Relevant bibliographies by topics / Architetto

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Architetto'

Author: Grafiati
Published: 4 June 2021
Last updated: 10 March 2023

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Journal articles on the topic "Architetto"

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Merrill, Elizabeth. "The Professione di Architetto in Renaissance Italy." Journal of the Society of Architectural Historians 76, no. 1 (March 1, 2017): 13–35. http://dx.doi.org/10.1525/jsah.2017.76.1.13.

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The Professione di Architetto in Renaissance Italy shows how Renaissance Italian architects used the concept of the professione di architetto as a way to affirm and delineate the character of their occupation. Drawing inspiration from antiquarian models and taking advantage of the humanist ethos, these architects equated “profession” with manual and theoretical expertise, social authority, and the fulfillment of artistic, civic, and moral ideals. Elizabeth Merrill places the origins of architectural professionalism in early modern Italy—rather than in the nineteenth-century movements frequently cited by social historians—and describes the theoretical context for the architect's professional rise. Positioning themselves alongside university-educated professors, architects of Renaissance Italy crafted didactic treatises about their work and created academies for its instruction, foreshadowing a long history of architectural discourse that continues to this day.
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De Lucchi, Michele. "Architetto, designer, artista." EDUCAZIONE SENTIMENTALE, no. 29 (February 2018): 7–16. http://dx.doi.org/10.3280/eds2018-029002.

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Hopkins, Andrew, Sabine Frommel, and Flaminia Bardati. "Francesco Primaticcio architetto." Sixteenth Century Journal 37, no. 2 (July 1, 2006): 514. http://dx.doi.org/10.2307/20477898.

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Connors, Joseph. "Review: Francesco di Giorgio architetto." Journal of the Society of Architectural Historians 52, no. 4 (December 1, 1993): 487–90. http://dx.doi.org/10.2307/990872.

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Campos Venuti, Giuseppe. "La pianificazione urbanistica come qualificazione urbana." Ciudades, no. 03 (February 1, 2018): 23. http://dx.doi.org/10.24197/ciudades.03.1996.23-33.

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lo sono un architetto che da quaranta anni si occupa di urbanistica e da trentacinque anni se ne occupa in modo esclusivo, non avendo più disegnato neppure il progetto della mia casetta all'isola d'Elba. Eppure non ho mai smesso di sentire che la mia formazione originaria di architetto e stata decisiva per il mio lavoro di urbanista.
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Karmon, David. "Francesco Primaticcio, architetto Sabine Frommel Flaminia Bardati." Journal of the Society of Architectural Historians 65, no. 3 (September 2006): 437–38. http://dx.doi.org/10.2307/25068301.

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Tuttle, Richard J. "Review: Sebastiano Serlio architetto by Sabine Frommel." Journal of the Society of Architectural Historians 59, no. 1 (March 1, 2000): 106–7. http://dx.doi.org/10.2307/991567.

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Rosenfeld, Myra Nan. "Review: Giorgio Vasari: Architect and Courtier by Leon Satkowski, Ralph Lieberman; Vasari Architetto by Claudia Conforti." Journal of the Society of Architectural Historians 56, no. 2 (June 1, 1997): 223–25. http://dx.doi.org/10.2307/991293.

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Torello, Francesca. "William Lescaze. Un architetto europeo nel New Deal." Planning Perspectives 27, no. 2 (April 2012): 327–29. http://dx.doi.org/10.1080/02665433.2012.655482.

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Hemsoll, David. "Review: Michele Sanmicheli architetto: opera completa by Lionello Puppi." Journal of the Society of Architectural Historians 49, no. 2 (June 1, 1990): 216–17. http://dx.doi.org/10.2307/990482.

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Dissertations / Theses on the topic "Architetto"

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Cirfi, Walton Mirella. "Antonio Federighi, architetto." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1996. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/MQ46509.pdf.

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Chelini, Emanuele <1993&gt. "Matteo Lucchesi architetto veneziano." Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/15294.

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Bulfone, Lorenzo. "Von Neumann: non solo architetto." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2014. http://amslaurea.unibo.it/7909/.

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SPINAZZI, ALBERTO. "Tommaso Temanza: architetto, lettore, scrittore." Doctoral thesis, Università IUAV di Venezia, 2009. http://hdl.handle.net/11578/278585.

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Guidoboni, Francesco. "Giovanni Niccolo' Servandoni (1695-1766) : architetto." Thesis, Paris 1, 2014. http://www.theses.fr/2014PA010621.

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Il s’agit d’un projet de thèse doctorale en cotutelle – entre la «Sapienza» Università de Roma et l’Université de Paris I «Panthéon- Sorbonne » – visant à étudier la vie et l’oeuvre architecturale de Jean-Nicolas Servandoni, une figure d’artiste parmi les plus emblématiques et moins connues du XVIIIe siècle. Peintre, architecte et décorateur, Servandoni est connu pour avoir remporté le concours pour le projet de la façade principale de l’église Saint-Sulpice de Paris, et pour le grand nombre des décors réalisés d’abord pour l’Opéra, puis pour la Salle des Machines des Tuileries. Au cours de sa vie il eut la chance de travailler auprès des souverains les plus importants d’Europe, de Paris à Londres, de Madrid à Lisbonne, de Bruxelles à Vienne et encore à Dresde et Stuttgart. Ce travail de recherche s’est fixé pour objectif d’étudier les périodes les moins connues de sa vie, comme sa formation d’abord à Florence puis à Rome, ses premières missions en Angleterre avant son arrivée à Paris en 1724, ses voyages à travers l’Europe, son travail pour les plus importantes familles royales européennes, et les autres commissions d’architecture en France, au-delà du chantier de Saint-Sulpice. La difficulté majeure a été d’identifier les principales sources bibliographiques et documentaires à partir desquelles on a établi des renseignements biographiques qui ont été transmis à travers le temps jusqu’à aujourd’hui. Il était donc nécessaire de réaliser une opération de «nettoyage» de tous les renseignements faux ou inexacts «incrustés» dans les siècles sur la vie de Servandoni. Grâce à ce «nettoyage», il a été possible d’identifier les sources «premières», sur lesquelles reconstruire la biographie de notre architecte. La recherche dans les archives de plusieurs pays a mené à d’importantes découvertes, tel que la présence de Servandoni à Rome entre 1719 et 1720. Ici il résidait dans le palais du Prince Guido Vaini, un homme «entièrement attaché à la France» et lié au milieu du théâtre d’Alibert et Capranica, où Servandoni aurait évidemment pu se former comme scénographe. Tout cela a permis de formuler des hypothèses sur ses contacts dans la capitale de la papauté, comme son lien avec l’atelier de Benedeto Luti dans le Palais de Florence, où travaillaient, parmi d’autres, Jean Paul Pannini et William Kent. Cette étude a donc mis en évidence sa relation étroite et continue avec les britanniques tout au long de sa vie – à commencer par son séjour romain – de sorte qu’on peut relire son oeuvre architecturale avec une nouvelle clé, davantage liée au milieu palladien anglais. En outre, la lecture des documents a permis d’identifier deux enjeux fondamentaux, qui expliquent en même temps la réussite et l’échec de sa carrière : la question de la nationalité de Servandoni et la légitimation de son rôle d’architecte. Servandoni, en effet, par sa naissance italienne – pourtant d’un père d’origine lyonnaise – dès son arrivée en France fut toujours apprécié comme peintre et décorateur «de Florence». Pour sa qualité d’«ultramontain», il fut choisi par le curé Languet de Gergy, comme architecte de la fabrique de Saint-Sulpice, véritable symbole et point de référence de l’Église de Rome à Paris, contre les «novateurs» jansénistes. [...]
This research work - a phd thesis in co-supervision between the "Sapienza" University of Rome and the University of Paris 1 "Panthéon-Sorbonne" - was born with the aim of shedding light on the life and work of the architect Giovanni Niccolo Servandoni, one of the most emblematic figures and less-known artist of the eighteenth century.At the same time he was painter, architect and decorator and his name was famous thanks to a large number of sets made for the Opéra and to the design of the façade of the church of Saint-Sulpice in Paris. During his life, Servandoni had the opportunity to travel throughout Europe, where he worked for the major courts of that time, from Paris to London, from Lisbon to Brussels, Vienna, Dresden and Stuttgart.The research work has the objective to investigating especially the lesser-known aspects of the architect's life, like as the period of his training in Florence and Rome, the years where he lived in England before his arrival in Paris in 1724, his travels in Europe and his architectural work as well as the site of Saint-Sulpice, both in France and abroad.Thanks to this research, Servandoni's complete work- so vaguely interpreted as an anticipation of the "goût à la grecque" and the revival of the classicism of the late of eighteenth century - is reinterpreted as the result of his training in Italy and England. It is indebted, in fact, that as well the classicism that characterized the Florentine architecture of that period as his close contact with the English Palladian circle and with the Wren, Vanbrugh and Hawksmoor's works, exercised a great influence on him
Questo lavoro di ricerca - una tesi di dottorato in co-tutela tra la « Sapienza » Università di Roma e l’Université de Paris I «Panthéon- Sorbonne» - è nato con l’obiettivo di far luce sulla vita e l’opera dell’architetto Giovanni Niccolò Servandoni, una tra le figure d’artista più emblamatiche e meno conosciute del XVIII secolo. Allo stesso tempo pittore, architetto e decoratore, il suo nome è rimasto famoso per il gran numero di scenografie realizzate per l’Opéra e per il progetto della facciata della chiesa parigina di Saint-Sulpice. Durante il corso della sua vita, Servandoni ebbe l’opportunità di viaggiare in tutta Europa, dove lavorò presso le più importani Corti dell’epoca, da Parigi a Londra, da Lisbona a Bruxelles, Vienna, Dresda e Stoccarda. Una delle problematiche maggiori che il lavoro di ricerca ha manifestato, è stata la verifica della correttezza delle notizie riportate dalle fonti a stampa, sia antiche che moderne. Le biografie esistenti dell’architetto riportavano infatti una serie di notizie inesatte o completamente infondate, che si erano «incrostate» nei secoli sulla sua figura. Si è resa quindi necessaria un’operazione di «pulizia» delle fonti che ha permesso di risalire ad alcune notizie certe e verificabili nei documeni d’archivio, che sono state la base su cui ricostruire la biografia dell’architeto. Il lavoro di ricerca si è posto l’obieivo di indagare in paricolar modo gli aspei meno noi della vita dell’architeto, come il periodo della sua formazione a Firenze e a Roma, i suoi anni di soggiorno in Inghilterra prima del suo arrivo a Parigi nel 1724, i viaggi in Europa e le commissioni di architettura oltre al cantiere di Saint-Sulpice, sia in Francia che all’estero. La ricerca d’archivio ha condotto a scoperte innovative, come la presenza di Servandoni a Roma tra il 1719 e il 1720, all’interno del palazzo del principe Vaini - uomo «entièrement attaché à la France» e legato all’ambiente dei teatri Capranica e d’Alibert - che ha permesso di formulare alcune ipotesi sulla sua vita e i suoi contatti nella cità pontificia. E ancora, lo studio ha messo in luce il forte rapporto che Servandoni ebbe con l’ambiente culturale inglese durante il corso di tutta la sua vita - già a partire dal suo soggiorno romano - tanto da poter rileggere la sua opera architettonica in una chiave nuova, più legata alla corrente palladiana che all’architettura romana o francese di quegli anni. L’interpretazione dei documenti ha portato inoltre all’individuazione di due tematiche fondamentali che, spiegano allo stesso tempo la riuscita e la crisi della carriera di Servandoni : il problema della sua nazionalità e quello della legitimazione del suo ruolo di architetto. [...]
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ZINI, SILVIA. "PKC: Paffard Keatinge-Clay architetto itinerante." Doctoral thesis, Università IUAV di Venezia, 2015. http://hdl.handle.net/11578/278352.

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ROGNONI, FRANCESCA. "Cola dell’amatrice Architetto nei Cantieri Ascolani." Doctoral thesis, Università IUAV di Venezia, 2019. http://hdl.handle.net/11578/282398.

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EUSEBIO, FLAVIO. "GIACOMO TAZZINI, ARCHITETTO DI TRE CORTI." Doctoral thesis, Università degli Studi di Milano, 2012. http://hdl.handle.net/2434/172807.

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Giacomo Tazzini, architect of three courts. Life and work by a versatile architect-engineer in Milan, from Repubblica Cisalpina to Italian Unification. PhD thesis by Flavio Eusebio The name of Giacomo Tazzini often comes out in many documents of restoration of buildings in Milan, Monza and other Lombard sites. Nonetheless it hasn’t been never realized a specific research about his work. Tazzini doesn't represent only a stylistic and professional continuances with his master Luigi Canonica. In forty years he creates some extraordinary works, for the aesthetic and the technique, that have changed the face of Milan. The matrix of the aesthetic taste of the facades of his buildings is the Neoclassic one, but in the interiors it is possible to see a progressive evolution of the ornamental language. The works of Tazzini are very numerous if we consider not only court's assignments such as Royal Palace and the Scala Theatre, but even buildings and interiors for private commitment such as Spinola Palace. These assignments took place in Milan and in other Lombard cities. Sometime he used to design churches even if most of the time the architect that projected these sacred buildings was Tazzini's brother Giuseppe. The presence of Giuseppe has often determined confusion in attributions of altars or facades' projects. The quantity and quality of discovered drawings made by Tazzini show a very clever figure, great architect and engineer and interior designer, able to consider all the details from the door-handles to the chandeliers. Tazzini represents one of the final complete designer. He has not studied at the university but at Canonica's studio. Considering the hugeness of the documents discovered the research examines only the most important works in Milan, as defined in the subtitle.
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BARBI, SIMONE. "Il carattere civile dell'Architettura: Raffaello Fagnoni Architetto." Doctoral thesis, Università IUAV di Venezia, 2017. http://hdl.handle.net/11578/278739.

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MICHELI, SILVIA. "Un altro architetto finlandese: Erik Bryggman (1891-1955)." Doctoral thesis, Università IUAV di Venezia, 2007. http://hdl.handle.net/11578/278236.

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Books on the topic "Architetto"

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1921-, Prey Franz, ed. Franz Prey: Architekt = architetto. Bolzano: Folio, 2007.

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Schlorhaufer, Bettina. Wolfgang Piller: Architetto = Architekt. Bozen: Folio, 2000.

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Stefano, Ray, and Tafuri Manfredo, eds. Raffaello architetto. 4th ed. Milano: Electa, 2002.

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Lenci, Ruggero. Manzone architetto. Roma: Gangemi, 1997.

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Carlo, Majer, Turba Alessandro, and Museo del Risorgimento (Milan, Italy), eds. Verdi: Architetto. Torino: U. Allemandi & C., 2013.

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Panza, Pierluigi. Piranesi architetto. Milano: Guerini studio, 1998.

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Michelucci architetto. Firenze: A. Pontecorboli, 2010.

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L' architetto. Milano: Rizzoli, 1987.

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Claudia, Conforti. Vasari architetto. Milano: Electa, 1993.

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Un architetto. Milano (MI): Juxta Press, 2020.

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Book chapters on the topic "Architetto"

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Ferretti, Niccolò, and Alessandro Zito. "Introduzione al design in Italia: uno sguardo d’insieme." In Italienisches, europäisches und internationales Immaterialgüterrecht, 77–88. Berlin, Heidelberg: Springer Berlin Heidelberg, 2020. http://dx.doi.org/10.1007/978-3-662-62179-0_3.

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ZusammenfassungCos’è il design? Per dare una risposta a questa domanda viene in aiuto una definizione di un celebre architetto contemporaneo: „nel linguaggio corrente design indica sia il mestiere di chi trasferisce valore estetico e originalità a un artefatto fisico o virtuale sia quell’artefatto medesimo. Si dice infatti comunemente che un certo oggetto è di design. Entrambi, prodotto e mestiere, sono caratterizzati da ricerca espressiva, innovazione tecnologica, eterodossia formale, contemporaneità“. La tutela dei disegni e modelli è un bene fondamentale per le imprese di qualsiasi dimensione.
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Du Preez, Jaco, Alta Van der Merwe, and Machdel Matthee. "Understanding Enterprise Architects: Different Enterprise Architect Behavioral Styles." In Lecture Notes in Business Information Processing, 96–108. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-99040-8_8.

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Stephany, Alex. "Architects." In The Business of Sharing, 7–39. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137376183_2.

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Chappell, David. "Architects." In Construction Contracts, 60–78. Fourth edition. | Abingdon, Oxon; New York: Routledge, 2021.: Routledge, 2020. http://dx.doi.org/10.1201/9781003080930-8.

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Chappell, David. "Architects." In Construction Contracts, 60–78. Fourth edition. | Abingdon, Oxon; New York: Routledge, 2021.: Routledge, 2020. http://dx.doi.org/10.4324/9781003080930-8.

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Brunetti, Federico Alberto. "Equirectangular Pictures and Surrounding Visual Experience. Spherical Immersive Photographic Projections at: Boito Architetto Archivio Digitale, Historical Exhibition at Politecnico di Milano." In Lecture Notes on Data Engineering and Communications Technologies, 541–53. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-13588-0_47.

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Morville, Peter. "Big Architect, Little Architect." In Advances in Information Architecture, 19–21. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-63205-2_3.

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Merrill, Elizabeth. "Architect." In Encyclopedia of Renaissance Philosophy, 1–5. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-02848-4_50-1.

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Cross QC, James. "Architects’ liability." In Architect’s Legal Handbook, 327–46. Tenth edition. | Milton Park, Abingdon, Oxon; New York, NY: Routledge, 2021.: Routledge, 2020. http://dx.doi.org/10.4324/9780429279546-38.

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Lupton, Sarah. "Architects’ registration." In Architect’s Legal Handbook, 375–78. Tenth edition. | Milton Park, Abingdon, Oxon; New York, NY: Routledge, 2021.: Routledge, 2020. http://dx.doi.org/10.4324/9780429279546-43.

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Conference papers on the topic "Architetto"

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Leal, Gustavo Salgado. "Architetto como etnógrafa: textualidades e alteridades nos cavaletes de cristal de Lina Bo Bardi." In Encontro de História da Arte. Universidade Estadual de Campinas, 2019. http://dx.doi.org/10.20396/eha.vi14.3401.

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Gardiner, Fiona. "Yes, You Can Be an Architect and a Woman!’ Women in Architecture: Queensland 1982-1989." In The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. online: SAHANZ, 2022. http://dx.doi.org/10.55939/a4001phps8.

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From the 1970s social and political changes in Australia and the burgeoning feminist movement were challenging established power relationships and hierarchies. This paper explores how in the 1980s groups of women architects actively took positions that were outside the established professional mainstream. A 1982 seminar at the University of Queensland galvanised women in Brisbane to form the Association of Women Architects, Town Planners and Landscape Architects. Formally founded the association was multi-disciplinary and not affiliated with the established bodies. Its aims included promoting women and working to reform the practice of these professions. While predominately made up of architects, the group never became part of the Royal Australian Institutes of Architects, it did inject itself into its activities, spectacularly sponsoring the Indian architect Revathi Kamath to speak at the 1984 RAIA. For five years the group was active organising talks, speakers, a newsletter and participating in Architecture Week. In 1984 an exhibition ‘Profile: Women in Architecture’ featured the work of 40 past and present women architects and students, including a profile of Queensland’s then oldest practitioner Beatrice Hutton. Sydney architect Eve Laron, the convenor of Constructive Women in Sydney opened the exhibition. There was an active interchange between Women in Architecture in Melbourne, Constructive Women, and the Queensland group, with architects such as Ann Keddie, Suzanne Dance and Barbara van den Broek speaking in Brisbane. While the focus of the group centred around women’s issues such as traditional prejudice, conflicting commitments and retraining, its architectural interests were not those of conventional practice. It explored and promoted the design of cities and buildings that were sensitive to users including women and children, design using natural materials and sustainability. While the group only existed for a short period, it advanced positions and perspectives that were outside the mainstream of architectural discourse and practice. Nearly 40 years on a new generation of women is leading the debate into the structural inequities in the architectural profession which are very similar to those tackled by women architects in the 1980s.
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Francisco dos Santos Neto, Alber, and Gabriel Dias Venâncio. "Free and paid software on Architecture and Urbanism: Essential tools for the contemporary professional activity." In 7th International Congress on Scientific Knowledge. Perspectivas Online: Humanas e Sociais Aplicadas, 2021. http://dx.doi.org/10.25242/8876113220212435.

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Nowadays, the architect and urban planner’s professional have their professional practices intrinsically tied to the use of computers and software. Besides the acquisition of hardware, the prices of these softwares are a barrier for many professionals that are just now entering the job market, who end up using them by improper means -violating intellectual property laws. Such practice incurs illegal activity and creates distortions in market prices practiced by professionals. That’s why there is a need to study architects’ and urban planners’ workflow to formalize guidelines as to the possibilities of free and paid software. To do so, it’s pursued to creating an infographic about the workflow of architects and the free and paid software that can e used. It’s about raising awareness of the legal aspects of the professional activity, bringing recommendations for the academic environment, and enhancing the role of the architect and urban planner
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Ou, Cheng Feng, and David Trodden. "First Progress Report on a Novel Idea: Proactive Elicitation for Ship Design." In SNAME 14th International Marine Design Conference. SNAME, 2022. http://dx.doi.org/10.5957/imdc-2022-279.

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Background: Nowadays, ship design is based on clients, standards, and engineering practices. This information can be considered as requirements of design. The Surveyors have the responsibility to review the design, and after their approval it will put into the construction. In general, this leads to an acceptable design. However, when the ship be delivered and put into service, issues appear, demonstrating that the existing elicitation process is inadequate. Purpose: While it is clear conflicts must be minimized, there are a least four key stakeholders who may have difficulty in achieving a consensus. These four protagonists are: the client, the end-user, the naval architect, and the supervisory organization. It is the naval architect, as the designer, who must mediate between these four parties. As it is impossible for naval architects to have a complete understanding of every issue their role needs to include proactive gathering of design information rather, rather than passively waiting to receive it. In this paper the extent to which the naval architect’s elicitation activities could be extended will be explored, to enhance the final designs. Methods: This research will use an ethnographic to investigate stakeholders’ expectations, and from the results of surveys propose improvements to the elicitation process. Those surveyed includes experts from different elements of the maritime and design professions. The aim is to propose a process that can enable naval architects to identify the crucial stakeholders for a given design task, with the objective of engaging them to enhance the elicitation process. Below are some proposals. For industry: Using the requirements stated in the contract is not sufficient so the naval architects need to enhance this specification with additional end-user requirements. This relies on naval architects being able to seek information directly from specific stakeholders. For the academic: Marine educational programmes could be expanded so that in addition to the traditional engineering subjects other interdisciplinary knowledge is incorporated that widens the students understanding of the issues affecting all the stakeholders, including seagoing personal, harbour officials and pilots, and others. Result: This paper will report on an elicitation process that is informed by, and developed from, the experts’ comments from ongoing surveys, and that will establish a systematic elicitation procedure designed to acquire all stakeholders’ requirements. This process will enable naval architects to gather information that enhances the contract design information. The core value of this process would be to enable the naval architect to have a sounder understanding of the design problem, and to have greater insights when developing solutions in discussion with the client. Conclusion: This research seeks to provide a new approach to the elicitation process, such that the naval architect will be able to engage with their client in a way that will produce designs that are deemed successful by all stakeholders. The essence of design is based on human needs, and this will be reflected in this process, where the naval architect proactively seeks to understand the requirements of all stakeholders and brings that knowledge into the discussions with their client.
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Steinmuller, Antje, and Christopher Falliers. "Shaping Public Space, in Public, with the Public: Co-Drawing the Continuous Campus." In 2019 ACSA Fall Conference. ACSA Press, 2019. http://dx.doi.org/10.35483/acsa.fall.19.2.

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Protocols of public space production have been evolving in recent years, with the public no longer solely the end user of an architect-designed space. The form of public space as the domain of architects is increasingly replaced by a need to structure a process of formation – a forum – that positions architects as collaborators with the public, designing sites, artifacts, and protocols for citizen engagement. This paper puts forward an engaged methodology for public space formation that operates in public and with the public, and employs collaborative drawing.
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Kepczynska-Walczak, Anetta. "Contemporary Renaissance Architect - Yet Architect?" In eCAADe 2008: Architecture "in computro" - Integrating methods and techniques. eCAADe, 2008. http://dx.doi.org/10.52842/conf.ecaade.2008.445.

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Delgado, Ivan. "Unlearning Architecture(s)." In 2016 ACSA International Conference. ACSA Press, 2016. http://dx.doi.org/10.35483/acsa.intl.2016.31.

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Much of an architect´s training occurs by a process of elimination. We must unlearn many things to learn the new ones; in our particular Costa Rican educational context learning to produce correct architecture seems to start with the assumption that most of what we see in our cities is wrong. But when it comes to construction we move between two traditions: the academic one and the informal one. These traditions seem to dismiss each other, an architect would consider the products of informality ingenuous, a person operating within the informal tradition in need of the materialization of the preconceived idea of a house would normally consider an architecta luxury. According to the National Architectural College 23% of overall construction lacked permits in 2014, a percentage slightly higher than the previous year, this nevertheless renders only partial understanding the phenomenon. Which of the two traditions accounts for the majority of what is built in this country? What significant informal knowledge percolates to the present after a much longer presence than formal education and how is it transmitted? What role does representation play in the informal tradition ? are instructions drawn or narrated ?… How do architects unlearn what they do not understand in full? A house designed by the author in the rural North of Costa Rica functions as a catalyst for further investigation on how the upbringing of an architect collides with more traditional ways of building. In a village where, no other architect has practiced before the author discovers several categories of construction, from the temporary huts vendors use to sell fruits and milking parlors, to houses that have been built following traditional “recipes”. The house learns lessons of practicality from these structures and is informed by their aesthetics. It also employs the old“vara” (0.84 m) as the unit of measurement in an attempt to make itself communicable to local builders. In practice, due to the lack of skill for reading formal construction drawings, the instructions to build the house end up being narrated rather than read. This paper will study informal construction in Costa Rica which is symptomatic of Latin America in general particularly in rurality where it occurs the most. It will collect information from specific cases on how decisions where made and how they were transmitted, and will look for ways to hierarchize them in order to identify which are part of a basic set of instructions (or recipe, meaning there can be small creative variations of the ingredients) and which take place as more significant deviations from those instructions. It will also propose ways to convey the graphic implications of this information that is compatible with the inflections that occur in the orality of these particular context, and finally it will put forward a discussion on ways for an architect to learn from and operate within it, anticipating that our built environment takes shape as a trade-off between both traditions.
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Pillay, Nischolan, and Yashaen Luckan. "The Practicing Academic: Insights of South African Architectural Education." In 2019 ACSA Teachers Conference. ACSA Press, 2019. http://dx.doi.org/10.35483/acsa.teach.2019.22.

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Architectural education, in the past had a grounding in a strict apprentice or pupillage method of training architects. The apprentice was someone who worked or trained under a master that transferred skill through a “hands on” approach. Architecture was regarded as one of the arts and there was no formal training to qualify one as an architect. It was through the acclaimed Vitruvius that the architectural profession was born. Vitruvius had published “Ten Books on Architecture” that led to an attempt to summarize professional knowledge of architecture and in doing so became the first recognizable architect. The architectural profession spread throughout Europe in the mid-16th century and the builder and architect became two distinct characters. Although architecture had become a profession, it wasn’t up until the late 17th century that architecture became an academic pursuit through an institutionalized educational system known as École des Beaux Arts, however the pursuit of a strict academic scholar was not the focus. At the beginning of the 1800’s, The University of Berlin in Germany forged the fundamental research and scholarly pursuit. Architecture, like the professions of medicine, law etc. became a system of academic pursuit where professors concentrated deeply on academics first and professional work second. It is through the lens of history we can decipher how architecture became an academic discipline almost de-voiding it of its vocational nature. In its current standing, various universities place a high emphasis on research output from their academic staff. Presently, architecture schools in South Africa recruit lecturers on their academic profiles, rather than their vocational experience. The approach of which has devalued the input of industry into education. It has been noted that there has been an increase in an academic pursuit rather than a professional one for the lecturers that teach architecture. This research explores the views of academics on architectural education, teaching methods and the importance of practice at South African universities. The authors of this research provide an auto-ethnographic insight into their invaluable experience of being academics at two large Universities in South Africa and concurrently run successful practices. The research makes use of a mixed method approach of secondary data from literature and semi-structured interviews posed to academics. Initial findings reveal that academics are pushing the industry to play a part in the education of architects; however, the extent must be determined. If industry plays a role in the education of architects, what factors are considered and how does this inter-twine with the academic nature of training? What strategies are academics employing to make sure students are vocationally well trained and academically capable? Another important question to ask is what qualities make an academic architect in the 21st century?
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Burger, Shane. "Grimshaw architects." In ACM SIGGRAPH 2008 art gallery. New York, New York, USA: ACM Press, 2008. http://dx.doi.org/10.1145/1400385.1400400.

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Busan International Architecture. "SHoP architects." In ACM SIGGRAPH 2008 art gallery. New York, New York, USA: ACM Press, 2008. http://dx.doi.org/10.1145/1400385.1400403.

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Reports on the topic "Architetto"

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Galenson, David. Innovators: Architects. Cambridge, MA: National Bureau of Economic Research, January 2010. http://dx.doi.org/10.3386/w15661.

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Seybold, Patricia. Wanted: Information Architects! Boston, MA: Patricia Seybold Group, June 2003. http://dx.doi.org/10.1571/psgp6-26-03cc.

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Seybold, Patricia. Looking for Business Architects? Boston, MA: Patricia Seybold Group, November 2004. http://dx.doi.org/10.1571/psgp11-23-04cc.

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Burns-Dans, Elizabeth, Alexandra Wallis, and Deborah Gare. A History of the Architects Board of Western Australia, 1921-2021. The Architects Board of Western Australia and The University of Notre Dame Australia, 2021. http://dx.doi.org/10.32613/reports/2021.1.

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An economic and population boom in the 1890s created opportunities for architects to find work and fame in Western Australia. Architecture, therefore, became a viable profession for the first time, and the number of practicing architects in the colony (and then state) quickly grew. Associations such as the Western Australian Institute of Architects were established to organise the profession, but as the number of architects grew and Western Australian society matured, it became evident that a role for government was required to ensure practice standards and consumer protection. In 1921, therefore, the Architects Act was passed, and, in the following year, the Architects Board of Western Australia was launched. This report traces the evolution and transformation of professional architectural practice since then, and evaluates the role and impact of the Board in its first century.
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Priest, Paul. Internationalising the Professional Standards of the Chartered British Architect. University of Limerick, 2020. http://dx.doi.org/10.31880/10344/8363.

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Sowa, K. B. Statement of work for architect-engineer services, initial pretreatment module. Office of Scientific and Technical Information (OSTI), September 1994. http://dx.doi.org/10.2172/10186536.

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Horvat, Miljana, Marie-Claude Dubois, Mark Snow, and Maria Wall. International Survey About Digital Tools Used by Architects for Solar Design. IEA Solar Heating and Cooling Programme, July 2011. http://dx.doi.org/10.18777/ieashc-task41-2011-0001.

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Horvat, Miljana, and Maria Wall. Solar design of buildings for architects: Review of solar design tools. IEA Solar Heating and Cooling Programme, July 2012. http://dx.doi.org/10.18777/ieashc-task41-2012-0003.

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Seybold, Patricia. Senior IT Architect for Cross-Channel Customer Experience and Digital Services. Boston, MA: Patricia Seybold Group, August 2011. http://dx.doi.org/10.1571/os10-7-04cc.

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Galenson, David. The Greatest Architects of the Twentieth Century: Goals, Methods, and Life Cycles. Cambridge, MA: National Bureau of Economic Research, July 2008. http://dx.doi.org/10.3386/w14182.

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