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Relevant bibliographies by topics / Archival moving / Dissertations / Theses

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Dissertations / Theses on the topic 'Archival moving'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Ljunggren, Rhonda L. "Camera lucida : the moving image as evocative document : film form, film meaning and the grammatology of archival selection." Thesis, University of British Columbia, 1986. http://hdl.handle.net/2429/25714.

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This thesis examines the characteristics of moving image documents such as they pertain to the selection of films for archival preservation. It is advanced that both the physical nature of the film record and the nature of the evidence it presents are prime considerations in the development of archival selection criteria. Furthermore it is argued that the structure and content of film are interrelated factors which impact significantly upon the determination of archival value, and the suitability of the film record for permanent preservation. Finally, a major factor affecting selection involve

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2

Curran, Greg. "Young queers getting together : moving beyond isolation and loneliness /." Connect to thesis, 2002. http://eprints.unimelb.edu.au/archive/00000428.

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3

Clements, J. M. "Adapted orphans and protected histories : time based media and the moving image archive." Thesis, University of Salford, 2014. http://usir.salford.ac.uk/32981/.

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Through the examination of archived moving images, this practice-based research project explores processes and methodologies adopted by visual artists who use moving image archives as an integral component for the creation of new artworks. Underlying these methods of production are issues of originality, authorship and ownership. The research seeks to examine the role of archives as potential catalysts for the creation of new work and the role artists can play in animating collections thereby generating new meanings for archival materials. Central to the research is the study of traditional mo

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4

Roberts, Christopher. "Southeast Asia: moving beyond the construction of a mascent security community?" University of Southern Queensland, Faculty of Arts, 2002. http://eprints.usq.edu.au/archive/00001497/.

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This study applies Deutsch’s security community framework to the states of Southeast Asia in order to assess whether or not, as at September 2002, there exist dependable expectations of peaceful change. The study has three primary goals. The first is to develop the framework so it may better reflect the realities of interstate and communal relations in Southeast Asia. The second is to assess whether or not Southeast Asia has in fact moved beyond the construction of a nascent security community where there exists adequate empirical evidence to suggest a future sustainable course towards ‘depend

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5

Holtmeier, Matthew. "Images, Maps, Movies: Bioregional Imaginaries of Cascadia from the Archives." Digital Commons @ East Tennessee State University, 2019. https://dc.etsu.edu/etsu-works/5445.

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6

Parziale, Amy Elizabeth. "Representations of Trauma in Contemporary American Literature and Film: Moving from Erasure to Creative Transformation." Diss., The University of Arizona, 2013. http://hdl.handle.net/10150/301676.

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This dissertation attempts, in its limited way, to redress the repeated erasure of trauma from public knowledge and social consciousness by examining how a variety of crisis events have been represented in contemporary American literature and film. Intersecting archival, trauma, literary and film studies, this project highlights connections across politics of institutions and politics of identity by considering the creative transformation of trauma in representation. Considering how trauma aesthetics across a broad spectrum also illuminates the ways social structures are reinscribed, how tra

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Lawrence, Reginald Marina Brenda. "High school transformation the lived experience of teachers moving to small learning environments /." Diss., Statesboro, Ga.: Georgia Southern University, 2009. http://www.georgiasouthern.edu/etd/archive/fall2009/reginald_m_lawrence/Lawrence_Reginald_M_200908_edd.pdf.

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"A dissertation submitted to the Graduate Faculty of Georgia Southern University in partial fulfillment of the requirements for the degree Doctor of Education." Title from PDF of title page (Georgia Southern University, viewed on June 26, 2010). Brenda Marina, major professor; Lucinda Chance, James Green, Georj Lewis, committee members. Electronic version approved: December 2009. Includes bibliographical references (p.175-208).

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8

Silva, Isabel Anderson Ferreira da 1984. "Conceitos, estilos e procedimentos audiovisuais em documentários de arquivo antinazistas." [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284603.

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Orientador: Marcius Cesar Soares Freire<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-28T08:42:32Z (GMT). No. of bitstreams: 1 Silva_IsabelAndersonFerreirada_D.pdf: 2443528 bytes, checksum: da3f0d83f8a03b8b910bbfd027bd7f26 (MD5) Previous issue date: 2014<br>Resumo: Este trabalho se dedica a explorar os diferentes conceitos, estilos e procedimentos audiovisuais envolvidos na realização de documentários que se constroem a partir de material de arquivo. Para tanto, são apresentadas sete obras que resultam da compilação de imag

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9

Solà, Ortega Joan. "Towards visual localization, mapping and moving objects tracking by a mobile robot : a geometric and probabilistic approach." Toulouse, INPT, 2007. http://ethesis.inp-toulouse.fr/archive/00000528/.

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Dans cette thèse, nous résolvons le problème de construire simultanément une représentation de la géométrie du monde, de la trajectoire de l'observateur, et de la trajectoire des objets mobiles à l'aide de la vision. Nous divisons le problème en trois étapes. D'abord nous donnons une solution au problème de la cartographie et localisation simultanées pour la vision monoculaire qui fonctionne dans les situations les moins bien conditionnées géométriquement. Ensuite, nous incorporons l'observabilité 3D instantanée en dupliquant le matériel de vision avec traitement monoculaire. Ceci élimine des

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Solà, Ortega Joan Devy Michel Monin André. "Towards visual localization, mapping and moving objects tracking by a mobile robot a geometric and probabilistic approach /." Toulouse : INP Toulouse, 2007. http://ethesis.inp-toulouse.fr/archive/00000528.

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11

Schulmann, Clara. "Produire depuis la marge. Les motifs du décentrement dans les films d’artistes,1975-2007." Thesis, Paris 3, 2011. http://www.theses.fr/2011PA030031.

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On a qualifié de « migration des images » le déplacement des images en mouvement depuis les salles de projection jusque dans les salles des musées. Cette « migration » a d’abord constitué le socle initial de ce travail, en fixant les pourtours de son contexte : les images en mouvement, le musée et ses collections, leur dialogue depuis le milieu des années 1990. Délaissant ce sens premier de l’expression, cette étude met au travail son sens figuré : l’idée de migration convie une économie, un système d’échanges, de circulation, un type d’activité propre aux images en mouvement qui élargit ce co

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12

Niedermeyer, Michael. "The development of the University of Central Florida home movie archive and the Harris Rosen collection." Master's thesis, University of Central Florida, 2010. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4663.

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Since the invention of the cinema, people have been taking home movies. The ever- increasing popularity of this activity has produced a hundred years worth of amateur film culture which is in desperate need of preservation. As film archival and public history have coalesced in the past thirty years around the idea that every person's history is important, home movies represent a way for those histories to be preserved and studied by communities and researchers alike. The University of Central Florida is in a perfect position to establish an archive of this nature, one that is specifically dedi

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13

Österberg, Andreas. "Katalogisering av ljudupptagningar : en komparativ studie av Statens Ljud- och Bildarkiv och Sveriges Radios grammofonarkiv = [Cataloguing of sound recordings] : [a comparative study of The National Archive of Recorded Sound and Moving Images and The Grammophone Record Archive of the Swedish Radio] /." Borås : Högsk. i Borås, Bibliotekshögskolan/Biblioteks- och informationsvetenskap, 2004. http://www.hb.se/bhs/slutversioner/2004/04-09.pdf.

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14

McGill, Genevieve. "Moving image, montage and memory : the development of a critical documentary practice, exploring Irish identity through an exploration into found film archives and the cinematic treatment of time and memory." Thesis, University of the Arts London, 2013. http://ualresearchonline.arts.ac.uk/5888/.

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The main aim of this thesis is to provide a voice to a marginalised community on the island of Inishbofin off the North West coast of Co. Donegal in Ireland. The film’s usefulness lies in its portrayal of a small, indigenous, fragile community that clings to existence and its strength lies in giving voice to this minority in an attempt to correct perceptions of Irishness. This thesis seeks to enrich the discourse surrounding the way Irish identity is reconciled through the moving image. The theme is explored through an investigation of a previously unseen film archive—The Martin Archive—alongs

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15

Continentino, Blank Thais. "Da tomada à retomada : origem e migração do cinema doméstico brasileiro." Thesis, Paris 1, 2015. http://www.theses.fr/2015PA010521/document.

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Ce travail de doctorat est consacré au cinéma amateur produit au Brésil entre les années 1920 et 1965. Notre recherche a été développée à partir d'un corpus constitué par des films produits par cinq familles. Dans une première partie, nous revenons sur l'origine et le développent de cette pratique au Brésil en nous basant: l'étude des disputes commerciales qui ont marqué l'arrivée sur le marché des équipements dédiés exclusivement à l'usage amateur; les publications des années 1920 et 1930 consacrées à ce public et sur la récupération du contexte de production des images qui forment notre corp

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16

Armand, Christiane. "Violence, émotion, fascination : Les relations du son et de l’image dans les pratiques plastiques récentes." Thesis, Aix-Marseille, 2014. http://www.theses.fr/2014AIXM3012/document.

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Dans cette thèse, il est question d'interroger la relation entre le son et l'image dans les pratiques plastiques actuelles à partir de travaux majoritairement vidéographiques et de tenter de déterminer comment cette articulation est un vecteur de violence, d'émotion, de fascination mais également comment elle s'inscrit dans le contexte de l'émergence de la pensée, du déplacement du sens et de la réception de l'oeuvre par le spectateur. Ces rapports entre le visuel et le sonore sont dégagés au fil des vidéos rencontrées et une analyse à caractère plus spécifiquement monographique est menée à pa

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17

Miller, April G. "Exhibiting integrity : archival diplomatics to study moving images." Thesis, 2001. http://hdl.handle.net/2429/11781.

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This thesis examines the concepts of reliability, authenticity and documentary form as defined by archival diplomatics and their relation to moving image records, for the purpose of exploring the possibility of using them to develop a method for the preservation of the moving image's intellectual integrity over time. To achieve this purpose, the study establishes a correspondence between the tenriinology and the theories used to express these concepts in the two fields through an examination of archival diplomatics and moving images glossaries, dictionaries and literature. Notwithstandi

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18

Jannise, Stephen Tatum. "The re-mediation of the archive : situating new media in moving image archives." Thesis, 2010. http://hdl.handle.net/2152/ETD-UT-2010-05-1388.

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This thesis outlines the changing landscape of moving image archives in light of the emergence of new media. Whereas, in the twentieth century, these archives were once responsible for the preservation of endangered films and television programs, I argue that, in the twenty-first century, moving image archives will redefine their value to society not through preservation but through the decisions they make, which will affect not simply the intellectual community but the culture at large. The ways in which moving image archives situate new media materials and extend cooperation between instit

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19

Melo, Inês Pedrosa e. ""Home, revised": considering home movie appropriation within a filmmaking practice." Master's thesis, 2021. http://hdl.handle.net/10362/136267.

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Devised as the written theoretical framework for the essay film Home, revised, this dissertation reflects on the home movie as an archival image, tracing its transformation from stand-alone object for private consumption as it is repurposed and appropriated within cinema. Based on the testimonies of filmmakers who have reused archival images in their work, this piece examines both the genesis of the archival image within the larger context of the archive and the particularities of the home movie image as a visual element, paving the way for a reflection on the challenges of visual archival app

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20

Treat, Laura Jean. "Real vs. imaginary users: measuring the impact of home movie collections on historical scholarship." Thesis, 2014. http://hdl.handle.net/2152/26113.

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In the past thirty years, a growing community has emerged to advocate for the preservation and recognition of home movie collections based on their historical significance. Despite the significant cost of preserving and providing access to these collections and the myriad challenges they pose to archivists and researchers, no substantive research exists that evaluates their actual scholarly use or impact. Through a publication analysis and a survey of the Association of Moving Image Archivists, I sought to determine if there is a difference between whom archivists think should be using home mo

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21

Yee, Martha M. "Moving image works and manifestations." Thesis, 1993. http://books.google.com/books?id=2wrhAAAAMAAJ.

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22

Alfaro, Kristen. "Moving Cinema: Experimental Distribution and the Development of Anthology Film Archives." Thesis, 2012. http://spectrum.library.concordia.ca/974690/1/MA_Thesis_Kristen_Alfaro.pdf.

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This thesis examines the emergence of Anthology Film Archives (hereinafter Anthology), an independent and experimental film institution in New York City. Within experimental film history, Anthology is predominantly recognized for the creation of Essential Cinema, a canon of film art. The canon has become the institution’s most famous endeavor and it has contributed to Anthology’s predominant scholarly identity as alternatively a heroic or authoritarian institution. In this thesis, I explore the institution’s conceptualization in the 1960s, its emergence in 1970, and the first five years of its

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23

Talbot, Michael. "SHOP-Net: Moving from Paper to Mobile." Thesis, 2011. http://pubs.cs.uct.ac.za/archive/00000934/.

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Stock-ordering is one of the challenges that microenterprises face, because shop owners often need to leave their shops to travel to suppliers of goods. Triple Trust Organization (TTO) is a non-profit organization (NGO) that works with microenterprises around Cape Town and addresses this problem. They act as a supplier and fetch stock orders from shops they work with. Their ordering system relied on paper order forms and had a number of inefficiencies. To address these inefficiencies, a mobile-based stock-ordering system was designed with TTO. This system allows orders to be recorded and sent

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24

Brochu, Sébastien. "Archivage et transmission des films de famille dans l’environnement numérique." Thèse, 2018. http://hdl.handle.net/1866/21911.

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25

Tsai, Jing-Jing, and 蔡菁菁. "An Intial Investigation of Moving Images Heritage Preservation： Case Studies of Chinese Taipei Film Archive, National Film and Television Archive London, and UCLA Film and Television Archive." Thesis, 1997. http://ndltd.ncl.edu.tw/handle/98w88p.

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26

Tsai, Jing-Jing, and 蔡菁菁. "An Intial Investigation of Moving Images Heritage Preservation： Case Studies of Chinese Taipei Film Archive, National Film and Television Archive London, and UCLA Film and Television Archive." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/21067432756565712274.

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27

Longley, Alys. "Moving words : five instances of dance writing." Thesis, 2011. https://vuir.vu.edu.au/19355/.

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Writing has been cast as monstrous – or at least violent – in its ability to disfigure, maim and destroy the life of live arts. Yet for many dance practitioners, writing is an integral part of studio-based dance processes, a necessary form of reflection and a site for creative experimentation and planning. In recognition of this positive value of writing for dance, this study explores writing that is coextensive with dance practice, in relation to critical theory that engages with writing as performance.

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28

Watts, Sarah E. "Moving out of the corner and onto the web an evaluation of websites created for local history collections in public libraries /." 2006. http://ils.unc.edu/MSpapers/3196.pdf.

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29

Wu, I. Ting, and 吳怡葶. "Home Movies as Historical Document- A Case Study of Home Movies Collections in Film Archive of Tainan National University of the Arts." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/m7pr49.

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碩士<br>國立臺南藝術大學<br>音像紀錄與影像維護研究所<br>104<br>The development of contemporary visual media reflects the multi-culture aspects of mankind; the view of Historiophoty discipline points out a new direction for history writing and representation in which goes beyond the literal and written language shows a visual aspect for human history. Among all, home movie is a genre which is the closest to real life of common people and shows the social change and culture of the locals. This thesis takes home movie as a sample to study if it is possible to be a kind of historical documentation. In the beginning

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30

Cheng, Yi-Ping, and 鄭伊蘋. "An Analysis of Kaohsiung Film Archive''s Movie Audiences'' Lifestyles." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/77968323329675650664.

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碩士<br>國立中山大學<br>劇場藝術學系碩士班<br>98<br>This study concerns with the characters, movie watching behaviors and lifestyles of the audiences of Kaohsiung Film Archive. Kaohsiung Film Archive, one of the local cultural museums in Kaohsiung city, provides film exhibitions and movie activities for people. The museum studies in Taiwan seldom discussed the audiences’ behaviors based on personal psychological variables. On the other hand, most of the researches about movie viewers were focused in Taipei. This study attempts to reveal the differences of viewers between Kaohsiung Film Archive and other movie

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31

Geisler, Paul René. "Dysacademia in the ivory towers performativity, discipline, control & chaotically moving towards the shadows of the 3rd educational spaces /." 2004. http://www.georgiasouthern.edu/etd/commentframe.php?sid=5&fid=archive/Spring2004/pgeisle1/geisler%5Fpaul%5Fr%5F200401%5Fedd.pdf&PHPSESSID=f28cc8996292a71e72dfd0017dbe4b8d.

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Thesis (Ed. D.)--Georgia Southern University, 2004.<br>"A thesis submitted to the Graduate Faculty of Georgia Southern University in partial fulfillment of the requirements for the degree Doctor of Education." ETD. Includes bibliographical references (p. 336-345).

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32

Huang, chueh-heng, and 黃瑴恒. "The attribution of document and archive of home movie on the transition of media: Using the film Na-Niang as an example." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/17303854270820525952.

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碩士<br>國立臺南藝術大學<br>音像紀錄與影像維護研究所<br>100<br>This thesis, built on the framework of creating, adopts the concept of essay film and expended cinema, to explore the progress of transition of media on the document and archive of home movie. Therefore, I examine all the individual processes through self-shooting one home movie, Na-Niang. From the year of 2005, I, a camera user, acted as an amateur photographer and then became a professional one in 2006. While studying the graduate school, I learned several aspects including the art of cinema, social consciousness, ethics, historical context etc., whic

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