Dissertations / Theses on the topic 'Architecture Semiotics and architecture'
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Walker, Paul Joseph. "Semiotics and the discourse of architecture." Thesis, University of Auckland, 1987. http://wwwlib.umi.com/dissertations/fullcit/8812775.
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Seegmullser, Rainer Karl. "Shelley and architecture : Romanticism and the semiotics of the architectural descriptions in Shelley's letters from Italy." Thesis, University of Oxford, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.306809.
Full textBāo, Chén. "Écrire l'idée [Xie Yi] : entre l'écriture idéographique et l'écriture architecturale." Phd thesis, Université Toulouse le Mirail - Toulouse II, 2012. http://tel.archives-ouvertes.fr/tel-00736206.
Full textTan, Chekfoung. "Organisational semiotics inspired abductive methodology in developing information architecture for healthcare organisations." Thesis, University of Reading, 2016. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.694644.
Full textMorris, De'Sean B. "Finding A Lost Style: Study 01_Questioning Relationships Between Black Architecture, Black Film, and Black Communities in the United States." University of Cincinnati / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1627661571907818.
Full textCLARKE, JOSEPH. "INDEXING THE ARBITRARY." University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1148058132.
Full textStenglin, Maree K. "Packaging curiosities towards a grammar of three-dimensional space /." Connect to full text, 2004. http://hdl.handle.net/2123/635.
Full textTitle from title screen (viewed 14 May 2008). Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Dept. of Linguistics, Faculty of Arts. Includes bibliographical references. Also available in print form.
Mello, Ricardo Bianca de. "A cultura da crença: uma reflexão sobre o espaço simbólico e o simbolismo na arquitetura religiosa." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/16/16138/tde-19092007-143534/.
Full textThe aim of this dissertation is to explore the symbolic quality of space in architecture. Hence, it begins showing in a concise way basic concepts of architectural semiotics, placing the debate of the symbolism in architecture inside a communicational approach of the architectural phenomenon. After that it displays some considerations about the broadest question of the meaning in architecture, of which one understands that the question of architectural symbolism is a portion. Despite starting out from a vulgar concept of symbol, based freely in its given conceptualization by Charles Peirce, this dissertation explores also different approaches deriving from the semiotics, the linguistics, the psychoanalysis, the philosophy and the architecture itself, in such a way to find new elements that assist it to reach a particular position in relation to the symbol, proper for its use in architectural theory. Leaving from this exploitation of the symbol concept this dissertation goes on analyzing the construction of the symbol in architecture ? its mechanisms and application. It deals then with the structural symbolism, implicit and identified with the building in itself, and with the applied symbolism, explicit and attached to the building. For that, it parts from the distinction that Venturi, Brown and Izenour make of the symbolism of the \"duck\" and of the symbolism of the \"decorated shed\". In its second part this dissertation presents examples of the symbolism in religious architecture, not limiting itself to a tradition or a specific context. The intention is to illustrate the developed theoretical debate of its first section altogether deepening the debate of a specific architectural symbolism ? that of the religious architecture. Beyond a general introduction to the symbolism of the religious building, the different scales of manifestation of the symbol in the building are analyzed: in its localization, implantation, form and content. This dissertation concludes with a reflection concerning some of the stirred up questions and a speculation about possible paths for future researches.
Stenglin, Maree Kristen. "Packaging curiosities : towards a grammar of three-dimensional space." University of Sydney. Linguistics, 2004. http://hdl.handle.net/2123/635.
Full textPrice, Christine Rosalie. "Redesigning landscape architecture in higher education: a multimodal social semiotic approach." Doctoral thesis, Faculty of Humanities, 2021. http://hdl.handle.net/11427/32967.
Full textMalhis, Shatha Ramez. "Constructing the semiotic and syntactic structures of forms : villa design in West Amman." Thesis, Oxford Brookes University, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.340871.
Full textPitera, Daniel W. "The manipulation of age : the tale of the ruin." Thesis, Georgia Institute of Technology, 1987. http://hdl.handle.net/1853/23123.
Full textJander, Fabian. "Culturally Friendly Design Method based on Machiya System of Kyoto." 京都大学 (Kyoto University), 2013. http://hdl.handle.net/2433/174916.
Full textTouzjian, Richard. "From Film to Architecture:An Extended Cinematic Design Process based on Architectural Interpretations of Narrative Film." 京都大学 (Kyoto University), 2011. http://hdl.handle.net/2433/151991.
Full textKLEMAN, DREW T. "PSYCHOTIC/SEMANTIC: OF SIGNS, STIGMATA, AND THE HISTORICAL ASYLUM." University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1147909874.
Full textScoz, Eduardo. "Arquitetura efêmera: o repertório do arquiteto revelado em obras temporárias." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/16/16134/tde-10032010-162419/.
Full textThis dissertation intends to understand the architectural project implications in the moment of the execution of ephemeral works, and tries to elucidate the essential paradigms to this project due to the advanced stage of depredation found within the planets natural resources. However, even facing a bibliographic shortage on the theme, searching this thought, we will analyze three summer pavilions inside Serpentine Gallery, executed by well-known architects we believe that the concept in architecture remains in this work. The reading of these objects, non-verbally organized, needs a reference capable of elucidating the thought syntax that guides it, revealing the designer repertory through iconic and inkling data. In this moment, Charles Sanders Peirces theory is shown to be abundant, not only to reveal the architectural repertory and the projects paradigms that guide it, but also to find the way that these professionals turn their thoughts into matter through non-verbal architectural language. On the other hand, what is exhaustively seen throughout commercial events is the use of similar industrialized constructive systems, from which OCTANORM is the most known, what guarantees the continuity of the modern process and the elevation of the mounting an dismounting capability as the main value of the work. The hypotheses raised in here consider these systems as a manifestation of continuity and point to other architectures, still ephemeral, but disconnected to this dynamic and owners of specificities that characterize a particular field of study. The basis of this work, regarding the use of epistemology, features peircians semiotics a lot and, the fundamental bibliography, that gives the research an orientation, has its origin in the architecture philosophy and in the psychology of perception defended by many theorists.
Thiburce, Julien. "Le dialogisme urbain : de l’usage tacite des espaces publics aux formes d’appropriation narrative et affective de la ville." Thesis, Lyon, 2018. http://www.theses.fr/2018LYSE2113/document.
Full textThis research study aims to show the transition from the ordinary use of public spaces to the enunciation of a city narrative in which the social actors are committed in the shared project of an urbanity in the making. Beyond a pure aesthetic preoccupation, the urban dialogism responds to the centrality of the city as a privileged space for the elaboration of social issues. By focusing on the appropriation of urban space during guided urban walks, we will see how they constitute a catalyst for deconditioning participants in their relationship to the city. This research project thus follows three investigation perspectives.First, there is the transition from the pure heterogeneity of urban styles – from a building classified as institutional heritage to the anomie of a vacant lot - to the dialogical interplay between aesthetics in competition. We will be able to understand the interaction of languages, the cohabitation of institutional forms and more individualized and temporary statements, expressed by an ever-changing citizenship picture.Then, it is a question of observing the transformation of the functional itineraries to the displacements according to elective courses going through characteristic elements, allowing an ever-renewed affective grip on the city.Finally, this study constitutes an analysis that is not limited to a taxonomy of practices. Rather, it seeks to account for the management of meaning in interaction - a form of interaction where the appropriation of the city and its objects is not only intimate, but observable because explicit, socialized, and attested by experience
Alves, Gilfranco Medeiros. "Cibersemiótica e processos de projeto: metodologia em revisão." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/102/102132/tde-07012015-105828/.
Full textThe thesis explores the Cibersemiotic approach to design processes from the perspective of digital mediation and its relationship with contemporary architecture. It presents a review of existing digital design processes, based on the assumption that the practice of architects and designers, according to the contemporary modes of life, currently requires a different position in relation to the management of information, as well as a critical reflection on the design methods used in the architecture of the digital age. The thesis\' theoretical foundation is based on the Cibersimiotic work produced by the Danish philosopher Søren Brier, which unifies two important conceptual frameworks: the Semiotics by Charles Sanders Peirce and the Second Order Cybernetics proposed by Heinz von Foerster. The thesis proposes a structure (or framework) to analyze existing designs from the cibersemiotic point of view, as well as a structure (or framework) for the digital design processes themselves. The work is presented in two parts. The first examines the digital processes and production as well as the theories they are based on. This part also presents the theoretical context for the structure (or framework) used to analyse selected existing designs and introduces the framework. The second part presents strategies for digital design and proposes the cibersemiotic framework for digital design processes. It is believed the thesis contributes towards the expansion of the Cibersemiotic theoretical paradigm as well as provides a working framework for the increasingly complex processes of digital design. Assuming other spatialities and interconnections will arise from the update levels established from communication between different systems as well as new social and cultural challenges, it is essential that architects are aware of available theories and processes for optimizing design potential and expand the possibilities for Architecture and Urbanism.
Hanna, Mirna. "Une approche sémiotique de l’architecture domestique à Beyrouth au XXème siècle. Étude comparative de deux cas typologiques." Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040076.
Full textThe purpose of a semiotic analysis of architecture is to see how non verbal codes manifest themselves through the architectural language, based upon the idea that such a language is conditioned by macro-social values, and therefore the architectural sign should be considered as an anthropological marker. This multi-disciplinary approach combining different fields such as architecture, semiotics and anthropology, is aimed on one hand at contributing to semiotics by proposing a methodology for the analysis of an architectural corpus, and on the other hand, to broadening the field of urban geography to new disciplines, and finally, to providing a new analysis of Beirut’s urban fabric through the comparative case study of two architectural typologies. The proposed semiotic approach can be applied as a tool of urban geography to architectural corpuses and urban fabrics in order to understand the mechanisms of production and obsolescence of form
Yamamoto, João Carlos Amaral. "Entre Eisenman, Berlim e o Memorial." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/16/16134/tde-28072014-102026/.
Full textThis research takes an overview of the architectural output of Peter Eisenman and more generally, the city of Berlin. The research then focusses on an analysis of a single specifi c work, the Memorial to the Murdered Jews of Europe. The text itself is constructed from moments in a perambulation of the work and fragments of an imagined narrative. As an attempt to construct an analysis which contemplates the physical experience of the work, this method interlaces commentaries and analyses made at different times, refl ections on fi ndings of the research and snippets of text, images and drawings made during the course of the research. As a whole, the three chapters seek to illustrate the route taken during the research. Whilst remaining aware of the need to support the text/images of a dissertation, the text aims to condense the process of three years of research into the fi ctional story of a single day. The fi rst chapter gives a chronological overview of the works of Eisenman. This is not recounted as a history of the works, but as an account of the researcher following the trail left by the architect. The second chapter gains time and space with a sequence that narrates the arrival of the researcher in Berlin and the journey to the Memorial to the Murdered Jews of Europe. The analysis of the Memorial itself is contained in the third chapter.
Ferraresso, Ivan. "La maison en Lorraine, du Moyen Âge à la Renaissance (XIIIe-XVIe siècles)." Thesis, Université de Lorraine, 2015. http://www.theses.fr/2015LORR0353.
Full textUntil now the buildings of the 13th-16th centuries in the Lorraine region have not yet been investigated systematically by modern building research. Only the profane architecture of the city of Metz has been studied occasionally. In the rest of the study region, the domestic building constructed during the late Middle Age is remaining still largely unknown, without any doubt resulting from a lack of its visibility. It is evident that the bad state of conservation is remarkably hampering modern methodological building research. This has forced us to modify our scientific approach by integrating sociological concepts, the architectural language and the evidence of important chrono-historical developments. The regional bibliography dealing with this subject is evidencing that the anthropo-historical approach has largely influenced former studies and analysis. Today, modern research is taking profit from a much more developed scientific documentation, which is based on a systematic inventory, architectural studies and results from archaeological excavations. The stock of the inventoried buildings is without any doubt reflecting the socio-political developments of the Lorraine region between the 13th and the 16th c. AD. In this work the building’s architecture was studied from three different viewpoints to understand their today’s socio-cultural value: the surviving and persisting elements deriving from older architectural practices, the abandonment of practices and techniques and, not to forget, the local architectural and technical Know-how. This approach has allowed identifying the archetype of the domestic building in the Lorraine region between the 13th and 16th centuries and its heritage within the known historical building stock
Gurgel, Adriana. "Espacialidades do habitar: percursos de comunicação urbana em Icapuí, Ceará." Pontifícia Universidade Católica de São Paulo, 2009. https://tede2.pucsp.br/handle/handle/5174.
Full textConselho Nacional de Desenvolvimento Científico e Tecnológico
The intent of this research, based on the study of Icapuí s (Ceará) porched loam houses, and through the understanding of architecture as a language, is to comprehend the resources utilized by home builders and residents to communicate and create meaning, with the purpose of investigating the existing relationship between the construction of the home space and its representations (spatialitys) and the urban and communicative sociability originated from the interactive exchange of values, which start within the private area and expands into the public space. Through the understanding of architecture as a language, this research analyzes Icapuí s porched loam houses to comprehend the resources utilized by home builders and residents to create and communicate meaning. The research investigates the existing relationship between the construction of the home space and its representations (spatialitys) and the urban and communicative sociability originated from the interactive exchange of values that start within the private area and expand into the public space. The object of this paper is, therefore, Icapuí s porched loam houses and the relationship that this architecture establishes with the habitants and the city, especififically how the home becomes the means of communicating everyday habits, values and specifific and not transferable behaviors. It will be necessary, along this analysis, to document a specifific architectonic typology and indentify the values, implicit or explicit, that justify this typology s endurance or that stimulate its disappearance. Apart from identifying these values, it is necessary to investigate the mediation processes that prompted the value transmission and also indentify how the changes on the way of living influence the characterization of the communicability of the home values. It was found, so far, that home building and home inhabiting constitute a mediation to a communicative sociability, and that the typological changes in the architecture of the Icapuí s porched loam houses (multiples and mutant spatialitys) characterize sociability and meaning changes in the communication processes. The methodology consisted in the characterization of the object (through a fifield research, realized within 2006 and 2008) and the confrontation and analysis of the obtained data (based on C.S. Peirce Semiotic), from a plural and theoretical perspective that provides a dialogue between communication, space and culture. Concepts such as space, spatialitys and urban sociability (l. Ferrara), means and mediation (M.Mcluhan, J.M-Barbero), inhabit and live in (M.Heidegger, N.Leach), and communicate, transmit and methodology (R.Debray), are fundamental to the development of the research
A pesquisa pretende, a partir do estudo das casas de taipa alpendradas de Icapuí / Ceará, e através da compreensão da arquitetura como linguagem, estudar o repertório utilizado por aquele que constrói e aquele que habita para comunicar e constituir sentido, a fifim de investigar as relações existentes entre a construção do espaço do habitar e suas representações (espacialidades), e a sociabilidade urbana e comunicativa decorrente das trocas interativas de valores, que se dão no âmbito privado, e expandem-se para o espaço público. O objeto de estudo deste trabalho consiste, portanto, nas casas de taipa alpendradas de Icapuí e nas relações que esta arquitetura estabelece com os habitantes e a cidade, ou seja, no modo como o habitar se transforma em meio que produz um ambiente comunicativo e um cotidiano com hábitos, valores e comportamentos específificos e intransferíveis. Será necessário, ao longo deste percurso, documentar uma tipologia arquitetônica específifica e identifificar os valores, implícitos e explícitos, que justifificam sua permanência ou estimulam seu desaparecimento. Ao perceber tais valores, deve-se ainda investigar os processos de mediação através dos quais sua transmissão se deu e continua ocorrendo -, bem como identifificar como as alterações no modo de morar influenciam a caracterização da comunicabilidade dos valores do habitar. Verififica-se, até então, que os processos do habitar constituem uma mediação para uma sociabilidade comunicativa, e que as alterações tipológicas na arquitetura das casas de taipa alpendradas de Icapuí (múltiplas e mutantes espacialidades) caracterizam alterações na sociabilidade e nos modos de signifificação dos seus processos de comunicação. A estratégia metodológica consiste na caracterização do objeto (a partir de pesquisa de campo, realizada entre 2006 e 2008), comparação e análise dos dados obtidos (a partir da Semiótica de C.S. Peirce), partindo de um horizonte teórico múltiplo que permita o diálogo entre a comunicação, o espaço e a cultura. Conceitos como espaço, espacialidade e sociabilidade urbana (L. Ferrara), meio e mediação (M.McLuhan, J.M-Barbero), habitar e morar (M.Heidegger, N.Leach), e comunicar, transmitir e mediologia (R.Debray), são fundamentais para o desenvolvimento da pesquisa
Galeotti, Anamaria Amaral Rezende. "A espuma, um modelo possível para os elementos de linguagem do design audiovisual e suas relações." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/16/16134/tde-24062015-092831/.
Full textThis research deals with Audiovisual Design language elements, elaborated as an audio/visual/verbal system that simultaneously transmits all its elements, emphasizing their relationship and their transversal composition in time and space. Originally from Cinema, Audiovisual Design originate a new discipline in Design, develops along with Television, feeds from Graphic Design elements and improves with Informatics; it has its own process expedited by emergent digital technology post-1990. The evolution of pre-production, production and post-production in audiovisual mediums, more precisely in Cinema, plus an expanding perspective of creating more complex digital Audiovisual Design, leads us to a discussion yp identify the need of a model that would be able to demonstrate the plurality of these frail, unpredictable, \"bubbles in the foam\"-like elements. That was the beginning of the Audiovisual Foam Model thesis. The thesis fundaments come mainly from Lucia Santaella\'s theories of Language and Thinking Matrix, which are tools for understanding the mentioned relationships; and from the Dutch philosopher Peter Sloterdijk\'s work, that supported the Foam Model because of its metaphoric, systemic and complex character. As an empiric procedure, some study cases were made based on Audiovisual Design of Open Titles, and by the end of this process an experimental Project of the Audiovisual Foam Model was developed, leading to a 3D Immersive Installation named \"Passion and Violence\". This research aims to contribute to the academic formation and updating of designers in beginning of the XXI century, in the middle of its contemporary scenario, and to presents a comprehensive approach. The results brings about a clearer vision of the language elements of the Audiovisual Design, not only as \"borrowed\" elements from other disciplines but also as unique, hybrid, complexes elements on their own identity.
Castilho, Clarissa Silva de. "O espaço escolar como mediador simbólico: cultura, experiência e sentidos." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/48/48134/tde-08122014-131828/.
Full textFrom Vygotskys construct of symbolic mediation, understood as intrinsic to the human psychological and cultural development, this qualitative study has investigated the school environment as a mediator of meanings and senses of school, both by means of what the schools architectural configuration proposes and by the experience and uses that it allows, and has focused on the schools resignification by its users, especially students. The study included two dimensions: an analysis of the theoretical framework and empirical research. The theoretical research included authors from different areas of knowledge education, architecture, psychology, philosophy and geography , who brought important contributions to this discussion. The empirical research was conducted in a state public school in Sao Paulo city. Built 104 years ago, during the First Republic, such school was listed by Conselho de Defesa do Patrimônio Histórico, Arqueológico, Artístico e Turístico (CONDEPHAAT Council for the Defense of Historical, Archaeological, Artistic and Touristic Heritage) of São Paulo State Department of Culture, for the historical, cultural and architectural value of its building. As for data collection, I used field observation and iconographic records (photographs and drawings), free interviews and recording of spontaneous comments from school officials and a semi-structured group interview with 8th grade students, aiming to identify and understand the constitution, organization, use, and daily experience and meanings of the school space. Thus, I have written a reflection that brings contributions to the understanding of space as a human construction and, as such, as a place that carries meanings that are not random and can be transformed and recreated through the diversity of appropriations by real people; a place that imposes constraints (conforming mentalities and corporealities) and enforces control and discipline or that may be open to creative experimentation; a place impregnated with culture(s), but also inhabited by our personal perceptions and experiences; and, in the case of school, materiality which also proposes senses of school and knowledge and about its role in our society.
O'Brien, Maeliosa. "Intersecting spaces : exploring architectural students' meaning-making through a social semiotic multimodality lens." Thesis, University of Sheffield, 2018. http://etheses.whiterose.ac.uk/20592/.
Full textHoffmann, Alexis Maria Caja. "Sex architecture, architecture sex." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ48270.pdf.
Full textReilly-Sanders, Erin F. "Drawing Outside the Bounds: Tradition and Innovation in Depictions of the House in Children's Picturebooks." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1398851009.
Full textLong, Richard C. "Resort architecture : the architecture of leisure." Thesis, Georgia Institute of Technology, 1986. http://hdl.handle.net/1853/22355.
Full textHariharan, Charanya Cameron Brian H. "Enterprise architecture & service oriented architecture." [University Park, Pa.] : Pennsylvania State University, 2009. http://etda.libraries.psu.edu/theses/approved/PSUonlyIndex/ETD-4880/index.html.
Full textMcBrien, Brandon James. "NTD Architecture: Strategies of Architecture Management." Thesis, The University of Arizona, 2012. http://hdl.handle.net/10150/244435.
Full textMichel, Nicole Yael 1977. "Architecture of interiority (architecture of traces)." Thesis, Massachusetts Institute of Technology, 2002. http://hdl.handle.net/1721.1/68810.
Full textIncludes bibliographical references (p. 135-137).
In a growing globalized world where ideas of connections, transparency and exposure are becoming commonplace, the need will arise to devise an architecture that addresses issues of identity and belonging by creating places that protect the INTIMATE. By looking at a culturally significant housing typology in Buenos Aires, Argentina, one can begin to understand how, one hundred years ago, it achieved a sense of intimacy while remaining modern (modern meaning that with very rational moves, it reaches a high level of simplicity and flexibility) and maintaining a site and culture -specific feel. An analysis and reinterpretation of its major architectural components lead to a formal and conceptual transformation that derived in the proposal of three PROTOTYPICAL URBAN INTERVENTIONS that explored the REFORMULATION of spatial relationships in order to create intimacy within a highly transparent volume. By reinventing a cultural typology one can engage in a discussion about IDENTITY. By creating spaces of intimacy within a world of exposure, it becomes possible to allow one's self to be expressed and thus to intensify and strengthen a feeling of BELONGING to a place. While exploring an architecture of INTERIORITY one can generate an architecture that allows for IMPRINTS to be made, and for TRACES to be read.
Nicole Yael Michel.
M.Arch.
Snider, David E. "Architecture is Life... ...Life is Architecture." Thesis, Virginia Tech, 2001. http://hdl.handle.net/10919/31734.
Full text
In the following pages I will design a community and put in place the elements for it to prosper and grow...
Master of Architecture
Li, Hua. "'Chinese architecture' + 'Western architecture' : a false dichotomy." Thesis, Open University, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.495576.
Full textChard, N. J. "Drawing indeterminate architecture, indeterminate drawings of architecture." Thesis, University College London (University of London), 2012. http://discovery.ucl.ac.uk/1344187/.
Full textLindberg, Siri. "Embodied sequences : Sculptural architecture, architecture for sculpture." Thesis, KTH, Arkitektur, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-223745.
Full textSnyder, Rebecca. "The Power of Architecture: Architecture of Power." University of Cincinnati / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1397477684.
Full textKHODADAD, NAZANIN. "ARTIFICIAL LIGHT + ARCHITECTURE: REINTERPRETATION OF ARCHITECTURE THROUGH PERCEPTION." University of Cincinnati / OhioLINK, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1085520684.
Full textFranklin, Charles Evan. "Environmental architecture." Thesis, Montana State University, 2009. http://etd.lib.montana.edu/etd/2009/franklin/FranklinC0509.pdf.
Full textFryman, Joshua Bruce. "SoftCache Architecture." Diss., Georgia Institute of Technology, 2005. http://hdl.handle.net/1853/7205.
Full textTurgutoslu, Burak. "Expanding Architecture." Master's thesis, METU, 2003. http://etd.lib.metu.edu.tr/upload/1078732/index.pdf.
Full textform&rsquo
and &lsquo
function&rsquo
in architecture. This study is an inquiry into a number of different interpretations that scrutinize the intricate relationship between architectural form and function in the 20th century with respect to the concepts defined above. The conceptualization of this thesis will be based on the assumption that function is an inadequate and weak concept for the generation of architectural form. It is in this context that form is accepted as an architectural &ldquo
fragment&rdquo
that attains its autonomy not from the strictures imposed by other architectural fragment like &lsquo
function&rsquo
, &lsquo
structure&rsquo
, &lsquo
program&rsquo
and &lsquo
site
but from an infinite number of internal relationships or &lsquo
design tools&rsquo
as we call. The aim of this study is to propose a project for &ldquo
A Multi &ndash
Functional Hall at METU&rdquo
which has the capability of expanding its limits in future, both physically and conceptually
and investigate the &lsquo
design tools&rsquo
that will direct the steps of transformations in the process of architectural production. Within this framework, the investigation is concerned with the production of a flexible, unstable and indeterminant building, focused on the concepts of &lsquo
transformation of space&rsquo
and &lsquo
constant change&rsquo
, that could be re-designed and re-generated in respect to possible future transformations in the program. Thus, architectural production is defined merely as a &lsquo
step&rsquo
or a &lsquo
snap-shot&rsquo
, controlled by the design tools suggesting the solutions for an ever-lasting transformation as the conditions change.
Jönsson, Gustav. "Navel architecture." Thesis, KTH, Farkost och flyg, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-103098.
Full textJohansson, Jonas. "Naval Architecture." Thesis, KTH, Farkost och flyg, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-103412.
Full textJonsson, Anna. "NAVAL ARCHITECTURE." Thesis, KTH, Farkost och flyg, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-140591.
Full textEn ingenjor som arbetar inom omradet marin teknik kan vara allt ifran maskinist och driftsingenjor till skeppsbyggare. Arbetsplatser kan forutom till sjoss vara i exempelvis tillverknings- och processindustrin, eller inom hamn- och rederiverksamhet. Detaljkunskap varierar med omrade, men gemensamt for alla inriktningar ar grundlaggande kunskap om sjofart, skeppsteknik och hallbar utveckling. Syftet med arbetet ar att behandla fyra omraden inom marin teknik: sjofart, propellermodellering, forprojektering av fartyg och energieektivisering av fartyg. Arbetet ar en introduktion till omradet marintekniska system och skeppsbyggnad, och malet ar att med ingenjorsmassiga medel och fardigheter undersoka och losa problem kopplade till detta omrade. Forst sker en allman orientering pa sjofartsmaknaden. Varldens sjofart unders oks i termer av olika sjofartsmaknader och sjofartens aktorer. Det globala transportarbetet, huvudsakliga transportvagar och svenska aspekter for olika marknader utreds, liksom sjofartsaktorernas olika roller. Aven dagens storsta miljorelaterade problem med sjofart undersoks, ochatgarder for att handskas med problemen studeras. En propellerstudie genomfors, dar bladelementteori anvands for att analysera en fartygspropeller. Eektbehov och framdrivning undersoks, och styrkor och begransningar med bladelementteori diskuteras. Under propellermodelleringen implementeras teorin aven i berakningsprogrammet Matlab. Arbetet redovisas i Bilaga 2. Resultat och kunskap fran propellerstudien anvands i arbetets andra del, forprojektering av ett handelsfartyg. Forprojekteringen behandlar transportscenariot att frakta 12 000 TEU ( Twenty{Foot Equivalent Unit) mellan Rotterdam och Singapore pa 40 dagar. Bland annat undersoks stabilitet, motstand och eektbehov, samt framdrivning for handelsfartyg. Bivillkor, som att ta hansyn till fysiska begransningar i hamnar och folja internationella regelverk om intaktstabilitet och vattentata sektioner, samt att studera losningen ur ett hallbarhetsperspektiv, behandlas ocksa under forprojekteringen. Arbetets sista del handlar om energieektivisering av fartyg. Sjotransporter ar miljomassigt komplicerade och darfor gors en studie av IMO:s framtagna regelverk EEDI, ett regelverk som tradde i kraft i ar och syftar till att minska utslapp av vaxthusgasen CO 2 fran varldens sjofart. Fragorna "Vilka energieektiviseringar kan komma av EEDI?" och "Vilken problematik nns kopplad till EEDI?" besvaras, och det tidigare projekterade fartyget undersoks i termer av energieektivisering.
Kirk, Adam. "Appropriating architecture." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ48273.pdf.
Full textHudson, Daniel Alexander. "Regeneration architecture." Thesis, Montana State University, 2010. http://etd.lib.montana.edu/etd/2010/hudson/HudsonD0510.pdf.
Full textMcGrane, Kurt Ryan. "Landscapes, architecture." Thesis, Montana State University, 2010. http://etd.lib.montana.edu/etd/2010/mcgrane/McGraneK0510.pdf.
Full textGauthier, Erin. "Architecture/Archaeology." This title; PDF viewer required Home page for entire collection, 2008. http://archives.udmercy.edu:8080/dspace/handle/10429/9.
Full text"28 April, 2008". P. 17-185 contain a reprint of three appendices from: Tales of Five Points : working-class life in nineteenth-century New York / edited by Rebecca Yamin. Includes bibliographical references (p. 218).
Finnegan, Jacqueline. "Flattened architecture /." South Hadley, Mass. : [s.n.],, 2008. http://ada.mtholyoke.edu/setr/websrc/pdfs/www/2008/290.pdf.
Full textFriend, Howard C. "Sexy architecture." Connect to resource, 2008. http://hdl.handle.net/1811/32145.
Full textDillon, Andrew, and Don Turnbull. "Information Architecture." New York: Marcel Dekker, 2005. http://hdl.handle.net/10150/105971.
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