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Books on the topic 'Archival Narrative'

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Published: 4 June 2021
Last updated: 8 February 2022

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1

Purviance, Robert. Narrative of events which occurred in Baltimore town during the Revolutionary War: To which are appended, various documents and letters, the greater part of which have never been heretofore published. Printd [!] by J. Robinson, 1985.

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2

Garay, Kathleen E. Archival narratives for Canada: Re-telling stories in a changing landscape. Fernwood Pub., 2011.

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3

And still the earth: An archival narration. Avon Books, 1985.

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4

Tamboukou, Maria, and Jamie Lewis. Feminist Narrative Analytics: Letters, Archives and Gendered Labour Politics. SAGE Publications, Ltd., 2015. http://dx.doi.org/10.4135/9781473963467.

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5

Goldmann, Silvana Tamiozzo. Lo scapigliato in archivio: Sulla narrativa di Giuseppe Rovani. F. Angeli, 1994.

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6

Unsettling history: Archiving and narrating in historiography. Campus, 2010.

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7

Macdougall, A. K. Anzacs, Australians at war: A narrative history illustrated by photographs from the nation's archives. Reed Books, 1991.

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8

Rowan, Archibald Hamilton. Autobiography of Archibald Hamilton Rowan: With additions and illustrations. T. Tegg and Co., 1985.

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9

Narrating from the archive: Novels, records, and bureaucrats in the modern age. Fairleigh Dickinson University Press, 2010.

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10

Fittkau, Gerhard. Mein dreiunddreissigstes Jahr: Ein ostpreussischer Pfarrer im Archipel Gulag. Buchverlag Union, 1991.

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11

Solzhenit͡s︡yn, Aleksandr Isaevich. Der Archipel GULAG. Rowohlt Verlag, 1988.

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12

Hoffman, Alice M. Archives of memory: A soldier recalls World War II. University Press of Kentucky, 1990.

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13

Becker, Eberhard. Das Rätsel des Ukas 43 und eine Erkundung des Archipel GULAG: Ein Bericht. Kovač, 1991.

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14

1893-1979, Tacquet Suzanne, and Dupont Maurice 1933-, eds. Avoir 20 ans pendant la Grande Guerre: Carnets intimes 1914-1918, Abbeville-Cayeux/Mer. Éditions La Vague Verte, 2010.

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15

Archive of Turkish Oral Narrative (Texas Tech University). Preliminary catalogue II: The first thousand tales. Archive of Turkish Oral Narrative, 1988.

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16

Yann, Potin, Théofilakis Fabien 1976-, and Institut d'histoire du temps présent (France), eds. Archives d'une captivité, 1939-1945: L'évasion littéraire du capitaine Mongrédien. Textuel, 2010.

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17

Évelyne, Baron, ed. L'indicible guerre. LienArt, 2014.

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18

Dick, F. A. Troubled state: Civil War journals of Franklin Archibald Dick. Truman State University Press, 2008.

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19

Hensanjo, Ōsaka Shishi. Nichi-Ro sensō jūgun heishi shokan: Kyū Higashinari-gun Namazue-mura ōaza Imafuku Shimada-ke monjo kara. Ōsaka-shi Shiryō Chōsakai, 1997.

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20

Anna, Palarczykowa, Stoksik Janina, Instytut Pamięci Narodowej--Komisja Ścigania Zbrodni przeciwko Narodowi Polskiemu., and Archiwum Państwowe w. Krakowie, eds. Diariusz podręczny, 1939-1945. Instytut Pamięci Narodowej--Komisja Ścigania Zbrodni przeciwko Narodowi Polskiemu, 2001.

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21

1957-, Czajka Michał, ed. Inwentarz zbioru pamiętników: Archiwum ŻIH, zespół 302 = Memoirs collection catalogue : Jewish Historical Institute Archives, record group 302. Żydowski Instytut Historyczny--Instytut Naukowo-Badawczy, 2007.

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22

Carlson Hasler, Laura. Archival Historiography in Jewish Antiquity. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190918729.001.0001.

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If history is narrative, then Ezra-Nehemiah is only partly history. Well over half of Ezra-Nehemiah is not a narrative but rather a patchwork of cited texts that are frequently intervening in the story. The capacity of citations in Ezra-Nehemiah to offend the historiographical, aesthetic, and theological sensibilities of scholars invites the question of what citation accomplishes in this context. This book labels the citation style in Ezra-Nehemiah as “archival historiography.” It argues that the act of citation in Ezra-Nehemiah forms an alternative site of archiving and this hybrid literary f
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23

Gardner, Eric. Slave Narratives and Archival Research. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199731480.013.006.

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24

Stead, Lisa. Reframing Vivien Leigh. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190906504.001.0001.

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Reframing Vivien Leigh takes a fresh new look at one of the twentieth century’s most iconic stars. Focusing on Vivien Leigh as a distinctly archival subject, the book draws upon original oral history work with curators, archivists, and fan collectives and extensive research within a network of official and unofficial archives around the world to produce alternative stories about her place within film history. The study examines an intriguing variety of historical correspondence, costume, scripts, photography, props, and memorabilia in order to reframe the dominant narratives that have surround
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25

Practicing Ethnohistory: Mining Archives, Hearing Testimony, Constructing Narrative. University of Nebraska Press, 2006.

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26

Matthews, Christopher N. A Struggle for Heritage. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9780813066684.001.0001.

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A Struggle for Heritage draws on extensive archaeological, archival, and oral historical research and sets a remarkable standard for projects that engage a descendant community left out of the dominant narrative. Matthews demonstrates how archaeology can be an activist voice for a vulnerable population’s civil rights as he brings attention to the continuous, gradual, and effective economic assault on people of color living in a traditional neighborhood amid gentrification. Providing examples of multiple approaches to documenting hidden histories and silenced pasts, this study is a model for pu
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27

Yue, Genevieve. Girl Head. Fordham University Press, 2020. http://dx.doi.org/10.5422/fordham/9780823289554.001.0001.

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For decades, feminist film analysis has been focused on issues of representation: images of women in film. But what are the feminist implications of the material object underlying that image, the filmstrip itself? What does feminist analysis have to offer in understanding the film image before it enters the realm of representation? In Girl Head: Feminism and Film Materiality, Genevieve Yue explores how gender and sexual difference have been deeply embedded within film materiality. Though the industrial practices she examines are typically hidden from view, they are no less gendered than the im
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28

(Editor), Glyn S. Burgess, and Leslie C. Brook (Editor), eds. French Arthurian Literature IV: Eleven Old French Narrative Lays (Arthurian Archives) (Arthurian Archives). D.S.Brewer, 2007.

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29

Chang, Jing Jing. Screening Communities. Hong Kong University Press, 2019. http://dx.doi.org/10.5790/hongkong/9789888455768.001.0001.

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Screening Communities uses multi-media archival sources, including government archives, memoirs, fan magazines, newspaper reports, and films to narrate the complexity of social change and political turmoil, both screened and lived, in postwar Hong Kong. In particular, Screening Communities explores the political, ideological, and cultural work of Hong Kong film culture and its role in the building of a postwar Hong Kong community during the 1950s and 1960s, which was as much defined by lived experiences as by a cinematic construction, forged through negotiations between narratives of empire, n
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30

Akerman, Sean. Words and Wounds. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190851712.001.0001.

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In this study of exile, Sean Akerman chronicles the ways in which narrative approaches provide opportunities to understand and represent the lives of those who have been displaced after violence. Drawing on fieldwork he conducted with Tibetan exiles in New York City, and supplemented with archival research from other exilees around the world, Akerman investigates how narrative approaches can reveal what it’s like to embody historical tensions, how identity becomes contested within displaced groups, and how personal stories become ingrained into the responsibilities of political realities. Aker
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31

Gotman, Kélina. Médecine Rétrospective. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190840419.003.0007.

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Neurology emerged as a transdisciplinary field of research, allying iconographic collage, clinical experimentation, performative re-enactment, narrative, and historiography. Jean-Martin Charcot and his colleagues at the Salpêtrière Hospital in Paris engaged in what they called ‘retrospective medicine’, an archival exercise that involved compiling images from the past depicting convulsive gestures that represented, they thought, hysteria, epilepsy, and ‘hysteroepilepsy’, a theatrical form of acting out they considered stemmed from the patient’s imagination. From the Convulsionaries of Saint-Méd
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32

Rascaroli, Laura. Framing. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190238247.003.0008.

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Essay films performatively display the process of thinking; hence, issues of textual and contextual framing are at the center of their practice. To frame is to detach an object from its background and, thus, to carve a gap between object and world. The chapter starts from a discussion of Irina Botea’s Picturesque (2012): an argument centered on the tourist image is predicated on a dual recourse to the frame—first intended as the literal operation of mise en cadre and then as narrative, ideological, and cultural framing. It goes on to show that the specificity of the essay film is to be sought
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33

Singh, Zorawar Daulet. Power and Diplomacy. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780199489640.001.0001.

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The notion that a monolithic idea of ‘nonalignment’ shaped India’s foreign policy since its inception is a popular view. In Power and Diplomacy, Zorawar Daulet Singh challenges conventional wisdom by unveiling another layer of India’s strategic culture. In a richly detailed narrative using new archival material, the author not only reconstructs the worldviews and strategies that underlay geopolitics during the Jawaharlal Nehru and Indira Gandhi years, he also illuminates the significant transformation in Indian statecraft as policymakers redefined some of their fundamental precepts on India’s
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34

Burnham, Michelle. Transoceanic America. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198840893.001.0001.

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Transoceanic America offers a new approach to American literature by emphasizing the material and conceptual interconnectedness of the Atlantic and Pacific worlds. These oceans were tied together economically, textually, and politically, through such genres as maritime travel writing, mathematical and navigational schoolbooks, and the relatively new genre of the novel. Especially during the age of revolutions in the late eighteenth and early nineteenth centuries, long-distance transoceanic travel required calculating and managing risk in the interest of profit. The result was the emergence of
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35

Embree, Ainslie T. Frontiers into Borders. Edited by Mark Juergensmeyer. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190121068.001.0001.

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The contemporary status of the eight South Asian nations were determined by creation of the British Indian empire and by the process of decolonization. This book by the late Ainslie T. Embree is an insightful exploration of how the boundaries of these states were created between 1757 and 1857. During these one hundred years, political and military developments in the Indian subcontinent made a significant impact upon the definition of borders as they (almost) exist today. The narrative begins after Aurangzeb’s death, when vast areas of the Mughal Empire were taken over by regional powers, foll
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36

Scott, Walter. Marmion. Edited by Ainsley McIntosh. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474425193.001.0001.

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Marmion (1808) is the second of Walter Scott’s grand historical narrative poems. Its sixteenth-century romance tale is framed within six conversation poems, each addressed to one of Scott’s friends, and supplemented by substantial ethnographical and antiquarian notes. Scott here features as a topical poet, commemorating both national events and occasions, as well as the work of his contemporaries. His relations with aristocratic patrons, artists, and statesmen are also amply reflected in the dedicatory epistles. It was with the overwhelming success of Marmion (four editions and over 11,000 cop
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37

Mclachlan, Fiona, and Douglas Booth. Who’s Afraid of the Internet? University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038938.003.0011.

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This chapter argues that the Internet and its broad array of social media effectively constitute an endless historical archive that immerses historians “in an expanded, and expanding, collection of fragments.” This immersion coincides time-wise with changing historical approaches that embrace cultural forms and new ontologies, epistemologies, and methodologies. Using three historical genres—reconstructionism, constructionism, and deconstructionism—the chapter analyzes the ways that sport historians do, and could, engage with the Internet. For reconstructionists, the Internet facilitates resear
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38

Natale, Losi, Passerini Luisa, Salvatici Silvia, and International Organization for Migration, eds. Archives of memory: Supporting traumatized communities through narration and remembrance. International Organization for Migration, 2001.

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39

Aso, Michitake. Rubber and the Making of Vietnam. University of North Carolina Press, 2018. http://dx.doi.org/10.5149/northcarolina/9781469637150.001.0001.

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How can a single tree species affect human projects on the scale of empires and nations? Rubber and the Making of Vietnam explores this question for the rubber tree in Vietnamese history. Dating back to the nineteenth-century transplantation of a latex-producing tree from the Amazon to Southeast Asia, rubber production has wrought monumental changes worldwide. During a turbulent Vietnamese past, rubber has transcended capitalism and socialism, colonization and decolonization, becoming a key commodity around which life and history have flowed. Synthesizing archival material in English, French,
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40

McNaughton, James. Samuel Beckett and the Politics of Aftermath. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198822547.001.0001.

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Samuel Beckett and the Politics of Aftermath explores Beckett’s creative response to the Irish Civil War and the crisis of commitment in 1930s Europe, to the rise of fascism and the atrocities of World War II. Grounded in archival material, the book reads Beckett’s letters and German Diaries to demonstrate Beckett’s personal attunement to propaganda and expectations for war. We see how profoundly Beckett’s fiction and theater engage with specific political strategies, rhetoric, and events. Deep into literary form, syntax, and language, Beckett contends with ominous political and historical dev
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41

Purdy, Michelle A. Transforming the Elite. University of North Carolina Press, 2018. http://dx.doi.org/10.5149/northcarolina/9781469643496.001.0001.

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When traditionally white public schools in the South became sites of massive resistance in the wake of the Supreme Court's Brown v. Board of Education decision, numerous white students exited the public system altogether, with parents choosing homeschooling or private segregationist academies. But some historically white elite private schools or independent schools, the most prestigious of private schools, opted to desegregate. The black students that attended these schools courageously navigated institutional and interpersonal racism but ultimately emerged as upwardly mobile leaders. Transfor
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42

Hoffman, Alice M., and Howard S. Hoffman. Archives of Memory: A Soldier Recalls World War II. University Press of Kentucky, 2009.

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43

Desai, Ashwin, and Goolam Vahed. A History of the Present. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780199498017.001.0001.

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While small in number, the place of the Indian in South Africa has historically loomed large because of their strong commercial and professional middle class, international influence through India, the commitment of many Indians to the anti-apartheid struggle and the prominent role that they have played in political and economic life post-apartheid. A History of the Present is the first book-length overview of Indian South Africans in the quarter century following the end of apartheid. Based on oral interviews and archival research it threads a narrative of the lives of Indian South Africans t
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44

Marrone, Gaetana. The Cinema of Francesco Rosi. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190885632.001.0001.

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Francesco Rosi’s work, which includes an impressive number of individually celebrated films, occupies a unique place in postwar Italian, indeed postwar world, cinema. Over the years, Rosi has offered films that trace an intricate path between the real and the fictive, the factual and the imagined. His films show an extraordinarily consistent formal balance while representing historical events as social emblems that examine, shape, and reflect the national self. They rely on a labyrinthine narrative structure, in which the sense of an enigma replaces the unidirectional path leading ineluctably
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45

White, Eric B. Reading Machines in the Modernist Transatlantic. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474441490.001.0001.

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Reading Machines in the Modernist Transatlantic provides a new account of aesthetic and technological innovation, from the Machine Age to the Information Age. Drawing on a wealth of archival discoveries, it argues that modernist avant-gardes used technology not only as a means of analysing culture, but as a way of feeding back into it. As well as uncovering a new invention by Mina Loy, the untold story of Bob Brown’s ‘reading machine’ and the radical technicities of African American experimentalists including Gwendolyn Bennett, Ralph Ellison and Langston Hughes, the book places avant-gardes at
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46

Liddy, Christian D. Contesting the City. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198705208.001.0001.

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The political narrative of late medieval English towns is often reduced to the story of the gradual intensification of oligarchy, in which power was exercised and projected by an ever smaller ruling group over an increasingly subservient urban population. This book takes its inspiration not from English historiography, but from a more dynamic continental scholarship on towns in the southern Low Countries, Germany, and France. Its premise is that scholarly debate about urban oligarchy has obscured contemporary debate about urban citizenship. It identifies from the records of English towns a tra
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47

Lippiatt, G. E. M. Simon V of Montfort and Baronial Government, 1195-1218. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198805137.001.0001.

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Dissenter from the Fourth Crusade, disseised earl of Leicester, leader of the Albigensian Crusade, prince of southern France: Simon of Montfort led a remarkable career of ascent from mid-level French baron to semi-independent count before his violent death before the walls of Toulouse in 1218. Through the vehicle of the crusade, Simon cultivated autonomous power in the liminal space between competing royal lordships in southern France in order to build his own principality. This first English biographical study of his life examines the ways in which Simon succeeded and failed in developing thi
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48

Winter, Stefan. A History of the 'Alawis. Princeton University Press, 2018. http://dx.doi.org/10.23943/princeton/9780691167787.001.0001.

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The ʻAlawis, or Alawites, are a prominent religious minority in northern Syria, Lebanon, and southern Turkey, best known today for enjoying disproportionate political power in war-torn Syria. This book offers a complete history of the community, from the birth of the ʻAlawi (Nusayri) sect in the tenth century to just after World War I, the establishment of the French mandate over Syria, and the early years of the Turkish republic. The book draws on a wealth of Ottoman archival records and other sources to show that the ʻAlawis were not historically persecuted as is often claimed, but rather we
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49

Brister, Wanda, and Jay Rosenblatt. Madeleine Dring. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781949979312.001.0001.

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This book is the first scholarly biography of Madeleine Dring (1923–1977). Using diaries, letters, and extensive archival research, the narrative examines her career and explores her music. The story of Dring’s life begins with her formal training at the Royal College of Music, first in the Junior Department and then as a full-time student, a period that also covers her personal experience of events both leading up to and during the early years of World War II. Her career is traced in detail through radio and television shows and West End revues, all productions for which she wrote music, as w
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50

Spiers, Emily. Conclusion Pop-Feminism and the Future. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198820871.003.0007.

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The volume’s primary question is whether the notions of subjectivity and agency proposed by the fiction, non-fiction, and life narratives differ, and how those differences impact upon the degree of political critique. Spiers concludes that multiple pop-feminist forms fixate on the private and the corporeal, endlessly emphasizing individual choice; both everything and nothing can be understood as feminist. Such texts also showcase the sanitized transgressive gesture as an intrinsic element of neoliberal rhetoric, even post-financial crisis. The author demonstrates how examples of literary pop w
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