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Journal articles on the topic 'Architecture / Vienna'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Glebova, Natalia M., and Michael Klamer. "Evolution and modernism of church architecture in Vienna." Journal «Izvestiya vuzov. Investitsiyi. Stroyitelstvo. Nedvizhimost» 11, no. 2 (2021): 314–29. http://dx.doi.org/10.21285/2227-2917-2021-2-314-329.

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The study aims to perform an introductory historical insight into the architecture of the Roman Catholic churches in Vienna to follow the style evolution and form making during the change of epochs, particularly in the 20th century, and to reveal how architects interacted with their customers – churchmen. This article is an introduction to a series of articles revealing and illustrating the diversity of modern architecture in seemingly conservative and canon-bound religious architecture. We carried out field studies and photo fixation of over a hundred historical and modern churches in Vienna

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Bietenhader, Sebastian, and Matthias Moroder. "Schwache Ecken." architectura 52, no. 1-2 (2025): 150–75. https://doi.org/10.1515/atc-2022-1009.

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Abstract Contrary to the view that in the history of architecture, there is no explicitly formally articulated public housing as such, the architecture of Red Vienna has indeed produced specific architectural forms of public building. In its settlements the treatment of the corner of the block plays an important role. The corner, one of the most prominent and economically valuable parts of the bourgeois perimeter-block, is often weakened in the architecture of Red Vienna through various types of volumetric recesses. The clarity of the urban gesture, which gives the public realm more space by f

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Sommeregger, Eva. "Re-enacting Space: Behind and in front of the Lidar Camera." Architecture Image Studies 6, no. 2 (2025): 114–29. https://doi.org/10.62754/ais.v6i2.139.

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This article investigates how scanning can be appropriated as part of practice-based research probing notions of body extension. It is a practice I developed alongside writing the artist’s book ‘Tupaia, Kybernetes & Lara Croft’, a monograph that could be seen as the so-called B-sides of my PhD - the book gathers ideas that did not make it into the final PhD version. Author Biography Eva Sommeregger, Senior Scientist, Academy of Fine Arts, Vienna ; Senior Researcher, Art Academy of Latvia, Riga Dr. Eva Sommeregger is a registered architect, researcher and educator based in Vienna. She is co

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Jász, Borbála. "Architectural Theory and Analytic Philosophy in the Interwar Period." Acta Universitatis Sapientiae, European and Regional Studies 14, no. 1 (2018): 41–53. http://dx.doi.org/10.2478/auseur-2018-0010.

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Abstract The basis of the connection between analytic philosophy and architecture theory was developed in the interwar period. The results of analytic philosophy – especially the neo-positivism of Vienna Circle – and modern, functionalist architecture theory were utilized in an interdisciplinary approach. The comparison was based on language puzzles, science-based building processes, the method of justification and verification, and designing an artificial language in order to express the theoretical (philosophical) and the practical (architectural) approach as well. The functionality was base

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Kroll, Naomi D., and Eve Blau. "The Architecture of Red Vienna 1919-1934." APT Bulletin 31, no. 1 (2000): 62. http://dx.doi.org/10.2307/1504729.

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6

Sisa, József. "Joseph Hoffer and the Study of Ancient Architecture." Journal of the Society of Architectural Historians 49, no. 4 (1990): 430–39. http://dx.doi.org/10.2307/990569.

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Joseph Hoffer, a Hungarian-born architect trained at the Polytechnikum of Vienna, worked in the newly independent Kingdom of Greece between 1833 and 1838. In Athens he surveyed with extraordinary accuracy the buildings of the Acropolis, which led to the discovery of one of the "refinements" of ancient architecture, the curvature of the horizontal parts of Greek temples. He published his findings in the Vienna Allgemeine Bauzeitung in 1838, but for some time his achievement was ignored. John Pennethorne, an English architect, claimed to have observed this same fact first, but he published it on

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Sklavounos, Ionas. "On Dreaming Realities." SPOOL 10, no. 1 (2023): 37–56. http://dx.doi.org/10.47982/spool.2023.1.03.

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This essay delves into the installation designed by Hans Hollein for the Künstlerhaus facade in Vienna in 1985. It serves as an illustrative case of material speculation in architecture, particularly regarding the incorporation of ‘historical’ elements in contemporary architectural practice. Through a close reading of this installation, realized in the context of the exhibition ‘Traum und Wirklichkeit, Wien 1870-1930’ (Dream and Reality, Vienna 1870-1930), I discuss how such speculation entails the physical replication of carefully chosen ‘historical’ forms and their reassembly in what would b

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8

Porotto, Alessandro. "Utopia and vision. Learning from Vienna and Frankfurt." Joelho Revista de Cultura Arquitectonica, no. 7 (December 25, 2016): 84–103. http://dx.doi.org/10.14195/1647-8681_7_7.

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The article identifies and observes critically two emblematic cases of modern utopia of 1920s: Das rote Wien and Das neue Frankfurt. These two architectural experiences correspond to two alternative but complementary spatial and social models, the courtyard block (Hof) and the settlement (Siedlung). Through the historical distance today we can observe in critical way these experiences, analyzing the effects of utopian character within the contemporary city.Referring to the theoretical concepts of “utopia” and “realism” by Tafuri, the analysis tries to show the spatial elements that characteriz

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Stieber, Nancy. "The Architecture of Red Vienna 1919-1934 Eve Blau." Journal of the Society of Architectural Historians 59, no. 3 (2000): 400–402. http://dx.doi.org/10.2307/991662.

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10

Long, Christopher. "Architecture and Truth in Finde-Siècle Vienna. Leslie Topp." Studies in the Decorative Arts 14, no. 1 (2006): 113–15. http://dx.doi.org/10.1086/studdecoarts.14.1.40663290.

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11

Brandow-Faller, Megan. "Man, Woman, Artist? Rethinking the Muse in Vienna 1900." Austrian History Yearbook 39 (April 2008): 92–120. http://dx.doi.org/10.1017/s0667237808000060.

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Veni, CreatorSpiritus! From the triumphant chorus of Gustav Mahler's Eighth Symphony to the muse-choir adorning Gustav Klimt's Beethoven Frieze, the Vienna Moderns celebrated the inspirational powers of the feminine. Muses, or the spiritual forces guiding acts of artistic and literary creation, have long been associated with the creative output of the Vienna Moderns, the groups and individuals responsible for the development of modernism in the arts and literature in Vienna from 1890 to 1910. These inspiring women—commonly personified as femmes fatales, femmes fragiles, and femmes savantes—pla

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12

Scott-Smith, Tom. "Places for People." Journal of Humanitarian Affairs 1, no. 3 (2019): 14–22. http://dx.doi.org/10.7227/jha.021.

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Humanitarian innovation has come under considerable fire in recent years for its uncritical technophilia, its links with the private sector and its tendency to fetishise objects rather than focusing on politics and process. There are many examples of these issues in the shelter sector, yet this article argues that a clear distinction should be made between innovation and architecture. By comparing the Ikea-funded Better Shelter with the series of architectural interventions in Vienna, collectively known as Places for People, this paper argues that architecture can productively engage with huma

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Zaki, Radwa. "Creating a Medieval Cairo in Vienna: The representation of the Islamic architecture in Vienna World’s Fair (1873)." ذاكرة العرب 7, no. 7 (2023): 7–20. http://dx.doi.org/10.21608/zarab.2023.332800.

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14

Voronina, Natalya N. "The Passionate Dispassion of the Vienna Circle." Epistemology & Philosophy of Science 61, no. 1 (2024): 223–32. http://dx.doi.org/10.5840/eps202461117.

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This article represents the author’s reflections on the book by Karl Sigmund “Exact Thinking in Demented Times. The Vienna Circle and the Epic Quest for the Foundations of Science” and the fate of the Vienna Circle. Sigmund paints a vivid portrait of the Vienna Circle against the background of the difficult historical period in which its members lived and worked. The Vienna Circle established the tradition of liberating consciousness and science from metaphysics. But the participants of the Vienna Circle and their entourage did not manage to get rid of the humanistic issues, despite the declar

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Glebova, Natalya, and Michael Klamer. "Red Vienna. 1919–1934." проект байкал 18, no. 68 (2021): 26–35. http://dx.doi.org/10.51461/projectbaikal.68.1797.

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The political events and global socio-economic reforms carried out by social democrats in the early 20th century, expansion of the capital of Austria and the inflow of the working class caused the building of a “garden city” with rich infrastructure, parks and available and comfortable dwelling. The skills of advanced Austrian architects, ideological meaning together with economic forces, spatial concept and socialist slogans gave birth to a new architectural identity.

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Pabst, Daniel, and Rae Di Cicco. "Untitled (Architectural Photography)." Contemporaneity: Historical Presence in Visual Culture 6 (November 30, 2017): 78–82. http://dx.doi.org/10.5195/contemp.2017.223.

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Daniel Pabst’s architectural photography often highlights the tension between site-specificity and the legacy of early twentieth-century international style. In photographs of diverse sites across the globe, such as Dallas, Texas, St. Petersburg, Russia, and Vienna, Austria, Pabst draws attention to the formal qualities of such architecture hailed for its ability to communicate internationally but inherently tied to particular locations—as reflected in Pabst’s titular conventions. As such, his photographs of buildings, whose functions range from public offices to private residences, and everyt

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Bannova, Olga, and Sandra Häuplik‐Meusburger. "Learning, Teaching, Coexisting, Thriving: The Evolution of Space Architecture in the Posthuman Era." Architectural Design 94, no. 1 (2024): 94–99. http://dx.doi.org/10.1002/ad.3019.

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AbstractOlga Bannova directs the Sasakawa International Center for Space Architecture (SICSA) at the University of Houston, Texas, and Sandra Häuplik‐ Meusburger directs the Space Architecture EMBA at Vienna University of Technology (TU Wien). Here they present the notion of viewing humanity as not superior to other beings and entities, allowing the possibility of the much more inclusive coexistence that will be necessary as our posthuman future pushes us deeper into Space.

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Nair, Janaki. "Past Perfect: Architecture and Public Life in Bangalore." Journal of Asian Studies 61, no. 4 (2002): 1205–36. http://dx.doi.org/10.2307/3096440.

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“In the city,” says carl schorske, writing of Vienna at the turn of the twentieth century, “… the truth of industrial and commercial society had to be screened in the decent draperies of pre-industrial artistic styles. Science and law were modern truth, but beauty came from history” (1981, 45). Quotations from the past were equally the mark of architectural styles that were forged in colonial and postcolonial societies, as history became a resource for defining new ideals of beauty. If the retreat into (classical European) history was a striking feature of public architecture in colonial India

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Khattab, Wael. "Islamic Art and Architecture: The Path from Al-Andalus to America." المجلة العربية للعلوم الإنسانية 43, no. 171 (2025): 237–79. https://doi.org/10.34120/ajh.v43i171.3143.

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The transmission of Islamic architectural and artistic influences to the United States intertwines with the histories of Spain, Europe, and the Americas. This study examines the intricate web of connections that facilitated this migration, tracing its roots from early Spanish presence in the Americas to its enduring impact on American art and architecture. Spanish expeditions to the Americas in the 15th and 16th centuries initiated the infusion of Islamic influences into the region's architecture. Influenced by their Islamic heritage from Spain, the explorers played crucial roles in disseminat

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ADIN, Muhammed Sefa, and Ayşe SİREL. "Heritage, Memory and Adaptive Reuse: Vienna Gasometer and Istanbul Hasanpaşa Gasworks as Palimpsest Spaces." Architecture Image Studies 5, no. 1 (2024): 68–85. https://doi.org/10.62754/ais.v5i1.84.

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A palimpsest is a reused manuscript where the original text has been erased to make room for new writing, but traces of the old text remain visible. Over time, the concept of palimpsest has been used in various fields, including literature, painting, and later architecture. Architectural palimpsest refers to the transformation of a building or space over time, reflecting the accumulation of different architectural layers. This term describes processes such as adding new structures to old ones or adaptively reusing existing buildings while preserving traces of the past. Industrial heritage incl

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Kukil, Lidiya. "Female mascarons in the architecture of the Lviv secession." Linguistics and Culture Review 5, S4 (2021): 1049–69. http://dx.doi.org/10.21744/lingcure.v5ns4.1744.

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An important role in the formation of the architectural style of Lviv was played by the beginning of the twentieth century. As the capital of Galicia, which at that time belonged politically to the Austrian Empire, Lviv was strongly influenced by the Austrian Secession and the head of the Vienna School of Architecture O. Wagner. Nevertheless, Lviv architecture, to a certain extent, has preserved its originality and uniqueness. Secession is a phenomenon of the Lviv architecture of the early twentieth century. It determines the definition of sculptural decor as one of the main components of the

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22

Getman, A., and I. Yakoviyk. "European Security Architecture at the end of the XVIII – the first half of the XIX century." Problems of Legality, no. 150 (October 2, 2020): 8–32. https://doi.org/10.21564/2414-990x.150.209571.

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<em>Taking into account the new dangerous challenges to the modern international legal order and security system, politicians and scholars are faced with the question of the timeliness and validity of the revision of established conceptual approaches to the construction of international and European security architecture. Since the beginning of the XXI century there are more and more calls to significantly update the current international order, its institutions, norms and rules, which emerged after 1945 (especially the UN Security Council). In this regard, the study of the evolution of previo

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Weck, Nadja. "Obstacles on the Path to Urban Greatness: Competing Plans for the Creation of Greater Lviv (“Wielki Lwów”)." Journal of Urban History 43, no. 4 (2017): 661–71. http://dx.doi.org/10.1177/0096144217705351.

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Like in many other provinces, during the Habsburg period, the main point of orientation for Galicia was Vienna. This also applies to architecture and urban development. Galicia’s technical elite applied the theoretical and practical experience it gathered in Vienna to the towns and cities of this northeastern Crown land. Ignacy Drexler, born in 1878 in the Austro-Hungarian Lemberg, was a representative of a new generation of engineers and architects who did not necessarily have to spend time in the imperial capital to earn their spurs. Increasingly, besides the more or less obligatory stay in

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Kantorowicz, Klara. "Architecture of Jesuit colleges designed by Giacomo Briano in Polish Province." Challenges of Modern Technology 8, no. 2 (2017): 18–22. http://dx.doi.org/10.5604/01.3001.0012.2622.

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This article describes architectural project of Jesuit colleges by Giacomo Briano SI, a Jesuit architect from Modena, made for colleges in Polish Province of the Society of Jesus. Despite none of Braino’s projects was fully accomplished we can analyse his original urban and architectural solutions basing on many of his architectural drawings which are kept in the archives in Cracow, Vienna, Paris and Los Angeles.

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Glebova, N. M., and M. Klamer. "Modern temple in urban structure as a symbol of cultural identity and public space." Journal «Izvestiya vuzov. Investitsiyi. Stroyitelstvo. Nedvizhimost» 12, no. 2 (2022): 256–75. http://dx.doi.org/10.21285/2227-2917-2022-2-256-275.

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In this work, based on the analysis and classification of arranging modern Austrian churches within the urban structure, an analogy with Russian churches was drawn, the development of the modern architecture of the Russian Orthodox Church in the 21st century was forecasted, the location of contemporary sacral architecture in the current urban area of Irkutsk was considered, and a trend to reestablish traditional techniques was revealed. Over 100 modern churches of Austrian cities, including Vienna, Salzburg, Graz and their suburbs, were examined and photofiled; the scientific publications of A

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Feiersinger, Elise. "The Archive Iris Meder in Vienna, Austria." Südosteuropa 68, no. 1 (2020): 101–11. http://dx.doi.org/10.1515/soeu-2020-0005.

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AbstractIris Meder (1965–2018) was a Vienna-based art historian. A large portion of her work and library is dedicated to the Danube region. On 15 November 2019, the Österreichische Gesellschaft für Architektur (Austrian Society for Architecture, ÖGFA) inaugurated the Archive Iris Meder. The author examines how Iris Meder, who grew up on the western border of Baden-Württemberg, Germany, became an expert in her field. Historical chronicles and the experience of the present are in accord: seldom can a private library’s books be preserved as a coherent and recognizable collection. The author gives

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Myjak-Pycia, Anna. "Forgoing the architect’s vision: American home economists as pioneers of participatory design, 1930–60." Architectural Research Quarterly 25, no. 1 (2021): 17–30. http://dx.doi.org/10.1017/s1359135521000142.

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The phenomenon of participatory architectural design is thought to have emerged in the late 1960s and 1970s in Europe. In 1969, Giancarlo De Carlo, one of its main advocates, presented a manifesto in which he asserted that ‘architecture is too important to be left to architects’, criticised architectural practice as a relationship of ‘the intrinsic aggressiveness of architecture and the forced passivity of the user’, and called for establishing ‘a condition of creative and decisional equivalence’ between the architect and the user, so that in fact both the architect and the user take on the ar

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Tait, John. "Information retrieval facility symposium in Vienna." ACM SIGIR Forum 42, no. 1 (2008): 67. http://dx.doi.org/10.1145/1394251.1394266.

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Gerger, Alexander, Harald Urban, and Christian Schranz. "Augmented Reality for Building Authorities: A Use Case Study in Austria." Buildings 13, no. 6 (2023): 1462. http://dx.doi.org/10.3390/buildings13061462.

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The widespread usage of BIM and technological advances in augmented reality (AR) paves the way for Construction 4.0. This digital transformation has reached the construction industry and requires consideration of all life cycle phases. The approval phase has been little researched to date. In Vienna, the analogous process takes up to 18 months. This long duration inhibits progress in the building industry. One reason for this is objections from parties who are nonexperts and have difficulty understanding the project solely from its 2D plans. Therefore, the City of Vienna wants to redesign the

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Solovyeva, Sofia N. "Vienna 18th Century Rococo Ceremonial Carriages." Observatory of Culture 20, no. 6 (2023): 605–21. http://dx.doi.org/10.25281/2072-3156-2023-20-6-605-621.

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The aim of this paper is to describe and review 18th century Viennese parade carriages from the point of view of arts and crafts. Carriages are a small architectural form and are “programme works”, examples of the synthesis of arts, harmoniously combining the principles of architecture, sculpture, painting, decorative art, carpentry, as well as the skills of carvers, gilders, bronzers, embroiderers. At the same time, carriages were an integral part of ceremonies and participated in the most important state ceremonies (coronations, weddings, funerals, baptism of heirs). Certain types of carriag

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Тумасов, Александр, and Aleksandr Tumasov. "The composite principles of harmonization of modern architecture in the historic environment." Construction and Architecture 2, no. 2 (2014): 70–72. http://dx.doi.org/10.12737/5953.

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Including modern object in the certain spatial environment possessing a certain figurative and historical characteristic, the architect solves a complex problem of the valid and tactful relation to the past and a harmoni-ous combination to it new. Here it is important the cultural and professional potential of the reformer allowing him to choose correct art and style concept. Owning all arsenals of architectural and composite means, he needs to choose what are necessary in a concrete situation.  Allocating art and stylistic aspect of a shaping in the developed historical environment, the

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Stevanović, Vladimir, and Andrea Raičević. "Aesthetics of unspoken: Architectural form and visible boundary of language." SAJ - Serbian Architectural Journal 9, no. 2 (2017): 121–32. http://dx.doi.org/10.5937/saj1702121s.

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Stonborough House is a house in the heart of the city of Vienna that was, apart from architect Paul Engelmann - a disciple of Adolf Loos, designed and constructed by philosopher Ludwig Wittgenstein, at the suggestion of his sister Margaret Stonborough-Wittgenstein. In an attempt to connect Wittgenstein's philosophy with his work as an architect, the Stonborough House has often been named 'a visible form of his teaching'. Therefore, this paper intends to point out that translation into a substitute language of architecture became a meaningful way of addressing philosophical issues, and that the

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Schwarzer, Mitchell. "Review: Architecture and Truth in Fin-de-Siècle Vienna by Leslie Topp." Journal of the Society of Architectural Historians 65, no. 1 (2006): 141–42. http://dx.doi.org/10.2307/25068253.

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Stewart, Janet. "Architecture and Truth in Fin-de-SiÃ¨cle Vienna by Leslie Topp." Austrian Studies 13, no. 1 (2005): 255–56. http://dx.doi.org/10.1353/aus.2005.0022.

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Glebova, N. M. "Historicism, revivalism, and eclecticism as precursors to modernism in sacred Viennese architecture." Izvestiya vuzov. Investitsii. Stroitelstvo. Nedvizhimost 13, no. 1 (2023): 119–32. http://dx.doi.org/10.21285/2227-2917-2023-1-119-132.

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The paper aims to examine sacred Austrian architecture of the historicism period as a precursor to modernism; to explore the demise of historicism, which left room for the contributions of progressive architects and the emergence of new styles (such as the Vienna Secession) and, subsequently, modernism; to explain the impact of social changes on the spatial organization, structure, materials, decoration, and interior of religious architecture and how traditionalism resisted modernism. The study examines over 250 Austrian churches, 80 of which were built in historical styles in 1830–1910. With

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Stamper, John W. "The Industry Palace of the 1873 World’s Fair: Karl von Hasenauer, John Scott Russell, and New Technology in Nineteenth-Century Vienna." Architectural History 47 (2004): 227–50. http://dx.doi.org/10.1017/s0066622x00001763.

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The buildings and landscaped grounds of the nineteenth-century international exhibitions were directly related to the architectural and urban design traditions of the cities in which they were built. At the same time, they possessed idealized qualities that made them innovative and distinct from other contemporary buildings. The result of collaborative planning among architects, engineers, and planning committees, the exhibitions were built to evoke ideal civic settings, their exhibition palaces, pavilions, and gardens forming exemplary complexes that synthesized both invention and tradition.

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Erarslan, Alev. "The Art Déco Influence in the Modern Turkish Architecture of the Early Republican Period." Prostor 30, no. 2(64) (2022): 154–67. http://dx.doi.org/10.31522/p.30.2(64).2.

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With the proclamation of the Republic, Atatürk, the founder of Modern Turkey, wanted a new model of politics that would bring about the establishment of the “nation state”, also symbolized by architecture. Having decided to make a transition to modern architecture in Turkey, Atatürk invited academics from Germany and Vienna to achieve this. Consequently, by the 1930s, architecture followed a functionalistrationalist path in both public buildings and in residences. Another architectural style that wielded a lot of influence on the trends in the Modern Movement in this period was Art Déco. The p

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Tsiambaos, Kostas. "Isotype diagrams from Neurath to Doxiadis." Architectural Research Quarterly 16, no. 1 (2012): 49–57. http://dx.doi.org/10.1017/s1359135512000280.

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The Austrian philosopher Otto Neurath (Vienna 1882 - Oxford 1945) was the only non-architect who participated in the fourth CIAM conference (Congrès International d'Architecture Moderne) that took place in Athens in the summer of 1933. As we read in the minutes of the congress published in the journal of the Technical Chamber of Greece Technika Chronika (Technical Chronicles), it was at the meeting of 13 August 1933 that CIAM members decided to set up two categories of participants: a) partners (mainly young architects and students of architecture), and b) specific members (non-architects part

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Rampley, Matthew. "Modernism and Cultural Politics in Inter-war Austria: The Case of Clemens Holzmeister." Architectural History 64 (2021): 347–78. http://dx.doi.org/10.1017/arh.2021.14.

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ABSTRACTThis article examines the work of the Austrian architect Clemens Holzmeister. A leading representative of Austrian architecture between the wars, and a significant figure in the 1950s and 1960s as teacher of the new generation of Austrian architects including Hans Hollein and Gustav Peichl, Holzmeister presents a perplexing image. In the 1920s, he played an important role in the early architectural projects of Red Vienna, but in the following decade he endorsed the Austrofascist regime of Engelbert Dollfuß and Kurt Schuschnigg of 1934–38. This article argues that his work presents othe

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Бембель, Ирина Олеговна. "NOVELTY AND FREEDOM AS FACTORS OF FORMING SHAPING IN ARCHITECTURE." Академический вестник УралНИИпроект РААСН, no. 1(48) (March 30, 2021): 96–100. http://dx.doi.org/10.25628/uniip.2021.48.1.017.

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Цель статьи - анализ категорий новизны и свободы как факторов, оказывающих определяющее влияние на архитектурное формообразование. Исследование базируется на методе Венской школы искусствознания, емко сформулированном в тезисе «История искусства как история духа» и использующем религиозно-философский контекст как основу анализа формообразования. Такой метод позволяет выявить принципиально различный подход к феноменам новизны и свободы в традиции и современности и углубляет представления о том перевороте, который осуществлен современной архитектурой. The purpose of this article is to analyze th

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Bettouche, Mohamed Amine, Mohamed Fouad Benkhoris, Jean-Claude Le Claire, Djamal Aouzellag, Kaci Ghedamsi, and Mourad Ait Ahmed. "Analysis of the effect neutral connection mode for permanent magnet synchronous generator-vienna rectifier set." E3S Web of Conferences 152 (2020): 03010. http://dx.doi.org/10.1051/e3sconf/202015203010.

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In this paper, it was considered to investigate a new electrical architecture for the conversion of mechanical energy from renewable sources into electrical energy, fault tolerant and high energy and dynamic performance for the exploitation of marine renewable energy (MRE). The architecture to be investigated concerns a three-phase permanent magnet synchronous generator combined with a Vienna rectifier, with a topology that minimizes the number of active switches to increase the reliability of the energy conversion chain. Despite the high non-linearity of this architecture, this control is mad

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Castagnaro, Alessandro. "Infrastructural Systems toward the Valorisation of the History of Architecture: The Case of the Metro-Art in Naples." Advanced Engineering Forum 11 (June 2014): 508–13. http://dx.doi.org/10.4028/www.scientific.net/aef.11.508.

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Since the Industrial Revolution, cities have changed their identity and the transport systems have produced a strong impact, rather than on their social-anthropological character, on the morphology of the urban pattern and on the development of the vertical dimension of the architectural volumes.This mutation leads, among other things, to a significant transformations in the transition between the 19th and 20th centuries, according to the transition between the historicist eclecticism of previous centuries and the new deal of the belle époque. Paradigmatic and representative of the century are

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Milosavljević, Angelina, and Tadija Stefanović. "The Secession decorative elements in the residential architecture in Belgrade in the early 20th century." Arhitektura i urbanizam, no. 53 (2021): 22–35. http://dx.doi.org/10.5937/a-u0-31240.

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The tendency towards modernization is noticeable in Belgrade's architecture from the beginning of the 20th century, in the form of stylistic norms adopted from the Vienna Secession, which was the medium through which the forces of the reforms in architecture, culture and art were incorporated in the overall processes of modernization of in The Kingdom of Serbia. These processes reflect the cultural strivings of Serbian society, the efforts to demonstrate its cosmopolitan spirit, and the need to elevate and complement its historicist architectural stock, grounded in academic and national models

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Simlinger, Peter. "Visual communication design." Information Design Journal 25, no. 3 (2019): 314–24. http://dx.doi.org/10.1075/idj.25.3.09sim.

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Abstract Having graduated in architecture at the University of Technology Wien [Vienna], I subsequently engaged in post-graduate studies at The Bartlett School of Architecture and Planning / University College London. Corporate design and signage design attracted my attention. Back home a major bank and Vienna airport (VIE), among others, were the first clients of my company. As chairman of Committee 133 “Public information symbols” of “Austrian Standards”, I was responsible for the elaboration of several theme specific national and international standards. In 1993 I founded the IIID Internati

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Sisa, József. "Neo-Gothic Architecture and Restoration of Historic Buildings in Central Europe: Friedrich Schmidt and His School." Journal of the Society of Architectural Historians 61, no. 2 (2002): 170–87. http://dx.doi.org/10.2307/991838.

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Friedrich Schmidt, the foremost Gothicist of Austria, exerted seminal influence in central Europe through his activities as architect, restorer of historic buildings, and professor at the Vienna Academy of Fine Arts. His unorthodox teaching methods included personal tuition near the drawing board and study trips to examine medieval buildings, attended by students of different ethnic, religious, and cultural backgrounds from all corners of the monarchy and even beyond. The students' school society, called Wiener Bauhütte, or Vienna Building Lodge, published their drawings in albums under the sa

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Day, Gail. "The Project of Autonomy: Politics and Architecture Within and Against Capitalism, Pier Vittorio Aureli, New York: The Temple Hoyne Buell Center for the Study of American Architecture at Columbia University and Princeton Architectural Press, 2008." Historical Materialism 18, no. 4 (2010): 219–36. http://dx.doi.org/10.1163/156920610x550677.

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AbstractAureli advances a fresh, spirited and combative account of the idea of ‘autonomy’, connecting Italian architectural debates from the 1960s with the politics of class-autonomy that was being developed and advanced by workerist theorists such as Raniero Panzieri, Mario Tronti and Toni Negri. Aureli’s account focuses on Aldo Rossi’s architectural ideas (his Tendenza and his book The Architecture of the City) and the project of the No-Stop City proposed by the young avant-garde group Archizoom. The Project of Autonomy is not simply envisaged as an historical exploration of the 1960s; prima

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Trnková, Petra. "Josef Schulz, architektura a fotografie." Acta Musei Nationalis Pragae – Historia 78, no. 3-4 (2025): 51–67. https://doi.org/10.37520/amnph.2024.016.

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The study traces architect Josef Schulz’s early theoretical and practical interest in photography against the background of the dynamically developing field of architectural photography in the first half of the 1860s. The first part presents Schulz’s earliest known photographic works from the time of his studies at the Prague Polytechnic, when he became familiar with the demanding wet collodion process and tested his photographic skills in his immediate surroundings. The next two parts shed light on the broader integration of photography into architectural work in the Austrian Empire in the 18

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Abdrashitova, Tatiana A. "Signboards and identification signs as elements of the information and communicative field of the city." Urban construction and architecture 12, no. 1 (2022): 5–10. http://dx.doi.org/10.17673/vestnik.2022.01.1.

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The article considers concepts such as "information space", "information balance", "information and communication field", which are presented in various studies on architecture and have their own interpretations. The role of a signboard and an identification sign in the information and communication field of a modern city and their influence on the visual environment of the city are indicated. Examples of placement of signs and identification signs in the cities of Vienna (Austria), Sao Paulo (Brazil), Vancouver (Canada) are presented.

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Fahringer, T., and A. Požgaj. "P3T+: A Performance Estimator for Distributed and Parallel Programs." Scientific Programming 8, no. 2 (2000): 73–93. http://dx.doi.org/10.1155/2000/217384.

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Developing distributed and parallel programs on today's multiprocessor architectures is still a challenging task. Particular distressing is the lack of effective performance tools that support the programmer in evaluating changes in code, problem and machine sizes, and target architectures. In this paper we introduceP3T+ which is a performance estimator for mostly regular HPF (High Performance Fortran) programs but partially covers also message passing programs (MPI).P3T+ is unique by modeling programs, compiler code transformations, and parallel and distributed architectures. It computes at c

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Voigt, Andreas, and Helena Linzer. "Spatial Planning and Remote Teamwork." International Journal of Virtual Reality 3, no. 2 (1997): 46–59. http://dx.doi.org/10.20870/ijvr.1997.3.2.2624.

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The following contribution describes work in progress within the context of the focal field of research and development remote teamwork (RT) of Vienna University of Technology (Dept. of Local Planning - IFOR), which is carried out in cooperation with the Institute for Spatial Interaction and Simulation (IRIS-ISIS), Vienna, exchanging experience with the Research Institute for Symbolic Computation (RISC Linz-Hagenberg). Research work is aimed at the elaboration of suitable collaborative remote working structures for research and project transactions, including study projects, within the context

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