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Journal articles on the topic 'Architecture – Senegal – 20th century'

Author: Grafiati

Published: 4 June 2021

Last updated: 16 February 2022

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1

Nikitin, Yury, Vasiliy Goryunov, Vera Murgul, and Nikolay Vatin. "Research on Industrial Exhibitions Architecture." Applied Mechanics and Materials 680 (October 2014): 504–9. http://dx.doi.org/10.4028/www.scientific.net/amm.680.504.

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All-Russian and regional exhibition architecture in the second half of the 19th century through the early 20th century had varied distinct differences in style and design. Temporality of exhibition architecture in those days contributed to a variety of experiments made for pavilions in the context of styles and structures. There was a high demand for the Russian style to be applied for pavilions both in Russia and abroad. First search and application experience in respect to the modern art principles are connected with exhibition architecture. These experiments in the national architecture and art are of a high interest. Neo-classicism was applied in exhibition architecture in the early 20th century to a large extent. The exhibitions of the early 20th century appeared to be special ‘style workshops’. Organizers of certain exhibitions tried to keep uniformity of style of basic constructions. The major merit of exhibition architecture is that it contributed to the transition from eclecticism to a new style on the cusp of the 19th and beginning of the 20th centuries.

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2

Michelson, Alan. "ENCYCLOPEDIA OF 20TH-CENTURY ARCHITECTURE 3 vol.R. Stephen Sennott." Art Documentation: Journal of the Art Libraries Society of North America 23, no. 2 (October 2004): 46. http://dx.doi.org/10.1086/adx.23.2.27949319.

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Peckham, Andrew. "The Dichotomies of Rationalism in 20th-Century Italian Architecture." Architectural Design 77, no. 5 (2007): 10–15. http://dx.doi.org/10.1002/ad.509.

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4

Tokat, Esra. "Identity and ideology in 20th Century of Turkish Architecture." International Journal of Social Sciences and Education Research 3, no. 5 S (October 5, 2017): 1456–62. http://dx.doi.org/10.24289/ijsser.319311.

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5

Nekrošius, Liutauras. "ETHICAL ASPECTS OF THE 20TH CENTURY UTOPIAS IN ARCHITECTURE." Journal of Architecture and Urbanism 31, no. 1 (March 31, 2007): 67–74. http://dx.doi.org/10.3846/13921630.2007.10697092.

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Utopias are often looked upon as a positive phenomenon stimulating human thinking and imagination. This could not be denied. Although when morality is treated just as a tool to achieve generous intentions, realization of utopias is usually followed by different social repressions. A good deal of research has been done on utopian societies. But most often such works are merely focussed on the subjects of innovation, imagination and tangibility. In research works by western as well as soviet authors certain idealization of the research object can be felt, and the issues of social utopias are rarely discussed. These questions are worth reviewing on a broader scale. The present work focusses on the aspects of communist (socialist) utopian ethics and its links with modernism. It is important to compare ethical differences of architectural utopias that existed in West European and soviet spaces. The present text is a part of a wider research on structuralistic ideas in contemporary Lithuanian architecture. The author thinks such a review may help to develop more precise understanding of the development peculiarities of humanistic ideas in architecture of the 20th century in our country. XX a. architektūros utopijų etiniai aspektai Santrauka Dažnai laikomasi nuostatos, kad utopija teigiamas, žmogaus mąstymą ir vaizduotę skatinantis reiškinys. Su tuo negalima nesutikti. Tačiau kai moralumą imama traktuoti kaip kilnių tikslų įrankį, utopijos įgyvendinimą neretai ima lydėti įvairios socialinės represijos. Utopinių visuomenių tyrimų gausu. Tačiau juose dažniau nagrinėjamos novacijų, vaizduotės, realumo temos. Vakarų bei sovietinių autorių darbuose neretai jaučiamas tiriamojo objekto idealizavimas, retai svarstomi socialiniai utopijų klausimai. Juos tikslinga apžvelgti plačiau. Darbe dėmesys telkiamas ties komunistinės (socialistinės) utopijos etikos aspektais bei šios utopijos sąsajomis su modernizmu. Svarbu palyginti Vakarų Europos bei sovietinėje erdvėse gyvavusių architektūros utopijų etinius skirtumus. Šis tekstas yra platesnio tyrimo apie struktūralistines idėjas šiuolaikinėje Lietuvos architektūroje dalis. Manoma, kad tokia apžvalga padės tiksliau suvokti XX a. humanistinių architektūros idėjų raidos savitumus mūsų šalyje.

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Zalesova, P. V., T. N. Manonina, and N. V. Vasina. "Dragestil in Russian architecture early in the 20th century." Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture 22, no. 4 (August 27, 2020): 73–82. http://dx.doi.org/10.31675/1607-1859-2020-22-4-73-82.

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The article discusses the architecture of buildings erected in Russia early in the 20th century, which are associated with the dragestil common to Western European architecture of the modern era. The general dragestil concept in cultures of different countries is given on the examples of folk and cult architecture. The article considers the activities of Holm Hansen Munthe, the founder and leader of the dragestil in Norway who developed the national program of this style. For the first time, a general overview is given for buildings that reflect the dragestil national romanticism in the Russian Empire. The article analyzes the well-known dragestil projects and buildings in the cities of Omsk, Tomsk, Vyritsa station in the Tsarskoye Selo Railway and the Circum-Baikal Railway early in the 29th century.

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7

Tislova, R., P. Svoboda, and D. Vsiansky. "The external renders of the early 20th century architecture." IOP Conference Series: Materials Science and Engineering 1039 (January 19, 2021): 012006. http://dx.doi.org/10.1088/1757-899x/1039/1/012006.

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8

Chang, Qing. "Architectural Models and Their Contexts in China’s 20th-Century Architectural Heritage: An Overview." Built Heritage 3, no. 4 (December 2019): 1–13. http://dx.doi.org/10.1186/bf03545715.

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AbstractThe article explores the morphological evolution of China’s 20th-century architecture chronologically. Chinese Neoclassicism has played a major role in forming the 20th-century heritage buildings surviving today. The phenomenon of Neoclassicism emerged because of the late arrival of China’s modernisation and industrialisation process compared with the West. In turn, in accepting and contesting Western culture, the Chinese elite have consciously relied upon architecture as a vehicle to uphold visible symbols of national Chinese identity and traditional Chinese culture. Meanwhile, in the foreign settlements of the treaty ports such as Shanghai, the Western Neoclassical style, along with other imported construction trends, also forms part of China’s 20th-century architectural heritage. Western Neoclassicism’s influence on China’s new architecture became even more evident in the mid-20th century, with the modern architectural heritage in Tiananmen Square as its exemplar. Nevertheless, the impact of Western modernist architecture on China’s architecture was minimal. It was not until the 1980s, as China reopened to the world, that various schools of thought from the post-industrial West flowed into China, which significantly enriched the types and sources of China’s 20th-century architectural heritage. Modern Classicism, late Modernism and Postmodernism all found their way into China’s contemporary architecture.

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Górka, Monika. "Use of aluminium and glass facades in urban architecture." Budownictwo i Architektura 18, no. 3 (January 24, 2020): 029–40. http://dx.doi.org/10.35784/bud-arch.586.

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As an element of structural and material solutions, aluminium and glass façades are the mainstay of urban architecture; they are especially used in public utility buildings. The article provides a review of architectural styles and trends of the 20th century, when exterior elevations began to take the form of aluminium and glass façades. It illustrates the main architectural trends of urban architecture in the 20th century and their evolution throughout the years. Furthermore, it specifies and refers to the architecture of the 20th and 21st centuries in Kraków and presents selected public utility buildings which have become an integral part of architecture in this city.

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Kuznetsova, A. A., I. V. Zhdanova, and I. I. Voronina. "ARCHITECTURE OF THE 20TH CENTURY AS A BUILDER OF SOCIETY." Izvestiya of the Samara Science Centre of the Russian Academy of Sciences. Social, Humanitarian, Medicobiological Sciences 22, no. 72 (2020): 72–77. http://dx.doi.org/10.37313/2413-9645-2020-22-72-72-77.

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Grignolo, Roberta. "An Encyclopedic Approach to the Conservation of 20th-Century Architecture." Built Heritage 2, no. 2 (June 2018): 93–102. http://dx.doi.org/10.1186/bf03545696.

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Emel'yаnov, E. Y., and E. V. Sitnikova. "MODERNISM IN TOMSK WOODEN ARCHITECTURE IN THE EARLY 20th CENTURY." Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture, no. 1 (February 27, 2019): 114–25. http://dx.doi.org/10.31675/1607-1859-2019-21-1-114-125.

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The paper considers the development of modernism in the wooden architecture in the city of Tomsk in the context of national trends. The paper studies design features and specificity of wooden decoration of buildings made in the modern style or with the use of architectural elements performed in accordance with the variation of the neo-Russian style and “northern mo dernity”. The originality of the author's interpretations of style trends and those of the professional architects is described.The relevance of the study is stipulated by preserving wooden buildings in the cities of Russia and Siberia and the loss of valuable decorations of buildings, in particular. Despite the wide range of works involved in studying modernism in the architecture of Russian cities, not all aspects and trends of phenomena observed in Tomsk architecture in the early 20th century have been investigated so far.The purpose of this paper is to study the wooden buildings of Tomsk made in the modern style or with architectural elements of this style.The paper uses the methods of comparative and architectural analyses. It is considered how modernist-style wooden buildings have been designed and built in the in the cities of Siberia, and in particular, the city of Tomsk.It is shown that by the beginning of the 20th century, the folk traditions are combined with the works of professional architects. Wooden buildings, made in the modernist style, are distinguished by complex compositional solutions. This is evident by the mansions designed mainly for a circular view. The attitude to the wood has changed, not only in terms of building and finishing material, but also as a means of a new architectural and artistic embodiment of the independent artist idea.

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Mhearáin, Aoibheann Ní, and Tara Kennedy. "Reframing Social Value in 20th‐Century Conservation." Architectural Design 90, no. 4 (July 2020): 94–103. http://dx.doi.org/10.1002/ad.2596.

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14

왕신 and KwakDaeYoung. "A Study on the America Modernism Architecture of the 20th century." Journal of Digital Design 15, no. 2 (April 2015): 931–40. http://dx.doi.org/10.17280/jdd.2015.15.2.086.

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15

Yaldiz, Esra. "The Evaluation of 20th Century Architecture in Konya in the Context of Modern Architecture Heritage." New Trends and Issues Proceedings on Humanities and Social Sciences 4, no. 11 (December 28, 2017): 171–84. http://dx.doi.org/10.18844/prosoc.v4i11.2872.

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Understanding about conservation is limited to ‘monument’ or ‘old work of art’ in the past compared with today’s new concepts like ‘historical and cultural heritage’, ‘heritage of modern architecture’ and ‘heritage of industry’. Turkey’s 20th century modern architecture was started with the early modernism buildings constructed all over Turkey, especially in Ankara and İstanbul in the first years of the Republic. This period includes all the works of architecture that were produced until the late 1980s, carrying the traces of modern movement, rationalist, purist, transparent, reinterpreting the traditional architectural values by means of modern material and seeking of independent form. In this study, the Mevlana Axis between Alaaddin Hill and the historical city centre and the works of architecture in the modernisation period between the early 1900s and 1980s on this axis, contribute to the city identity and handled in the context of modern architectural heritage are evaluated. Keywords: Modern architecture heritage, evaluation criteria, Konya.

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16

Grau, Ma Antonia, and Conxita Sangenís. "Architecture libraries in Catalonia." Art Libraries Journal 26, no. 2 (2001): 13–17. http://dx.doi.org/10.1017/s030747220001213x.

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Two of the largest architecture libraries in Spain are in institutions in Catalonia. One of these is the UPC (the Technical University of Catalonia), the home of the library of the ETSAB (the School of Architecture of Barcelona), which is one of the oldest architecture schools in Spain. The other is COAC (the Architects’ Association of Catalonia), which boasts one of the biggest architecture libraries in a professional association in the country. While these two libraries were built up in the 19th century, other architecture libraries have been created in Catalonia in the 20th century, both in schools of architecture and in the branches of COAC.

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17

Loimeier, Roman. "PATTERNS AND PECULIARITIES OF ISLAMIC REFORM IN AFRICA." Journal of Religion in Africa 33, no. 3 (2003): 237–62. http://dx.doi.org/10.1163/157006603322663497.

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AbstractAfrican Muslim societies were characterised, in the 20th century, by the emergence of reformist movements that have gained, since the 1970s, major social, religious and political influence in a number of countries, including Northern Nigeria, Senegal, Zanzibar and Sudan. These movements of reform are, however, not recent phenomena. Rather, they look back to a history of several generations of reformist endeavour and thought that may have been influenced, to a certain extent, by external sources of inspiration. This contribution shows how the biographies of major reformist personalities such as Cheikh Touré in Senegal, Abubakar Gumi in Northern Nigeria and 'Abdallâh Sâlih al-Farsy in East Africa reflect a number of common features of Islamic reform in Africa, while their programmes of reform were shaped, at the same time, by local frame conditions.

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18

Rybakova, Darya. "THE ROLE OF CONTEXT IN THE MODERNIST ARCHITECTURE OF THE 20TH CENTURY." Innovative Project 1, no. 2 (August 2016): 64–69. http://dx.doi.org/10.17673/ip.2016.1.02.8.

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19

Wilmering, Antoine. "Keeping It Modern: A Getty Foundation Initiative to Preserve 20th-Century Architecture." Built Heritage 2, no. 2 (June 2018): 103–4. http://dx.doi.org/10.1186/bf03545697.

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20

Miller, William C., and Roger Connah. "Writing Architecture: Fantomas, Fragments, Fictions. An Architectural Journey through the 20th Century." Journal of Architectural Education (1984-) 44, no. 4 (August 1991): 235. http://dx.doi.org/10.2307/1425145.

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21

Gurev, Sergey N., Karina K. Abramova, and Grigory S. Gurev. "THE RUSSIAN STYLE IN VORONEZH ARCHITECTURE IN THE 19TH -EARLY 20TH CENTURY." Architecton: Proceedings of Higher Education, no. 1 (2021): 11. http://dx.doi.org/10.47055/1990-4126-2021-1(73)-11.

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22

Bazilevich, E. M. "Unique Objects of Industrial and Transport Architecture of Khabarovsk (Early 20th Century)." IOP Conference Series: Materials Science and Engineering 1079, no. 6 (March 1, 2021): 062002. http://dx.doi.org/10.1088/1757-899x/1079/6/062002.

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23

Sall, Ousmane. "The Impact of Social and Digital Medias on Senegalese Society." Studies in Media and Communication 5, no. 2 (June 4, 2017): 1. http://dx.doi.org/10.11114/smc.v5i2.2422.

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West African countries especially Senegal, have a very rich history of written and oral communication based on their culture and traditions. Today, Senegal is inescapable about the adoption and use of new technologies in Africa. Senegal experienced a boom of cell phones users over the past 5 years in 2012 for example, we noticed “88% mobile subscriptions” compared with “46% mobile subscriptions in 2008” {world bank,2013}. That explains mobile phones are no more to make a call or to send a text message but also to interact with people around and entertain. In fact, digital communication is expanding in all Senegalese spheres like the workplace, school, universities... in the latter half of the 20th century before the explosion of social media, people only depended on old media like TV, Radio, Newspapers… to get informed. For this study, we are going to focus on how social media are impacting economically and politically on Senegalese society and how young people are managing the transition between traditional media and new media.

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Karpova, Elena A. "TEXTILE ART AS PART OF CITY'S ARCHITECTURAL SPACE." Architecton: Proceedings of Higher Education, no. 2(70) (June 29, 2020): 20. http://dx.doi.org/10.47055/1990-4126-2020-2(70)-20.

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The article is devoted to the interaction of textile art with architecture. The prototypes of tent architecture were temporary and mobile structures and ancient tent shelters. Decorative fabrics were used to decorate city streets during festivals and processions. They served as an essential color dominant emotionally affecting the viewers. The textile art of the 20th – early 21st century has seen the emergence of three-dimensional forms named "new tapisserie" and "environment". In the 20th century, architectural tent structures received extensive engineering and technical development, which influenced the form and plasticity in modern textile art, existing in synthesis with the architectural space of the city.

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Bernardo, G., and L. Palmero Iglesias. "Architecture and materials in the first half of the 20th century in italy." International Journal of Heritage Architecture: Studies, Repairs and Maintence 1, no. 4 (January 15, 2017): 593–607. http://dx.doi.org/10.2495/ha-v1-n4-593-607.

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KAWAMURA, Ewa. "THE PROCESS OF HOTEL ARCHITECTURE IN VENICE FROM 19TH TO EARLY 20TH CENTURY." Journal of Architecture and Planning (Transactions of AIJ) 73, no. 629 (2008): 1637–42. http://dx.doi.org/10.3130/aija.73.1637.

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Sopandi, Setiadi. "Modern Indonesian Architecture: a Cultural Discourse." Modern Southeast Asia, no. 57 (2017): 20–29. http://dx.doi.org/10.52200/57.a.kqfg8kio.

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The paper highlights the course of Indonesian architectural development through the narrative of national and cultural identity which prevailed almost consistently from the early years of the 20th century. Despite the various contexts and the involvement of participants from different eras, the question of identity recurs among architectural practitioners, political figures, as well as the general public in Indonesia. In this light, architects are perceived as active agents continually contributing models of national identity through architectural forms, expressions, materials, and narratives.

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Sugár, Viktória, Péter Leczovics, and András Horkai. "Bionics in architecture." YBL Journal of Built Environment 5, no. 1 (April 25, 2017): 31–42. http://dx.doi.org/10.1515/jbe-2017-0003.

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Abstract The adaptation of the forms and phenomena of nature is not a recent concept. Observation of natural mechanisms has been a primary source of innovation since prehistoric ages, which can be perceived through the history of architecture. Currently, this idea is coming to the front again through sustainable architecture and adaptive design. Investigating natural innovations and the clear-outness of evolution during the 20th century led to the creation of a separate scientific discipline, Bionics. Architecture and Bionics are strongly related to each other, since the act of building is as old as the human civilization - moreover its first formal and structural source was obviously the surrounding environment. Present paper discusses the definition of Bionics and its connection with the architecture.

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Rukmane-Poča, Ilze, and Linda Leitāne-Šmīdberga. "The Directions of Formal Expression in Latvian Contemporary Architecture in the Context of the Synthesis of the Arts." Architecture and Urban Planning 10, no. 1 (December 1, 2015): 39–48. http://dx.doi.org/10.1515/aup-2015-0006.

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Abstract Different types of formal expression can be found in the modern architecture of the 21st century - in publications, internet resources and in the generalizations of critics. In the context of the synthesis of arts the styles of sculptural architecture and surface architecture are noteworthy. Characteristics of this synthesis are also noticeable in kinetic architecture where the styles of surface kinetic architecture and sculptural kinetic architecture are distinguished. The genesis of images of buildings constructed in these styles is the result of the synthesis of arts; it reflects the development of historical styles as well as the ways of formal expression and their influences in the end of the 20th century and in the 21st century. This paper provides an analysis of constructed objects and proposals put forth in architectural competitions in Latvia’s 21st century modern architecture.

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Paz-Agras, Luz. "Creative processes in the Avant-Garde Movements." Estoa, no. 15 (2019): 21–30. http://dx.doi.org/10.18537/est.v008.n015.a02.

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The 20th Century Avant-Garde Movements broke with the traditional distinction of artistic disciplines in favour to an ambiguous space where limits are diffuse. Exhibition space played a relevant role in this sense as a laboratory where art object and spectator are together in interaction, getting to experiences that, in many cases, transcend from the exhibition to disciplinary Architecture. Through the analysis of the Proun Space of El Lissitzky, constructed in 1923, and some of the most relevant proposals of Neplasticist authors, focusing on the creative and experimental process, contributions from Painting to Architecture are established. Some of them, partially shaded by the hegemony of Modern Movement, have been incorporated to 20th Century architectural projects and they are a significant chapter about interdisciplinary creative processes.

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Yu., Petrovska, and Kuzmych V. "PEDAGOGIC ACTIVITY OF IVAN LEVYNSKY AT LVIV SCHOOL OF ARCHITECTURE IN THE LATE 19TH CENTURY – EARLY 20TH CENTURY." Architectural Studies 6, no. 1 (September 1, 2020): 157–61. http://dx.doi.org/10.23939/as2020.01.157.

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This research introduces us into the pedagogic activity of Ivan Levynsky at the Polytechnic School. Historical documents from the State Archives of Lviv region helped us to examine and analyze curriculums of the Faculty of Construction (Program szkoły politechnicznéj we Lwowie), including names of academic subjects, number of academic hours for different years of study, and short summaries of the courses taught by the professor Ivan Levynsky.

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Izquierdo, Sara. "Open Al-Andalus: Hispanic-Muslim Heritage Impact on Spanish Contemporary Architecture." Arts 7, no. 4 (October 16, 2018): 66. http://dx.doi.org/10.3390/arts7040066.

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Spanish architecture, towards the end of the 19th century and the beginning of the 20th, was characterized by the development of a variety of styles, including Neo-Muslim. The Alhambra of Granada, the Mosque of Cordoba, and the Giralda Tower of Seville, served as inspiration to the design of works that would follow these models, some to a greater extent than others, and would eventually give rise to an architectural trend that would make its way all across Spain. As such, this article attempts to provide some examples of said architecture found in different autonomous communities in Spain, examining them through four typologies, as well as to discuss the consideration and use of the Neo-Muslim style after the second half of the 20th century. The methodology behind this research involved extensive reading and analysis of both general and specific works on the subject, the study of archival materials relative to some of the selected buildings, about which preserved evidence was scarce, as well as taking photographs of the properties included in the text.

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Yu, Zeyang. "Tradition, Modernity and Authenticity of Architecture in China and Japan During the 20th Century." International Journal of Culture and History (EJournal) 4, no. 1 (2018): 9–12. http://dx.doi.org/10.18178/ijch.2018.4.1.114.

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Na'amneh, Mahmoud, Ziedoun Al-Muhiesen, Muwafaq Bataineh, and Hussien Deebajeh. "Northern Jordan Traditional Architecture during the 19th and 20th Century : An Ethno-Archaeological Perspective." University of Sharjah Journal for Humanities and Social Sciences 10, no. 01 (June 2013): 1–21. http://dx.doi.org/10.12816/0004513.

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Vukotic-Lazar, Marta, and Dijana Milasinovic-Maric. "Limited creativity: Women in the Serbian architecture from the early 20th century to date." Bulletin de l'Institut etnographique 65, no. 2 (2017): 437–55. http://dx.doi.org/10.2298/gei1702437v.

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Glatolenkova, E. V. "Railway Architecture Along the Chinese Eastern Railway at the Beginning of the 20th Century." IOP Conference Series: Materials Science and Engineering 1079, no. 4 (March 1, 2021): 042003. http://dx.doi.org/10.1088/1757-899x/1079/4/042003.

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37

Tceluiko, D. S., and M. E. Bazilevich. "The Architecture of Banking Institutions in Changchun City (first third of the 20th century)." IOP Conference Series: Materials Science and Engineering 1079, no. 2 (March 1, 2021): 022046. http://dx.doi.org/10.1088/1757-899x/1079/2/022046.

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Lagunes, Silvia Segarra. "Casa Albero: an architecture experiment." Modern Houses, no. 64 (2021): 74–79. http://dx.doi.org/10.52200/64.a.5twr82ij.

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Designed in 1968, the Casa Albero [Tree house], in Fregene near Rome, by Giuseppe Perugini (1914-1995), Uga de Plaisant (1917-2004) and their son Raynaldo Perugini (1950-), constitutes an exceptional case of architectural experimentation. With multiple references to the aesthetic avant-gardes of the 20th century. It is presented as an example of modular, systematic and prefabricated architecture, in which the architects are, simultaneously, authors and part of the experiment themselves. The project functions as an architectural model in 1:1 scale. The concept embodied in this work offers the possibility of studying different ways of interpreting the living space within the same architectural composition.

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Vladimirkina, Natalya V. "STYLISTIC TENDENCIES IN CONTEMPORARY CHURCH ARCHITECTURE IN UDMURTIA." Architecton: Proceedings of Higher Education, no. 2(70) (June 29, 2020): 3. http://dx.doi.org/10.47055/1990-4126-2020-2(70)-3.

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The article reviews contemporary church building practices in Udmurtia. Stylistic tendencies in the church architecture are considered. Two approaches could be identified in church design and construction, representing two different creative methods of morphogenesis rendered in Russian by two stylizing-related terms: stilizatorstvo (faithful to the original) and stilizatsiya (less faithful to the original). These two concepts, used in the evaluation of the 1830s – early 20th century architecture, present two ways of interpreting historical architectural prototypes.

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Garnova, N. "ARCHITECTURE OF RESIDENTIAL BUILDING INDUSTRIAL MANOR OF THE SECOND HALF OF THE XIX CENTURY-EARLY XX CENTURY IN IVANOVO-VOSNESENSK." Technical Aesthetics and Design Research 2, no. 3 (January 15, 2021): 50–61. http://dx.doi.org/10.34031/2687-0878-2020-2-3-50-61.

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The pre-revolutionary industrial estates of the Ivanovo (until 1871 referred to as the village of Ivanovo, and since 1871 – the city of Ivanovo-Voznesensk) are the least studied and most susceptible to loss of architectural monuments of the city. This is greatly facilitated by the lack of a comprehensive architectural study, including an architectural analysis of all buildings that were part of industrial estates and their relationship at different stages of development of the complexes. The object of the study is all residential buildings of industrial estates that were part of the complexes in the second half of the 19th century - the beginning of the 20th century. The methodological basis of the work is based on the principles of an interdisciplinary approach, which allows considering the entire range of issues related to the object of research from the point of view of archeology, history, history of architecture, and urban planning. The study was carried out on the basis of a comparison of field surveys and archival sources of the state archives of the Ivanovo and Vladimir regions as well as the Ivanovo State Historical and Cultural Museum named after D.G. Burylin. As a result, the classification of residential buildings of industrial estates of the second half of the 19 th century – the beginning of the 20th century is presented on the basis of the façades and architectural projects made by the author.

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Hernandez Falagan, David. "Hacia una arquitectura pragmática. El caso de Tous y Fargas." VLC arquitectura. Research Journal 4, no. 2 (October 24, 2017): 119. http://dx.doi.org/10.4995/vlc.2017.6952.

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<p>Tous & Fargas were a unique case in the field of Spanish architecture of the second half of the 20th century. From the technical and industrial experimentation of their first works, they developed a nonconformist architecture within the realistic conditions characteristic of the time, propitiated by the economic, political and social context. Despite of this, they achieved a remarkable success carrying out designs of technological type and giving support to the industrial innovation of constructive systems. However, during the last stage of their collaboration, traits characteristic of the pragmatic drift are visible to which much of the architecture of the last quarter of the 20th century was subjected. The excess of mercantile concern for the real estate product, the excessive systematization of the typological models and the constructive systems, the lack of a consistent theoretical discourse or the abandonment of the technical investigation as a priority of innovation are some of the symptoms that characterize the pragmatic architecture of their latest works<em>.</em></p>

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Arciszewska, Barbara, and Makary Górzyński. "Urban Narratives in the Age of Revolutions: Early 20th century Ideas to Modernize Warsaw." Artium Quaestiones, no. 26 (September 19, 2018): 101–47. http://dx.doi.org/10.14746/aq.2015.26.6.

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In January 1906, in the turbulent period of 1905–1907, the poet, artist, and socialactivist Antoni Lange published in the Warsaw weekly Świat an essay called“Marzenia warszawskie” (“The Warsaw Dreams”). A several page text, illustratedwith woodcuts by the painter Andrzej Zarzycki, included a spectacular vision of metropolitanWarsaw of the future: a capital city with many public buildings and moderninfrastructure, a genuine center of Polish national and cultural life. The present essayanalyzes unexamined ideas of Lange in terms of the history of architecture, andin a double political and social context. “The Warsaw Dreams” was deeply rooted inthe political reality of the former Kingdom of Poland, addressing the issue of liberalizationof the Russian rule during the 1905 revolution. Using the vocabulary of urbanplanning and making a list of changes in the city’s architecture, Lange articulateda vision of the future space of Warsaw as a Polish metropolis of modernity, administeredindependently of Russia. In his essays he proposed to extend the city limits andremove its fortifications as well as introduce local government with significant prerogativesas an instrument of Warsaw’s great transformation – its aestheticization and construction of public buildings, such as national government edifices, schools,and cultural centers. The authors argue that by describing public architecture of thefuture Warsaw as a “dream” full of copies of well-known European architectural monumentsfrom Venice, Prague, and Cracow, Lange created a comprehensive politicalproject of autonomy of the Kingdom of Poland in the Russian empire. “The WarsawDreams” originally combined together architecture and politics, urban space and theproblems of Polish modernization, and the discourses of nationalism and socialism.Lange’s visionary proposal from 1906 is of the most imaginative responses to thechallenges of the development of Warsaw at the turn of the 20th century in the contextof Polish political and social problems of those times.

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Valevičius, Martynas. "APŠVIETIMAS KAIP ARCHITEKTŪROS MODERNUMO SIMBOLIS." JOURNAL OF ARCHITECTURE AND URBANISM 33, no. 3 (September 30, 2009): 183–94. http://dx.doi.org/10.3846/13921630.2009.33.183-194.

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The paper is designed to reveal the aesthetics of artificial lighting and its influence on the architecture of the 20th century. The main topics discussed are electric lighting, which appeard in our history at the end of the 19th century, and the technical development of lighting till the middle of the 20th century. Connections of artificial lighting with visual arts, its influence on advertisement, building architecture and the whole city are analysed. An idea is proposed that although lighting by nature was purely functional, very soon it acquired symbolic ambitions to represent architecture. In modern times architects understood that lighting was both a technological development and a symbol of a new era, when there appeared an independent field of creation - lighting architecture. Santrauka Straipsnyje nagrinėjama dirbtinio apšvietimo estetika ir jos įtaka XX a. architektūrai. Išryškinta XIX a. pabaigoje atsiradusio elektrinio apšvietimo svarba ir atskleista apšvietimo techninė raida iki XX a. vidurio. Nagrinėjamos dirbtinio apšvietimo sąsajos su vizualiaisiais menais, apšvietimo įtaka reklamai, pastatų architektūrai bei visam miestui. Straipsnyje keliama idėja, kad nors apšvietimo prigimtis pradžioje buvo grynai funkcionali, ji greitai įgavo simbolinių ambicijų – reprezentuoti architektūrą. Architektai į apšvietimą žvelgė ne tik kaip į technologinę pažangą, tai buvo naują erą ženklinantis simbolis, erą, kurioje atsiranda didelės įtakos visoms kūrybinėms idėjoms turinti nauja savarankiška kūrybos sritis – šviesos architektūra.

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Aizpurva, Luīze Marta. "The 60s of the 20th Century: Modern Movement Public Catering Buildings in Latvia." Architecture and Urban Planning 15, no. 1 (January 1, 2019): 101–5. http://dx.doi.org/10.2478/aup-2019-0014.

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AbstractThe study summarizes information on buildings of catering establishments of the 1960s in Latvia. The analysis of the interior, exterior, location of the buildings as well as the possibilities for their restoration has been carried out. Information on the restoration and preservation of the Modern Movement architecture in the world has been analysed as well.

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Pearce, Peter Jon. "Principles Of Morphology And The Future Of Architecture." International Journal of Space Structures 11, no. 1-2 (April 1996): 103–14. http://dx.doi.org/10.1177/026635119601-217.

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The architecture of the future must adopt a new design strategy based upon the notion of high-performance. All other major enterprises developed in the 20th century are driven by the quest for ever higher performance at lower cost. The profession of architecture must adopt such a commitment in order to be responsive to the realities of the next century. A high-performance architecture will require a new vocabulary of form generation based upon an understanding of the principles of natural structure. These principles are revealed through the study of morphology, which provides the basis of the integration of form and structure. Architectural objectives are fulfilled with a new vocabulary of high-performance design informed by the study of morphology. First principles are made transparent and the arbitrariness of architectural form is minimized.

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Pešić, Mladen. "Exhibitionary complex: Architecture as an exhibit." SAJ - Serbian Architectural Journal 5, no. 3 (2013): 282–305. http://dx.doi.org/10.5937/saj1303282p.

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Within this research, the exhibitions are considered primarily as institutions, and as a place of interaction among different identities through choice of exhibits, their presentation, spatial layout and the selection and use of the accompanying texts. The context of the research thus put into place will attempt to answer the question of how it is possible to construct a history of the exhibitions-which are forgotten, often without sufficient documentation or records about them. In addition, it will be reconsidered in which manner the exhibitions helped to create and promote the idea of architecture during the 20th century, overlapping with the shifting of discourses, broader philosophical debates and technological innovations.

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Goryunov, Vasiliy, Tatjana Konjkova, Vera Murgul, and Nikolay Vatin. "William Richard Lethaby – Architecture, Mysticism and Myth." Applied Mechanics and Materials 725-726 (January 2015): 1084–89. http://dx.doi.org/10.4028/www.scientific.net/amm.725-726.1084.

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This article deals with the art of a prominent English architect and architectural theorist - William Richard Lethaby. His theoretical outlook on architecture has been considered herein. His fundamental outlook – the book ‘Architecture, Mysticism, and Myth’ - has been analyzed. His innovative outlook, as well as the concept development regarding study of art in the 20th century described in this book, has been highlighted. The Lethaby’s relations with English movements ‘Art and Craft’ and ‘Aesthetic Movement’ have been indicated. Different outlooks on architecture supported by Lethaby and other leading theorists-rationalists in the mid-19th have been also distinguished.

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Andreescu, Ioan, and Alexandra Iasmina Keller. "Architecture as “Gesamtkunstwerk” – The Role of the Roof in Defining Architecture in the 19th and 20th Century in Timisoara." IOP Conference Series: Materials Science and Engineering 471 (February 23, 2019): 072034. http://dx.doi.org/10.1088/1757-899x/471/7/072034.

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Bazilevich, Mikhail E., and Anton A. Kim. "THE ARCHITECTURE OF BANKING INSTITUTIONS IN KHARBIN IN THE FIRST THIRD OF THE 20th CENTURY." Architecton: Proceedings of Higher Education, no. 3(71) (September 29, 2020): 9. http://dx.doi.org/10.47055/1990-4126-2020-3(71)-9.

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The article is devoted to the architecture of Harbin's banking institutions built from 1898 to the mid-1930s. We briefly review the city’s urban planning landscape and the emergence of the banking system in northeast China, which largely determined the architecture of objects of this type and their localization in the urban structure of Harbin. The spatial layout and stylistic features of the bank buildings built in the New Town and Pier districts and in Harbin’s satellite town of Fujadian are examined. The importance of these objects for the development of the city's main streets is emphasized.

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Mačiulis, Algimantas M. "IRACIONALUMO APRAIŠKOS XX A. UŽSIENIO IR LIETUVOS ARCHITEKTŪROJE." JOURNAL OF ARCHITECTURE AND URBANISM 34, no. 3 (September 30, 2010): 151–60. http://dx.doi.org/10.3846/tpa.2010.15.

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The paper analyses irrationality as an expression of modern architecture, overviews the concept of irrational architecture. Various art and philosophical trends, that influenced the development of architecture in the 20th century, are analysed. Influences of global and Lithuanian analogues of irrational architecture on the development of architectural styles are presented. Since the concept of irrational architecture hasn’t been widely analysed, the paper suggests several approaches of analysis of irrational forms in architecture. The author arrives at the following conclusions: – Irrationality is an opposite expression of rationality, pragmatism, posityvism, technicist morphology. It’s based on deconstruction, indetermination, roughness, dramatic expression, etc. – The effect of irrationality can be obtained by two ways: using decorations, ornaments, polichromy, and using deformations of forms and constructions. – Irrational trends in architecture are caused by several factors. Philosophical trends such as reliatyvism, irrationalism, intuityvism, psychoanalysis, deconstructyvism, and art trends such as cubism, symbolism, expressionism, art deco, surrealism, etc. – Irrational trends in global and Lithuanian architecture of the 20th century can be noticed in art nouveau, art deco, organic, late modern, postmodern, deconstructyvist architectural styles. Santrauka Straipsnyje analizuojamas iracionalumas kaip šiuolaikinės architektūros meninės išraiškos forma, aptariama iracionalumo sąvoka architektūros mene. Taip pat charakterizuojamos sociokultūrinės prielaidos, filosofinės, meno srovės, dariusios įtaką iracionalumo požymiams architektūroje. Nagrinėjami pasauliniai ir Lietuvos iracionaliosios architektūros analogai, apžvelgiamos iracionalumo apraiškos stilistinėje architektūros raidoje.

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