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Journal articles on the topic 'Archival moving'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Ricci, Steven. "Saving, Rebuilding, or Making: Archival (Re) Constructions in Moving Image Archives." American Archivist 71, no. 2 (2008): 433–55. http://dx.doi.org/10.17723/aarc.71.2.m421h53m66218tg1.

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2

Albano, Caterina. "Moving Emotions: Affect, the Archive and the Moving Image." Cultural History 7, no. 2 (2018): 187–204. http://dx.doi.org/10.3366/cult.2018.0173.

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This article considers the significance of the moving image as an archival record and its implications for the ways in which memory interacts with history. As a defining technology of recording and documenting, film is entangled with history in its making: however, what kinds of narrative ensues from images whose contextual references are opaque to us? What can we garner from footage whose indexical connections have been lost? By focusing on the artistic practice of filmmakers Yervant Gianikian and Angela Ricci Lucchi, I suggest a reading of early-twentieth-century archival film footage, inclu

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Gracy, Karen F. "Enriching and enhancing moving images with Linked Data." Journal of Documentation 74, no. 2 (2018): 354–71. http://dx.doi.org/10.1108/jd-07-2017-0106.

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Purpose The purpose of this paper is to examine the current state of Linked Data (LD) in archival moving image description, and propose ways in which current metadata records can be enriched and enhanced by interlinking such metadata with relevant information found in other data sets. Design/methodology/approach Several possible metadata models for moving image production and archiving are considered, including models from records management, digital curation, and the recent BIBFRAME AV Modeling Study. This research also explores how mappings between archival moving image records and relevant

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Genovese, Taylor R. "Decolonizing Archival Methodology: Combating hegemony and moving towards a collaborative archival environment." AlterNative: An International Journal of Indigenous Peoples 12, no. 1 (2016): 32–42. http://dx.doi.org/10.20507/alternative.2016.12.1.3.

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5

Barnes, Christopher M., Carolyn T. Dang, Keith Leavitt, Cristiano L. Guarana, and Eric L. Uhlmann. "Archival Data in Micro-Organizational Research: A Toolkit for Moving to a Broader Set of Topics." Journal of Management 44, no. 4 (2015): 1453–78. http://dx.doi.org/10.1177/0149206315604188.

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Compared to macro-organizational researchers, micro-organizational researchers have generally eschewed archival sources of data as a means of advancing knowledge. The goal of this paper is to discuss emerging opportunities to use archival research for the purposes of advancing and testing theory in micro-organizational research. We discuss eight specific strengths common to archival micro-organizational research and how they differ from other traditional methods. We further discuss limitations of archival research, as well as strategies for mitigating these limitations. Taken together, we prov

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Ghartey-Tagoe Kootin, Amma Y. "ReView Bamboozled: Archival Affects." Performance Philosophy 4, no. 1 (2018): 294–96. http://dx.doi.org/10.21476/pp.2018.41174.

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The first time the author watched Spike Lee’s Bamboozled (2000), the film literally moved her body 3000 miles. In this video reView, Bamboozled moves the author again, this time to the very space that gives the film its continued, urgent relevance: the archive. In moving and being moved, the author surprisingly discovers a little-known archival collection in Buffalo, NY that directly relates to Lee’s film and its usage of black memorabilia. ReVIEW BAMBOOZLED: ARCHIVAL AFFECTS chronicles the author’s journey into this archive and her remarkable discussion with the archivist and her research ass

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Obasi, Dr Nene F. K., and Dr Rose Ezeibe. "Archival Responsibility, Access and Technological Issues in Contemporary Society." International Journal of Research and Innovation in Social Science 06, no. 12 (2022): 203–8. http://dx.doi.org/10.47772/ijriss.2022.61215.

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The current convergence of interest in archives has generated issues for the archival community and archival practice. These issues- access and preservation, digitization and copyright, user expectations, and global economic realities- are topical and are a determinant in dispensing quality archival services to individuals, and researchers, and a tool for a common understanding and tackling of national and global issues. This paper therefore takes a critical look at them, with a view to proffering possible way out. The paper observed that the ‘slow and steady moving’ archival field will contin

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Gardner, Sally. "Procedures for moving. Walls." Choreographic Practices 11, no. 2 (2020): 245–58. http://dx.doi.org/10.1386/chor_00021_1.

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This article discusses an experiment in combining personal archival digital images, including those taken at various dance performances or rehearsals, in which the phenomenon of interruption was both discovered and investigated. The composite images were shown at a Space, Race, Bodies cultural studies and activist conference with the theme of ‘Walls’, held in 2018 in Aotearoa New Zealand. Parallel with discussing the process of creating these images and considering their effects, the article draws on the experience of exhibiting at the conference to explore relations between poetics and politi

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Pieldner, Judit. "Archival and Fake Found Footage as Medial Figurations in Hungarian Experimental Filmmaking." Revista Laika 3, no. 6 (2014): 104–20. http://dx.doi.org/10.11606/issn.2316-4077.v3i6p104-120.

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In the theoretical discourse of archival footage a shift can be detected from the paradigm of recontextualization to that of rhetorical strategy. In terms of this shift, archival footage is no longer regarded as a mode of transparent representation of “reality”, but rather as figuration that creates productive tension in the course of interaction of moving images. Archival footage acquires a prominent role in Hungarian experimental filmmaking. The present paper focuses on films by two Hungarian experimental filmmakers, Gábor Bódy and András Jeles, in which the archival material stages the conf

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Gracy, Karen. "Distribution and Consumption Patterns of Archival Moving Images in Online Environments." American Archivist 75, no. 2 (2012): 422–55. http://dx.doi.org/10.17723/aarc.75.2.085785x17862105t.

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Wills, Kacie L., and Frica Y. Hayes. "Research Interrupted: A Reflection on Digitizing Sarah Sophia Banks’s Collections and Access to Ephemeral Materials." Romanticism on the Net, no. 74-75 (2020): 1–26. https://doi.org/10.7202/1117984ar.

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In this reflection, we consider the interruptions to archival research caused by COVID-19 and share some of the challenges we have faced moving forward with our digital project on Sarah Sophia Banks’s ballooning scrapbook. We address some of the problems of archival access and explore potential solutions offered by digitized ephemeral materials. In light of recent scholarship that establishes ephemera as a Romantic-era technology that mediates our relationship to various forms of public knowledge, we highlight the scholarly opportunities made available by digital interfaces and tools.

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von Fischer, Sabine. "A Visual Imprint of Moving Air:." Journal of the Society of Architectural Historians 76, no. 3 (2017): 326–48. http://dx.doi.org/10.1525/jsah.2017.76.3.326.

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Prompted by an archival finding from the laboratory of Franz Max Osswald, Switzerland's first academic expert in applied acoustics, Sabine von Fischer explores the schlieren technique for photographing sound in sectional models. A Visual Imprint of Moving Air: Methods, Models, and Media in Architectural Sound Photography, ca. 1930 examines how images were used to communicate findings in the emerging discipline of architectural acoustics. In Osswald's persistent experiments in visualizing the invisible phenomena of sound, the social, the technical, and the aesthetic were inseparable. Using phot

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Amalia, Risa, and I. Putu Dharmanu Yudharta. "Analysis of Archival Management in Improving the Quality of Dynamic Archive Management at the Supreme Audit Agency of the Republic of Indonesia (BPK RI) Representative of Bali Province." West Science Business and Management 2, no. 04 (2024): 1123–32. https://doi.org/10.58812/wsbm.v2i04.1477.

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Every government and private organization is always related to administrative activities that produce important documents which, these documents will become archives and must be managed with good archival management. The purpose of this study was to determine the implementation of archival management in improving the quality of dynamic archive management at the BPK RI Office of Bali Province Representative. Archival management is a series of work processes that include recording, controlling, distributing, storing, monitoring, maintaining, moving / shrinking, and destroying. Qualitative resear

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Schöggl-Ernst, Elisabeth. "The Impact of the General Data Protection Regulation on Archives in Austria." Atlanti 28, no. 2 (2018): 123–30. http://dx.doi.org/10.33700/2670-451x.28.2.123-130(2018).

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The General Data Protection Regulation gets Austrian archival legislation and administration moving. Because of the General Data Protection Regulation, it is necessary to amend Austrian Archival Legislation. Before the General Data Protection Regulation came into force Archives as well as other administration departments had to list all processed personal data. The paper deals with different processed personal data, which had to be notified and with the problem that many administration bodies wanted to get rid of their records before the end of May. How private archives are affected and which

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Oliveira, Ana Balona de. "Decolonization in, of and through the archival “moving images” of artistic practice." Comunicação e Sociedade 29 (June 27, 2016): 131–52. http://dx.doi.org/10.17231/comsoc.29(2016).2413.

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This essay investigates the ways in which contemporary artistic practices have been working towards an epistemic and ethico-political decolonization of the present by means of critical examinations of several sorts of colonial archives, whether public or private, familial or anonymous. Through the lens of specific artworks by the artists Ângela Ferreira, Kiluanji Kia Henda, Délio Jasse, Daniel Barroca and Raquel Schefer, this essay examines the extent to which the aesthetics of these video, photographic and sculptural practices puts forth a politics and ethics of history and memory relevant to

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Barkov, Maxim V., Maxim Lyutikov, Noel Klingler, and Pol Bordas. "Kinetic ‘jets’ from fast-moving pulsars." Monthly Notices of the Royal Astronomical Society 485, no. 2 (2019): 2041–53. http://dx.doi.org/10.1093/mnras/stz521.

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AbstractSome fast-moving pulsars, such as the Guitar and the Lighthouse, exhibit asymmetric non-thermal emission features that extend well beyond their ram pressure confined pulsar wind nebulae (PWNe). Based on our 3D relativistic simulations, we analytically explain these features as kinetically streaming pulsar wind particles that escaped into the interstellar medium (ISM) due to reconnection between the PWN and ISM magnetic fields. The structure of the reconnecting magnetic fields at the incoming and outgoing regions produces highly asymmetric magnetic bottles therefore and result in asymme

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Walter, Alissa. "The repatriation of Iraqi Ba‘th Party archives: Ethical and practical considerations." Journal of Contemporary Iraq & the Arab World 16, no. 1 (2022): 117–36. http://dx.doi.org/10.1386/jciaw_00076_1.

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The displacement of millions of Iraqi archival records to the United States in the 1990s and early 2000s generated considerable controversy about the legality and ethics of moving a country’s archival records to another country, especially during wartime. Since 2020, however, most of these records have been returned to Iraq, though digital copies remain accessible in the United States in many cases. How does the repatriation of Iraqi archival documents impact the ethical arguments for and against researchers using the digitized copies of previously displaced archives? And now that records have

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Conrad, David C. "Archival Research in Guinea-Conakry." History in Africa 20 (1993): 369–78. http://dx.doi.org/10.2307/3171982.

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There has been an effective movement afoot in the Republic of Guinea to improve the climate of study and research for local and foreign scholars alike. The most obvious physical evidence of this is the dramatically improved archival facility in Conakry. In April 1991 Les Archives Nationales du Guinée began moving into an entirely new, specially constructed building next to the Ministère de la Jeunesse, des Arts, de la Culture et des Sports. By the summer of 1992, the lengthy process of settling into the building's 1600 square meters appeared to be complete.This is a modern, well-equipped facil

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Marsh, Diana E. "Research-driven approaches to improving archival discovery." IASSIST Quarterly 43, no. 2 (2019): 1–9. http://dx.doi.org/10.29173/iq955.

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The National Anthropological Archives (NAA), part of the Department of Anthropology at the Smithsonian’s National Museum of Natural History, holds some 18,000 cubic feet of materials of relevance to qualitative researchers. These archival collections—manuscripts, fieldnotes, audio recordings, drawings, maps, and still and moving images—are used by not only anthropologists, but increasingly scholars from a range of qualitative research fields. In 2016, the NAA received a grant to support a 3-year post-doctoral fellow to conduct research that would lead to the improved discovery and use of archi

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Plunkett, John. "An Early Moving Picture Industry? Exhibition Networks and the Panorama 1810–1850." Huntington Library Quarterly 87, no. 2 (2024): 313–35. https://doi.org/10.1353/hlq.2024.a964277.

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ABSTRACT: This essay examines the emergence of the moving panorama as a transformative exhibition format in early nineteenth-century Britain, highlighting its innovative networked model of show business, which prefigured later entertainment industries. Focusing on Peter and William Marshall, the most significant exhibitors of moving panoramas during the 1820s, the essay maps their extensive touring operations across Britain and Europe, revealing the unprecedented scale and organization of their enterprise. Drawing on archival sources, advertisements, and contemporary accounts, it situates the

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Grimaldi, Carmine. "Televising Psyche." Representations 139, no. 1 (2017): 95–117. http://dx.doi.org/10.1525/rep.2017.139.1.95.

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In 1967, an experimental therapeutic clinic opened in San Francisco. Called the “Hippie Drug Ward,” it sought to cure a wayward generation through an immersive multimedia environment. Examining archival records only recently made available, this paper explores the way the moving image—and in particular videotape—created a space in which style, affect, and psyche became commingled.

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Langegger, Sig, and Stephen Koester. "Moving on, finding shelter: The spatiotemporal camp." International Sociology 32, no. 4 (2017): 454–73. http://dx.doi.org/10.1177/0268580917701584.

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This article orbits two mandated mobilities: moving on and finding shelter – one continual and one oriented toward confinement. Reporting ethnographic fieldwork and archival research in Denver, a city that recently outlawed camping in all open space, this article builds a model of spatial confinement. The article argues that, in concert with other quality of life laws, poverty management sequesters Denver’s poor in what the authors term a spatiotemporal camp, a fluid zone produced by delimiting self-reliance and truncating the ability of individuals to relate to social and physical environment

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23

Re, Valentina. "Curation, Algorithmic 'Caregiving' and Collective Archival Practices. Rethinking the Archival Work of Culture in Streaming Media." VIEW Journal of European Television History and Culture 13, no. 26 (2024): 12–30. https://doi.org/10.18146/view.330.

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This paper is structured around the central themes of archive, network, and algorithmic personalisation, moving from the historical context of digital media and the metaphors of the archive, to the specific case of streaming television. I argue that streaming aggregators such as Netflix are shifting the focus of curatorial or caretaking activity from content to consumers - from criteria of selection, classification, and presentation of content to the effectiveness of automated processes masked as ‘caregiving’ practices. This shift has the potential to significantly change, or even invalidate,

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Brunow, Dagmar, and Ingrid Stigsdotter. "Scandinavian cinema culture and archival practices: Collecting, curating and accessing moving image histories." Journal of Scandinavian Cinema 7, no. 2 (2017): 75–78. http://dx.doi.org/10.1386/jsca.7.2.75_2.

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Borglund, Erik, and Tove Engvall. "Open data?" Records Management Journal 24, no. 2 (2014): 163–80. http://dx.doi.org/10.1108/rmj-01-2014-0012.

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Purpose – The aim of the article is to investigate what characterizes the information constructs that the archival discourse and the open data discourse communicate in text, and what their similarities and differences are. This article proposes that it is possible to see the open data initiative and modern archival practice as two discourses that have used different terminology to express and communicate their messages in the literature. In this article, we have applied a hypothesis-like assumption that the information constructs used in open data are actually nothing other than records, as th

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Blos-Jáni, Melinda. "Sensing History. On the Uses of Medium-Specific Noise in Eastern European Found Footage Films." Acta Universitatis Sapientiae, Film and Media Studies 15, no. 1 (2018): 137–63. http://dx.doi.org/10.1515/ausfm-2018-0008.

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Abstract This article examines how sensual aspects of the moving image, such as visual errors, blurring and technical disturbances are employed in found footage films dealing with Eastern European socialist past and the regime changing events. In the selected films Eastern European socialist visual culture is reworked with the cinematic practices of the post-media age in order to shape the spectators’ historical consciousness. By deliberate reframing and intensifying the medium-specific noises of the archival sources, or by an artificially created visual precariousness a new type of spectatori

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Sorensen, Lauren. "Analog Video in Moving Image Archives & Conservation: Infrastructures of Knowledge from Production to Preservation." KULA: Knowledge Creation, Dissemination, and Preservation Studies 2 (November 29, 2018): 8. http://dx.doi.org/10.5334/kula.32.

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The essay uses a set of theoretical ideas offered by Susan Leigh Star to argue for a shift in contemporary understandings of, and approaches to, video preservation. Instead of focusing on the granular characteristics of tape and their material stability, I argue, the audiovisual archival community should view preservation as a set of linked systems that function within a web of shifting perspectives and context-driven solutions.

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Heyliger, Sean, Juli McLoone, and Nikki Lynn Thomas. "Moving Toward “Mega-choice”: The Evolution of Access Technologies in Special Collections." RBM: A Journal of Rare Books, Manuscripts, and Cultural Heritage 17, no. 1 (2016): 17–31. http://dx.doi.org/10.5860/rbm.17.1.455.

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Introduction Recent technological changes have brought questions of access to the forefront of the special collections and archival professions and transformed the process by which access is attained. Librarians and archivists are increasingly called to make far-reaching decisions about the evolving shape of both in-person and remote access to collections, and newcomers to the profession, in particular, can benefit from better understanding the adoption, evolution, and disruption of older access technologies. While contemplating RBM’s call for submissions on the theme of “the digital vs. the p

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Hooper, Lisa. "Moving to Preserve the Past: Current State of Archival Music Collections and Future Possibilities." Music Reference Services Quarterly 14, no. 1-2 (2011): 14–29. http://dx.doi.org/10.1080/10588167.2011.571497.

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Arthur, Winfred, Travis Tubre, Eric Anthony Day, et al. "Motor Vehicle Crash Involvement and Moving Violations: Convergence of Self-Report and Archival Data." Human Factors: The Journal of the Human Factors and Ergonomics Society 43, no. 1 (2001): 1–11. http://dx.doi.org/10.1518/001872001775992507.

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Janíčko, Michal. "Yugoslav Politics in the 1980s from the Perspective of Boris Muževič and Other Former Slovenian Communists." Tokovi istorije 31, no. 3 (2023): 259–77. http://dx.doi.org/10.31212/tokovi.2023.3.jan.259-277.

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The paper reviews the recently published diary of Boris Muževič and earlier memoirs of former Slovenian communist officials. Along with selected archival sources, this literature is used to discuss the role of Muževič and his Slovenian colleagues in the events that preceded the breakup of Yugoslavia. In particular, the attention of the Slovenian politicians was moving from ideological to statehood issues over the period 1985–1989, while Muževič actively participated in escalation of conflicts in the Yugoslav communist leadership.

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Patino, Bernadette Rose Alba. "From Colonial Policy to National Treasure: Tracing the Making of Audiovisual Heritage in the Philippines." Plaridel 15, no. 2 (2018): 41–70. http://dx.doi.org/10.52518/2018.15.2-02patno.

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This study traces the history and construction of institutionalized cultural and audiovisual heritage in the Philippines and investigates how evolving views of heritage have shaped the country’s audiovisual archiving and preservation movement in the last fifty years. It examines the impact of naturalized definitions of heritage, as globalized by the United Nations Educational, Scientific, and Cultural Organization (UNESCO), and the implementation of audiovisual archival institution building, cultural policies, and archival priorities in the Philippines under the heritage banner set out by the

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Gracy, Karen. "Ambition and Ambivalence: A Study of Professional Attitudes toward Digital Distribution of Archival Moving Images." American Archivist 76, no. 2 (2013): 346–73. http://dx.doi.org/10.17723/aarc.76.2.t401kx8j64682224.

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Vianello, Robert. "Appraising Moving Images: Assessing the Archival and Monetary Value of Film and Video Records (review)." Moving Image 4, no. 2 (2004): 138–41. http://dx.doi.org/10.1353/mov.2004.0038.

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Iyer, Usha. "Writing Film History without Films: Song Booklets and an Archival Hermeneutic of Speculation." JCMS: Journal of Cinema and Media Studies 63, no. 5 (2023): 330–56. http://dx.doi.org/10.1353/cj.2023.a941833.

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ABSTRACT: In this article, I consider the implications of my use of song booklets—on account of the absence of the films themselves—to write a history of women’s participation in Indian cinema in the 1930s and 1940s, specifically in the area of film dance. Mapping relationships between the artifact and the film historian, the spectator-collector, the flea market scavenger, and the fan blogger illuminates the role of ephemera in producing varied histories of the moving image. Rather than bemoan or fetishize incomplete archives, I propose that they generate imaginative, self-reflexive methodolog

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Pieldner, Judit. "Remediating Past Images. The Temporality of “Found Footage” in Gábor Bódy’s American Torso." Acta Universitatis Sapientiae, Film and Media Studies 8, no. 1 (2014): 59–78. http://dx.doi.org/10.2478/ausfm-2014-0026.

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Abstract Along Laura U. Marks’s thoughts on the “disappearing image” as embodied experience, the article proposes to bring into discussion particular modes of occurrence of “past images,” whether in form of the use of archival/found footage or of creating visual archaisms in the spirit of archival recordings, within the practice of the Hungarian experimental film making of the 1970s and 1980s, more speciflcally, in Gábor Bódy’s films. The return to archival/found footage as well as the production of visual archaisms reveal an attempt of remediation (Bolter and Grusin) that goes beyond the cult

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Greenwood, Amanda. "Archiving COVID-19: A Historical Literature Review." American Archivist 85, no. 1 (2022): 288–311. http://dx.doi.org/10.17723/2327-9702-85.1.288.

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ABSTRACT The goal of this historical literature review is to make a macro-to-micro analysis of the effort to archive the COVID-19 pandemic, starting with a global view, moving to a national view, focusing on New York State, and ending with the examination of personal narratives within communities. This literature review will discuss the procedures and theories behind how the pandemic was archived from March 2020 to August 2021, with the intention that it will serve as a resource to help individuals understand this difficult and uncertain time from multiple perspectives. This investigation also

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Sharp, Daniel B. "The Provenance of the Robinson and Mississippi Papyri." Archiv für Papyrusforschung und verwandte Gebiete 69, no. 1 (2023): 162–93. http://dx.doi.org/10.1515/apf-2023-0012.

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Abstract The Robinson Papyri and the Mississippi Papyri were first introduced by William H. Willis at the ninth International Congress of Papyrology. This article deconstructs Willis’s paper and, using archival evidence, reconstructs the provenance and makeup of these two distinct collections, moving past Willis’s presentation to provide the history of both collections since 1958. The author brings to light the cross contamination and mislabeling between the Robinson and Mississippi Papyri collections caused by Willis and argues that some pieces published as “Robinson Papyri” are parts of othe

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Romanelli, Mauro. "Museums creating value and developing intellectual capital by technology." Meditari Accountancy Research 26, no. 3 (2018): 483–98. http://dx.doi.org/10.1108/medar-10-2017-0225.

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Purposes The aim of this study is to provide a conceptual framework to explain how museums sustain intellectual capital and promote value co-creation moving from designing virtual environments to introducing and managing Big Data. Design/methodology/approach This study is based on archival and qualitative data considering the literature related to the introduction of virtual environments and Big Data within museums. Findings Museums contribute to sustaining intellectual capital and in promoting value co-creation developing a Big Data-driven strategy and innovation. Practical implications By in

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Nakayama, Makoto, Eli Hustad, Norma Sutcliffe, and Merri Beckfield. "Organic transformation of ERP documentation practices: Moving from archival records to dialogue-based, agile throwaway documents." International Journal of Information Management 74 (February 2024): 102717. http://dx.doi.org/10.1016/j.ijinfomgt.2023.102717.

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Löffler, Petra. "Double Vision: Encountering Early Ethnographic Films in the Digital Archive." Frames Cinema Journal 19 (February 18, 2022): 277–91. http://dx.doi.org/10.15664/fcj.v19i0.2390.

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In 1908, Georg Thilenius, director of the Hamburg Museum für Völkerkunde, sent a group of researchers on an expedition to the then-German colonies in Melanesia and Micronesia. The team was also equipped with a film camera. In comparison to the several thousand photographs, sketches, and notes the quantity of film produced was very low: only around eleven minutes could be shot on 35mm footage. This footage, transferred to 16mm film in the 1940s and digitised in 2018-19, is analysed both as an event of early ethnographic filmmaking and as a specific archival object: to date the object biography

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Yeboah, Leon Brenya, Christian Pilegaard Hansen, Abdulai Abubakari, and Dzigbodi Adzo Doke. "Moving Beyond the Threshold: The Escalation of Farmer-Herder Conflicts in Akim North Municipality of Ghana." African Conflict & Peacebuilding Review 14, no. 1 (2024): 1–27. http://dx.doi.org/10.2979/acp.00001.

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ABSTRACT: This paper examines conflicts between farmers and herders through the lens of conflict escalation theory. The paper focuses on the case of the Asante Akim North Municipality of Ghana. The paper builds on forty-eight semi-structured interviews, two focus group discussions, and archival materials that were analyzed qualitatively through descriptive, thematic, and content analysis. The paper demonstrates how the conflict escalates through a sequence of actions and reactions by multiple actors with varying interests. The conflict travels from a stage of latency where actors employ nonvio

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Susiani, Fitri. "KAJIAN PROSEDUR PEMINDAHAN ARSIP: STUDI KASUS DI BANK INDONESIA." Diplomatika: Jurnal Kearsipan Terapan 3, no. 1 (2020): 38. http://dx.doi.org/10.22146/diplomatika.51749.

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This paper describes the procedure for transferring records carried out by Bank Indonesia. Transfer of records is one part of the shrinking program archive. Transfer of records is important to do to protect records that have a use value and to avoid stacking records. The data used in the study are primary data and secondary data. Primary data were obtained from observations or participatory observations, in-depth interviews with records managers, as well as studies of archival policies issued by Bank Indonesia. The secondary data in the form of an assessment of library materials. The conclusio

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Papler, Peter, Darko Ščavničar, and Tomaž Kladnik. "Razvoj vojaške formacije in vojaškega delovanja Slovenskega domobranstva." Dileme : razprave o vprašanjih sodobne slovenske zgodovine 8, no. 2 (2024): 47–79. https://doi.org/10.55692/d.18564.24.8.

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Based on studying archival materials and literature, the article discusses the forming and development of the military formation and military operations of the Slovenian Home Guard. He notes that with the development of the political and military situation in the Province of Ljubljana, the Slovenian Home Guard quickly changed its composition and military operations. From defensive–policing formations stationed at military posts, the units evolved into mainly offensive military formations of quick-moving shock battalions. Autonomous military operations of SlovenianHome Guard units against Parti

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Skomal, Gregory B., Grayson Wood, and Nick Caloyianis. "Archival tagging of a basking shark, Cetorhinus maximus, in the western North Atlantic." Journal of the Marine Biological Association of the United Kingdom 84, no. 4 (2004): 795–99. http://dx.doi.org/10.1017/s0025315404009968h.

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A 6·1-m long female basking shark (Cetorhinus maximus) was tagged 73 km east of Nantucket Island, Massachusetts on 27 September 2001 with a pop-up archival transmitting tag. The tag detached prematurely on 6 December 2001 in an area approximately 800 km south-west of the tag site off the coast of North Carolina. The basking shark was vertically active for the 71-d tracking period, moving through depths and temperatures ranging from the surface to 320 m and 5·8 to 21·0°C, respectively. The shark displayed temporal variation in its residence depth and exhibited a marked temperature preference, w

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Rüther, Kirsten. "Asking Appropriate Questions, Reconsidering Research Agendas: Moving between London and Lusaka, in- and outside the Archive." Administory 4, no. 1 (2019): 110–24. http://dx.doi.org/10.2478/adhi-2019-0007.

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AbstractThis article deals with the question of how issues of late colonial housing in Zambia were passed through various segments and between various layers of an encompassing colonial administration. It is equally about the question how the researcher retraces that process of administering housing. The main argument is that a discourse clad in techno-scientific language in the colonial metropole assumed undertones of development and morality in the colony. The text pays particular attention to the bureaucratic individuals seizing opportunities – often in cooperation with one or two colleague

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VUONG, LÉA. "Art and Archive: Louise Bourgeois through a Feverish Gaze." Australian Journal of French Studies 59, no. 1 (2022): 46–59. http://dx.doi.org/10.3828/ajfs.2022.05.

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This article examines uses of archival documents in the work of French-American artist Louise Bourgeois (1911-2010). Jacques Derrida’s seminal essay on “Archive Fever” (1995) provides a framework for the close study of Bourgeois’s multi-modal archives. The article discusses how the artist’s archives, while embedded in the site that manages them, pursue their existence outside their institutional home: displayed in exhibition spaces, reproduced in print publications and recorded on film, they are constantly moving, all the while pointing to a continuous shift in the place, value and nature of t

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Polonsky, A. B., and E. A. Grebneva. "Space-time ph variability in the Black Sea." Доклады Академии наук 486, no. 4 (2019): 494–99. http://dx.doi.org/10.31857/s0869-56524864494-499.

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Based on the archival data for the period from 1956 to 2010, space-time pH changes in the Black Sea upper layer are analyzed. In the surface layer, a statistically significant decreasing in the pH value (at a level of -0.06 pH units per 50 years) was found. It is mostly due to the growing concentrations of carbon dioxide in the atmosphere. Intermediate layers are characterized by a negative pH trend which absolute value more than fivefold exceeds the surface pH trend. Likely reason of the pH decreases here is a long-term upward moving of acidic waters with a typical velocity of ~1 m per year.

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Martino, Enrique. "Open Sourcing the Colonial Archive – A Digital Montage of the History of Fernando Pó and the Bight of Biafra." History in Africa 41 (May 6, 2014): 387–415. http://dx.doi.org/10.1017/hia.2014.15.

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AbstractThe archival sources gathered for my PhD research have all been posted to a blog, www.opensourceguinea.org. Among other things, the sources trace the migrants and laborers in and around the plantation island of Fernando Pó, moving through numerous empires and societies in Equatorial Guinea, Nigeria, Cameroon and Gabon for most of the twentieth century. Having sources “speak for themselves” to the “public” and even “amongst themselves” contributes not only to an expansionary information commons, but also to a methodological reorganization and pluralization. When a multiplicity of source

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Chew, May. "Diasporic Archives and Hauntological Accretions." Frames Cinema Journal 19 (February 18, 2022): 133–57. http://dx.doi.org/10.15664/fcj.v19i0.2383.

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Centering on two recent participatory archive projects, Jacqueline Hoàng Nguyễn’s The Making of An Archive (2014-present), and Regent Park Film Festival’s Home Made Visible (2017-2019), this essay examines how diasporic archives “densify” authoritative records, and allow us to think generatively about archival movements and accretions. Both projects gathered and digitised archives from members of diasporic and racialised communities. Through public calls and workshops soliciting amateur archivists’ personal and familial still and moving image troves, these projects prioritised excavating and i

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