Relevant bibliographies by topics / Architecture, Spanish

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Architecture, Spanish'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Architecture, Spanish"

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Flores-García, Laura Gemma, and Elena Zhizhko. "NOVOHISPANIC CONVENT ARCHITECTURE FROM THE 16th CENTURY." Current problems of architecture and urban planning, no. 58 (November 30, 2020): 95–104. http://dx.doi.org/10.32347/2077-3455.2020.58.95-104.

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The article presents the results of a historical and architectural research, which aimed to reveal the main features of the architecture of Spanish monasteries in the sixteenth century, in particular to highlight elements of the ideology of the Spanish crown and the Catholic Church, promoted through architectural structures. The authors established the components of the architectural program and styles of the New Spanish monasteries of the 16th century, highlighted how the process of creative thinking of the future building and its construction took place, what materials were used.
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Fernández-Galiano, Luis. "Spanish Architecture: A Family Portrait." Journal of Architectural Education 45, no. 4 (July 1992): 235–40. http://dx.doi.org/10.1080/10464883.1992.10734521.

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Fernandez-Galiano, Luis. "Spanish Architecture: A Family Portrait." Journal of Architectural Education (1984-) 45, no. 4 (July 1992): 235. http://dx.doi.org/10.2307/1425191.

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Fu, Albert S. "Materializing Spanish-Colonial Revival Architecture." Home Cultures 9, no. 2 (July 2012): 149–71. http://dx.doi.org/10.2752/175174212x13325123562223.

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Lawrance. "Architecture in Spanish Baroque Literature." Modern Language Review 116, no. 2 (2021): 316. http://dx.doi.org/10.5699/modelangrevi.116.2.0316.

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Pérez-Moreno, Lucía C., and Emma López-Bahut. "Jorge Oteiza’s ‘de-occupation’: towards an ascetic space in Spanish modern architecture (1948–60)." Architectural Research Quarterly 24, no. 4 (December 2020): 343–52. http://dx.doi.org/10.1017/s1359135521000038.

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The work and thought of the Basque sculptor Jorge Oteiza (b. Orio, 1908 – d. San Sebastian, 2003) is an omnipresent reference point in the historiography of modern Spanish architecture. Since the Jorge Oteiza Museum Foundation was opened shortly after his death, a great number of studies have been published about him, mainly in Spanish and Basque. Oteiza’s artistic career was closely connected to the postwar Spanish architectural scene. During the 1950s, he participated in numerous projects and architecture competitions and published his work in specialised journals and magazines in the field. Spain was at that time under the regime of General Franco and, as a consequence of the Civil War (1936–9), the country was suffering an economic crisis that affected culture, art, and architecture.
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Muxí, Zaida, and Daniela Arias Laurino. "Filling History, Consolidating the Origins. The First Female Architects of the Barcelona School of Architecture (1964–1975)." Arts 9, no. 1 (February 25, 2020): 29. http://dx.doi.org/10.3390/arts9010029.

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After Francisco Franco’s death, the process of democratisation of public institutions was a key factor in the evolution of the architectural profession in Spain. The approval of the creation of neighbourhood associations, the first municipal governments, and the modernisation of Spanish universities are some examples of this. Moreover, feminist and environmental activism from some parts of Spanish society was relevant for socio-political change that affected women in particular. The last decade of Franco’s Regime coincided with the first generation of women that graduated from the Barcelona School of Architecture (ETSAB). From 1964 to 1975, 73 female students graduated as architects—the first one was Margarita Brender Rubira (1919–2000) who validated her degree obtained in Romania in 1962. Some of these women became pioneers in different fields of the architectural profession, such as Roser Amador in architectural design, Alrun Jimeno in building technologies, Anna Bofill in urban design and planning, Rosa Barba in landscape architecture or Pascuala Campos in architectural design, and teaching with gender perspective. This article presents the contributions of these women to the architecture profession in relation to these socio-political advances. It also seeks—through the life stories, personal experiences, and personal visions on professional practice—to highlight those ‘other stories’ that have been left out of the hegemonic historiography of Spanish architecture.
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Sánchez de Madariaga, Inés. "Women in architecture: the Spanish case." Urban Research & Practice 3, no. 2 (June 2, 2010): 203–18. http://dx.doi.org/10.1080/17535069.2010.481377.

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Esteban-Maluenda, Ana, Laura Sánchez Carrasco, and Luis San Pablo Moreno. "ArchiText Mining: Applying Text Analytics to Research on Modern Architecture." Život umjetnosti, no. 105 (December 31, 2019): 158–79. http://dx.doi.org/10.31664/zu.2019.105.07.

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ArchiteXt Mining: Spanish Modern Architecture through Its Texts (1939–1975) is a research project funded by the Government of Spain through the 2015 Call for “Excellence Projects” of the Ministry of Economy and Competitiveness. This project aims to explore a new viewpoint and look into the special features of Spanish modern architecture. Despite the increasing success of using data analysis as a tool in a variety of disciplines, research on architectural theory has never made the most efficient use of these technologies. The Spanish and international circumstances of modern architecture development have been scrutinized through qualitative research, which has established a shared theoretical ground. It is now time to start a new in-depth research based on objective data. To address this challenge, we propose the application of text mining techniques to take advantage of the best data source in the field: architectural periodicals. The purpose is to create a powerful database hosted on a public website for the scientific community. Thus, this project fulfils several e-Research objectives: to facilitate the computerization of data research, to support every stageof data collection, and to manage big data analyses with thehelp of specific tools.
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Tippey, Brett. "‘Genuine Invariants’: The Origins of Regional Modernity in Twentieth-Century Spain." Architectural History 56 (2013): 299–342. http://dx.doi.org/10.1017/s0066622x00002525.

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During the decades that followed the loss in 1898 of Spain's last colony, Spanish architecture languished in a turbulent search for identity. In this search, some architects argued for a return to the historic architecture of the Spanish colonial empire, while others followed the progressive ideas of the Congrès Internationaux d'Architecture Moderne (CIAM). Finally, in the mid-1940s, Spain's architects began to progress towards a successful reconciliation of these two seemingly opposed camps. A critical moment occurred in 1947 with the publication of Fernando Chueca Goitia's watershed textInvariantes Castizos de la Arquitectura Española (Genuine Invariants of Spanish Architecture).In this text, which Chueca conceived as a pocket reference for Spain's Modern architects, he described Spain as a unique place where the diverse architecture of Christian Europe and Islamic North Africa coalesced into a new — and essentially Spanish — whole. In it, he called on Spain's architects to move beyond superficial considerations of both history and modernity, and to arrive at a genuine, self-critical identity for Spanish architecture.
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Dissertations / Theses on the topic "Architecture, Spanish"

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Roth, Curtis (Curtis A. ). "Acid ecologies : or the secret lives of Spanish tomatoes/." Thesis, Massachusetts Institute of Technology, 2012. http://hdl.handle.net/1721.1/70379.

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Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 2012.
Pages 156-157 blank. Cataloged from PDF version of thesis.
Includes bibliographical references (p. 154-155).
This thesis seeks to unpack the nature of ecology within architecture, not as a neutral science, but a legitimizing construct, building a future and transforming the ethics of the present towards very deliberate ideological ends, and contingent on certain practices of alienation which themselves have historically laid the groundwork for later environmental and social crisis. The thesis asks the question, what do we mean when we call an architecture ecological, and what sort of reality are we advocating within that practice. The project is not staged explicitly as a critique of ecology, but rather a challenge to the overwhelming neutrality with which the ecological project is entertained within architectural discourses, under the premise that an ecological awareness must first entail an awareness of the means by which ecology constructs unreal realities in order to work for us. The project takes place in Almeria Spain, which in the last forty-five years has gone from the poorest region in Spain to one of the richest, through the wide scale application of greenhouse urbanism. Almeria is currently the largest intensive agriculture site in the world (80,000acres) and supplies the majority of winter produce to Europe. But Almeria is also, in many ways, an accelerated microcosm of larger contemporary ecological paradigms, what Keller Easterling called an autonomous world, Almeria is a place in which the apparent neutrality of ecological ideologies are consistently leveraged towards technological transformations of the landscape precipitating widespread environmental and social fallout conditions. In Almeria, Ecological ideologies consistently serve as the legitimizing platforms by which transformation after transformation (each promising an ideal future) compound the effects of peripheral disaster all under the guise of a seemingly neutral science. The thesis argues that within a condition in which neutral ecology is leveraged to legitimize specific ideological and economic positions, it may actually be the task of an ecological architecture to irrigate radical alternatives, not as ideal futures, but as provisional presents, alternate ecological life rafts within contested environmental conditions. This thesis proposes one such alternate present. It interjects itself within the most recent technoecological shift from chemically applied agricultural practices which are rapidly being replaced with the promise of a genetically engineered future, a 'clean' Almeria in the wake of widespread chemical fallout. The alternative is formed from a seemingly simple question, what if we merely doubt that Almeria's genetic turn won't precipitate alternate forms of fallout equal to its chemically contested state.
by Curtis Roth.
M.Arch.
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Moss, Jamie. "Tectonic controls on Eocene deltaic architecture, Jaca Basin, Spanish Pyrenees." Thesis, Durham University, 2005. http://etheses.dur.ac.uk/3730/.

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The Jaca Basin lies to the south of the Pyrenean mountain chain, in Spain, and was formed by the Late Cretaceous and Tertiary convergence between the Iberian and European tectonic plates. During the Bartonian (Middle Eocene), sediment flux from the uplifting Pyrenees was deposited in this basin as the Belsué-Atarés Fm. deltaic system. At the same time, southward propagation of deformation from the orogen created a number of emergent thrusts and thrust-related anticlines along the margins of the basin and within the basin itself. The effect that the growth of these kilometre-scale structures had on the coeval marine depositional systems is the focus of this work. Although the effects that uplifting intrabasinal structures have on fluvial systems and the effects that basin margin structures have on marine systems are well covered in the literature, the influence of intrabasinal compressive structures on coeval marine sedimentation has been largely neglected. By undertaking detailed fades, palaeocurrent and compositional analysis of the Belsué-Atarés Fm. deltaics across the Jaca Basin, it has been found that local tectonics had the strongest control on the marine sedimentation. The structurally defined basin margins largely acted as barriers to external depositional systems, causing large parts of the basin to be dominated by marl deposition. However, a total of four structurally controlled low points through the northern and southern basin margins allowed the entry of large volumes of Pyrenean axial zone sediments, beginning at 41.5 Ma. These were composed of silts, sands and pebbles, and formed the axial deltaic system. Once in the basin, a total of ten, kilometre-scale, growing thrust-related anticlines acted as barriers to the progradation of the axial system, causing facies associations to vertically aggrade behind each structure. At 37.5 Ma, after 4 Myr of vertical aggradation, a basin-wide fall in relative sea-level allowed the facies associations to rapidly prograde, breaching the crests of each of the barrier anticlines. The principal controls on the distribution of facies associations through time (sequence development) in the Jaca Basin were therefore local tectonic ones, with relative sea-level being secondary. This finding calls into question the work of the few existing studies into marine intrabasinal growth structures, which tended to use passive margin sequence stratigraphic concepts i.e. assume that relative sea-level was the primary control on sequences. The development of new techniques, such as numerical modelling, is needed before these types of complex geological situations can be fully understood. The results of this work will be of great relevance to basin dynamics and fold kinematics studies, and for hydrocarbon exploration in thrust-top basin settings.
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Díaz-Borioli, Leonardo 1974. "Tilting the mirror : packaging "Spanish" architecture in late nineteenth century California." Thesis, Massachusetts Institute of Technology, 2003. http://hdl.handle.net/1721.1/16952.

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Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, 2003.
Includes bibliographical references (p. 73-76).
This electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.
In 1893 at Chicago's World Columbian Exposition, California devoted a great deal of resources to its promotion through a pavilion that spelled out a construct about California's "Spanish" past. This supposed history got incorporated into California's self-representation and affected the identity of both the Anglo and California populations. This presentation of California shows that exotic figures need not function through the logic of an opposite "other," as is usually theorized. By analyzing the role of architecture in California's Spanish "identity," the thesis locates the representational power of architecture closer to its function in discursive practices rather than to mere formal aspects.
by Leonardo Díaz-Borioli.
S.M.
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Brew, Nina V. "Transformations of Spanish urban landscapes in the American Southwest, 1821-1900." Thesis, Massachusetts Institute of Technology, 1986. http://hdl.handle.net/1721.1/71378.

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Thesis (M.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1986.
MICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH
Includes bibliographical references (leaves 106-111).
Through an examination of changes in urban structure and building form, I will consider the continuity of historical Spanish urban form in the American Southwest. The study encompasses three phases of increasing Anglo American influence between 1821 and 1900. An analysis of Santa Fe, Albuquerque, Socorro and Las Vegas, New Mexico, and Tucson. Arizona will be made in reference to: culturally- embedded models of city form in 16th century Spain and 19th century North America: modifications to those models due to a frontier location; and the geographical context of the Southwest. The method of analysis is based on a matrix of transformation processes and hierarchical levels of scale in the environment, and is applied to historic maps, photographs and written descriptions of the five towns. This method identifies elements of form and processes of change that continue to influence the form of these cities and are thus relevant considerations for architectural and urban design interventions in the present.
by Nina V. Brew.
M.S.
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Bayliss, N. J. "Architecture and processes of deep-marine sandbodies, Ainsa basin, Spanish Pyrenees." Thesis, University College London (University of London), 2011. http://discovery.ucl.ac.uk/1317727/.

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The integration of sedimentology, architectural element analysis and stratigraphy has been applied to characterise the complex depositional history of the Ainsa basin fill, and document the evolution of the proximal parts of eight, channelised deep-marine systems of the Hecho Group. The Eocene Ainsa basin provides an opportunity to research three-dimensional organisation through an entire deep-marine slope to proximal basin-floor fill, and records a range of depositional processes and sedimentary environments in a spatio-temporal framework. The Hecho Group can be divided into two tectono-sequences, TS-I and TS-II. TS-I accumulated during a period of strong flexural subsidence ahead of the main thrust front during a foredeep setting, whereas TS-II represents a more mature stage of basin development, characterised by anticlinal uplift as the basin became detached and evolved into a complex thrust-top basin. Four discrete systems and their constituent sandy sequences compose each tectono-sequence. The sequences comprising TS-I show very little lateral migration due to high basin-scale accommodation; however, westward lateral offset stacking is observed in the sandy sequences of TS-II due to the development of intrabasinal growth anticlines. These structurally controlled trends demonstrate that the timing of tectonic processes operated at frequencies consistent with the accumulation of the depositional systems. Depositional systems range between ~60–700 m thick, and were deposited in a number of deep-marine settings that include mid-slope canyons, lower-slope erosional channels and proximal basin-floor channel systems. Temporal variation in depositional style and architecture between systems reflects the tectonic regimes operating during the accumulation of the tectono-sequences. Alternatively, the 22 sandy sequences were controlled by the ~400 kyr Milankovitch frequency with higher-frequency orbital bands influencing the accumulation of channel complexes and channel fill elements. An important outcome of this study is the recognition of a complex hierarchical interaction between global climatic and tectonic drivers, operating at a variety of time scales to control the timing of coarse clastic sediment supply and the architectural styles of depositional systems.
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Achurra, Maria E. "An Exceptionalist Spectacle: Federal Architecture After the 1898 Spanish-American War." University of Cincinnati / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1553250593368134.

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Curry, Anne Ronan. "Spanish Mission Architecture in the Pimería Alta: Structural Remains at Mission Guevavi." Thesis, The University of Arizona, 2014. http://hdl.handle.net/10150/320003.

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Yamaguchi, Kiyoko. "Philippine urban architectural history : transformation of the poblacion architecture from the late Spanish period to the American period." 京都大学 (Kyoto University), 2005. http://hdl.handle.net/2433/145170.

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Kyoto University (京都大学)
0048
新制・課程博士
博士(地域研究)
甲第11700号
地博第14号
新制||地||5(附属図書館)
23343
UT51-2005-D449
京都大学大学院ｱｼﾞｱ・ｱﾌﾘｶ地域研究研究科東南ｱｼﾞｱ地域研究専攻
(主査)教授 加藤 剛, 教授 田中 耕司, 助教授 ABINALES Patricio
学位規則第4条第1項該当
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Brindle, Steven. "Some aspects of religious architecture in Castille, 1400-1550 : with special reference to the province of Burgos; a study in patronage." Thesis, University of Oxford, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.317655.

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Basarrate, Iñigo. "An English architect in Spain : five projects by Edwin Lutyens." Thesis, University of Edinburgh, 2017. http://hdl.handle.net/1842/25690.

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Although the work of Edwin Lutyens has received much careful scholarly study since the 1980s his important projects in Spain remain very little known. Presently, only a brief article by Gavin Stamp and Margaret Richardson is devoted solely to Lutyens' work, and they are merely touched on in his published biographies, especially that by Christopher Hussey. Unfortunately, Lutyens was unable to complete his Spanish commissions, mostly because of the deterioration of Spain’s economy and social order in the 1930s, and this has played a major role in keeping these projects in the dark. Furthermore, the devastation caused by the Civil War obliterated most of the evidence once held in Spanish archives. Some of the projects of Edwin Lutyens in Spain are remarkable and unique for their use of what may loosely be termed a ‘Spanish style’. The identification of this characteristic can be understood as demonstrating a growing knowledge of and appreciation for Spanish architectural heritage on the part of British architects and architectural historians by the end of the nineteenth century. At the same time, the fact that the design of important private residences in Spain were commissioned to an English architect shows the growing anglophilia of Spanish economic and political elites under Alfonso XIII's reign. During these years, the economic and political ties between Britain and Spain became closer than ever before, which also had an impact on the architecture of the time. Ultimately, this dissertation is predicated on the assumption that it is important to study further, and understand better, the Spanish projects of Edwin Lutyens in order to gain fuller and further insight into his methods as a designer. The first three of them (the first project of the Palace of El Guadalperal, the Palace of La Ventosilla and the Palace for the Count de la Cimera) cast light on Lutyens´s work during the Great War years, a relatively obscure period of his career which was, however, extraordinarily fruitful. The second project for the Palace of El Guadalperal is even larger than his previous Spanish projects, approaching the grandeur and magnificence of the Viceroy’s House in Delhi. In this respect there may be seen to be a correspondence between these otherwise discrete and apparently un-related projects, running from Britain, through Spain, all the way to India. Moreover, given their scale, along with the design input required to make them successful and coherent buildings, they must be appreciated as pivotal moments in the design development, if not built oeuvre, of Edwin Lutyens as an architect. Finally, the Reconstruction of Liria Palace, is not only his last commission in Spain but it can also be considered as the last building he designed. Only when these projects are brought to the fore and analysed properly can a full understanding of Lutyens as an architect be reached.
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Books on the topic "Architecture, Spanish"

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The new Spanish architecture. New York: Rizzoli, 1992.

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Coad, Emma Dent. Spanish design and architecture. New York: Rizzoli, 1990.

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Spanish design and architecture. London: Studio Vista, 1990.

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Spanish design and architecture. London: Studio Vista, 1990.

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Alarcón, Norma. Philippine architecture during the pre-Spanish and Spanish periods. Manila, Philippines: UST Publishing House, 1998.

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Alarcon, Norma. Philippine architecture during the pre-Spanish and Spanish periods. Manila, Philippines: Santo Tomas University Press, University of Santo Tomas, 1991.

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1947-, Capitel Antón, ed. Contemporary Spanish architecture: An eclectic panorama. New York: Rizzoli, 1986.

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Young Spanish architects =: Junge spanische Architekten. Boston, MA: Birkhäuser, 2000.

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Rexford, Newcomb. Spanish-colonial architecture in the United States. New York: Dover Publications, 1990.

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Borngässer, Barbara. Catalonia: Art. landscape. architecture. Edited by Toman Rolf, Beer Günter, and Bednorz Achim 1947-. Köln: Könemann, 2001.

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Book chapters on the topic "Architecture, Spanish"

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Jiménez Vicario, Pedro Miguel, Manuel Alejandro Ródenas López, and Amanda Cirera Tortosa. "Vernacular Architecture Drawings: A Recognition for Modernisation of Spanish Architecture." In Architectural Draughtsmanship, 1649–63. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-58856-8_128.

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Heras, M. R., and J. L. Montesinos. "Typology Energy Simulation in Spanish Vernacular Architecture." In 1989 2nd European Conference on Architecture, 450–52. Dordrecht: Springer Netherlands, 1990. http://dx.doi.org/10.1007/978-94-017-0556-1_130.

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Heras, M. R., F. M. Tellez, M. Perez, and G. De Ignacio. "Calibration of the Spanish Solar Test Cells." In 1989 2nd European Conference on Architecture, 307–9. Dordrecht: Springer Netherlands, 1990. http://dx.doi.org/10.1007/978-94-017-0556-1_88.

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Heras, M. R. "Spanish Program on Bioclimatic Architecture: Ier-Ciemat Strategies." In 1989 2nd European Conference on Architecture, 447–49. Dordrecht: Springer Netherlands, 1990. http://dx.doi.org/10.1007/978-94-017-0556-1_129.

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Calvo-López, José, and Miguel ángel Alonso-Rodríguez. "Perspective versus Stereotomy: From Quattrocento Polyhedral Rings to Sixteenth-Century Spanish Torus Vaults." In Architecture, Mathematics and Perspective, 75–111. Basel: Birkhäuser Basel, 2010. http://dx.doi.org/10.1007/978-3-0346-0518-2_6.

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Heras, M. R., J. Marco, and J. L. Montesinos. "Experimental Analysis of Energetic Behaviour in a Specific Typology of the Spanish Vernacular Architecture." In Architecture and Urban Space, 773–78. Dordrecht: Springer Netherlands, 1991. http://dx.doi.org/10.1007/978-94-017-0778-7_116.

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Heras, M. R., and J. L. Montesinos. "Spanish Vernacular Architecture: Analysis from the Bioclimamtic Point of View." In 1989 2nd European Conference on Architecture, 444–46. Dordrecht: Springer Netherlands, 1990. http://dx.doi.org/10.1007/978-94-017-0556-1_128.

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Heras, M. R., F. M. Tellez, M. Perez, and G. De Ignacio. "Specification, Construction and Instrumentation of the Spanish Solar Test Cells." In 1989 2nd European Conference on Architecture, 310–12. Dordrecht: Springer Netherlands, 1990. http://dx.doi.org/10.1007/978-94-017-0556-1_89.

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Gómez Gil, Antonio, and María Mestre Martí. "The Spanish Neo-Colonial Architecture: The Other Western Architectural Option to Build Modernity." In Digital Modernism Heritage Lexicon, 1319–44. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-76239-1_58.

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Fernández, Victor M. "The Jesuit Mission to Ethiopia (1557–1632) and the Origins of Gondärine Architecture (Seventeenth–Eighteenth Centuries)." In Archaeologies of Early Modern Spanish Colonialism, 153–73. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-21885-4_7.

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Conference papers on the topic "Architecture, Spanish"

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Camporeale, Antonio. "Spanish ‘Plastic’ Architecture. A critical reading and design approach." In 8º Congreso Internacional de Arquitectura Blanca - CIAB 8. Valencia: Universitat Politècnica València, 2018. http://dx.doi.org/10.4995/ciab8.2018.7594.

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The following critical text proposes a series of notes and reflections on the reinforced concrete architecture, not on the material itself. Since its invention, concrete has combined two potentialities, deriving from the two materials of which it is composed: the ‘elastic’ potential, which has been developed and has reached a consolidated form and tradition, and the ‘plastic’ one. The last one has been little experienced at the beginning and, in the course of recent history of architecture, has found space in architectural criticism in the meaning of "expressive", "brutalist", "sculptural", ending up to influence 'superficially' (related to the surface) of architecture. The 'plastic' architecture, instead, is three-dimensional and unifies the construction and spatial qualification in a single design gesture. This critical approach not only allows reconsidering the history of modern/contemporary architecture starting from the necessary collaboration between space and construction that unifies the final judgment on the works, but allows influencing the project, adhering to a formative process of those geographic-cultural areas that possess those certain characters, the masonry one. The Spanish "plastic" architecture is, in that sense, a clear example: in many buildings this "masonry" character is clearly identified, due to the architectural exploitation of the reinforced concrete plastic potential.
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Bravo-Nieto, Antonio, Sergio Ramírez-González, and Kouider Metair. "De Diego de Vera a Juan Martín Zermeño: tres siglos de reformas en la arquitectura del castillo viejo de Rosalcazar en Orán, Argelia." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11460.

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From Diego de Vera to Juan Martín Zermeño: three centuries of alterations in the architecture of the old castle of Rosalcazar in Oran, AlgeriaThe ancient castle of Rosalcazar is a military architecture that is part of the Oran’s defensive system, in Algeria. His structure was built in the sixteenth century by Diego de Vera, and it reflects the approaches of the Spanish fortification of the reign of Ferdinand the Catholic. These constructions were increased with later alterations, until their consolidation during the term of the governor and engineer Juan Martín Zermeño. The architectural ensemble represented an interesting evolution of the Spanish fortification since the beginning of the sixteenth century until the middle of the eighteenth century, preserving each extension of the elements of the prior period that they are shown in the heritage ensemble of maximum interest.
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Lorenzo, Delia Lucía Martínez. "Interdependencies and Public Procurement Law. The Example of Spanish Division into Lots." In International Conference on Architecture and Civil Engineering. The International Institute of Knowledge Management, 2021. http://dx.doi.org/10.17501/26731029.2020.1206.

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Vergara-Muñoz, Jaime, and Miguel Martínez-Monedero. "Bab Tut de la medina de Tetuán (Marruecos): estudio y datos para su conservación." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11489.

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Bab Tut of the medina of Tetouan (Morocco): study and data for its conservationAt the beginning of the Spanish Protectorate in Morocco (1912-1956) the medina of Tetouan, with its walls and gates, was perceived as a fundamental part of the traditional city that was to be conserved. It is interesting to consider, in this sense, the concern that since the war of Tetuan (1859) was to obtain an adequate graphic representation of this architecture. Among the Maps of the Spanish Army Geographical Service are the first drawing that were made (scale 1:100) of the gates of the medina. They are signed by Francisco Gómez Jordana; Alejo Corso and Eduardo Álvarez in 1888. The purpose of this study is to publish the Bab Tut survey and its description. Thanks to this drawing we can know the exact status of the gate before the Spanish occupation and establish a documentary base that facilitates the recovery of this defensive heritage of the city of Tetouan.
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Negri, Paolo. "La difesa dei territori dell’Ossola, sul corridoio spagnolo delle Fiandre, negli ultimi decenni del secolo XVII." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11362.

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The defense of Ossola territories, on the Spanish passageway to Flanders, in the late seventeenth centuryThe Ossola territories, in the area to the northwest of Milan, have constituted the western border most in contact with the nordic and tens-alpine world, ever since the first establishment of the Duchy of Milan. It is already known from G. Parker’s monography on the camino español that one of the common routes, which allowed overland redeployment of Spanish troops headed towards Flanders, from the Liguria region across central Europe, would go through Ossola and cross the Simplon Pass or the Gries Pass. During the turbulent historical period of the Thirty Years’ War and the following one, the changing fortunes of the Duchy of Milan in Spanish hands led to the fast and strategic conquest of Piedmontese cities (1639) and their equally rapid loss on the western border. Especially in the second half of the seventeenth century, the Franco-Savoy advance threw the Piedmontese borders into a severe crisis and the Spanish governors of Milan accordingly adopted all the military measures needed to address the issue. Fearing incursions from the north, through Romandie, Valais and Ossola, in the late seventeenth century, many field engineers among whom Beretta and Formenti, arranged the transformation of Domodossola, the outermost military stronghold only equipped with obsolete medieval walls at the time, into a “modern” rampart city (1687-1690). The engineers produced an accurate study of the territory, preserved today in the Historical Civic Archive and at the Trivulziana library in Milan in a cartographic manuscript series of all the Ossola valleys and the Swiss territory from Brig to Lake Leman.
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Davico, Pia. "Fortificazioni della Tunisia contese tra Spagnoli e Turchi a metà del secolo XVI, documentate dall’iconografia coeva. Un’analisi dal ter-ritorio all’architettura." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11347.

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Tunisian fortifications disputed between Spaniards and Turks in the mid-sixteenth century, documented by coeval iconography. An analysis from the territory to the architectureThe five volumes of the precious archival collection of drawings called Architettura Militare (Military Architecture), kept at the Archivio di Stato di Torino (Turin State Archive), propose documents made mostly by military engineers from the half of the sixteenth to the following first decade. The tomes collect mostly drawings of places under the aegis of the Duchy of Savoy, apart from the second one, dedicated to documents of Spanish military interest (Mediterranean Sea and Lombardy maps). As I pointed out at Fortmed Convention 2018, the reason why these documents are kept at the Turin State Archives is because of their belonging to Catherine of Aragon, daughter of the Spanish king and wife of Carlo Emanuele I di Savoia. In the volume Architettura Militare II (Military Architecture II) 26 tables, all datable from 1522 (Rhodes) to 1596 (Cadiz), concern territories, walled cities and fortifications, of islands and Mediterranean coasts, disputed by Christians and Turks for the supremacy on the sea. In the previous study I had examined drawings about Egypt, eastern Ottoman territories and Holy Land coasts, Spanish possessions as Perpignan and Cadiz bay. In this new study instead, I would like to examine in depth the iconography about Tunisia. Those drawings, so different from each other for scale and graphic quality, document those phases in which the Spanish control is characterized by alternate situations: the Iberian presidio dates back to 1535, reconquered by Ottomans in 1570, it is taken back in three years by Christians who keep it until 1574 only, when the whole Tunisian territory, precious bastion for the control of routes and trades, definitely returns in the hands of the Turks.
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Melchor Monserrat, José Manuel. "La fortificación hispanomusulmana de la madīna de Burriana (Castellón)." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11344.

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The Spanish-Muslim fortification of the Burriana’s medina (Castellón)This communication aims to publicize the latest archeological findings related to the Spanish-Muslim wall of Burriana, obtained thanks to the interventions carried out throughout the twenty-first century, in which new sectors and towers of the wall have been evidenced, and that they also clarify some ancient historical and archaeological news about the fortification. We highlight the documentation of the construction technique of the wall, which provides interesting data on its chronology, recently established around the eleventh century. The relationship between the defensive structure and other recent archaeological findings associated with this period are examined, such as some necropolis and elements of the urban plot. Finally, an analysis of the historical and territorial context of the defensive structure and the Spanish-Muslim city will be carried out, since Burriana’s medina was an important administrative and commercial center, a stopping point on the land route between Tortosa and Valencia, and cited as an amal that also had a seaport, according to some sources. We do not forget that the madīna is also a prominent enclave in the historical events related to the Christian razzias of the eleventh and twelfth centuries, and in the subsequent process of conquest of the kingdom of Valencia at the beginning of the thirteenth century, as reflected in the chronicles of the time.
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Brusa, Enrica, and Chiara Stanga. "Architettura fortificata tra conservazione e riuso: i progetti di restauro novecenteschi del forte di Castelfranco a Finale Ligure." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11501.

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Fortified architecture between preservation and reuse strategies: the twentieth century restoration projects of Castelfranco in Finale LigureThe town of Finale Ligure, situated on the western coast of Liguria, was the site of the Del Carretto Marquisate until the sixteenth century. After that, it was under the control of the Spanish Crown (seventeenth century) and it has been an independent territory of the Republic of Genoa for a long time. The three castles were built on the top of Finale hills and they were the symbol of its independence. Gavone castle, established on the top of the historical town, has been the site of the Marquisate since the twelfth century. S. Giovanni castle was built by the Spanish in order to improve the town defensive system in the second half of the seventeenth century. Castelfranco, built by the Genoese in the fourteenth century, was rehashed many times by the Spanish and in the nineteenth century by the Savoia family. The three castles still recall these historical events and are therefore witnesses of the Finale present and past history. They are the result of the different transformations occurred over the centuries. In recent times, Castelfranco has been opened to the public and today it houses art exhibitions and cultural events. The restoration of the castle is the last step of a long-lasting rehabilitation project history that has been developed since the 1900s, when the Municipality suggested to turn it into a hotel. The article analyses the restoration projects of Castelfranco that have been carried out in the first half of the twentieth century, which had different methodologies and approaches. Though this study the article highlights the perception that the town had about the castle, identifying the changes in the balance between reuse and conservation strategies after the first Italian preservation laws.
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GONZALEZ AVILES, ANGEL BENIGNO. "TEMPORAL REMOVABLE AND SUSTAINABLE DISAPPEARED ARCHITECTURES. THE SEA BATHS OF THE SPANISH LEVANTE." In SGEM 2014 Scientific SubConference on ARTS, PERFORMING ARTS, ARCHITECTURE AND DESIGN. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b41/s15.121.

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Segado Vázquez, D. Francisco, and D. José Manuel Maciá Albendín. "Archaeology versus Urban Development in Cartagena The clash of disciplines to the detriment of Spanish society." In Annual International Conference on Architecture and Civil Engineering. Global Science & Technology Forum (GSTF), 2015. http://dx.doi.org/10.5176/2301-394x_ace15.120.

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