Academic literature on the topic 'Architecture vernaculaire'
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Journal articles on the topic "Architecture vernaculaire"
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Grodwohl, Marc. "Architecture vernaculaire et paysages." Journal des anthropologues, no. 134-135 (October 15, 2013): 221–41. http://dx.doi.org/10.4000/jda.4808.
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Besnard, Blandine. "Architecture vernaculaire de terre et évacuation des eaux." Matérialiser la frontière, no. 3 (December 14, 2020): 21–39. http://dx.doi.org/10.35562/frontieres.415.
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Abandonné progressivement depuis les années 1970, le patrimoine vernaculaire de la région de l’intérieur de l’Oman vit ses derniers feux et il y a urgence à collecter des données tant ethnologiques qu’architecturales avant que celles-ci ne tombent définitivement dans le domaine de l’Histoire et de l’Archéologie.C’est dans cette optique qu’une prospection visant à relever les aménagements dédiés à l’évacuation de l’eau au sein de trois quartiers traditionnels de briques crues de l’intérieur de l’Oman (Birkat al‑Mawz, Izkī et al‑Ḥamrā’) a été réalisée en mars 2020.Cette prospection a permis de mettre en lumière les techniques et les aménagements liés à l’évacuation des eaux dans ces quartiers traditionnels omanais qui n’avaient jamais fait l’objet d’une attention particulière, mais également d’ouvrir des perspectives ethnoarchéologiques, une discipline qui postule que l’ethnographie permet d’enrichir l’interprétation de données archéologiques, voire l’absence de ces dernières.Sur 359 installations recensées, les gargouilles représentent 99 % de l’échantillon. L’absence d’installation au sol (puisard, canalisation, égout) a notamment montré que des solutions très simples en matière de gestion de l’eau au sein d’une architecture de briques, permettaient de dépasser la dichotomie des couples absence/défaillance ou présence/performance générée par la partialité des données archéologiques.
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Hamon, Françoise. "Le revival de l'architecture vernaculaire." Bulletin Monumental 146, no. 3 (1988): 244–45. http://dx.doi.org/10.3406/bulmo.1988.3158.
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Loubes, Jean-paul. "La fabrication d'une architecture vernaculaire contemporaine: le cas du quartier musulman de Xi'an." Espaces et sociétés 113-114, no. 2 (2003): 67. http://dx.doi.org/10.3917/esp.g2003.113.0067.
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Punpairoj, Poomchai. "Recalibrating the New Thai Vernacular Architecture." Journal of Architectural/Planning Research and Studies (JARS) 7, no. 2 (September 3, 2018): 65–80. http://dx.doi.org/10.56261/jars.v7i2.168844.
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The emergence of the new types of vernacular houses shows the evidence of change leaping fromthe popular image of the traditional Thai houses. The change is impacted from many factors includingcontemporary cultural needs. New vernaculars, which are found in the central Thailand, are the transformingThai houses and the reproduction Thai houses. These two occurrences began since the 1960s (forthe first type) and the 1990s (for the second type). The vernacular houses were surveyed in Pak Kranvillage and Bang Pahun area in Phra Nakhon Si Ayutthaya province during the 2000s. These new vernacularhouses have developed from the traditional Thai house among other modern housing developments.However, there is lacking of awareness and understanding of the change. Most of the policies from Thaigovernment, study courses and research topics have focused only on the image in the past. Accordingly,contemporary vernaculars tend to be disregarded. For recalibrating the new vernaculars in this paper, thereare three main subjects: 1. the viewpoints on vernacular architectures both from local and internationalscholars; 2. the definitions and previous studies relating to vernaculars; and 3. the establishment of the newvernacular architectures, which closely relate to the traditional Thai house. This paper involves developingan understanding of vernaculars as well as providing ways to expand the scope of vernacular studies.
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Roter-Blagojević, Mirjana, and Marko Nikolić. "Introduction of Vernacular Architecture studies at the Faculty of Architecture in Belgrade." SAJ - Serbian Architectural Journal 11, no. 3 (2019): 191–212. http://dx.doi.org/10.5937/saj1901191r.
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The paper examines the work of Aleksandar Deroko at the University of Belgrade's Faculty of Architecture and the inclusion of his rich personal knowledge about the vernacular architecture in the study programme, which he gained from long-term field research. As an assistant professor, he introduced the interpretation of vernacular architecture in the course on Byzantine and Old Serbian Architecture in 1929. After the study programme reform in 1935, a new course - named Old Serbian Architecture - was established, with one semester dedicated to the medieval monumental architecture and the second to rural and urban houses. In 1945/46 academic year, the course was renamed Vernacular Architecture and it incorporated medieval and vernacular architecture of the former Yugoslavia. Practical assignments dealt more with vernacular architecture and, through them the student's discovered the fundamental principles and methods of the vernacular construction. The goal of the studies was for students to comprehend and adopt basic traditional canons of construction and apply them to their own projects of cooperative centers, countryside schools, monasteries, etc. Through illustrations the paper will present, till now unpublished, student projects from the archives of Belgrade's the Faculty of Architecture's office for the architectural heritage of Serbia.
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Zhang, Meng, Lingzhi Wang, and Qingwen Zhang. "Research on Subjective-Cultural Ecological Design System of Vernacular Architecture." Sustainability 14, no. 20 (October 20, 2022): 13564. http://dx.doi.org/10.3390/su142013564.
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With the impact of urbanization and other factors, the vernacular architectural heritage faces the problem of how to carry on and innovate for sustainable development with originality and authenticity in the process of redesigning and planning. Therefore, this study uses the visualization method of quantitative analysis to analyze the research trends and hot spots of domestic vernacular architecture and explore new ways of coexistence between vernacular architecture, subject perception and cultural ecology. The critical challenge of this study is to analyze the theoretical coupling action rule between the socio-cultural structure of emotions and the cultural ecosystem of vernacular architecture, drawing on the concept of cultural ecology and the reasoning method of transmission relations in logical deduction. The main contribution of this study is to propose the concept of a subjective-cultural ecological design system for the sustainable development of vernacular architecture, to establish a three-dimensional structural analysis design paradigm and an evaluation analysis matrix, and to make vernacular architecture present the self-renewal ability of continuous exchange and revision in the dynamic cycle of this design system. This study aims to provide a standardized and flexible design research framework for contemporary vernacular architecture’s innovation and sustainable development.
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Mileto, C., F. Vegas, V. Cristini, and L. García-Soriano. "PREFACE." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLIV-M-1-2020 (July 20, 2020): 1–2. http://dx.doi.org/10.5194/isprs-archives-xliv-m-1-2020-1-2020.
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Abstract. Without a doubt 2020 will be remembered worldwide as the year of risk and emergency, in this case a health emergency, and of new communication technologies. When work began in 2018 on the organisation of “HERITAGE2020 (3DPast | RISK-Terra), International Conference on Vernacular Architecture in World Heritage Sites. Risks and New Technologies”, the new technologies applied to vernacular heritage and risk were on the rise, although nobody could have foreseen how central they would become to everyday life in 2020. “HERITAGE2020 (3DPast | RISK-Terra), International Conference on Vernacular Architecture in World Heritage Sites. Risks and New Technologies” is organised within the framework of two research projects. The first, “3D Past – Living and visiting European World Heritage” (2017–2020), was co-funded by the European Union as part of the Creative Europe Programme, led by Escola Superior Gallaecia (Portugal) in partnership with Universitat Politécnica de València (Spain) and Università degli Studi di Firenze (Italy). The main aim of this project has been to promote the inhabited vernacular heritage declared as World Heritage Sites in Europe by trying to promote its valorization through new technologies, both for local residents and potential visitors. Vernacular heritage, new communication technologies and heritage management for valorization and sustainable tourism are the central themes of this European project. In 2020, these issues have become even more important for the survival, understanding and valorization of heritage, particularly vernacular heritage, which today provides a solid opportunity for cultural and sustainable tourism, where these new technologies make it possible to reach a wider public in search of locations better suited to social distancing. The second project involved in this conference is “RISK-Terra. Earthen architecture in the Iberian Peninsula: study of natural, social and anthropic risks and strategies to improve resilience” (RTI2018-095302-B-I00) (2019–2021), funded by the Spanish Ministry of Science, Innovation and Universities. This project is geared towards the conservation of earthen architecture in the Iberian Peninsula, both monumental and vernacular, which continues to be undervalued and barely recognized. The RISK-Terra project aims to provide scientific coverage of the study of natural threats (floods, earthquakes, climate change), social threats (abandonment, social discredit, demographic pressure, tourist development), and anthropic threats (neglect, lack of protection and maintenance), as well as the mechanisms for deterioration and dynamics and transformation (replacement, use of incompatible techniques and materials, etc.) to which architecture is exposed. The objective of the project is to establish strategies for conservation, intervention and rehabilitation which make it possible to prevent and mitigate possible damage through compatible actions and/or actions to increase resilience.As these two projects have major points of contact with potential for common reflection, their main themes have been combined in this Heritage2020 conference. The topics established for the conference are: vernacular architecture (study and cataloguing of vernacular architecture; conservation and restoration of vernacular architecture; urban studies on vernacular architecture; sustainability in vernacular architecture); new technologies applied to architectural and archaeological heritage (digital documentation and state-of-the-art developments; digital analysis in heritage; digital heritage related to social context; digital heritage solutions and best practices for dissemination); architectural heritage management (management and protection of UNESCO World Heritage Sites; social participation in heritage management; regulations and policies in heritage management; intangible heritage: the management of know-how and local building culture); risks in architectural heritage (studies of natural risks in architectural heritage; studies of social and anthropic risks in architectural heritage, preventive actions in order to improve resilience in architectural heritage; actions and strategies in post-disaster situations); earthen architectural heritage (study and cataloguing of earthen architectures; construction techniques that employ earth; sustainability mechanisms in vernacular earthen architectures; restoration and conservation of earthen architecture).The scientific committee was made up of 98 outstanding researchers from 29 countries from the five continents, specialists in the subjects proposed. All the contributions to the conference, both the abstracts and the final texts, were subjected to a strict peer-review evaluation system by the members of the scientific committee.Out of the over 300 proposals submitted, over 150 papers by 325 authors from 27 countries from the five continents were chosen for publication.
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Lake, Reginaldo Christophori, and Antariksa, Purnama Salura. "Revisiting Architectural Structuralism: Archi-Cultural Pattern as a Method to Read the Meaning of Tamkesi Vernacular Architecture." Journal of Design and Built Environment 21, no. 2 (August 31, 2021): 1–9. http://dx.doi.org/10.22452/jdbe.vol21no2.1.
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The widespread tendency to combine vernacular with modern architecture has led to the need for an in-depth understanding of the concepts that underlie the form of vernacular architecture. Unfortunately, there has been no systematic and rigorous research method aimed explicitly at reading the architecture of vernacular settlements that do not have written data on local traditions and culture. This study puts forward the theoretical-methodological steps to read the meaning of architectural patterns in the context of vernacular settlements by elaborating Levi-Strauss' structural analysis of myths with Salura and Alexander architectural theory. This study resulted in structuralist-inductivist steps to describe, analyse, and interpret vernacular architecture. The methodological framework consists as three significant parts: Firstly, to describe the activity and form of vernacular architecture in-depth based on the anatomical scope and architectural composition-properties. Secondly, to explore the surface structure of local myths, activities, and architectural form. Thirdly, to disclose the deep structure that underlies the relationship between local myths - activities - architectural form. These steps can be applied to read the meaning of vernacular settlements with no written sources on cultural traditions. Thus, this research contributes to the development of the theory and methodology of architectural scholarship. This research also acts as a source of knowledge for architectural practitioners and a significant input for the survival strategies of vernacular architecture.
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Aulia, Afina Nisa, and Selly Veronica. "Exploring Indonesia's Vernacular Architecture: Comparison of Environment and Culture Responsiveness." Jurnal Koridor 15, no. 1 (June 30, 2024): 48–59. http://dx.doi.org/10.32734/koridor.v15i1.16519.
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Culture, region, and climate are three fundamental aspects that influence vernacular architecture. As the largest archipelagic country in the world, Indonesia is rich in diversity of vernacular architecture, originating from different cultural backgrounds and natural characteristics. It is interesting to examine whether significant similarities or differences are reflected in two vernacular houses formed from other cultures, regions, and topographies, even though they have the same function: residence. In this research, architectural comparisons were made between Sundanese traditional houses with the natural character of the mountains in West Java and Banjar traditional houses in the coastal region of South Kalimantan. Data was obtained through the literature review and then analyzed using Bentley's theory of three aspects — functional-constructional, environmental, and socio-cultural; as well as seven criteria — permeability, variety, readability, robustness, visual suitability, richness, and personalization. The research results show that the differences between these two vernacular architectures are visible from the use of materials and the type of foundation used. Apart from that, an interesting fact was discovered that even though both of them have different cultures and regions, the shape of the roof, the position of openings such as windows and doors, and the location of the buildings in the same housing complex, these two vernacular architectures have similarities. It is analyzed that this is the response of both communities that is reflected in each of their vernacular architecture to the environment in the same climate, namely the tropical climate.
Dissertations / Theses on the topic "Architecture vernaculaire"
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Hallauer, Edith. "Du vernaculaire à la déprise d'oeuvre : Urbanisme, architecture, design." Thesis, Paris Est, 2017. http://www.theses.fr/2017PESC1233/document.
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Cette thèse a pour point de départ le constat de l’émergence de revendications vernaculaires dans le champ urbain « alternatif » (Paquot, 2012 ; Béal & Rousseau, 2014) contemporain, en urbanisme, paysage, architecture et design. Des néologismes récents semblent empreints de tautologies et de paradoxes : on parle « d’urbanisme convivial » (Grünig, 2013), de « vernaculaire contemporain » ou de « nouveau vernaculaire »(Frey, 2010). Une première étude terminologique autour du vernaculaire dévoilera une étymologie fondamentalement dialectique et relative : ce mot savant désigne l’aspect populaire des choses – noms communs, pratiques ordinaires, savoirs non-doctes. Mais la géohistoire du vernaculaire révèle surtout sa subversivité latente, confirmant là sa place dans le champ des alternatives. C’est à partir des concepts de « travail fantôme » et de « genre vernaculaire » (Illich, 1983), que nous établirons que le terme est apparu lorsque la chose a disparu. Une dépossession (des savoirs, des techniques, des biens communs, des modes de faire) se lit au creux des révolutions industrielles (Giedion, 1980) et des mutations des pratiques de subsistance, désormais reléguées au champ des loisirs (Corbin, 2009). Le terme est donc intimement lié à un caractère revendicatif, de reprise, qui n’est pas sans écho avec un type de pratiques critiques en design : être contre, tout contre (Papanek, 1974). C’est alors par l’analyse de différents types de reprises récentes, posant les esquisses d’un paysage existentiel du vernaculaire (Jackson, 1984), que nous proposons l’idée de déprise d’œuvre, déployant les paradigmes d’un urbain soutenable. Dans un contexte de déprise urbaine qui la voit apparaître, la déprise d’œuvre répond à la maîtrise d’œuvre, par la quête du recouvrement des savoirs qu’aura révélé le vernaculaire : faire, laisser faire, faire faire. Nourrie d’improvisation, de processus et d’expérience (Zask, 2011), cette attitude affirme finalement le rôle de vecteur rhétorique et mobilisateur que joue le vernaculaire dans la réinvention de pratiques urbainesThis research starts from observations of the emergence of "vernacular claims" in the alternative urban fields (Paquot, 2012; Béal & Rousseau, 2014) : urbanism, landscape, architecture and design. Recent neologisms seem to be characterized by tautologies and paradoxes : "convivial urban design" (Grünig, 2013), "contemporary vernacular" or "new vernacular" (Frey, 2010). A first terminological study of the vernacular will reveal a fundamentally dialectical and relative etymology : this scholarly word refers to a popular aspect of things - common names, ordinary practices, non-doctoral knowledges. But the geohistory of the vernacular reveals mostly a latent subversiveness, confirming its place in an alternative field. From the concepts of "ghost work" and "vernacular gender" (Illich, 1983), we will establish that the term appeared when the things disappeared. A dispossession (of knowledge, of techniques, of common goods, of crafts) can be found in the depths of industrial revolutions (Giedion, 1980), and from subsistence practices mutations, relegated to leisure fields (Corbin, 2009). The term is thus intimately linked to a reclaim feature, which is not far from a type of critical practices in design: to be close, very close (Papanek, 1974). By analyzing different types of recent recoveries, sketching in the edges of an existential vernacular landscape (Jackson, 1984), we finally suggest the idea of an déprise d’oeuvre, deploying some sustainable urban paradigms. In a context of urban shrinkage, this déprise d’oeuvre responds to traditionnal maîtrise d’oeuvre, in a quest to revover the knowledge revealed by the vernacular : to do, to let do, to make do. Nourished by improvisations, processes and experiences (Zask, 2011), this approach finally confirms the role that the vernacular plays as a mobilizing vector in the reinvention of urban practices
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Cloutier, Richard. "Vernaculaire." Thesis, Université Laval, 2006. http://www.theses.ulaval.ca/2006/24065/24065.pdf.
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Sigalos, Eleftherios. "Housing in medieval and post-medieval Greece /." Leiden : University of Leiden, 2004. http://catalogue.bnf.fr/ark:/12148/cb39248084k.
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Rosset, Claire. "Imaginaire du passé et pensée du monde moderne : processus de médiatisation chez Albert Laprade, architecte." Thesis, Université Grenoble Alpes (ComUE), 2018. http://www.theses.fr/2018GREAH017/document.
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Le débat architectural du début du XXe siècle semble sous-tendu par les oppositions entre les tenants d'une tradition comme transmission historique ou régionale et ceux d'une modernité comme revendication de la tabula rasa. Mais si la modernité « intervient comme une coupure entre le passé et l'avenir […], elle assure aussi la jonction qui permet au passé de s'enrichir et à l'avenir de se souvenir » (Gasselin, 2007). Elle peut ainsi être observée dans les rapports qu'elle entretient avec la tradition, l'intérêt pour les cultures traditionnelles et vernaculaires s'amplifiant simultanément à l'émergence de la modernité architecturale. La thèse interroge les processus de fabrication qui permettent à l'architecte de construire une idée de la modernité architecturale qui se réclame de la tradition. Les enjeux de reconstruction après les guerres mondiales radicalisent les débats, conférant à la presse et aux grandes expositions internationales des rôles stratégiques de diffusion des idées. Les architectes en sont les acteurs principaux. En considérant l'architecture dans toutes ses dimensions de production (édifiée, représentée, écrite et publiée), nous formulons l'hypothèse qu'elle peut être analysée comme médium (c'est-à-dire comme support d'un message) et comme média (c'est-à-dire comme vecteur de communication). Par ailleurs, nous supposons que dans le processus de publication l'architecte fabrique simultanément un imaginaire du passé et une pensée du monde moderne. Nous identifions trois mouvements dans le processus de fabrication de cette pensée de la modernité. Dans un premier temps, nous nous intéresserons au passage de l'architecture édifiée à l'architecture représentée en interrogeant la capacité des architectes à construire des filiations historiques et/ou géographiques, notamment à partir de l'observation de l'existant. Dans un deuxième temps, nous analyserons les relations entre architecture édifiée et architecture publiée en considérant, comme Beatriz Colomina, que le média imprimé permet un « nouveau contexte de production, existant en parallèle au terrain de construction » (Colomina, 1988). Enfin, en étudiant le passage de l'architecture publiée à l'architecture racontée, nous interrogerons le rôle des espaces de publication dans les processus de mise en récit de l'architecture. Afin de conduire cette étude, nous nous appuyons sur la production de l'architecte Albert Laprade (1883-1978). Acteur sur la scène architecturale moderne, il va participer également à la reconnaissance de l'architecture traditionnelle. La diversité de sa production nous permet de constituer un corpus édifié, dessiné et écrit qui s'élabore à partir de la forme publiée de son travail : articles parus sur sa production bâtie (publiés par d'autres architectes),articles écrits par Albert Laprade (presse professionnelle ou non),ouvrages de l'architecte tels que les Albums de croquisIn the early XXth century, the architectural debate in France seems underpinned by the opposition between the proponents of a tradition, as historical or regional transmission, and those of modernity, as a claim of tabula rasa. But if modernity “comes as a cut between past and future […]”, it also ensures the junction that allows the past to enrich itself and the future to remember” (Gasselin, 2007). Thus, tradition can be observed through its relations with tradition, as the interest in traditional or vernacular cultures amplifies simultaneously with the emergence of architectural modernity. The PHD examines the manufacturing processes that allow the architect to build an idea of architectural modernity that claims of tradition.Reconstruction issues after the World Wars radicalized the debate, giving the press and international exhibitions a strategic role of dissemination of ideas, the architects being the main players. Considering architecture in all its production aspects (built, represented, written and published), we hypothesize that it can be analysed as a medium (that is to say, a carrier of a message) and as a media (that is to say, a communication vector). Furthermore, we assume that in the process of publishing, the architect simultaneously produces an imaginary past and a thinking of the modern world.We identify three movements in the manufacturing process of the thought of modernity. First, we will look at the transition from built architecture to represented architecture by querying the architects ability to build historical and / or geographic affiliations, especially from the observation of the existing. Secondly, we analyse the relationship between built architecture and published architecture, considering, as Beatriz Colomina, that the print media enables a “new context of production, existing in parallel to the construction site” (Colomina, 1988). Finally, studying the transition of published architecture to narrated architecture, we will question the role of publication spaces in the architecture storytelling process.To conduct this study, we rely on the production of the architect Albert Laprade (1883-1978). Player on the modern architectural scene, he participated in the recognition of traditional architecture. The diversity of its production allows us to establish a corpus, built, designed and written, that develops from the published form of his work:articles about his builts (published by other architects)articles written by Albert Laprade (trade press or not)books published by the architect as his Albums de croquis
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Nguyen, Tuan Anh. "Caractérisation des particularités dominantes de la morphologie urbaine à travers l'environnement sonore : étude dans le vieux quartier de Hanoï et dans le quartier Saint-Michel à Bordeaux." Bordeaux 1, 2007. http://www.theses.fr/2007BOR13401.
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La ville est une espace partagé par des millions de gens, de classe et de caractère très différent. Elle est également le produit du développement urbain. L’étude de la morphologie urbaine est l’étude des formes physiques de l’espace urbain, des éléments et des relations entre les différentes entités du milieu urbain. Sur la base de l’analyse morphologique urbaine des secteurs étudiés, nous constatons bien que la morphologie urbaine traduit nettement l’image de chaque ville et est liée aux processus de développement urbain. Nous ne pouvons pas donc comparer toutes les particularités morphologiques des villes entre elles, en particulier dans le cas des villes occidentales et orientales, mais fixer notre attention sur quelques spécificités. A chaque espace urbain correspond des ambiances sonores liées à la forme urbaine et aux activités qui s’y déroulent. Nous cherchons à caractériser ces particularités morphologiques urbaines à travers l’évaluation du paysage sonore urbain qui est une façon d’approcher la qualité environnementale de l’espace urbain. En effet, dans cette thèse nous voulons dépasser la notion de nuisance dû au bruit dans la ville en abordant la question d’une façon plus globale en s’appuyant sur l’approche proposée par Murray Schafer dans son ouvrage The tuning of the world. Dans la méthodologie que nous avons choisie, nous procédons d’une part aux analyses urbaines des particularités morphologiques des sites étudiés et d’autre part à l’évaluation quantitative des ambiances sonores à partir des enregistrements effectués sur les mêmes sites. L’objectif de l’analyse croisée des résultats est de dégager des informations qui permettent de proposer une stratégie d’aménagement ou réaménagement urbain qui offre confort et qualité aux usagers de la ville.
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Caimi, Annalisa. "Cultures constructives vernaculaires et résilience : entre savoir, pratique et technique : appréhender le vernaculaire en tant que génie du lieu et génie parasinistre." Thesis, Grenoble, 2014. http://www.theses.fr/2014GRENH011/document.
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Dans les régions exposées à des aléas naturels, une large partie des bâtiments composant l'environnement construit sont réalisés presque exclusivement sur la base de l'expérience et de l'observation des bâtisseurs locaux, sans l'appui d'un architecte ou d'un ingénieur. Les communautés installées dans ces zones ont développé, au fil du temps, une multitude de stratégies pour co-habiter avec ces phénomènes, incluant des comportements sociaux et des approches de construction visant à prévenir et/ou à limiter l'exposition du bâti et de ses habitants. En fait, les constructeurs ont souvent intégré la présence et les caractéristiques locales des aléas naturels dans leurs pratiques quotidiennes, élaborant des détails et des dispositions constructives particulières pour réduire la vulnérabilité des artefacts et du milieu bâti. Le concept de culture constructive embrasse la dimension sociale et technique de l'acte de construire et du processus d'élaboration des savoirs et savoir-faire qui lui sont inhérents, reflétant intrinsèquement la multiplicité des sociétés humaines et leur enracinement indissoluble au territoire qu'elles habitent. Le vernaculaire en tant que caractérisation des modes de bâtir, d'habiter et de se protéger se révèle par ce fait une source précieuse de pratiques, techniques et mesures, testées au cours des siècles et des multiples aléas, pour la construction d'environnements bâtis durables, accessibles et sûrs. Ce travail de recherche explore le potentiel présenté par les cultures constructives vernaculaires dans le renforcement de la résilience locale. Et cela à partir des pratiques - constructives et comportementales - développées par les populations, groupes et individus habitant des contextes géographiquement exposés à des aléas naturels. Se fondant sur une forte interaction entre la théorie et la pratique, cette recherche entame une (re)découverte de l'ingéniosité intrinsèque à ces savoirs par le développement de deux axes thématiques. L'un investigue les dispositions et les dispositifs vernaculaires à caractère parasinistre ayant démontré leur efficacité à réduire la vulnérabilité de l'environnement construit envers différents types d'aléas naturels. L'autre axe questionne les modalités de leur identification et contribution directe au renforcement des capacités de populations et institutions dans la gestion des crises. À une analyse technique s'associe l'élaboration d'un outil méthodologique soutenant la mise en place d'une démarche de projet s'ancrant fortement aux spécificités contextuelles selon une logique de continuité, tant culturelle que de pratique, entre passé et futur, entre préparation et réponse aux catastrophesIn areas prone to natural hazards, many of the buildings that make up the built environment are constructed almost exclusively through the experience and the direct observation of local builders, without the support of any architect or engineer. In these regions, communities have developed over time a variety of strategies to cope with natural phenomena through patterns of social behaviours and building approaches intended to prevent and/or to reduce their exposure to local risks. Similarly, local builders have often integrated natural hazards into their daily practices, developing singular techniques, building details or devices aiming to reduce the vulnerability of the built environment. The concept of building culture embraces the social and technical aspects related to the construction process and to the development of corresponding knowledge and know-how, intrinsically reflecting the multiplicity of human societies and their indissoluble connection with the territories they inhabit. The vernacular as characterization of ways of building, living and protecting oneself proves to be a valuable source of practices, techniques and measures, tested over the years and during multiple hazards, for contemporary construction of sustainable, accessible and safe built-environments. This research explores the potential of vernacular building cultures in enhancing local resilience; and this starting from - constructive and behavioural – practices developed by individual people and groups living in contexts geographically exposed to natural hazards. Based on a strong interaction between theory and action, this research undertakes a (re)discovery of vernacular knowledge through two thematic focuses. One examines disaster resilient vernacular provisions and devices which have demonstrated their effectiveness to reduce vulnerability of the built environment to various types of natural hazards. The other one considers ways for their identification and direct contribution to strengthening capacities of communities and institutions for disaster risk management. This research combines a technical analysis with the development of a methodological tool, contributing to set up a project approach strongly rooted into contextual specificities, linking culture and practice, past experience and future needs, disaster response and preparedness
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Berenstein-Jacques, Paola. "Un dispositif architectural vernaculaire : les favelas à Rio de Janeiro." Paris 1, 1998. http://www.theses.fr/1998PA010644.
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Les favelas (bidonvilles) existent à Rio de Janeiro (Brésil) depuis plus d'un siècle et font désormais partie du paysage urbain. En 1994, la mairie de Rio a initié un programme (favela-bairro) d'urbanisation systématique de toutes les favelas de la ville (plus de 300), mais la majorité des architectes et urbanistes responsables des projets méconnaissent le dispositif interne des favelas. Ce travail propose de décortiquer le processus architectural et urbain singulier des favelas notamment par une approche esthétique. Le processus vernaculaire non seulement diffère de celui traditionnel de l'architecture et de l'urbanisme savants, mais est aussi constitutif d'une esthétique propre aux favelas qui a déjà influencé de nombreux artistes et qui fait partie du patrimoine culturel de Rio. Ce processus est étudié principalement par le biais des représentations artistiques dont les favelas ont fait objet dans l'histoire, et plus particulièrement, à travers l'œuvre de l'artiste brésilien Hélio Oiticica (1937 - 1980) et son expérience de vie dans la favela mangueiraThe favelas (shanty-towns) have existed in Rio de Janeiro (Brazil) for more than a century and they are now part of the urban landscape. In 1994, the Rio prefecture created a systematic urbanization programme (favela-bairro) for all the favelas in the city (more than 300), but the majority of the architects and planners responsible for the projects do not know the internal functioning of the favelas. This study is a examination of the particular architectural and urban processes of the favelas, basically using an aesthetics approach. The vernacular process is not only different from the traditional academic architecture and planning ones but also creates a peculiar aesthetics which arises from the favelas; this has already influenced many artists and has become part of the Rio's cultural heritage. The analysis of this process is principally made through the medium of the history of the artistic representation of the favelas, and more particularly through the work of the Brazilian artist Hélio Oiticica (1937 -1980), and his experience of life in the mangueira favela
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Mullane, Fidelma. "La cabane revisitée : réhabilitation de l'architecture vernaculaire irlandaise (XVIIe-XIXe siècles)." Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040200.
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Tout au long de l’histoire coloniale, les habitations des classes irlandaises les plus modestes, les cabanes, furent décrites par les étrangers, Anglais pour la plupart, comme étant des constructions plus que médiocres, preuves de la nature « sauvage » et « barbare » des indigènes. Le caractère enfumé, le toit de chaume, le tas de fumier, et la cohabitation entre humains et animaux, ont été interprétés à partir de préjugés et de stéréotypes raciaux et non pas explicités en tant qu’expressions de conditions économiques, sociales, politiques ou environnementales. La thèse démontre que ces techniques vernaculaires observées au sein des habitations et autres constructions, telles que, l'enfumage et l'imprégnation de suie au niveau des murs en tourbe et des toits, avaient une raison d’être : ces pratiques étaient destinées à créer des matériaux capables d’enrichir le sol. La façon dont les matériaux étaient utilisés, le savoir-faire et la qualité de la transmission, désignés dans cette thèse sous le terme de « métis », ne fait que mettre en valeur la sagesse des autochtones capables de susciter des stratégies nécessaires à la survie. La réorientation des modèles architecturaux vernaculaires permettra d’établir une nouvelle définition de la construction traditionnelle pour aboutir à une approche reconfigurée et plus inclusive ainsi qu'à une meilleure compréhension de ses dimensions historiques et ethnographiques. Cette reconfiguration des études interdisciplinaires, ouverte aux différents paradigmes, inclurait la sagesse de la tradition. Ceci changerait la manière dont l’architecture vernaculaire pourrait être étudiée, gérée et réévaluéeTaking the Irish cabin as object, this thesis deconstructs the outsider accounts and their contribution to a negative interpretation of such, particularly within the context of postcolonial scholarly literature. Such outsider accounts have an added significance in scholarship in so far as they retained a strict uniformity even while other formal studies changed perspective. This reveals certain ideological assumptions which are examined. The collision between the imposition of a dominating knowledge and practices drawn from indigenous wisdom is examined through the prism of descriptions and interpretations of materials and labour in specific ecological and economic contexts. A case study in the Claddagh village in the West of Ireland examines these contradictions in detail. The survival of such outsider accounts has had its consequence in contemporary constructions as to the meaning and function of the vernacular house. The recovery of the Irish cabin as an object of study within vernacular architecture must be achieved within a context of examining clearance, changes in housing and the major restructuring of economy and society occasioned by the Great Famine. The recovery of a proper account of their function as perceived by those who lived in such habitations in the rural economy is central to this thesis
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Bourgeois, Marc. "Charte de protection de l'habitat traditionnel créole guyanais." [Cayenne] : Service départemental de l'architecture et du patrimoine de Guyane, 2006. http://catalogue.bnf.fr/ark:/12148/cb40993569z.
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Daher, Rania. "L’architecture en terre crue dans la vallée du Jourdain ; une filière en reconstruction…temporaire." Thesis, Université Paris-Saclay (ComUE), 2015. http://www.theses.fr/2015SACLV003/document.
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Le but de ce travail de recherche est de démontrer que la ré-exploitation des matériaux locaux de construction dans la vallée du Jourdain, peut contribuer à une autonomie des communautés rurales palestiniennes. Pour ce faire, cette thèse questionne le développement de la filière terre dans ces territoires. Nous posons l’hypothèse qu’il existe un lien étroit entre les transformations de la société rurale, de sa structure économique et politique, et les transformations de la filière constructive en terre. ‘Trois temps’ de cette filière ont été relevés et ont permis de vérifier cette hypothèse. Le cas de la Palestine avant 1920, l’habitat en terre crue entre 1920 et 1970 et finalement la situation actuelle. Ces évolutions nous ont permis de comprendre que la ré-exploitation des matériaux locaux permet une véritable autonomie lorsque la filière est intégrée aux pratiques économiques et sociales en cours. Cette idée a été vérifiée par l’étude du contexte actuel où la filière est en reconstruction temporaire car déconnectée des pratiques sociales et économiques. Ce travail de recherche se divise en trois parties, à l’image de ces ‘trois temps’. La première détaille la relation entre la filière terre et la notion de développement durable pour faire le lien ensuite au cas de la Palestine avant 1920. La seconde précise le changement de valeurs qui s’est opéré entre 1920 et 1970 dans la société rurale et les transformations de l’habitat qui y sont liées. Enfin, la dernière partie tente d’évaluer la reconstruction de cette filière en détaillant le contexte politique et économique actuel pour le confronter ensuite aux actions des nouveaux acteurs sur le terrainThis research aims to demonstrate that the re-use of local building materials in the Jordan Valley can contribute to the autonomy of rural Palestinian communities. To achieve this, we question the evolution of the earthen building sector in these territories. We assume that there is a close link between the transformations of the rural society, its economic and political structure and the transformations that appeared in the earthen building sector. Three historical periods have been identified and have verified this hypothesis: the case of Palestine before 1920, the period between 1920 and 1970 and finally the current situation. Through these evolutions, we understood that the re-use of local materials allows real autonomy when the earthen building sector is integrated to the ongoing social and economic practices. This idea was verified by studying the current context where this building sector knows a temporary reconstruction. This research is divided into three parts. The first part details the relation that exists between earthen architecture and the concept of sustainable development; we will be explaining the case of Palestine before 1920. The second part specifies the changing values of rural society that have taken place between 1920 and 1970 and the transformations of the habitat linked to it. Finally, the last section attempts to assess the reconstruction of this building sector by detailing the current political and economic context and confronting it with the projects led by the “new actors” on the ground
Books on the topic "Architecture vernaculaire"
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1949-, Carter Thomas, Herman Bernard L. 1951-, and Vernacular Architecture Forum (U.S.)., eds. Perspectives in vernacular architecture, IV. Columbia: University of Missouri Press for the Vernacular Architecture Forum, 1991.
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Fondation pour l'architecture (Brussels, Belgium), ed. Architectures autrement: Habiter le monde. Bruxelles: AAM, 2006.
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C, Moutsopoulos N., and Unesco, eds. Ł' architecture vernaculaire dans les Balkans. [Paris?]: Unesco, 1985.
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Hermida, Alejandro García. Nueva arquitectura tradicional MMXXII: Premios de las Artes de la Construcción Richard H. Driehaus = New traditional architecture MMXXI : Awards for Building Arts Richard H. Driehaus. Madrid: INTBAU, 2022.
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Nan, Wang. Xizang Qinghai gu jian zhu di tu: Historical Architectural Map of Xizang and Qinghai. Beijing: Qing hua da xue chu ban she, 2021.
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1958-, Doepper Ulrich, ed. Architecture vernaculaire: Territoire, habitat et activités productives. Lausanne, Suisse: Presses polytechniques et universitaires romandes, 1990.
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Mohd. Sabrizaa bin Abd. Rashid. Rumah KUTAI: Documentation of memories. [Ipoh, Perak, Malaysia]: Institut Darul Ridzuan, 2017.
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Dufour, Jean-Yves. Archéologie de la maison vernaculaire: Recueil. Drémil-Lafage: Éditions Mergoil, 2020.
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Travier, Daniel. Maisons des Cévennes: Architecture vernaculaire au coeur du Parc National. Rodez: Rouergue, 2010.
Find full textBook chapters on the topic "Architecture vernaculaire"
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Peng, Ho Puay. "Vernacular Architecture." In Routledge Handbook of Chinese Architecture, 214–30. London: Routledge, 2022. http://dx.doi.org/10.4324/9781315851112-18.
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Vellinga, Marcel. "Vernacular Architecture." In The Routledge Companion to Contemporary Architectural History, 313–27. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781315674469-20.
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Trabattoni, Luca. "Updating vernacular architecture." In Necessary Architecture, 114–37. London: CRC Press, 2021. http://dx.doi.org/10.1201/9781003157632-5.
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Hubka, Thomas C. "American Vernacular Architecture." In Advances in Environment, Behavior, and Design, 153–84. Boston, MA: Springer US, 1991. http://dx.doi.org/10.1007/978-1-4684-5814-5_5.
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Batagarawa, Amina, and Rukayyatu Bashiru Tukur. "Hausa Traditional Architecture." In Sustainable Vernacular Architecture, 207–27. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-06185-2_11.
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Sayigh, Ali. "Introduction." In Sustainable Vernacular Architecture, 1–6. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-06185-2_1.
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Trombadore, Antonella, and Filomena Visone. "Vernacular Architecture as Model to Design a Prototype for Affordable Housing in Mosul." In Sustainable Vernacular Architecture, 181–205. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-06185-2_10.
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Sala, Marco, Antonella Trombadore, and Laura Fantacci. "The Intangible Resources of Vernacular Architecture for the Development of a Green and Circular Economy." In Sustainable Vernacular Architecture, 229–56. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-06185-2_12.
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Finocchiaro, Luca. "Enhancing Environmental Performance of Vernacular Architecture. A Case Study." In Sustainable Vernacular Architecture, 257–73. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-06185-2_13.
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Sanusi, Aliyah Nur Zafirah, Aida Kesuma Azmin, Fadzidah Abdullah, and Mohd Hisyamuddin Kassim. "Climatic Adaptations of Colonial School Buildings in Malaysia." In Sustainable Vernacular Architecture, 275–92. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-06185-2_14.
Full textConference papers on the topic "Architecture vernaculaire"
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Balboni, Veronica. "Architectural Language in Urban Vernacular Architecture." In The 4th Electronic International Interdisciplinary Conference. Publishing Society, 2015. http://dx.doi.org/10.18638/eiic.2015.4.1.470.
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Gümüşay, Mehtap, and Sevgül Limoncu. "Vernacular: Emergence to Disasters." In 4th International Conference of Contemporary Affairs in Architecture and Urbanism – Full book proceedings of ICCAUA2020, 20-21 May 2021. Alanya Hamdullah Emin Paşa University, 2021. http://dx.doi.org/10.38027/iccaua2021271n8.
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Nowadays, as some buildings differ from the others, known as local or traditional architecture; creates proximity to the modern building systems, we are used to today are called, vernacular architecture. We also called the similar style of building design, architecture without architects or rural architecture. Modern architectural buildings have changed the way of life, have aimed to a better living condition. In the recent history, we have experienced disasters like earthquakes, flooding, tsunamis, landslides. The ruins have emerged health and safety regulation changes in the policies. The emergence of the health and safety in the building life as the prime aim, closeness to the environment degradation have created theoretical concepts of ecological building styles and how local traditions have answered the emergency. In this study, it is studied the differences between countries how the cultural practices juxtaposed or override the modern technologies.
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Rančev, Boris, Isidora Mitrović, and Miomir Vasov. "Bioclimatic aspects of traditional vernacular architecture of Stara Planina Mountain: A case study of the Senokos village." In Zbornik radova sa Nacionalne konferencije sa međunarodnim učešćem – Zelena Gradnja 2024. University of Niš - Faculty of Civil Engineering and Architecture, 2024. http://dx.doi.org/10.5937/greenb24009r.
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The research of traditional vernacular architecture in rural areas is of great importance for the preservation of architectural and cultural heritage, as well as for the preservation of the identity of rural landscapes, ecosystems and natural resources. We are witnessing the unsustainable development of rural areas and the destruction of their identity by modern architectural interventions, that are not suitable for the rural environment, due to ignorance of the values and principles of traditional vernacular architecture and architectural heritage. Focusing on the example of traditional houses of Stara Planina Mountain, this paper investigates the bioclimatic principles and sustainable design strategies of traditional vernacular architecture of Stara Planina Mountain on the example of the village of Senokos, with an emphasis on their valorization and recognition of potential for application in a contemporary architectural context.
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Mollica, Sonia. "Tradition and semantics: the case of Aeolian architecture." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Valencia: Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.14070.
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Vernacular architecture is identified as a structure based on specific local needs, on the presence of building materials present in the place and on the extemporaneousness of the architecture, built according to structural dogmas based on the local construction tradition. This is confirmed by the etymology of the word ‘vernacular’, from the Latin “vernaculus”, meaning "indigenous, domestic", or from “verna”, that is "native slave". In the present, vernacular architecture takes on new meanings, often used as an identifier for popular architecture - as also stated by Allen Noble in "Traditional Buildings: A global Survey of Structural Forms and Cultural Functions" of 2007 - or rather structures belonging to common people but «That can be built by skilled professionals, using local and traditional designs and materials», which is also supported by the Oxford English Dictionary. It is in this context that the vernacular Aeolian architecture fits, which significantly and identically characterize the entire territory of the Aeolian Islands, awarded the title of World Heritage Site by UNESCO. Aeolian architecture is inextricably linked to the history of the invasions of different peoples that have taken place in this area, such as the Greek-Roman, Islamic and finally Campania influences, due to their modifications both from an urbanistic and compositional point of view. But today how is it possible to encourage the dissemination and knowledge of these architectures which are so identifying for the Sicilian territory? Cataloging and semantics are configured as fundamental actions for the analysis and use of the architectural heritage, broken down into its deepest formal and compositional characteristics, identifiable in Aeolian architecture through the identification of semantics with a peculiar nomenclature. This article therefore investigates the aspects of semantics applied to traditional language and the compositional characteristics of Aeolian architecture, treated as an indissoluble link of knowledge and analysis of the building, through possible uses of digital applications.
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Castagnaro, Corrado. "The interpretation of the vernacular in the modern work of Gherardo Bosio: the Albanian experience." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Valencia: Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.15536.
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The essay investigates the relationship between some exponents of the Modern Movement and their architectural expression with the vernacular tradition. Gherardo Bosio (1903-1941) was one of the most emblematic architects of the modern transformation of Tirana. His work represents the desire to construct the image of the new city while preserving the relationship with the characters and values of tradition. Bosio's work can be ascribed to the particular trend of the Modern Movement that works in continuity with time, tradition and context. The material and immaterial cultural value of these architectures, in addition to the loss of part of the historical vernacular heritage that happens in some cases, represents the chance for the community to recognize and identify itself in a given historical and cultural contest. The relevance of the knowledge and enhancement of these assets aims to preserve the identity of a community from a process of globalization and homologation that is destroying its traces. The studio investigates the architecture of Gherardo Bosio, in his experience in Tirana. Significant in this work is the reference and reinterpretation of the vernacular Albanian Kulla. This is typical Albanian architecture, a sort of tower-house, built with compact forms and a massive character. It was oriented towards defence against possible enemy attacks. The essay investigates the contribution of vernacular architecture in some cases of Modern culture, in an effort to identify a national identity: a modernity that brings together past and future, tradition and innovation. Today, with the right distance in time, these architectures represent the contribution of the Modern in the writing of the palimpsest. These works are relevant in the definition and recognition of the characters on which to structure the values of society. The dissemination of knowledge and appreciation is useful in the constitution of a sense of local community.
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Crispino, Domenico. "The Hameau de la Reine at Versailles and the reproduction of vernacular architecture." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Valencia: Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.15154.
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The proposed paper analyses the system of small buildings that compose the Hameau de la Reine in the Petit Trianon gardens in the park of the royal palace of Versailles. The complex of architectural artefacts, built at the end of the 18th century, emulates the features of vernacular architecture typical of the villages of Normandy. The main interest lies in the analysis of the masonry which reproduces the signs of wear caused by the salty coastal climate of northern France using the trompe-l'oeil technique. The study of the architectural elements found in this part of the park of Versailles, using the tools of the restoration discipline, makes possible the highlighting of the specific qualities that confer recognizability on both the vernacular architecture and its reproductions. The design of this section of Queen Marie-Antoinette's Domaine identifies an ideological root in eighteenth-century Enlightenment thinking from which came the physiocratic theories expressed by Quesnay and the Marquis de Mirabeau. The contribution intends to underline, through the analysis of the method of imitation of vernacular architecture, the importance that this architectural typology assumes in the process of rediscovery and fruition of the territory. The analysis of the Hameau complex testifies how vernacular architecture, not yet codified according to this terminology, was already identified at the end of the 18th century as an example of high quality value that found its effective collocation within the boundaries of the royal park of Versailles. The characteristics of this architecture allow it to find an effective place even inside the perimeter of the royal park of Versailles. It is possible to identify the prodromes of the modern architectural sensibility that recognizes and codifies the values of vernacular architecture within the site studied by this paper proposal.
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Živadinović, Petra. "Transformative revitalization of auxiliary buildings of rural vernacular architecture into sustainable residential spaces." In Zbornik radova sa Nacionalne konferencije sa međunarodnim učešćem – Zelena Gradnja 2024. University of Niš - Faculty of Civil Engineering and Architecture, 2024. http://dx.doi.org/10.5937/greenb24010z.
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The architecture of rural buildings, including various types of country houses, is defined by spaces with specific functions such as facilities for keeping animals, auxiliary spaces, and food storage facilities. This paper explores the potential of transforming auxiliary agricultural buildings into sustainable living spaces by applying principles of vernacular architecture and bioclimatization. Existing and applied materials, forms, spatial arrangements, as well as harmony and comfort in integrating traditional and contemporary architectural elements into architectural solutions, are analyzed. The focus of this work is on identifying the potential and possible directions for the revitalization of auxiliary facilities in rural households by the principles of sustainable development and the approximation of vernacular architecture, thus creating a new unique architectural expression.
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Bilotta, Francesca, and Brunella Canonaco. "Knowledge and conservation of Mediterranean spontaneous architecture: some of the villages of the northern Tyrrhenian coast of Calabria." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Valencia: Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.15691.
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The paper proposes a reading of the rural architectures of the northern Tyrrhenian coast of Calabria, where structures linked to the agricultural activities and residential buildings coexist side by side. Knowledge about local constructive culture and the conservation of rural emergencies allows to highlight variations of base principles of Mediterranean architecture, in which specific typologies are created spontaneously as a solution to constructive problems and in which anthropic and geomorphologic values are entwined creating deep relationships with the environment and the identity of local communities. The paper analyses the residential types that, through the variety of architectural responses, reveal a sensitivity that can be reconnected to an attitude common to the entire geographical area, related to the place, to its morphological and environmental characters, produced by plans based on rational and geometric principles. All this finds validation in a landscape designed by almost spontaneous buildings that are placed in a scattered but rational way among the territory. Therefore, the paper proposes the understanding of rural architectures, nowadays often abandoned, that can give birth to actions of recovery and to the conservation of ancient knowledge.
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Trizio, Francesca, F. Javier Torrijo Echarri, Camilla Mileto, and Fernando Vegas López-Manzanares. "Earthen vernacular architecture in flood-prone areas: characteristics and typologies in the Ebro basin." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Valencia: Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.14503.
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Earthen architecture is one of Spain's longest-standing construction traditions, used from antiquity to the mid-twentieth century. Given its hygroscopic nature, earthen architecture is generally seen as barely resistant to water and as more associated with geographical areas with hot and dry climates. However, it is found in different places with different climate and geographical characteristics. In these surroundings, its survival over time has been ensured by a process of adaptation and modification producing architectural and constructive forms which reflect the identity of the geographical areas in question. One of the main risks to earthen architecture are floods, which have always represented a threat to this architectural heritage. The increased frequency and intensity of floods due to climate change have in turn gradually given rise to an increasing risk of disappearance for this architectural heritage. This paper aims to study the typologies and features of earthen vernacular architecture in flood-prone areas through the analysis of case studies in the Ebro basin. The study of earthen buildings in the area under study provides information on the most recurrent architectural features and vulnerabilities, as well as the inherent resistance which has enabled this earthen architectural heritage to survive. Moreover, a study of the pathologies and structural damage visible on buildings highlights those which are a direct consequence of the action of water and can potentially affect structural behaviour during a flood. Aiming to establish conservation strategies for earthen architectural heritage the data collected are analysed using a qualitative vulnerability assessment methodology, establishing the degree of influence of individual characteristics on the response of earthen structures to floods.
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Camagni, Sara, and Joana Goncalves. "Enhancing Contemporary Envelope Design for Hot and Arid Climates: Integrating Vernacular Strategies for Window-to-Wall Ratios and Shading Devices." In Comfort at The Extremes 2023. CEPT University Press, 2024. http://dx.doi.org/10.62744/cate.45273.1121-406-414.
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In the context of various scenarios of global climate change and the imminent threats posed by escalating global temperatures, architects and urban planners must reflect on the lessons to be learned from the established model of vernacular architecture in arid climates. When closely examined and comprehended accurately, vernacular architecture offers a repository of readily applicable strategies that can be expanded upon and implemented in contemporary construction. This paper focuses on the benefits derived from incorporating height-to-width ratio (H/W) in urban settings, window-to-wall ratios and shading mechanisms inferred from vernacular architecture into envelope design for contemporary residential development. It employs the hot-arid climate of Cairo City, Egypt, as a reference context for this research proposed study. The paper elaborates on the methodologies and processes utilized to transform principles of vernacular strategies into quantifiable benchmark. This is accomplished through the integration of environmental performance simulations, including thermal and daylight conditions, which informed the exploration of potential architectural solutions. The outcome is a characterization of design elements inherent in vernacular architecture, leading to design recommendations for contemporary residential buildings in hot and arid climates, with emphasis on window-to-wall ratios and shading mechanisms.
Reports on the topic "Architecture vernaculaire"
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Nishimura, Yasuyo, and Pablo Trivelli. The Sustainability of Urban Heritage Preservation: The Case of Valparaiso. Inter-American Development Bank, August 2010. http://dx.doi.org/10.18235/0006911.
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This paper analyzes the Historic Center of Valparaiso, which was declared a World Heritage Site by UNESCO in 2003. The city's vernacular urban fabric and its layout, infrastructure, and architecture characterize the seaport city, which respond to its unique geographical and topographical environment. In Valparaiso's case, the geographical conditions were so severe that the adaptation of building forms to the environment gave rise to an entirely original result.