Relevant bibliographies by topics / Archival Narrative

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Archival Narrative'

Author: Grafiati
Published: 4 June 2021
Last updated: 8 February 2022

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Journal articles on the topic "Archival Narrative"

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Ristić, Katarina. "Re-enacting the past in TV news on war crime trials: A method for analysis of visual narratives in archival footage." Media, War & Conflict 13, no. 4 (2019): 448–67. http://dx.doi.org/10.1177/1750635219846857.

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This article provides a method for the analysis of the visual narratives present in the archival footage in programs of TV news, based on an analysis of TV news on war crime trials transmitted by Serbian TV stations. The archival footage in TV news presents specific claims as to an understanding of the trials, as it is assumed to present the ‘reality’ of war, re-enacting the past and eliciting viewers’ emotions. The author argues that the visual narratives emerging from the selection and editing of archival footage create specific meanings of the past, and provide a method for their analysis,
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Sutherland, Tonia. "Disrupting Carceral Narratives: Race, Rape, and the Archives." Open Information Science 4, no. 1 (2020): 156–68. http://dx.doi.org/10.1515/opis-2020-0012.

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AbstractUsing critical archival studies as a methodological frame, this paper applies theories of the carceral archive to two historic legal cases: the Ala Moana Boys and the Central Park Five. Through these two cases I demonstrate that engaging the three primary underpinnings of the carceral archive—documentary records, narrative construction, and Foucauldian conceptions of “the carceral”—can critically expose, complicate, and unsettle carceral narratives, providing a new theoretical framework for troubling what Nigerian author Chimamanda Adichie calls “the danger of a single story” in the hi
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Livingston, Daisy. "Documentary Constellations in Late-Mamlūk Cairo: Property- and Waqf-Related Archiving on the Eve of the Ottoman Conquest of Egypt." Itinerario 44, no. 3 (2020): 528–51. http://dx.doi.org/10.1017/s0165115320000315.

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AbstractThe scholarly discussion of archives in the premodern Islamicate world is beset by problematic generalisations. Such a view to some degree stems from a top-down view of archiving that focuses on state archives at the expense of practices of archiving occurring outside a chancery context. This article challenges the assumptions that support an enduring narrative of paucity, by examining non-chancery archival practices in Mamlūk Cairo on the eve of the Ottoman conquest in 922/1517. In doing this, it looks to some of the surviving original documentary material: legal property deeds with c
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Barros, Amon, Adéle de Toledo Carneiro, and Sergio Wanderley. "Organizational archives and historical narratives." Qualitative Research in Organizations and Management: An International Journal 14, no. 3 (2019): 280–94. http://dx.doi.org/10.1108/qrom-01-2018-1604.

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Purpose The purpose of this paper is to present the role of reflexivity in relation to archives and narratives. Design/methodology/approach The authors problematize the concept of “archive,” by engaging with debates in philosophy and the archival theory. The authors also revisit historical theories and debates on the role of the narrative within historiography. Finally, the authors consider reflexivity as a methodological attitude taken by the researcher at all stages of the investigation from challenging theoretical assumptions of empirical materials to questioning the very narrative that is
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Svärd, Proscovia. "The woes of Swedish private archival institutions." Records Management Journal 27, no. 3 (2017): 275–85. http://dx.doi.org/10.1108/rmj-01-2016-0003.

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Purpose The purpose of this paper is to highlight the long-term preservation challenges that the Swedish private archives are faced with. In as much as they offer a complement to the public archives and hence offer a nuanced national narrative, they lack both financial and human resources to effectively deal with the digital information management environment. Design/methodology/approach Participatory Action Research (PAR) was used to identify the challenges of long-term preservation together with the six private archives institutions that were involved in the collaboration. The collaboration
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Baumgartner, Chelsea Fay. "Bodies of Knowledge: Politics of Archive, Disability, and Fandom." Canadian Journal of Disability Studies 8, no. 2 (2019): 221–46. http://dx.doi.org/10.15353/cjds.v8i2.499.

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The work of critical theory cannot stop when it leaves the classroom, but must encompass the lived experience of the everyday. This essay combines personal narrative, disability theory, and a discussion of archiving strategies to question the boundaries of disability, injury and impairment.
 Although fandom has an interesting and constructive relationship with disability, injury, and impairment, this paper does not focus on individual fan-works that feature these topics. This essay is instead an examination of the macro-structure of two different archives: TV Tropes and Archive of Our Own
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Skultans, Vieda. "Arguing with the KGB Archives. Archival and Narrative Memory in Post-Soviet Latvia." Ethnos 66, no. 3 (2001): 320–43. http://dx.doi.org/10.1080/00141840120095122.

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Smith, Sidonie, and Julia Watson. "The Afterlives of Those Who Write Themselves. Rethinking Autobiographical Archives." European Journal of Life Writing 9 (December 28, 2020): BE9—BE32. http://dx.doi.org/10.21827/ejlw.9.37323.

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As those who write themselves, life narrators are readers, interpreters, and curators of the archival material, both intimate and impersonal, accrued during their lifetimes. These materials form an archival pre-life that is extended and complemented by posthumous remediations of their narrated lives. Personal archives may include writing in journals and diaries, digital exchanges on social media and blogs, documents, and images in photographs and drawings, as well as the ephemera of recorded memories and impressions; as this archive is activated in life writing, its texts project an archival i
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Ruppel, Marc. "Narrative Convergence, Cross-Sited Productions and the Archival Dilemma." Convergence: The International Journal of Research into New Media Technologies 15, no. 3 (2009): 281–98. http://dx.doi.org/10.1177/1354856509105108.

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Sangwand, T.-Kay. "Preservation is Political: Enacting Contributive Justice and Decolonizing Transnational Archival Collaborations." KULA: Knowledge Creation, Dissemination, and Preservation Studies 2 (November 29, 2018): 10. http://dx.doi.org/10.5334/kula.36.

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This article contributes to critical archival studies discourse and builds upon the theoretical and practical work accomplished under the postcustodial rubric in order to propose an archival framework that is explicitly oriented in the service of justice. Global north/south postcustodial collaborations highlight the ethical and practical obligation of adopting an archival framework that accounts for expanded notions of stewardship and narrative agency. As an archivist based in US academic libraries who works primarily on transnational archival collaborations in the global south, I want to intr
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Dissertations / Theses on the topic "Archival Narrative"

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Patti, Harper. "From the Theory of Archival Narrative to the Practice of Archival Blogging: Why the Characteristics of Narrative Matter." Thesis, Université d'Ottawa / University of Ottawa, 2014. http://hdl.handle.net/10393/31363.

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This thesis aims at defining the archival narrative from the discourse between archivists and historians writing on “archives as subject”. The objectives of this thesis are to identify and define the characteristics of archival narrative and to apply these characteristics to archival blogging. Qualitative and reflective, this research conducted a comprehensive and systematic literature review on “archives as subject” to produce a conceptual framework that defines archival narrative and its characteristics. A content analysis was also conducted to determine how the characteristics defining arch
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Flaherty, Kristen R. "Fragments of Narrative: Hidden Voices of the Archival Process." University of Cincinnati / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1336742036.

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Cândido, Gilberto Gomes. "O ato narrativo e a ética na descrição do documento de arquivo /." Marília, 2020. http://hdl.handle.net/11449/192628.

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Orientador: João Batista Ernesto de Moraes<br>Resumo: A Descrição do Documento de Arquivo, como uma das funções de procedimento Arquivístico, é elaborada de modo a permitir a difusão e o acesso aos usuários; tal método procura proporcionar elementos/caracteres do conteúdo formal do documento de forma a se elaborar instrumentos de pesquisa. Assim sendo, a Descrição é um processo de representação dos elementos intrínsecos e extrínsecos ao Documento de Arquivo e deve ser fidedigna. Com isto, objetivou-se conhecer e como ocorrem o Ato Narrativo e a Ética na representação do documento de arquivo, d
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Fox, Heather A. "Arranging Stories: The Implications of Narrative Decision in Short Story Collections by Southern Women Writers, 1894-1944." Scholar Commons, 2017. https://scholarcommons.usf.edu/etd/7254.

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Southern writer Ellen Glasgow once told an audience that “the longer one lives in this world of hazard and disaster, the more reckless one should become . . . in the matter of words.” Between the 1880s and the 1940s, opportunities for southern women writers like Glasgow increased dramatically, first bolstered by readership demands for southern stories in northern periodicals and followed by their acceptance into the southern literary canon during the 1920s-30s Southern Renaissance movement. And yet, it remained difficult for southern women writers to be reckless with words. Confined by magazin
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Kuzawa, Deborah Marie. "Queering Composition, Queering Archives: Personal Narratives and the Digital Archive of Literacy Narratives." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1429704823.

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Bunn, J. J. "Multiple narratives, multiple views : observing archival description." Thesis, University College London (University of London), 2011. http://discovery.ucl.ac.uk/1322455/.

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This thesis takes a grounded theory approach in an attempt to seek, articulate and communicate a deeper understanding of the practice known as archival description. In so doing, it also seeks to allow readers to experience for themselves the process through which this thesis took shape, the research journey through which emerged both the questions and the answers. A more detailed exposition of the stages within this process is given in chapter three, which thereby acts as one route map to the whole. Another such map is provided here, in the following brief summary. Undertaking this journey, th
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McVeigh, Kathryn Margaret. "Mosaic narrative a poetics of cinematic new media narrative." University of Southern Queensland, Faculty of Arts, 2008. http://eprints.usq.edu.au/archive/00006235/.

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This thesis proposes the Poetics of Mosaic Narrative as a tool for theorising the creation and telling of cinematic stories in a digital environment. As such the Poetics of Mosaic Narrative is designed to assist creators of new media narrative to design dramatically compelling screen based stories by drawing from established theories of cinema and emerging theories of new media. In doing so it validates the crucial element of cinematic storytelling in the digital medium, which due to its fragmentary, variable and re-combinatory nature, affords the opportunity for audience interaction. The Poet
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Griffin, Kenneth G. "The impact of archival silences on historical narratives surrounding Ulster Television (UTV)." Thesis, Ulster University, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669691.

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This thesis examines the effect that archival silences have had on historical narratives surrounding Northern Ireland's most popular television broadcaster, Ulster Television (UTV). It aims to discover what categories of archival silences are evident regarding UTV, the impact they have had on our understanding of the station's history and whether recovery strategies used in other classes of archive could be employed to recover some of the resultant 'missing' knowledge. iii These questions are explored through six case studies, each of which aims to illuminate different aspects of the issue of
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Ethell, Linda. "Narrative identity and personal responsibility /." Connect to thesis, 2003. http://eprints.unimelb.edu.au/archive/00000790.

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Lerpiniere, Claire. "The Textile Archive : curating personal histories and family narratives." Thesis, De Montfort University, 2015. http://hdl.handle.net/2086/11438.

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Textiles are a ubiquitous facet of global culture, with the potential to become records of significant relationships, events, and stories over their lifetime. This research project investigates textiles which have been informally gathered together, and kept within the home, for their emotional or symbolic resonance. No longer used for their designed function, these textiles are saved from disposal for their ability to prompt personal and family histories and stories, in a phenomenon identified within the study as the personal textile archive. Textile design research is increasingly concerned w
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Books on the topic "Archival Narrative"

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Purviance, Robert. Narrative of events which occurred in Baltimore town during the Revolutionary War: To which are appended, various documents and letters, the greater part of which have never been heretofore published. Printd [!] by J. Robinson, 1985.

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Garay, Kathleen E. Archival narratives for Canada: Re-telling stories in a changing landscape. Fernwood Pub., 2011.

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And still the earth: An archival narration. Avon Books, 1985.

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Tamboukou, Maria, and Jamie Lewis. Feminist Narrative Analytics: Letters, Archives and Gendered Labour Politics. SAGE Publications, Ltd., 2015. http://dx.doi.org/10.4135/9781473963467.

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Goldmann, Silvana Tamiozzo. Lo scapigliato in archivio: Sulla narrativa di Giuseppe Rovani. F. Angeli, 1994.

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Unsettling history: Archiving and narrating in historiography. Campus, 2010.

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Macdougall, A. K. Anzacs, Australians at war: A narrative history illustrated by photographs from the nation's archives. Reed Books, 1991.

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Rowan, Archibald Hamilton. Autobiography of Archibald Hamilton Rowan: With additions and illustrations. T. Tegg and Co., 1985.

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Narrating from the archive: Novels, records, and bureaucrats in the modern age. Fairleigh Dickinson University Press, 2010.

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Fittkau, Gerhard. Mein dreiunddreissigstes Jahr: Ein ostpreussischer Pfarrer im Archipel Gulag. Buchverlag Union, 1991.

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Book chapters on the topic "Archival Narrative"

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Morgan-Fleming, Barbara, Sandra Riegle, and Wesley Fryer. "Narrative Inquiry in Archival Work." In Handbook of Narrative Inquiry: Mapping a Methodology. SAGE Publications, Inc., 2007. http://dx.doi.org/10.4135/9781452226552.n3.

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Cameron, Allan. "Articulating History: Archival Aesthetics and the National Narrative." In Modular Narratives in Contemporary Cinema. Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230594197_5.

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Tanzini, Lorenzo. "«Situm in loco alto et forti». Una controversia del vescovo Andrea de’ Mozzi per il monastero di San Miniato." In La Basilica di San Miniato al Monte di Firenze (1018-2018). Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-295-9.09.

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The essay analyses a judicial case of the late 13th century (preserved in the archival funds of the Pistoiese bishopric), in which the bishop of Florence Andrea Mozzi and the nuns of Monticelli (one of the earliest Franciscan female communities in Florence) quarrel for the rights on the church of San Miniato, under the protection of the bishop since the origin of the monastic community in the early 11th century. As usual for this kind of sources, the text provides us with an important array of informations: the references to the written records the contenders used draw an image of the documentary landscape of the monastic communities since the 11th century, and at the same time the narrative of the religious practices of the laity around the church are very well described.
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Oprel, Marieke. "The Archive as Narrator?" In Narratives of War. Routledge, 2019. http://dx.doi.org/10.4324/9780429506840-4.

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Douglas, Kate, and Anna Poletti. "Youth Activism Online: Publics, Practices and Archives." In Life Narratives and Youth Culture. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-55117-7_8.

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Tamboukou, Maria. "Visual Technologies and ‘other archives’." In Women Workers' Education, Life Narratives and Politics. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-49015-5_5.

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Nabutanyi, Edgar. "Narrating Trauma in Yvonne Owuor’s Dust." In Cultural Archives of Atrocity. Routledge, 2019. http://dx.doi.org/10.4324/9780429262166-3.

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Ndirangu, Waiganjo. "Symbolism of Human Relations in Kenyan Narratives of Ethnic Violence." In Cultural Archives of Atrocity. Routledge, 2019. http://dx.doi.org/10.4324/9780429262166-8.

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Brozgal, Lia. "Archive Stories." In Absent the Archive. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789622386.003.0003.

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Chapter 2 brings together several strands of analysis which, together, produce an argument about both official archives and the representation of archives or archival material in works of fiction. Beginning with a narrative about the Parisian police archives on October 17, this chapter charts the archives’ slow road to declassification and the various obstacles that have led to the persistent belief that the machinations of the French state make it impossible to ever fully know their contents. The second section operates in two modes: ethnographically, detailing the author’s own experience of consulting the freshly declassified police archives, and hermeneutically, that is, in the manner of literary critic, offering typological assessments and interpretations of the archival material itself. The final sections of this chapter connect the archive to the anarchive, demonstrating that the latter stages its own archive stories—narratives about the provenance of the archive, its history, and its effect on its user—by foregrounding the subjective experience of characters (researchers, detective, scholars, reporters) who work in, against, or in the absence of archives.
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Carlson Hasler, Laura. "Archival Representations." In Archival Historiography in Jewish Antiquity. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190918729.003.0003.

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Chapter 2 conducts a detailed analysis of how the act of collection works within the narrative portions of Ezra-Nehemiah, defining the archive by surveying various types of collections and their use in these texts. Of these, collections of documents are the most potent and politically vexed within the narrative. Archives arise in Ezra-Nehemiah as both formidable and malleable imperial institutions, contributing equally to the obstruction and advancement of Judean hopes. In Ezra-Nehemiah, and in Ezra 4–6 in particular, the imperial archive is a powerful tool that is wielded for and against the Judeans’ recovery efforts. This chapter establishes the archive as a cipher of the text’s complex and competitive relationship with imperial power.
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Conference papers on the topic "Archival Narrative"

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Lebedev, Pavel. "Three decades of management accounting in Russia: the evolution of understanding of management accounting concept." In Contemporary Issues in Business, Management and Economics Engineering. Vilnius Gediminas Technical University, 2019. http://dx.doi.org/10.3846/cibmee.2019.036.

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Purpose– the article explores how did management accounting concept evolve and develop in Russia during the post-Soviet era. This study is informed by the specific way of the development of management accounting in Russia and a lack of related studies. Research methodology – this is a historical study based on archival methods. Evidence was obtained from sources varying from related literature to personal field notes and reflections arising from observations and experience gained in my more than 2 decades as a consultant and educator in the field of management accounting. The analysis in this
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Damiano, Rossana. "Investigating the Effectiveness of Narrative Relations for the Exploration of Cultural Heritage Archives." In UMAP '19: 27th Conference on User Modeling, Adaptation and Personalization. ACM, 2019. http://dx.doi.org/10.1145/3314183.3323870.

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Borisova, Anna, and Lorena Amorós Blasco. "Un álbum de recuerdos prestados: La fotografía de Google Street View como vestigio de pertenencia en la experiencia del desplazamiento migratorio." In I Congreso Internacional sobre Fotografia: Nuevas propuestas en Investigacion y Docencia de la Fotografia. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/cifo17.2017.6716.

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En 2007 Google lanzó el proyecto Google Street View que consistió en crear un archivo visual de todas las vías transitables del planeta. Aunque su finalidad es proporcionar la información de orientación en el espacio a los usuarios de Google Maps, este archivo fotográfico tiene muchas más utilidades potenciales. Así, artistas como Jon Rafman, Paolo Cirio o Joachim Schmid se han interesado por esta plataforma informática como fuente de la inspiración creativa. Además, dado que este software nos permite pasear por cualquier parte del mundo que ha sido registrada por los automóviles Google, para
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Gabaldón López, Carmelo. "LAETITIA. Barthes, ensayo audiovisual y gay-storylines." In IV Congreso Internacional de Investigación en Artes Visuales. ANIAV 2019. Imagen [N] Visible. Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/aniav.2019.9595.

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La ficción audiovisual como herramienta fundamental en los mecanismos de producción de subjetividades, es utilizada con frecuencia desde los organismos de poder para configurar identidades, producir verdad y legitimar conductas acordes a sus necesidades. Cómo organizamos y consumimos las imágenes en movimiento y el impacto que tiene la sobresaturación de los discursos sobre los mecanismos de construcción identitarios, son elementos de análisis en la pieza audiovisual Laetítia. Concretamente en la esfera dialéctica queer y a través del estudio del fenómeno conocido como gay storylines, proponem
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Calle, Valentina Jimenez. "Ex-Hulming The Past : trabajos de la memoria. Archivo y producción audiovisual como metodología de investigación." In IV Congreso Internacional de Investigación en Artes Visuales. ANIAV 2019. Imagen [N] Visible. Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/aniav.2019.9613.

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La investigación y obra Ex-Hulming the Past, está enfocada en la creación de nuevas narrativas que no hicieron parte de la historia oficial del barrio Hulme ubicado en Manchester durante el periodo de 1972 y 1996. Usando la memoria como materia prima, la investigación articula diferentes tipos de archivos y material audiovisual, haciéndolos dialogar entre ellos al utilizar diversos elementos para representar un pasado común. Esta investigación explora la posibilidades que brinda el ámbito visual, para desentrañar las experiencias y las representaciones de lo que llamamos memoria. En este proce
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González Agudo, Iluminada González Agudo. "Arte y Simulacro: La Fotonovela como recurso para entender las dinámicas sociales contemporáneas en torno a la postfotografía." In IV Congreso Internacional de Investigación en Artes Visuales. ANIAV 2019. Imagen [N] Visible. Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/aniav.2019.9545.

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Los conceptos de realidad y ficción en torno al tratamiento de la identidad, en la dicotomía de lo público y lo privado, ofrecen una línea de estudio para entender y reinterpretar cualquier imagen del archivo desde las artes, asumiendo y entendiendo la necesidad de un concepto reciente: la “postfotografía”. Pero este concepto, lejos de las disociaciones de las investigaciones en las artes visuales y las de la cultura visual, ofrece algunas cuestiones ambiguas cuando tratamos la imagen generada en las redes. Los medios de comunicación social, la proliferación y dominio de las redes sociales, y
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De Nicola, Alessandra. "HERITAGE AND ART EDUCATION THROUGH THE SCREEN. FILLING THE SPACE BY PERFORMATIVE METHODOLOGIES." In International Conference on Education and New Developments. inScience Press, 2021. http://dx.doi.org/10.36315/2021end140.

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Long before the pandemic, museums started to invest, experimenting with some performative practices (Bishop 2006; Lista 2006) as a method and tool to foster access and participation of different audiences to their heritage. Since the advent of the #culturequarantine, in which most of the educational activities have taken place through a digital space, care and attention to gesture and space have become a key to respond effectively to the needs of educators and users. After an initial phase of rejection and disorientation, teachers, educators and trainers had to find new answers. The aim of thi
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Reports on the topic "Archival Narrative"

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Hunter, Fraser, and Martin Carruthers. Iron Age Scotland. Society for Antiquaries of Scotland, 2012. http://dx.doi.org/10.9750/scarf.09.2012.193.

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The main recommendations of the panel report can be summarised under five key headings:  Building blocks: The ultimate aim should be to build rich, detailed and testable narratives situated within a European context, and addressing phenomena from the longue durée to the short-term over international to local scales. Chronological control is essential to this and effective dating strategies are required to enable generation-level analysis. The ‘serendipity factor’ of archaeological work must be enhanced by recognising and getting the most out of information-rich sites as they appear. o There i
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