodology depends on finding the semiotic values through a practical survey combined with a GIS tool to locate the correlations between the most valuable signs using the chi-square method. Also, to build a model for assessing the cognitive semiotic elements. The model gives a clue to explain how the spatial configuration is affected by the existence of semiotic values and shifts its values accordingly.
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Pane, I. F., H. T. Fachrudin, and H. Fibriasari. "The Role of Semiotics in Reviewing Architecture." In International Conference of Science, Technology, Engineering, Environmental and Ramification Researches. SCITEPRESS - Science and Technology Publications, 2018. http://dx.doi.org/10.5220/0010090303070311.

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De Leonardis, Fabio. "NATIONALIZING KAZAN’: TATAR STATE NATIONALISM AND ARCHITECTURE." In New Semiotics. Between Tradition and Innovation. IASS Publications, 2015. http://dx.doi.org/10.24308/iass-2014-118.

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"ONTOLOGY BASED UML2 COMPONENT ARCHITECTURE GENERATION." In 12th International Conference on Informatics and Semiotics in Organisations. SciTePress - Science and and Technology Publications, 2010. http://dx.doi.org/10.5220/0003269903140321.

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"TAXONOMY OF PURPOSE OF ENTERPRISE ARCHITECTURE." In 12th International Conference on Informatics and Semiotics in Organisations. SciTePress - Science and and Technology Publications, 2010. http://dx.doi.org/10.5220/0003270303220328.

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Poenaru, Aritia D., and Traian D. Stanciulescu. "TOWARDS A SEMIOTICS OF SACRED GEOMETRY: ON THE ARCHETYPAL “ARCHITECTURE OF LIGHT”." In New Semiotics. Between Tradition and Innovation. IASS Publications, 2015. http://dx.doi.org/10.24308/iass-2014-117.

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"SEMANTICS AND PRAGMATICS IN ENTERPRISE ARCHITECTURE THROUGH TRANSACTION AGENT MODELLING." In 12th International Conference on Informatics and Semiotics in Organisations. SciTePress - Science and and Technology Publications, 2010. http://dx.doi.org/10.5220/0003268302850291.

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Hongqiao, Yang, and Li Weizi. "Modeling Requirement Driven Architecture of Adaptive Healthcare System Based on Semiotics." In 2009 International Forum on Information Technology and Applications (IFITA). IEEE, 2009. http://dx.doi.org/10.1109/ifita.2009.277.

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"THE ROLE OF PRINCIPLES IN THE DEPLOYMENT OF ENTERPRISE INFORMATION ARCHITECTURE." In 12th International Conference on Informatics and Semiotics in Organisations. SciTePress - Science and and Technology Publications, 2010. http://dx.doi.org/10.5220/0003269302990307.

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Hu, Fei, Xi Zhang, Xipeng Shen, and Guihong Ran. "Semiotics Approach to Product Architecture Design: a Case Study of Cooking Activity." In 2015 International Conference on Advanced Engineering Materials and Technology. Paris, France: Atlantis Press, 2015. http://dx.doi.org/10.2991/icaemt-15.2015.126.

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Reports on the topic "Architecture Semiotics and architecture"

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Taft, Jeffrey D., and Angela S. Becker-Dippmann. Grid Architecture. Office of Scientific and Technical Information (OSTI), March 2015. http://dx.doi.org/10.2172/1176825.

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Wood, William G., Mario Barbacci, Paul Clements, Steve Palmquist, and Huei-Wan Ang. DoD Architecture Framework and Software Architecture Workshop Report. Fort Belvoir, VA: Defense Technical Information Center, March 2003. http://dx.doi.org/10.21236/ada416453.

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Craft, Richard Layne, II. Telemedicine system interoperability architecture: concept description and architecture overview. Office of Scientific and Technical Information (OSTI), May 2004. http://dx.doi.org/10.2172/974884.

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Seitz, CHarles L., Alain J. Martin, and Jan L. van de Snepscheut. Submicron Systems Architecture. Fort Belvoir, VA: Defense Technical Information Center, March 1991. http://dx.doi.org/10.21236/ada444287.

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Khare, Rohit. Decentralized Software Architecture. Fort Belvoir, VA: Defense Technical Information Center, December 2002. http://dx.doi.org/10.21236/ada441133.

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Taft, Jeffrey D. Grid Architecture 2. Office of Scientific and Technical Information (OSTI), January 2016. http://dx.doi.org/10.2172/1244801.

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Harris, S. ChemTrack system architecture. Office of Scientific and Technical Information (OSTI), June 1997. http://dx.doi.org/10.2172/641116.

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Crocker, D. Internet Mail Architecture. RFC Editor, July 2009. http://dx.doi.org/10.17487/rfc5598.

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Mayrhofer, A., and B. Hoeneisen. ENUM Validation Architecture. RFC Editor, November 2006. http://dx.doi.org/10.17487/rfc4725.

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Gellens, R., ed. Lemonade Notifications Architecture. RFC Editor, August 2009. http://dx.doi.org/10.17487/rfc5551.

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