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Books on the topic 'Archival moving'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Siewert, Senta. Performing Moving Images. Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462985834.

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Performing Moving Images: Access, Archive and Affects presents institutions, individuals and networks who have ensured experimental films and Expanded Cinema of the 1960s and 1970s are not consigned to oblivion. Through a comparison of recent international case studies from festivals, museums, and gallery spaces, the book analyzes their new contexts, and describes the affective reception of those events. The study asks: what is the relationship between an aesthetic experience and memory at the point where film archives, cinema, and exhibition practices intersect? What can we learn from re-scre

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2

1942-, Newman John, and Jones Walter 1944-, eds. Moving archives: The experiences of eleven archivists. Scarecrow Press, 2002.

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3

1948-, White-Hensen Wendy, and Library of Congress. AMIM Revision Committee., eds. Archival moving image materials: A cataloging manual. 2nd ed. Library of Congress, Cataloging Distribution Service, 2000.

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4

Sandom, C. J. VIRAMI: Visual information retrieval for archival moving imagery. Resource, 2002.

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5

Mirguet, Françoise, and Françoise Hiraux. De la préservation à la conservation: Stratégies pratiques d'archivage. Academia L'Harmatan, 2014.

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6

Kula, Sam. Appraising moving images: Assessing the archival and monetary value of film and video records. Scarecrow Press, 2003.

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7

Spielberg, Steven. Moving images of Jewish history. Hebrew University of Jerusalem, 2000.

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8

Wolfgang, Klaue, ed. World directory of moving image and sound archives. K.G. Saur, 1993.

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9

Grgic, Ana. Early Cinema, Modernity and Visual Culture. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463728300.

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At the end of the nineteenth century, the Balkans were animated by cultural movements and socio-political turmoil with the onset of the collapse of the empires. Around the same period, the proliferation of print media and the arrival of moving images gradually transformed urban life, and played an important role in the creation of national and regional cultures. Based on archival research that explores previously overlooked footage and early press materials, Early Cinema, Modernity and Visual Culture: The Imaginary of the Balkans is the first study on early cinema in the region from a transnat

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10

Honda, Masaya. Eizō ākaibu no nōto =: Editorial notebook, archives of moving image. Eizō Media Sōzōkikō, 2009.

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11

Magliozzi, Ronald S. Treasures from the film archives: A catalog of short silent fiction films held by F.I.A.F. archives. Scarecrow, 1988.

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12

Bowd, Stephen, Sarah Cockram, and John Gagné. Shadow Agents of Renaissance War. Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789463721356.

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Who were the shadow agents of Renaissance war? In this pioneering collection of essays scholars use new archival evidence and other sources, including literature, artworks, and other non-textual material, to uncover those men, women, children and other animals who sustained war by means of their preparatory, auxiliary, infrastructural, or supplementary labour. These shadow agents worked in the zone between visibility and invisibility, often moving between civilians and soldiers, and their labour was frequently forced. This volume engages with a range of important debates including: the relatio

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13

Williams, Deanne. Performing Girls and Women. Amsterdam University Press, 2025. https://doi.org/10.5117/9789048562558.

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This book charts the broad cultural impact of the medieval and early modern female performer: how she engages with her historical origins in classical drama, works within contemporary cultural and professional networks, and sets the terms for female performance in subsequent historical periods. Moving beyond the archival evidence that establishes that medieval and early modern women and girls performed, it explores how their performances resonated across national boundaries and historical periods, revealing wide patterns of influence and inspiration. This collection of original essays brings t

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14

United Nations Educational, Scientific and Cultural Organization. General Information Programme and UNISIST., ed. Curriculum development for the training of personnel in moving image and recorded sound archives. General Information Programme and UNISIST, United Nations Educational, Scientific and Cultural Organization, 1990.

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15

Programme, Unesco General Information, UNISIST (Program), and Unesco, eds. Curriculum development for the training of personnel in moving image and recorded sound archives. General Information Programme and UNISIST, United Nations Educational Scientific and Cultural Organization, 1990.

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16

Edwards, Dianna. Picture show: Classic movie posters from the TCM Archives. Chronicle Books, 2003.

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17

L, Ishizuka Karen, and Zimmermann Patricia Rodden, eds. Mining the home movie: Excavations in histories and memories. University of California Press, 2008.

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18

Fossati, Giovanna, and Annie Oever, eds. Exposing the Film Apparatus. Amsterdam University Press, 2016. http://dx.doi.org/10.5117/9789462983168.

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Film archives have long been dedicated to preserving movies, and they've been nimble in recent years in adapting to the changing formats and technologies through which cinema is now created and presented. This collection makes the case for a further step: the need to see media technologies themselves as objects of conservation, restoration, presentation, and research, in both film archives and film studies. Contributors with a wide range of expertise in the film and media world consider the practical and theoretical challenges posed by such conservation efforts and consider their potential to

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19

Siewert, Senta. Performing Moving Images. Amsterdam University Press B.V., 2020. http://dx.doi.org/10.5040/9789048561674.

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Performing Moving Images: Access, Archive and Affects presents institutions, individuals and networks who have ensured experimental films and Expanded Cinema of the 1960s and 1970s are not consigned to oblivion. Through a comparison of recent international case studies from festivals, museums, and gallery spaces, the book analyzes their new contexts, and describes the affective reception of those events. The study asks: what is the relationship between an aesthetic experience and memory at the point where film archives, cinema, and exhibition practices intersect? What can we learn from re-scre

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20

Library of Congress Amim Revision Committee (Corporate Author) and Wendy White-Hensen (Editor), eds. Archival Moving Image Materials: A Cataloging Manual. 2nd ed. Library of Congress, 2000.

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21

Kros, Cynthia, Reece Auguiste, and Pervaiz Khan. Reframing Africa? Reflections on Modernity and the Moving Image. African Minds, 2022. http://dx.doi.org/10.47622/9781928502678.

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This book takes readers on a series of stimulating intellectual journeys from the late nineteenth century to the contemporary era to explore notions of modernity in the production and reception of the African moving image and of African archival practices. Ideas are presented from multiple historical and contemporary perspectives, while inviting new voices to participate in discussions about the future of the African moving image. Reframing Africa?makes a plea for the recognition, preservation and repatriation of the African moving image archive, advancing ideas about how it speaks to contempo

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22

Kurtz, Anthony Stephen. Archives and the moving image: The Will E. Hudson collection of newsfilm. 1998.

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23

Association of Moving Image Archives. Appraising Moving Images: Assessing the Archival and Monetary Value of Film and Video Records. The Scarecrow Press, Inc., 2002.

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24

Camera lucinda, the moving image as evocative document: Film form, film meaning and the grammatology of archival selection. National Library of Canada, 1987.

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25

Jones, Janna. The Past Is a Moving Picture: Preserving the Twentieth Century on Film. University Press of Florida, 2014.

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26

Morra, Linda M. Moving Archives. Wilfrid Laurier University Press, 2020.

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27

Morra, Linda M. Moving Archives. Wilfrid Laurier University Press, 2020.

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28

Moving Archives. Wilfrid Laurier University Press, 2020.

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29

Moving history: Towards a policy for the UK moving image archives. UK Film Archive Forum, 1999.

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30

Jones, Walter. Moving Archives: The Experiences of Eleven Archivists. The Scarecrow Press, Inc., 2003.

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31

Jones, Walter, and John Newman. Moving Archives: The Experiences of Eleven Archivists. Scarecrow Press, Incorporated, 2002.

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32

Siewert, Senta. Performing Moving Images: Access, Archives and Affects. Amsterdam University Press, 2021.

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33

Newman, John. Moving Archives: The Experiences of Eleven Archivists. Scarecrow Press, Incorporated, 2002.

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34

Performing Moving Images: Access, Archhb. Amsterdam University Press, 2020.

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35

Cocciolo, Anthony. Moving Image and Sound Collections for Archivists. Society of American Archivists, 2017.

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36

Anger, Jiří. Towards a Film Theory from Below. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9798765107300.

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Operating between film theory, media philosophy, archival practice, and audiovisual research, Jirí Anger focuses on the relationship between figuration and materiality in early films, experimental found footage cinema, and video essays. Would it be possible to do film theory from below, through the perspective of moving-image objects, of their multifarious details and facets, however marginal, unintentional, or aleatory they might be? Could we treat scratches, stains, and shakes in archival footage as speculatively and aesthetically generative features? Do these material actors have the capaci

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37

Yee, Martha M. Moving Image Cataloging. Libraries Unlimited, 2007. http://dx.doi.org/10.5040/9798400687952.

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Libraries, archives, and museums hold a wide variety of moving images. all of which require the same level of attention to issues of organization and access as their print counterparts. Consequently, the people who create collection level records and metadata for these resources need to be equally conversant in the principles of cataloging. Martha Yee covers both descriptive (AACR2R, AMIM, and FIAF rules) and subject cataloging (with a focus on LCSH). In the process, the reader is encouraged to think critically and to be prepared to make decisions in ambiguous situations where solutions to pro

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38

Gianfranco Baruchello: Archives of moving images 1960-2016. Mousse Publishing, 2017.

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39

Grgić, Ana. Early Cinema, Modernity and Visual Culture. Amsterdam University Press B.V., 2022. http://dx.doi.org/10.5040/9789048561841.

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Based on original archival research, Early Cinema, Modernity and Visual Culture: The Imaginary of the Balkans is the first study on early cinema in the region from a transnational and cross-cultural perspective. It investigates how the unique geopolitical positioning of the Balkan space and its multiculturality influenced and shaped visual culture and cinema. Countering Eurocentric modernity paradigms and reframing hierarchical relations between centres and peripheries, this book adopts an alternative methodology for interstitial spaces. By deploying the notion of the haptic, it establishes ne

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40

Yue, Genevieve. Girl Head. Fordham University Press, 2020. http://dx.doi.org/10.5422/fordham/9780823289554.001.0001.

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For decades, feminist film analysis has been focused on issues of representation: images of women in film. But what are the feminist implications of the material object underlying that image, the filmstrip itself? What does feminist analysis have to offer in understanding the film image before it enters the realm of representation? In Girl Head: Feminism and Film Materiality, Genevieve Yue explores how gender and sexual difference have been deeply embedded within film materiality. Though the industrial practices she examines are typically hidden from view, they are no less gendered than the im

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41

Foellmer, Susanne, Maria Katharina Schmidt, and Cornelia Schmitz. Performing Arts in Transition: Moving Between Media. Taylor & Francis Group, 2018.

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42

Foellmer, Susanne, Maria Katharina Schmidt, and Cornelia Schmitz. Performing Arts in Transition: Moving Between Media. Taylor & Francis Group, 2018.

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43

Foellmer, Susanne, Maria Katharina Schmidt, and Cornelia Schmitz. Performing Arts in Transition: Moving Between Media. Taylor & Francis Group, 2018.

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44

Foellmer, Susanne, Maria Katharina Schmidt, and Cornelia Schmitz. Performing Arts in Transition: Moving Between Media. Taylor & Francis Group, 2018.

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45

Performing Arts in Transition: Moving Between Media. Taylor & Francis Group, 2018.

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46

Movie Stars (Unseen Archives). Parragon Publishing, 2005.

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47

Kenney, Anne R. Moving Theory into Practice: Digital Imaging for Libraries and Archives. Research Libraries Group, 2000.

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48

Nyong'o, Tavia. Afro-Fabulations. NYU Press, 2018. http://dx.doi.org/10.18574/nyu/9781479856275.001.0001.

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In Afro-Fabulations: The Queer Drama of Black Life, the cultural critic and historian Tavia Nyong’o surveys the conditions of contemporary black artistic production in the wake of post-blackness. Moving fluidly between the insurgent art of the 1960s and the intersectional activism of the present day, Afro-Fabulations challenges genealogies of blackness that ignore its creative capacity to exceed conditions of traumatic loss, social death, and archival erasure. Tracking how the bodies that were speculated in as commodities became speculative bodies, he develops an account of black fabulation th

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49

Hewitt, Seán. J. M. Synge. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198862093.001.0001.

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This is a complete study of the works of the Irish playwright, travel writer, and poet J. M. Synge (1871–1909). A key and controversial figure in the Irish Literary Revival, and specifically in the Abbey Theatre, Synge’s career was short but dynamic. Moving from an early Romanticism, through Decadence, and on to a combative, protesting modernism, the development of Synge’s drama was propelled by his contentious relationship with the Irish politics of his time. This book is a full and timely reappraisal of Synge’s works, exploring both the prose and the drama through an in-depth study of Synge’

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50

MacNaughton, Gillian, and Mariah McGill. The Office of the United Nations High Commissioner for Human Rights. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190672676.003.0022.

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For over two decades, the Office of the UN High Commissioner for Human Rights (OHCHR) has taken a leading role in promoting human rights globally by building the capacity of people to claim their rights and governments to fulfill their obligations. This chapter examines the extent to which the right to health has evolved in the work of the OHCHR since 1994, drawing on archival records of OHCHR publications and initiatives, as well as interviews with OHCHR staff and external experts on the right to health. Analyzing this history, the chapter then points to factors that have facilitated or inhib

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