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Journal articles on the topic 'Architetto'

Author: Grafiati

Published: 4 June 2021

Last updated: 10 March 2023

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1

Merrill, Elizabeth. "The Professione di Architetto in Renaissance Italy." Journal of the Society of Architectural Historians 76, no. 1 (March 1, 2017): 13–35. http://dx.doi.org/10.1525/jsah.2017.76.1.13.

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The Professione di Architetto in Renaissance Italy shows how Renaissance Italian architects used the concept of the professione di architetto as a way to affirm and delineate the character of their occupation. Drawing inspiration from antiquarian models and taking advantage of the humanist ethos, these architects equated “profession” with manual and theoretical expertise, social authority, and the fulfillment of artistic, civic, and moral ideals. Elizabeth Merrill places the origins of architectural professionalism in early modern Italy—rather than in the nineteenth-century movements frequently cited by social historians—and describes the theoretical context for the architect's professional rise. Positioning themselves alongside university-educated professors, architects of Renaissance Italy crafted didactic treatises about their work and created academies for its instruction, foreshadowing a long history of architectural discourse that continues to this day.

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2

De Lucchi, Michele. "Architetto, designer, artista." EDUCAZIONE SENTIMENTALE, no. 29 (February 2018): 7–16. http://dx.doi.org/10.3280/eds2018-029002.

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3

Hopkins, Andrew, Sabine Frommel, and Flaminia Bardati. "Francesco Primaticcio architetto." Sixteenth Century Journal 37, no. 2 (July 1, 2006): 514. http://dx.doi.org/10.2307/20477898.

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4

Connors, Joseph. "Review: Francesco di Giorgio architetto." Journal of the Society of Architectural Historians 52, no. 4 (December 1, 1993): 487–90. http://dx.doi.org/10.2307/990872.

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5

Campos Venuti, Giuseppe. "La pianificazione urbanistica come qualificazione urbana." Ciudades, no. 03 (February 1, 2018): 23. http://dx.doi.org/10.24197/ciudades.03.1996.23-33.

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lo sono un architetto che da quaranta anni si occupa di urbanistica e da trentacinque anni se ne occupa in modo esclusivo, non avendo più disegnato neppure il progetto della mia casetta all'isola d'Elba. Eppure non ho mai smesso di sentire che la mia formazione originaria di architetto e stata decisiva per il mio lavoro di urbanista.

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6

Karmon, David. "Francesco Primaticcio, architetto Sabine Frommel Flaminia Bardati." Journal of the Society of Architectural Historians 65, no. 3 (September 2006): 437–38. http://dx.doi.org/10.2307/25068301.

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7

Tuttle, Richard J. "Review: Sebastiano Serlio architetto by Sabine Frommel." Journal of the Society of Architectural Historians 59, no. 1 (March 1, 2000): 106–7. http://dx.doi.org/10.2307/991567.

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8

Rosenfeld, Myra Nan. "Review: Giorgio Vasari: Architect and Courtier by Leon Satkowski, Ralph Lieberman; Vasari Architetto by Claudia Conforti." Journal of the Society of Architectural Historians 56, no. 2 (June 1, 1997): 223–25. http://dx.doi.org/10.2307/991293.

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9

Torello, Francesca. "William Lescaze. Un architetto europeo nel New Deal." Planning Perspectives 27, no. 2 (April 2012): 327–29. http://dx.doi.org/10.1080/02665433.2012.655482.

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10

Hemsoll, David. "Review: Michele Sanmicheli architetto: opera completa by Lionello Puppi." Journal of the Society of Architectural Historians 49, no. 2 (June 1, 1990): 216–17. http://dx.doi.org/10.2307/990482.

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11

Candilio, Daniela. "Santino Solari architetto e scultore da Roma a Salisburgo." Römische Historische Mitteilungen 1 (2022): 199–203. http://dx.doi.org/10.1553/rhm64s199.

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12

Stauskas, Vladas. "KAI KURIE ŠIUOLAIKINĖS ARCHITEKTŪROLOGIJOS ASPEKTAI." JOURNAL OF ARCHITECTURE AND URBANISM 33, Supplement (December 31, 2009): 270–78. http://dx.doi.org/10.3846/1392-1630.2009.33.270-278.

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The paper presents and analyses in detail the content and significance of the new definition of architecture “as the art and science of designing the environment (space)” for contemporary architecturology and architectural practice. It discusses in greater detail the social and ecological tasks of architecture in contemporary society as well as the responsibility of the architect and new research trends in architecturology. The paper also focuses on the importance of regionality trend in the context of modern globalization and touches upon the questions of architects’ professional training specialization. Santrauka Straipsnyje plačiau pristatomas ir detalizuojamas naujojo architektūros apibrėžimo „Architektūra – tai menas ir mokslas formuoti aplinką (erdvę)“ – turinys ir reikšmė šiuolaikinei architektūrologijai ir architektūros praktikai. Detaliau aptariami socialiniai ir ekologiniai architektūros uždaviniai dabartinėje visuomenėje, architekto atsakomybė, naujos tyrimų kryptys architektūrologijoje. Atskirai aptarta regionalumo krypties svarba dabartinės globalizacijos fone. Paliesti architektų profesinio rengimo specializacijos klausimai.

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13

Stauskas, Vladas. "KAI KURIE ŠIUOLAIKINĖS ARCHITEKTŪROLOGIJOS ASPEKTAI." JOURNAL OF ARCHITECTURE AND URBANISM 33, Supplement (December 31, 2009): 270–78. http://dx.doi.org/10.3846/13921630.2009.33.270-278.

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The paper presents and analyses in detail the content and significance of the new definition of architecture “as the art and science of designing the environment (space)” for contemporary architecturology and architectural practice. It discusses in greater detail the social and ecological tasks of architecture in contemporary society as well as the responsibility of the architect and new research trends in architecturology. The paper also focuses on the importance of regionality trend in the context of modern globalization and touches upon the questions of architects’ professional training specialization. Santrauka Straipsnyje plačiau pristatomas ir detalizuojamas naujojo architektūros apibrėžimo „Architektūra – tai menas ir mokslas formuoti aplinką (erdvę)“ – turinys ir reikšmė šiuolaikinei architektūrologijai ir architektūros praktikai. Detaliau aptariami socialiniai ir ekologiniai architektūros uždaviniai dabartinėje visuomenėje, architekto atsakomybė, naujos tyrimų kryptys architektūrologijoje. Atskirai aptarta regionalumo krypties svarba dabartinės globalizacijos fone. Paliesti architektų profesinio rengimo specializacijos klausimai.

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14

Vaz, Ana Margarida, and Giuseppe Bertini. "“DAMIANO DI RUAN” ARCHITETTO PORTOGHESE IN ITALIA E LA CASAMATTA DI TORINO." digitAR - Revista Digital de Arqueologia, Arquitectura e Artes, EX2 (March 26, 2020): 228–43. http://dx.doi.org/10.14195/2182-844x_ex2_14.

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Un architetto portoghese, Damiano di Roan, fu inviato a Parma da Don Duarte alla sorella Maria che era sposata al principe Alessandro Farnese affinché potesse progredire nell'arte delle fortificazioni. Fu inviato ad Ancona presso Francesco Paciotto e successivamente a Torino presso Ferrante Vitelli che lavorava alla Cittadella. Nel 1575 in seguito ad un litigio, in cui intervenne anche il duca Emanuele Filiberto di Savoia, venne rinviato a Parma. I principi Farnese non lo vollero trattenere e decisero di mandarlo a Roma. Non si conosce la sorte dell'architetto, che è del tutto ignorato dai documenti degli archivi portoghesi.

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15

Bardazzi, Simone, and Guido Carrai. "Costantino de’ Servi, architetto e informatore mediceo, alla corte di Rodolfo II." Studia Rudolphina 21-22, no. 1 (2022): 86–114. http://dx.doi.org/10.54759/sr-2022-006.

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16

Frascari, Marco. "A "Measure" in Architecture: A Medical-Architectural Theory by Simone Stratico, Architetto Veneto." Res: Anthropology and Aesthetics 9 (March 1985): 80–90. http://dx.doi.org/10.1086/resv9n1ms20166726.

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17

Donetti, Dario. "Review: Nella mente di Vincenzo Scamozzi: un intellettuale architetto al tramonto del Rinascimento." Journal of the Society of Architectural Historians 76, no. 2 (June 1, 2017): 255–56. http://dx.doi.org/10.1525/jsah.2017.76.2.255.

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18

Brioist, Pascal. "Il Sanmarino. Giovan Battista Belluzi, architetto militare e tratattista del Cinquecento, D. Lamberini." Le Journal de la Renaissance 6 (January 2008): 307–11. http://dx.doi.org/10.1484/j.jr.2.303523.

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19

Frascari, Marco. "A Heroic and Admirable Machine: The Theater of the Architecture of Carlo Scarpa, Architetto Veneto." Poetics Today 10, no. 1 (1989): 103. http://dx.doi.org/10.2307/1772557.

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20

Borca, Federico. "Vitabitur palustris vicinitas: Un architetto alle prese con la palude. Riflessioni su alcuni passi vitruviani." Quaderni Urbinati di Cultura Classica 55, no. 1 (1997): 49. http://dx.doi.org/10.2307/20547372.

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21

Berlingieri, Fabrizia. "Tempo di traduzioni: 1963/1983." TERRITORIO, no. 100 (November 2022): 19–28. http://dx.doi.org/10.3280/tr2022-100003.

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Prima donna architetto in Pakistan, Yasmeen Lari completa gli studi di Architettura a Oxford in Inghilterra per poi ritornare quasi immediatamente nel suo paese di origine. È il 1964, e da quel momento in poi Lari inizia una graduale ma profonda revisione della cultura architettonica del Moderno attraverso una sperimentazione progettuale condotta durante gli anni della professione. Nelle diverse commesse pubbliche e private Lari interseca forme e linguaggi del Moderno con la cultura costruttiva dei luoghi, intercettando i bisogni reali delle comunità. Il lungo percorso di traduzione, tra adattamenti e innovazioni, è alla base dei futuri sviluppi della sua carriera nel campo del restauro del patrimonio storico e in quello umanitario di emancipazione sociale.

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22

Huber, Nicolaus A. "Nuclei and dispersal in Luigi Nono's‘A Carlo Scarpa architetto, ai suoi infiniti possibili’per orchestra a microintervalli." Contemporary Music Review 18, no. 2 (January 1999): 19–35. http://dx.doi.org/10.1080/07494469900640181.

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23

Calabi, Francesca. "Ludovica De Luca: Il Dio architetto in Filone di Alessandria (De opificio mundi 17–20)." Elenchos 43, no. 1 (August 1, 2022): 185–91. http://dx.doi.org/10.1515/elen-2022-0011.

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24

Giontella, Valeria. "L’opera di Giovanni Antinori: biografia di un architetto operante a Roma e a Lisbona nel sec. XVIII." Estudos Italianos em Portugal, no. 1 (2006): 203–12. http://dx.doi.org/10.14195/0870-8584_1_9.

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25

Tulić, Damir, and Mario Pintarić. "Io Antonio Michelazzi Architetto di professione. Nepoznati majstorovi projekti i nacrti za Krk, Omišalj, Senj, Karlobag i Rijeku." Ars Adriatica 9 (February 28, 2020): 107–32. http://dx.doi.org/10.15291/ars.2927.

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The article brings twelve unknown designs and projects of Rijeka’s sculptor and altar maker Antonio Michelazzi (Gradisca d’Isonzo, 1707 – Rijeka, 1771). The earliest two designs, dating from 1750 and linked to the island of Krk, are today preserved at the Archivio di Stato in Venice. One is a ground plan and assessment of a public ruin in the town of Krk, and the other a panoramic view of the Omišalj bay. A newly discovered document clarifies Michelazzi’s commissioning by the Trieste administration in charge of Rijeka, Senj, and Karlobag, since Empress Maria Theresa appointed him the imperial-royal architect in 1755. In that capacity, Michelazzi worked on a dozen plans and projects for public works in Senj and Karlobag during 1757 and 1758. He drew a map of Senj with a project for modernizing the city port and its defence against stormy winds. A particularly important project was his plan to redirect the stream that ran through the town into the harbour of Senj, for which he designed a new riverbed. There were also projects for prisons in the citadel, a health office, a slaughterhouse, and butcher shops. In Karlobag, he made a project for the renovation of the citadel, butcher shops, a new cistern, and a public administrative-residential building on the main town square. His last design and project was a new slaughterhouse with butcher shops in Rijeka in 1770. Although most of Michelazzi’s designs were never put in practice because of the lack of finances, the designs published here are the first of this kind in his known oeuvre, which will certainly grow further, since he was also involved in architecture besides sculpture and altar making.

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26

Alkan Bala, Havva. "Reading of the Architectural Identity via Cinema." CINEJ Cinema Journal 4, no. 1 (July 13, 2015): 79–109. http://dx.doi.org/10.5195/cinej.2014.118.

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This study focused on the identity and proficiency of the profession of architecture via characters of “architect”, “student of architecture” and “having ambition to become an architect” in various films. Conclusions have been drawn about the professional applications and architectural life from the cinematographic level regarding the architect characters and their jobs via the seven films and a total of eleven different architect characters studied. This study aims to revise, through the cinema, the questions of what does an architect do? How does an architect work? What are the tools that an architect uses? How does an architect create their works? What is the mental map of an architect like? In short, who is an architect? New conclusions have been drawn, via a total of eleven different characters of architects in seven films, about architects and architects’ job from the cinematographic level to Professional practiceand architectural life.

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27

Miller, Naomi. "Review: Angiolo Mazzoni (1894-1979). Architetto nell' Italia tra le due guerre; Tre Architetture degli Anni Trenta a Firenze." Journal of the Society of Architectural Historians 45, no. 1 (March 1, 1986): 74–76. http://dx.doi.org/10.2307/990133.

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28

Tylusińska-Kowalska, Anna. "Il non detto nella diplomazia illuministica." Mnemosyne, no. 2 (October 11, 2018): 12. http://dx.doi.org/10.14428/mnemosyne.v0i2.11973.

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Jan Chrystian Kamsetzer (1753-1795) di origine tedesco, naturalizzato polacco, il primo architetto di corte dell’ultimo re di Polonia, Stanislao Augusto Poniatowski, inviato in Italia su incarico del sovrano per studiare nel Meridione l’arte antica, racconta questa esperienza in uno scambio di lettere con Marcello Bacciarelli, anch’egli un artista presso la corte di Varsavia. La relazione del viaggio si presenta interesantissima per il fatto che nonostante che si tratti di una corrispondenza professionale, essa non è priva di allusioni che accusano il sovrano per le promesse non mantenute. L'esplicito rispetto dimostrato alla figura del Re e un’autocensura per non far trasparire nemmeno una parola di critica, non impedisce tuttavia che tra le righe si senta il non-detto, la solidarietà nel percepire i difetti del sovrano non espressi, bensì intuiti. Kamsetzer non cela il suo disappunto e l’amarezza per l’avarizia del Re e la noncuranza per i suoi sudditi, anche quelli che potrebbero considerarsi privilegiati.

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29

Levy, Evonne. "Review: Orazio Grassi, architetto e matematico gesuita. Un album conservato nell'Archivio della Pontificia Università Gregoriana a Roma by Richard Bösel." Journal of the Society of Architectural Historians 65, no. 2 (June 1, 2006): 304–6. http://dx.doi.org/10.2307/25068280.

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30

Karmon, David. "Review: Giovan Antonio Dosio da San Gimignano: Architetto e scultor fiorentino tra Roma, Firenze e Napoli by Emanuele Barletti, ed." Journal of the Society of Architectural Historians 73, no. 1 (March 1, 2014): 167–69. http://dx.doi.org/10.1525/jsah.2014.73.1.167.

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31

Schofield, Richard. "A Humanist Description of the Architecture for the Wedding of Gian Galeazzo Sforza and Isabella D'Aragona (1489)." Papers of the British School at Rome 56 (November 1988): 213–40. http://dx.doi.org/10.1017/s0068246200009624.

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LA DESCRIZIONE DI UN UMANISTA DELLA “ARCHITETTURA” ALLESTITA PER LE NOZZE DI GIAN GALEAZZO SFORZA ED ISABELLA D'ARAGONA (1489)Stefano Dulcino, nel suo libro “Nuptiae Illustrissimi Ducis Mediolani” (Milano 1489), descrisse l'architettura effimera in legno che fu realizzata per le nozze di Gian Galeazzo Sforza ed Isabella d'Aragona. L'architettura comprendeva delle arcate decorate da un'elaborata decorazione fogliata ed un tiburio, di fronte al duomo di Milano. Qui si è ricostruito questo tiburio e si è discussa la problematica relativa si suoi significati ed al suo progettista. Sebbene rappresentazioni di poligoni cupolati avessero un numero vastissimo di usi simbolici nel Quattrocento e nel Cinquecento (come ad esempio per il tempio di Salamone, per quello di Diana e Giunone, etc.), nessuno di questi sembra soddisfacente per spiegare la nostra struttura. Viene per ipotesi suggerito che Bramante, piuttosto che Leonardo o qualche altro architetto lombardo locale, ne sia stato l'autore, e che il tiburio fosse una riproduzione di un tipo di vestibolo che Alberti riteneva fosse assai in voga presso gli antichi.

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32

Petrušonis, Vytautas. "SOCIALINIO SOLIDARUMO MOTYVAI ARCHITEKTO VYTAUTO LANDSBERGIO-ŽEMKALNIO KŪRYBOJE." JOURNAL OF ARCHITECTURE AND URBANISM 34, no. 3 (September 30, 2010): 128–37. http://dx.doi.org/10.3846/tpa.2010.13.

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In contemporary society marginalization, alienation of social groups is increasing. Among other things, it is related to changes in the phenomenon of social solidarity, which are influenced by the processes of individualization, diversification, globalization, segmentation. Architectural works of modern architects, that together with customers represent the attitudes of nowadays, often reflect the desire to dominate. While educating young architects it is important to provide them not only with technical and artistic skills, but also to make them understand how architecture can take part in the the actualization of harmonic social behaviour stereotypes, the psychological attitude to encourage the pursuit of social solidarity. It is therefore important to learn how architectural composition can ensure a harmonious social interaction. The related adequate experience is worth studying. It is particularly important to evaluate the works of different periods of our country’s famous architects. V. Landsbergis-Žemkalnis could be distinguished as one of such architects to whom responsibility to society was particularly significant. Analysis revealed that V. Landsbergis-Žemkalnis‘ works are characterized by predominance of an organic compositional type what means that the programming of social solidarity attitudes by architectural compositional measures is ensured. In particular, these properties are characteristic of V. Landsbergis-Žemkalnis‘ buildings realized in the heart of Kaunas city. These buildings are better harmonizing with adjacent buildings and the whole street space. Moving away from the center, in the buildings erected by V. Landsbergis-Žemkalnis design, the number of vertical elements increases, separate parts of a building have a more distinct height, the silhouette becomes more active, more dynamic. Typologically such a building could be assigned to the hierachical compositional type. In contrast to ’’buildings of the street”, ”of the city”, these buildings represent ’suburban” buildings, what claims to be a local compositional center. Altogether V. Landsbergis-Žemkalnis‘ works illiustrate his ability to ”read” the situation in an urban context and use properly selected compositional building parameters, especially properly chosen measures operating in a dense group of existing buildings where the solidarity phenomenon is of great importance. Santrauka Šiuolaikinėje visuomenėje didėja atskirtis, socialinių grupių nesusikalbėjimas, užsisklendimas, kuriant grupinius idealus, siekiant nereikšmingų tikslų. Greta kitų dalykų, tai susiję su socialinio solidarumo kaita, kuri veikiama tokių šiuolaikinės civilizacijos reiškinių kaip individualizacija, diversifikacija, globalizacijos procesas, segmentacija. Šiuolaikinės kartos architektų, kartu su užsakovais esančių savojo laikotarpio atstovais, darbai ypač dažnai atspindi siekį dominuoti, išsiskirti bet kokioje miesto dalyje, bet kokioje pastatų apsuptyje, todėl ugdant šiuolaikinius architektus svarbu perteikti jiems ne tik meninio komponavimo įgūdžius, bet suvokimą, kaip architektūra gali prisidėti prie harmoningos socialinės elgsenos stereotipų aktualizavimo, ypač skatinant socialinį solidarumą (nes tai susiję su visuomenės grupių santykių harmonizavimo užtikrinimu). Todėl svarbus kompozicinių priemonių, galinčių užtikrinti harmoningos socialinės sąveikos nuostatų aktualizavimą, socialinio solidarumo nuostatų įtvirtinimą, pažinimas, o tam ypač svarbu šiuo aspektu įvertinti mūsų šalies įvairių laikotarpių įžymių architektų kūrybą. Vienu iš tokių architektų yra V. Landsbergis-Žemkalnis, kuriam architekto atsakomybė visuomenei buvo ypač svarbi. Architekto V. Landsbergio-Žemkalnio darbų analizė parodė, kad jo kūrybai būdingas organiškojo kompozicinio tipo vyravimas, o kartu – socialinio solidarumo programavimą užtikrinančių architektūrinių kompozicinių priemonių dominavimas. Ypač šiomis programuojančiomis savybėmis pasižymi V. Landsbergio-Žemkalnio pastatai, esantys pačioje Kauno miesto širdyje – Naujamiestyje. Tai pasireiškia tuo, kad šie pastatai yra daugiau miestietiško tipo, aktyviai „bendradarbiauja“ su gretimais pastatais, su visa gatvės erdve. Tolstant nuo centro, pastatuose gausėja vertikalių elementų, daugiau skiriasi atskirų pastato dalių aukštis, siluetas darosi aktyvesnis, dinamiškesnis. Tipologiškai tai būdingi priemiesčių ar užmiesčio pastatų, kurie pretenduoja į lokalinio kompozicinio centro vaidmenį, bruožai. V. LandsbergioŽemkalnio kūryba liudija apie jo sugebėjimą suprasti urbanistinę situaciją ir joje deramai parinkti statinio kompozicinius parametrus, ypač – tankiai užstatytoje aplinkoje, kur solidarumo vaizdinis reprezentavimas yra itin aktualus.

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33

Salcedo Rahola, Tadeo Baldiri, and Ad Straub. "The role of the architect using integrated contracts for social housing renovation projects." Journal of Engineering, Design and Technology 14, no. 4 (October 3, 2016): 802–17. http://dx.doi.org/10.1108/jedt-02-2015-0008.

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Purpose This paper aims to gain more in-depth knowledge in the tendering procedures and organisational typologies of consortia working with integrated contracts for social housing renovation projects and especially in the inherent changes in the role of the architect and his or her relations with the client and consortium members. Design/methodology/approach In total, 21 Dutch social housing renovation projects using an integrated contract with the involvement of an architect were identified in the period 2005-2013. The study is based on interviews with 13 from 21 architects working in these projects. Findings The findings indicate that in the majority of these projects, the architect is contracted by the main contractor rather than by the client, the social housing organisation. The new contractual relationship has no significant effect on the relationship of the architect with the social housing organisation and improves the relationship of the architect with the main contractor, consultants, advisors and other consortium members, such as specialist contractors. The architect switches from the role of designer to that of technical and aesthetic advisor, compared to traditional design-bid-build projects. Research limitations/implications The findings are based on the first experiences of architects working with integrated contracts for social housing renovation projects. Results may be different for other types of projects. Practical implications Architects involved in integrated contracts for housing renovation projects can foresee the implications for their daily work. The study provides useful insights for educational reform to prepare students and practising architects to make the most of the new situation. Originality/value The few studies into integrated contracts that refer to the role of the architect have flagged up changes in this role relative to the traditional design-bid-build approach. This study provides in-depth knowledge of the role of the architect in integrated contracts.

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34

Novickas, Audrius. "THE MEANING OF ENTRANCE AND SCENERY SPACES IN THE LITHUANIAN ARCHITECTURE OF PUBLIC BUILDINGS OF 1960–1980S / ĮEIGŲ IR REGYKLŲ REIKŠMĖ LIETUVOS XX A. 7–9 DEŠIMTMEČIŲ VISUOMENINĖS PASKIRTIES PASTATŲ ARCHITEKTŪROJE." JOURNAL OF ARCHITECTURE AND URBANISM 36, no. 3 (October 9, 2012): 181–93. http://dx.doi.org/10.3846/20297955.2013.723883.

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The paper explores the meaning of bridges, stairways, ramps as well as terraces, balconies, glass facades as emphasized in most important examples of Lithuanian modern architecture of 1960–1980s. These architectural elements are looked at as constitutive in design of entrance and scenery spaces of the public buildings of the period. The assumption is made that analysis of entrance and scenery spaces is instrumental in interpreting the program aspects of Lithuanian architecture of Soviet period in the broader contexts of modern paradigms, aims of the political system and aspirations of individual architects. The research is aimed to reveal the entrance and scenery space formats as embodying the architecture of power effects, signifying the system to discipline and control as well as skills of individual architects to embody sublime environments of aesthetic experience. Santrauka Straipsnyje nagrinėjama tiltų, laiptų, rampų, atvirų terasų ir balkonų, įstiklintų fasadų reikšmė svarbiausių XX a. 7–9 dešimtmečių Lietuvos visuomeninės paskirties pastatų architektūroje. Šie elementai tiriami kaip formuojantys pastatų įeigas ir regyklas. Daroma prielaida, kad įeigų ir regyklų analizė teikia pagrindą interpretuoti Lietuvos sovietinių metų moderniosios architektūros programinius aspektus platesniame epochos paradigmų, sistemos politinių tikslų ir individualių architektų meninių aspiracijų kontekste. Siekiama atskleisti, kad įeigos ir regyklos rodo visuomeninius pastatus esant kokybinio pokyčio proceso ir galios efektų erdvėmis, įkūnijančiomis ne tik sistemos siekį disciplinuoti ir kontroliuoti, bet ir architekto gebėjimą formuoti mėgavimosi estetiniais architektūros aspektais aplinkas.

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Russell, Susan. "Pirro Ligorio, Cassiano Dal Pozzo and the Republic of Letters." Papers of the British School at Rome 75 (November 2007): 239–74. http://dx.doi.org/10.1017/s006824620000355x.

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PIRRO LIGORIO, CASSIANO DAL POZZO E LA REPUBBLICA DELLE LETTEREPirro Ligorio (ca. 1512/13–83), pittore, architetto e antiquario, ha lasciato un enorme corpus di disegni, commentari e ricostruzioni dell'antica Roma, che sono stati in seguito saccheggiati indiscriminatamente o accantonati come fantasiosio falsi. L'articolo considera la reputazione di Ligorio nella Roma di diciassettesimo secolo, quando materiale dai suoi manoscritti era cercato avidamente dagli accademici della cosiddetta Repubblica delle Lettere, che includeva Lorenzo Pignoria (1571–1631), Girolamo Aleandro (1574–1629), Nicolas-Claude Fabri de Peiresc (1580–1637), Giovanni Battista Doni (1594–1647), Jose Maria Suarès (1599–1677), Lucas Holste (1596–1661) e Claude Menestrier (Ménétrier, ob. 1639). L'antiquario collezionista, Cassiano dal Pozzo (1588–1657), un membro della famiglia del cardinale Francesco Barberini, emerge come figura centrale tra questa rete di studiosi, e si arguisce che il suo ruolo nella raccolta di informazioni ottenuta dai manoscritti di Ligorio furono determinanti, specialmente per l'ottenimento di copie di parte dei manoscritti di Ligorio che erano nella collezione farnese a Roma. Come questo materiale è stato usato e disseminato viene anche considerato attraverso le attività e le pubblicazioni del circolo erudito connesso a Dal Pozzo.

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CNDITO, CRISTINA. "RICHARD BSEL, Orazio Grassi, architetto e matematico gesuita (Biblioteca Blu/Saggi). Roma: Argos, 2004. 352 pp., ill., ISBN 88-88690-02-6." Nuncius 20, no. 2 (2005): 457–59. http://dx.doi.org/10.1163/182539105x00141.

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Devlin, Ann Sloan. "Architects: Gender-Role and Hiring Decisions." Psychological Reports 81, no. 2 (October 1997): 667–76. http://dx.doi.org/10.2466/pr0.1997.81.2.667.

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To examine architects' judgments of male and female applicants represented by the information in resumes, 204 architects, 156 men and 48 women, licensed in the state of Connecticut participated in a 2(job level) by 2(sex) between-subjects study. Architects were asked how they would rate applicants' potential (including the decision to hire) and gender-role characteristics judged on the basis of one-page resumes. Architects randomly assigned resumes for one of four evaluation conditions (intern or senior architect; male or female), rated the applicant on seven job-related characteristics, e.g., technical skill, potential for advancement, and completed the Bern Sex-role Inventory as they thought items applied to the applicant. Analysis indicated that male architect respondents were more likely to hire male applicants than female applicants as senior architects and that female applicants were judged to be as masculine-typed as were male applicants.

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Liu, Wei, and Bo Yang. "Comprehensive Competency Evaluation on the National Class1 Registered Architects." Applied Mechanics and Materials 584-586 (July 2014): 2730–34. http://dx.doi.org/10.4028/www.scientific.net/amm.584-586.2730.

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the National Registered Architect Qualification Exam has held a total of 18 times since the National Registered Architect Qualification System was established,which has a history of nearly 20 years since 1995. The test system played an important role in promoting the development of architectural design industry and improving the competency of architects. But for some reasons, there are still some deficiencies and problem in the system. The biggest problem is that how to determine whether the practicing ability of National Registered Architects can meet the requirements of architectural industry and market. This thesis analyzes the status of examinees and the quality of examination questions based on the exam data of the National Registered Architects Qualification. The comprehensive competency evaluation on the National Registered Architects has been obtained using AHP-fuzzy comprehensive evaluation model.

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Ahmad, Saya H., Lawen A. Karim, Binay O. Rahim, and Ashkan Azad. "An Inquiry About the Roles and Duties of Architects in the Public Sector: Sulaimani Governorate as the Study Field." Journal of Studies in Science and Engineering 1, no. 1 (August 25, 2021): 11–19. http://dx.doi.org/10.53898/josse2021112.

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Architects throughout the time being experienced many roles in different times, while there have always been unclear what architects underwent and practised was their actual duty. This research tries to find proper answers about architects' duties, roles, and struggles in the Iraqi Kurdistan region. For this reason, questionnaires were applied to ask both the architects and administrative managers in Sulaimani governorate/department of building construction. We find out that the main role of an architect in the Sulaimani governorate is mainly designing projects. However, they are involved in managerial roles as project supervisors destined by the governorate and also another role of the architect is checking the drawings of the projects designed outside of this administration office. Another finding was that the architects in the Sulaimani governorate or Iraqi Kurdistan region generally face the problem that their works are done by other specialists, which sometimes cause some domain faults in the works and do not have enough or proper area to work in.

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Erkan, ilker. "Early Design Stage Analysis with Brain Imaging Method." Interaction Design and Architecture(s), no. 44 (May 10, 2020): 53–70. http://dx.doi.org/10.55612/s-5002-044-003.

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This study focuses on the early design phase in architectural design and aims to examine how participants transform their knowledge to make the initial decisions regarding design. A total of 100 volunteers, 50 architects and 50 non-architects, participated in the study. Architect and non-architect participants were to make mobile phone designs, while brain activities were being monitored during the research. All designs were rated by an independent group of 12 people. Supporting architectural education methods relating to the study; the aim is to make conclusions that help explain the early design stage and the overall design process which effects how the design ideas begin to take form. The study reveals the contribution of the early stages of design regarding architectural education and also that architects versus non-architects begin to create more meaningful designs during/at this stage.

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O’Malley, John W. "Ferdinando Moggi (1684–1761), architetto e gesuita fiorentino in Cina, edited by Stefano U. Baldassarri, Carlo Cinelli, Giuseppe de Juliis, and Francesco Vossilla." Journal of Jesuit Studies 5, no. 3 (March 26, 2018): 467–69. http://dx.doi.org/10.1163/22141332-00503007-05.

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Burrows, Steve. "Return of the master architect." Structural Engineer 98, no. 1 (January 1, 2020): 40–42. http://dx.doi.org/10.56330/jibi9980.

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Long before architecture became a profession, the ‘architect’ was the ‘chief carpenter’, from the Greek word architekton. Architecture as a profession was formalised in the UK in 1834 and the USA in 1857. Prior to that, architects and engineers were pretty much as one, a great example being Marcus Vitruvius Pollio, often cited as the first architect but just as often referred to as the Chief Engineer of the Roman Empire. Vitruvius described the need for architecture to be well built (firmitas), useful in its purpose (utilitas) and beautiful to look at (venustas) – sentiments I think we can all align with today. In my opinion, the Great Pyramid, which I have been fortunate to study for TV shows, represents the birth of modern architecture. I refer to ‘modern architecture’ as the Great Pyramid is the epitome of a complex three-dimensional design conceived and created using method-led off-site manufacturing and construction techniques – to the extent that even 4500 years later we cannot determine how Hemiunu, its engineer/architect, actually did it. Fast forward to 2014, which is the year Frank Gehry said, ‘Let me tell you one thing. In this world we are living in, 98% of what gets built and designed today is pure s**t’. Whether you agree with this vulgarity or not, the construction industry needs a shake-up and that shake-up has now arrived. It’s called PropTech or ConTech. ConTech refers to the digital transformation of the construction industry. With that transformation, two tectonic shifts are about to occur: 1. It will become the greatest time in history to be an engineer (that’s an article for another day). 2. The master architect will return to rival the feats of Hemiunu and Vitruvius.

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Obralic, Ahmed, and Fuad Catovic. "The Impact of Personal Characteristics of Architects on Their Architectural Work." International Journal of Learning and Development 6, no. 1 (January 30, 2016): 42. http://dx.doi.org/10.5296/ijld.v6i1.8181.

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The aim of this paper is to show an influence of human personalities on their professions and to try to find the best model of an architect. By reviewing the literature related to human competences and project management, the research model is created to find the connection between the influence of human (an architect) characteristics on a profession and the characteristics and personalities that are required for design and architecture in general. The study was conducted among the fourteen architects already involved in the designing process. The findings of study point out that in order to reach high productivity, the personal traits have a very big impact on every segment of job performing. The management of the companies should encourage their employees in maintaining their obligations and provide them with appropriate environment in order to fulfill all challenges. We hope this research will help other researchers, architects in A-eling Company, management and students at International Burch University to be aware of the fact that the personalities (characteristics) influence architects in their architectural work. Keywords—Personal Characteristics, Architect, Architectural Work, Impact

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Indrosaptono, Djoko, Tri Susetyo Andadari, and Alfanadi Agung Setiyawan. "The Studies of Architectural Design Method." Journal of Architectural Design and Urbanism 3, no. 2 (April 24, 2021): 84–96. http://dx.doi.org/10.14710/jadu.v3i2.10711.

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The design processes and strategies applied to each architect in carrying out their design tasks are different. The stages in producing architectural work can be based on the theory of certain design methods, intuition or design experience from each architect. As an architect, it is mandatory to know the design process in accordance with existing methods. There are several variables in the design method according to Jones and Schmitt. And this study aims to find the variables most widely used by 8 architects in designing. Including the average of the variables it uses. The method used in this research is quantitative method with one way ANOVA (analysis of variant) as its statistical analysis, by examining the mean difference between the research objects. The literature study was used to obtain an analysis of the design process and the methods used by 4 well-known architects as their secondary empirical data source, while field observations in the form of direct interviews were carried out to obtain the reality of the design process for 4 local architects with various backgrounds and characteristics as well as different architectural works. The end result shows that the average level of architects in the use of research variables is not much different and the design process variables that are most often used by architects in carrying out architectural designs, are the clarity of the need for the design function, the use of the drawing system and the design results that are meaningful and logical.

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Lidin, Konstantin, Elena Grigoryeva, Konstantin Antipin, Valentina Kazakova, Roman Malinovich, Anastasia Malko, Mark Rusanov, et al. "“With human happiness…” PB Discussion Club." проект байкал, no. 73 (October 21, 2022): 22–31. http://dx.doi.org/10.51461/pb.73.01.

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The connection between the work of the architect and the citizens’ happiness was discussed at a round table in the editorial office of the Project Baikal journal. Does the professional ethics of an architect and an urbanist include concern for the “amount of happiness” of the inhabitants of the city? What approaches and methods are used by architects to increase this amount? How can we be sure that we do not increase the amount of happiness of some groups of the population, while infringing on the “right to happiness” of other groups? Both young architects and experienced masters have expressed their opinion.

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Hasan, Ramly, Noriah Othman, and Faridah Ismail. "Choosing Tree for Urban Fabric: Role of Landscape Architect." Environment-Behaviour Proceedings Journal 3, no. 7 (March 2, 2018): 199. http://dx.doi.org/10.21834/e-bpj.v3i7.1234.

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This study explored the role of landscape architect in choosing trees for urban fabric. Two objectives have been formulated (i) to examine the process in selecting tree species among landscape architects and (ii) to determine the relationship between process and environmental constraints in selecting tree species for urban fabric. The findings showed that certain criteria of the environmental constraints are positively correlated and have strong relationship with tree selection process. The role of landscape architect is pertinent in tree selection. The findings of this research will contribute to process improvement in selecting tree species by landscape architects in the future.

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Loh (review author), Maria. "Pellegrino Tibaldi pittore e architetto dell'età borromaica. Special issue of Studia Borromaica. Saggi e documenti di storia religiosa e civile della prima età moderna." Confraternitas 9, no. 2 (July 1, 1998): 47–48. http://dx.doi.org/10.33137/confrat.v9i2.13363.

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Butvilaitė, Rasa. "Architektas XVIII amžiaus Lietuvos Didžiosios Kunigaikštystės visuomenėje." Lietuvos Didžioji Kunigaikštystė Luomas. Pašaukimas. Užsiėmimas, T. 5 (January 1, 2021): 254–70. http://dx.doi.org/10.33918/23516968-005012.

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ARCHITECT IN THE SOCIETY OF THE 18TH CENTURY GRAND DUCHY OF LITHUANIA The article deals with the problem of professional field of activity of an architect, the place of his profession in the system of crafts, sciences and arts, architects’ position in the society of the eighteenth century. Before the education reform undertaken by the Education Commission, architecture had not been developed into a separate subject that provided professional training in the schools of the Grand Duchy of Lithuania. The course in architecture was only a part of general education in Vilnius Jesuit Academy, in nobility schools of a military type, and Jesuit and Piarist Collegium Nobilium. There was not enough focus on architectural studies in these most important educational institutions of the Grand Duchy of Lithuania: a short course of up to two years provided only general and technical basis of the theory of architecture based on classical orders, and it was not capable of training high ranked professionals-practitioners. Until the eighties of the 18th century, to become an independent professional architect one had to continue his studies abroad. It is argued that the Enlightenment concept of a creator serving to the state and society as well as representing them has provided an important impetus to the growth of the value of the architect’s profession and its social status. While many eighteenth-century artists were still very close to craftsmen in terms of social status (it was considered, that they used to do specific tasks and earn a living by employing manual / physical, not intellectual / mental powers), architects, due to the specifics of their education – studies at the university and military careers (they were mostly employed as engineers) were granted titles of nobility. In the eighteenth century, the social and material position of the architect-creator, who had been liberated from the crafts guild system, had evolved considerably and created conditions for privileges and for the establishment in the rank of nobility. The nobilitation of architects, who usually also had the rank of an officer and executed significant orders in large estates, intensified especially during the period of the partitions of the Polish–Lithuanian Commonwealth. Experienced architects were desired and welcome guests in the manors of the nobles. Successful architects used to invest accumulated funds in real estate and manors with land. The architect was no longer just a hired employee but became a patron himself – the one who was initiating and partly financing construction. Keywords: architect, engineer, social status of an architect, Enlightenment, nobilitation.

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Yaneva, Albena. "Modern Architecture as Inextensible." Joelho Revista de Cultura Arquitectonica, no. 9 (December 27, 2018): 82–89. http://dx.doi.org/10.14195/1647-8681_9_4.

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I will begin with this provocative, and quite unusual image, of an iconic building that we all know – the Eiffel Tower. Some of you might have heard about the media debates surrounding the “new design for the restructuring of the public spaces of the Eiffel Tower” announced by the French architect David Serero in March 2008. He suggested doubling the size of the tower’s highest observational platform. The architect claimed that “his firm’s proposal was accepted after an open call, and that the structure is expected to be assembled for the 120th anniversary of the tower construction.” But shortly after that, the government-contracted firm that manages the tower – la Société d’Exploitation de la Tour Eiffel – stated that the claims of the architect are a “hoax.” The communication chief denied that there was ever any call for architects regarding plans to redevelop the top of the monument and that Serero Architects never presented themselves as candidates for such a competition. The media outlets that ran with the story included: The Guardian, The New York Times, Architect, Bustler, The Daily Telegraph and Belfast Telegraph.

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Humphris, Adrian, and Geoff Mew. "Carpenter, Artisan, Architect; Status In Late Nineteenth Century Wellington." Architectural History Aotearoa 4 (October 31, 2007): 28–33. http://dx.doi.org/10.26686/aha.v4i0.6737.

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The distinction between a minor professional architect and a leading builder in Wellington was considerably more blurred in the late nineteenth century than it would be today. However, busy architects could make a lot of money and the term "architect" carried status that might open more doors than would be available to a mere builder. Late nineteenth century Wellington is now apparently only represented by a handful of buildings by prominent architects. Most people automatically think of the CBD and names like Thomas Turnbull & Son, William Chatfield, Frederick de Jersey Clere, John Campbell and perhaps William Crichton. Clayton, Toxward and Tringham were dead or almost gone, and new generation architects were barely emerging. We contend, however, that this picture is an oversimplification and considerably more of 1890s Wellington remains, as does the evidence for a much longer roll-call of architects, some of whom practised on the fringes, both of the city and of their profession. The architects we discuss here did not generally design large, flamboyant buildings, nor did they cater for rich company clients. Many of the lesser-known architects were particularly susceptible to boom-bust cycles and were forced to seek other employment in lean times - hence their rapid arrivals and departures from the trade listings in the directories of these years

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