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Journal articles on the topic 'Archival Narrative'

Author: Grafiati

Published: 4 June 2021

Last updated: 8 February 2022

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1

Ristić, Katarina. "Re-enacting the past in TV news on war crime trials: A method for analysis of visual narratives in archival footage." Media, War & Conflict 13, no. 4 (2019): 448–67. http://dx.doi.org/10.1177/1750635219846857.

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This article provides a method for the analysis of the visual narratives present in the archival footage in programs of TV news, based on an analysis of TV news on war crime trials transmitted by Serbian TV stations. The archival footage in TV news presents specific claims as to an understanding of the trials, as it is assumed to present the ‘reality’ of war, re-enacting the past and eliciting viewers’ emotions. The author argues that the visual narratives emerging from the selection and editing of archival footage create specific meanings of the past, and provide a method for their analysis,

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Sutherland, Tonia. "Disrupting Carceral Narratives: Race, Rape, and the Archives." Open Information Science 4, no. 1 (2020): 156–68. http://dx.doi.org/10.1515/opis-2020-0012.

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AbstractUsing critical archival studies as a methodological frame, this paper applies theories of the carceral archive to two historic legal cases: the Ala Moana Boys and the Central Park Five. Through these two cases I demonstrate that engaging the three primary underpinnings of the carceral archive—documentary records, narrative construction, and Foucauldian conceptions of “the carceral”—can critically expose, complicate, and unsettle carceral narratives, providing a new theoretical framework for troubling what Nigerian author Chimamanda Adichie calls “the danger of a single story” in the hi

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Livingston, Daisy. "Documentary Constellations in Late-Mamlūk Cairo: Property- and Waqf-Related Archiving on the Eve of the Ottoman Conquest of Egypt." Itinerario 44, no. 3 (2020): 528–51. http://dx.doi.org/10.1017/s0165115320000315.

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AbstractThe scholarly discussion of archives in the premodern Islamicate world is beset by problematic generalisations. Such a view to some degree stems from a top-down view of archiving that focuses on state archives at the expense of practices of archiving occurring outside a chancery context. This article challenges the assumptions that support an enduring narrative of paucity, by examining non-chancery archival practices in Mamlūk Cairo on the eve of the Ottoman conquest in 922/1517. In doing this, it looks to some of the surviving original documentary material: legal property deeds with c

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Barros, Amon, Adéle de Toledo Carneiro, and Sergio Wanderley. "Organizational archives and historical narratives." Qualitative Research in Organizations and Management: An International Journal 14, no. 3 (2019): 280–94. http://dx.doi.org/10.1108/qrom-01-2018-1604.

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Purpose The purpose of this paper is to present the role of reflexivity in relation to archives and narratives. Design/methodology/approach The authors problematize the concept of “archive,” by engaging with debates in philosophy and the archival theory. The authors also revisit historical theories and debates on the role of the narrative within historiography. Finally, the authors consider reflexivity as a methodological attitude taken by the researcher at all stages of the investigation from challenging theoretical assumptions of empirical materials to questioning the very narrative that is

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Svärd, Proscovia. "The woes of Swedish private archival institutions." Records Management Journal 27, no. 3 (2017): 275–85. http://dx.doi.org/10.1108/rmj-01-2016-0003.

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Purpose The purpose of this paper is to highlight the long-term preservation challenges that the Swedish private archives are faced with. In as much as they offer a complement to the public archives and hence offer a nuanced national narrative, they lack both financial and human resources to effectively deal with the digital information management environment. Design/methodology/approach Participatory Action Research (PAR) was used to identify the challenges of long-term preservation together with the six private archives institutions that were involved in the collaboration. The collaboration

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Baumgartner, Chelsea Fay. "Bodies of Knowledge: Politics of Archive, Disability, and Fandom." Canadian Journal of Disability Studies 8, no. 2 (2019): 221–46. http://dx.doi.org/10.15353/cjds.v8i2.499.

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The work of critical theory cannot stop when it leaves the classroom, but must encompass the lived experience of the everyday. This essay combines personal narrative, disability theory, and a discussion of archiving strategies to question the boundaries of disability, injury and impairment. Although fandom has an interesting and constructive relationship with disability, injury, and impairment, this paper does not focus on individual fan-works that feature these topics. This essay is instead an examination of the macro-structure of two different archives: TV Tropes and Archive of Our Own

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Skultans, Vieda. "Arguing with the KGB Archives. Archival and Narrative Memory in Post-Soviet Latvia." Ethnos 66, no. 3 (2001): 320–43. http://dx.doi.org/10.1080/00141840120095122.

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Smith, Sidonie, and Julia Watson. "The Afterlives of Those Who Write Themselves. Rethinking Autobiographical Archives." European Journal of Life Writing 9 (December 28, 2020): BE9—BE32. http://dx.doi.org/10.21827/ejlw.9.37323.

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As those who write themselves, life narrators are readers, interpreters, and curators of the archival material, both intimate and impersonal, accrued during their lifetimes. These materials form an archival pre-life that is extended and complemented by posthumous remediations of their narrated lives. Personal archives may include writing in journals and diaries, digital exchanges on social media and blogs, documents, and images in photographs and drawings, as well as the ephemera of recorded memories and impressions; as this archive is activated in life writing, its texts project an archival i

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Ruppel, Marc. "Narrative Convergence, Cross-Sited Productions and the Archival Dilemma." Convergence: The International Journal of Research into New Media Technologies 15, no. 3 (2009): 281–98. http://dx.doi.org/10.1177/1354856509105108.

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Sangwand, T.-Kay. "Preservation is Political: Enacting Contributive Justice and Decolonizing Transnational Archival Collaborations." KULA: Knowledge Creation, Dissemination, and Preservation Studies 2 (November 29, 2018): 10. http://dx.doi.org/10.5334/kula.36.

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This article contributes to critical archival studies discourse and builds upon the theoretical and practical work accomplished under the postcustodial rubric in order to propose an archival framework that is explicitly oriented in the service of justice. Global north/south postcustodial collaborations highlight the ethical and practical obligation of adopting an archival framework that accounts for expanded notions of stewardship and narrative agency. As an archivist based in US academic libraries who works primarily on transnational archival collaborations in the global south, I want to intr

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Turner, Alison. "The Autologic Archive: Appraisal, Institutional Motives, and Essentializing Identity in Refugee and Asylum Application Narratives, In and Out of Fiction." American Archivist 83, no. 2 (2020): 373–96. http://dx.doi.org/10.17723/0360-9081-83.2.373.

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ABSTRACT This article merges the postmodern critical thinking that scrutinizes bias and power in the formation of archival collections with the refugee and asylee resettlement process in the United States. It proposes that the theoretical accumulation of narratives recorded on applications for refugee and asylum status can be conceived of as a theoretical archive, physically boundless and spread across countries of origin, temporary host countries, and countries of resettlement. A postmodern-archivist lens helps to interrogate the implications of what Mireille Rosello calls the “problematic ga

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Garaty, Janice, Lesley Hughes, and Megan Brock. "Seeking the voices of Catholic Teaching Sisters: challenges in the research process." History of Education Review 44, no. 1 (2015): 71–84. http://dx.doi.org/10.1108/her-03-2014-0022.

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Purpose – The purpose of this paper is to encourage historical research on the educational work of Catholic Sisters in Australia which includes the Sisters’ perspectives. Design/methodology/approach – Reflecting on the experiences of research projects which sought Sisters’ perspectives on their lives and work – from archival, oral and narrative sources – the authors discuss challenges, limitations and ethical considerations. The projects on which the paper is based include: a contextual history of a girls’ school; a narrative history of Sisters in remote areas; an exploration of Sisters’ socia

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Judge, Rajbir Singh, and Jasdeep Singh Brar. "Critique of Archived Life: Toward a Hesitation of Sikh Immigrant Accumulation." positions: asia critique 29, no. 2 (2021): 319–46. http://dx.doi.org/10.1215/10679847-8852098.

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AbstractIn 2016, the Pioneering Punjabi Digital Archive (PPDA) went online. Attempting to reveal how the Punjabi community struggled and then thrived in California, the PPDA accumulates narratives of Punjabi American life. Against such models of archival intimacy and recovery, which look to cultivate limitless public access to a knowable and transparent subject while reducing structural precarity to the failure of an exceptional Punjabi, this article hesitates in a vexed archival space without guarantees. Within this hesitation, it explores the traces of untimely lives displaced in creating ar

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Cho, Richard M. "Becoming an Imagined Record: Archival Intervention in Autofiction." American Archivist 83, no. 2 (2020): 268–88. http://dx.doi.org/10.17723/0360-9081-83.2.268.

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ABSTRACT Human rights are intricately tied to the practice of archivists, and the imperative to address the silence of the archive has been discussed in archival scholarship. After examining the evolution of archival intervention in arts (films, novels, plays, etc.), this article analyses the narrative components of two novels—W. G. Sebald's Austerlitz (2001) and Valeria Luiselli's Lost Children Archive (2019)—and demonstrates that certain works of autofiction are uniquely fit to become “imagined records.” Through the lens of “archival reading,” the article reveals these novels' narrative trai

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Rabinowitz, Richard. "Eavesdropping at the Well." Public Historian 35, no. 3 (2013): 8–45. http://dx.doi.org/10.1525/tph.2013.35.3.8.

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Tracing the history of northern slavery in a narrative exhibition at the New-York Historical Society required overcoming the silence of archival and museum collections. Despite the centrality of slavery to the colonial city, the first two centuries of black lives left few traces. In the archival record, African voices were unheard and never registered. A careful deployment of interpretive media—display techniques, audio-visual programs, graphic annotations, commissioned art objects, and architectural design—aimed to bring visitors physically and emotionally ever closer to the experience of New

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Maclean, Mairi, Charles Harvey, John A. A. Sillince, and Benjamin D. Golant. "Living up to the past? Ideological sensemaking in organizational transition." Organization 21, no. 4 (2014): 543–67. http://dx.doi.org/10.1177/1350508414527247.

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This article builds upon archival and oral-history research on organizational change at Procter & Gamble from 1930 to 2000, focusing on periods of transition. It examines historical narrative as a vehicle for ideological sensemaking by top managers. Our empirical analysis sheds light on continuities in the narratives they offer, through which the past emerges as a recurrent lever of strategic manoeuvres and re-orientations. This reveals that while organizational history is sometimes regarded as a strategic asset or intrinsic part of collective memory, it is also re-enacted as a shared heri

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Muhr, Sara Louise, and Beate Sløk-Andersen. "Exclusion and inclusion in the Danish Military." Journal of Organizational Change Management 30, no. 3 (2017): 367–79. http://dx.doi.org/10.1108/jocm-10-2016-0195.

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Purpose The purpose of this paper is to examine why and how past stories of women’s insufficiency for military work survive and how they come to form a gendered organizational narrative dominant in constructing current opinions on women in the military. Design/methodology/approach The analysis is based mainly on archival data, but supported by interview material as well as participant observation data. The authors do this from the assumption that the culturally constructed notion of the ideal soldier is based on a historically constructed professional narrative. Findings The authors show how a

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van Berkel, Maaike. "Reconstructing Archival Practices in Abbasid Baghdad." Journal of Abbasid Studies 1, no. 1 (2014): 7–22. http://dx.doi.org/10.1163/22142371-12340003.

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The Abbasid administration relied extensively on the use of written documents. The central administrative apparatus in Baghdad, with its numerous specialised bureaus, seems to have been one of the main producers of documents and it must have possessed some of the largest archives of its era. However, only few documents issued by and written for the central administration have survived in their original form. Through an analysis of references found in narrative sources, this article seeks to provide a reconstruction of the functioning of the archives of the central administration in Baghdad dur

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Fielder, Elizabeth Rodriguez. "Stowaway stories and mythological realism in Yuri Herrera’s Signs Preceding the End of the World and Mohsin Hamid’s Exit West." Crossings: Journal of Migration & Culture 12, no. 1 (2021): 331–46. http://dx.doi.org/10.1386/cjmc_00035_1.

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This article examines how contemporary authors writing about migration turn to fantastic, spectral and mythical elements when writing about passages of transit. I turn to narratives written by Yuri Herrera and Mohsin Hamid and explore how these authors use mythology and magic to resist telling a ‘true’ story, creating what I call a stowaway aesthetic that hides away other stories in its narrative. By stowing away information and misrepresentation through magic, these authors create impossible stories that attend to archival silences. They enact a resistance against the ways in which the state

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Borja Salguero, Darwin Gonzalo. "Las Imágenes recreadas en los documentales históricos. Un análisis de Con mi corazón en Yambo y La muerte de Jaime Roldós." Ñawi 2, no. 2 (2018): 19. http://dx.doi.org/10.37785/1002202.

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Los documentales narran hechos reales. Sin embargo, en ocasiones utilizan imágenes recreadas para construir una narrativa. Algunas posturas discrepan en que el documental debe ajustarse totalmente a la realidad y no apoyarse en la ficción. Sin embargo, en los documentales históricos se utiliza este recurso de la ficción con el fin de contar acontecimientos relevantes de los que no se disponen de imágenes de archivo. En este trabajo se analizan las escenas recreadas en los documentales ecuatorianos Con mi corazón en Yambo (Restrepo, 2011) y La muerte de Jaime Roldós (Sarmiento y Rivera, 2013) y

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Borja Salguero, Darwin Gonzalo. "Las Imágenes recreadas en los documentales históricos. Un análisis de Con mi corazón en Yambo y La muerte de Jaime Roldós." Ñawi 2, no. 2 (2018): 19. http://dx.doi.org/10.37785/nw.v2n2.a2.

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Los documentales narran hechos reales. Sin embargo, en ocasiones utilizan imágenes recreadas para construir una narrativa. Algunas posturas discrepan en que el documental debe ajustarse totalmente a la realidad y no apoyarse en la ficción. Sin embargo, en los documentales históricos se utiliza este recurso de la ficción con el fin de contar acontecimientos relevantes de los que no se disponen de imágenes de archivo. En este trabajo se analizan las escenas recreadas en los documentales ecuatorianos Con mi corazón en Yambo (Restrepo, 2011) y La muerte de Jaime Roldós (Sarmiento y Rivera, 2013) y

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Jolly, Martyn. "Art from Archives: The Archival Trend in Contemporary Art and Culture." Public History Review 21 (December 28, 2014): 60–80. http://dx.doi.org/10.5130/phrj.v21i0.3823.

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If the archival mode has been important over the last thirty years, it will only continue to become more important in the next thirty years. In the fifteen years since Lev Manovich wrote The Language of New Media, in which he identified the database with its operations of searching navigating and viewing as the new-media correlate to the novel and cinema with their operations of narrative storytelling, databases have only increased in scale, complexity and ubiquity — at an exponential rate, as is the case with all technologies. Archives are being uncovered or created at an unprecedented rate,

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Roundy, Philip. "The stories of social entrepreneurs." Journal of Research in Marketing and Entrepreneurship 16, no. 2 (2014): 200–218. http://dx.doi.org/10.1108/jrme-06-2014-0009.

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Purpose – The purpose of this study is to focus on how narratives are used to acquire social venture resources. Social entrepreneurship is a phenomenon of increasing significance. A key challenge for social ventures is resource acquisition. However, how social entrepreneurs gather the resources necessary to grow their organizations is not clear. Design/methodology/approach – This topic is examined using a multi-study, inductive, theory-building design based on 121 interviews, observation and archival data. In Study 1, 75 entrepreneurs, investors and ancillary participants were interviewed in t

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Balmforth, Mark E. "In Nāki’s Wake." CASTE / A Global Journal on Social Exclusion 1, no. 1 (2020): 155–74. http://dx.doi.org/10.26812/caste.v1i1.117.

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In 1832, a woman named Caṅkari Nāki died in Ceylon, and her descendants have been haunted by a curse ever since. One of the first converts of the American Ceylon Mission, Nāki was part of an enslaved caste community unique to the island, and one of the few oppressed-caste members of the mission. The circumstances of her death are unclear; the missionary archive is silent on an event that one can presume would have affected the small Christian community, while the family narrative passed through generations is that Nāki was murdered by members of the locally dominant Vellalar caste after marryi

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Janczewska, Marta. "Official Medical Documents as a Source for Research of the Fate of Warsaw Jews 1939–1941." Zagłada Żydów. Studia i Materiały, Holocaust Studies and Materials (February 20, 2013): 340–54. http://dx.doi.org/10.32927/zzsim.819.

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This paper presents two archival collections: death certificates of the Warsaw Jews (1939 and 1941), from the archives of the Jewish Historical Institute, and a collection of books kept in the State Archives in Warsaw, containing names of patients treated in 1939 and 1940 in the hospital at Czyste, and in the Bersohn and Bauman hospital. These collections are a part of official medical records, which today can be read as a record of the fate of the Warsaw Jews. These non-narrative documents are not the just the only testament to the existence of people claimed by the Holocaust, but they also r

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Zamparutti, Louise. "Foibe literature: documentation or victimhood narrative?" Human Remains and Violence: An Interdisciplinary Journal 1, no. 1 (2015): 75–91. http://dx.doi.org/10.7227/hrv.1.1.6.

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This essay analyses the literature on the foibe to illustrate a political use of human remains. The foibe are the deep karstic pits in Istria and around Trieste where Yugoslavian Communist troops disposed of Italians they executed en masse during World War II. By comparing contemporary literature on the foibe to a selection of archival reports of foibe exhumation processes it will be argued that the foibe literature popular in Italy today serves a political rather than informational purpose. Counterpublic theory will be applied to examine how the recent increase in popular foibe literature bro

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Hoogbergen, Wim. "Origins of the Suriname Kwinti Maroons." New West Indian Guide / Nieuwe West-Indische Gids 66, no. 1-2 (1992): 27–59. http://dx.doi.org/10.1163/13822373-90002003.

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Narrative history of the Kwinti Maroons covering approximately 250 years. They had settled West of Paramaribo before 1750. Only in 1887, 24 years after the abolition of slavery, did the authorities acknowledge the Kwinti as free Maroons. Based on archival sources in Suriname and the Netherlands.

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Marinov, Aleksandar G. "Images of Roma through the Language of Bulgarian State Archives." Social Inclusion 8, no. 2 (2020): 296–304. http://dx.doi.org/10.17645/si.v8i2.2787.

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This research has been carried out as part of the RomaInterbellum Project which studies the Roma civic emancipation between World War I and World War II. Trawling through the Bulgarian archival documents on Roma in this time period, a reader cannot help but begin to form a certain image about the Tsigani, the term with which Roma have been popularly referred to in the archives. Unsurprisingly, this image does not seem to differ much from the one of today—that of the uneducated, dirty, foreign, and that pose a threat not only to the prosperity and well-being of the Bulgarian population and cult

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Raj, Shivneil Kumar, and Mohammed Riaz Azam. "Sustainability reporting in Fiji listed companies: A voluntary disclosure perspective using legitimacy theory." Corporate Ownership and Control 18, no. 3, special issue (2021): 410–22. http://dx.doi.org/10.22495/cocv18i3siart14.

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The study examined the extent of sustainability reporting practices (voluntary disclosures — VD) of Fiji listed corporations. Using a theoretical framework informed by legitimacy theory, the authors predict the extent of both narrative and non-narrative VD. The study applied a content analysis method and examined archival data such as scholarly articles and 2019 annual reports data of listed companies. The means of triangulation was further augmented by backing the results of the study with prior literature on sustainability reporting. The findings highlight that narrative VD was evident in mo

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Popa, Andrei-Bogdan. "Ali Smith’s There But For The: Identity, Hospitality and Transcendence in the Age of Surveillance." East-West Cultural Passage 20, no. 1 (2020): 53–74. http://dx.doi.org/10.2478/ewcp-2020-0003.

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Abstract The aim of this essay is to prove that, throughout Ali Smith’s There But For The (2011), the “narrative” subjective identity (Alphen 83) accessed via the face-to-face relation (Levinas and Hand 42), as well as through storytelling itself, is liable to be turned into archivable information under the pressures of a surveillance state in which its citizens are complicit. I will use this archival/narrative identity dyad as articulated by theorist Ernst van Alphen in order to investigate at length the novel’s staging of hospitality as corrupted by surveillance. I will oppose the notion of

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Wark, Stuart. "Counselling Support for People with Intellectual Disabilities: The Use of Narrative Therapy." Australian Journal of Rehabilitation Counselling 18, no. 1 (2012): 37–49. http://dx.doi.org/10.1017/jrc.2012.6.

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This article uses a descriptive case study design to examine the potential of narrative therapy as a direct intervention for adults with moderate-to-severe intellectual disabilities, autism and/or severe communication limitations. Archival clinical data on four individuals who received a form of social constructionist narrative therapy are examined for goal attainment. The data were analysed qualitatively with specific input from individuals, their families and carers. Findings indicate improvements in quality of life through reductions in situational and environmental anxieties, and in coping

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Bowie, Katherine A. "Palimpsests of the Past: Oral History and the Art of Pointillism." Journal of Asian Studies 77, no. 4 (2018): 855–77. http://dx.doi.org/10.1017/s002191181800092x.

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The use of oral histories is embedded in the interplay of archival limitations and shifting historiographical questions. This essay begins with a preliminary historiography of oral history usage in Asia, exploring its contrasting usages among scholars of China, Japan, India, and Thailand. However, more than filling in archival gaps, oral histories can challenge broader historiographies. Arrested multiple times, Kruba Srivichai (1878–1939) is northern Thailand's most famous monk. Illustrating a pointillist approach that draws upon hundreds of oral histories and dividing the palimpsest of Srivic

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Powell, Chaitra, Holly Smith, Shanee' Murrain, and Skyla Hearn. "This [Black] Woman’s Work: Exploring Archival Projects that Embrace the Identity of the Memory Worker." KULA: Knowledge Creation, Dissemination, and Preservation Studies 2 (November 29, 2018): 5. http://dx.doi.org/10.5334/kula.25.

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Archivists who work on African American collections are increasingly more aware that traditional sites of African American agency and autonomy are becoming more unstable. The need to capture the perspectives and histories of these institutions is urgent. The challenges become more acute when communities recognize the need to preserve their legacies but do not have the resources or support to make it happen. African American material culture and history remains at risk of co-optation from large institutions and individuals seeking to monetize and profit from collecting Black collections. Endemi

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Erdoğan Işkorkutan, Sinem. "Chasing Documents at the Ottoman Archive: An Imperial Circumcision Festival Under Scrutiny." Medieval History Journal 22, no. 1 (2019): 156–81. http://dx.doi.org/10.1177/0971945819841528.

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In 1720, the Ottoman court staged a grand public circumcision in Istanbul, with festivities lasting for three weeks. Although this imperial festival, celebrated in two separate sites, has been attracting the interest of Ottoman scholars for five decades, previous researchers have only accessed the event through narrative and pictorial sources, which provide information solely on the morphology of the festival and some of its rites. Recently, however, comprehensive research in the Ottoman archives has unearthed the most extensive archival source concerning an Ottoman festival that historians ha

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Sinha, Suvadip. "“Fat Woman in a Car”." Feminist Media Histories 3, no. 2 (2017): 78–97. http://dx.doi.org/10.1525/fmh.2017.3.2.78.

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“Fat lady in the theatre,” “Fat woman in car,” and “Mother of 9 children” are some of the roles attributed to Uma Devi Khatri, aka Tun Tun, in her Wikipedia filmography. Tun Tun, regularly typecast and often appearing for a few seconds without any narrative consequence, was a household name, yet her star persona has yet to garner much attention. This essay takes up this lack of attention, scholarly and archival, to speculate on a connection between Tun Tun's corporeal excess and the narrative inconsequentiality she was expected to occupy. Looking beyond her image as a superfluous comedienne, t

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Eigler, Friederike. "Postmemory and Implication: Susanne Fritz Revisits the Post/War Period in Wie kommt der Krieg ins Kind (2018)." Humanities 10, no. 1 (2021): 23. http://dx.doi.org/10.3390/h10010023.

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After providing an introduction to German language family narratives of the past forty years and discussing the relevance of Michael Rothberg’s notion of the “Implicated Subject” for the study of these narratives, this article presents a detailed analysis of Susanne Fritz’s German-Polish family history Wie kommt der Krieg ins Kind (How does the war get into the child, 2018). Exemplifying the archival turn in postmemorial writings, the book draws on multiple sources and makes a compelling case for a broader public acknowledgment of the incarceration of German civilians (including the author’s m

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Sartori, Paolo. "Seeing Like a Khanate: On Archives, Cultures of Documentation, and Nineteenth-Century Khvārazm." Journal of Persianate Studies 9, no. 2 (2016): 228–57. http://dx.doi.org/10.1163/18747167-12341302.

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While students of imperial and colonial history began long ago to investigate the culture of documentation that informed the production, disposition and concealment of texts in archives, little has been done to understand how chancery practices and record-keeping activities in the modern Perso-Islamicate world relate to forms of governance. Material coming from the Khivan archives lends itself to provide for a corrective to this situation. By examining reports penned by leaders of mosque communities and reflecting on local archival practices, I address in this paper the following questions: Wh

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Çiçek, Özgür. "The fictive archive." Alphaville: Journal of Film and Screen Media, no. 1 (August 17, 2011): 58–75. http://dx.doi.org/10.33178/alpha.1.05.

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In this paper, I consider the potentials and theoretical interpretations of Kurdish Cinema produced in Turkey. I evaluate the dynamics of the emergence of a state-less Kurdish cinema, which produces films in spite of the existence of Turkish National cinema and an oppressive Turkish national identity. Using Hayden White’s formulations on narrative and history and Gilles Deleuze’s theories on minority filmmaking and the time-image, I argue that the conception of time in Kurdish Cinema exceeds the time of the narrative and carries an archival potential for the unrepresented history of Kurdish li

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Miškařík, Pavel. "The Narrative Construction of Identity among the Namibian Czechs." Studia Etnologiczne i Antropologiczne 19 (July 18, 2019): 121–37. http://dx.doi.org/10.31261/seia.2019.19.09.

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The main goal of this paper is to explain how the group of so-called Namibian Czechs identifies itself and how it expresses the feeling of belonging to a specific identity in its narrative. The paper is based on the analysis of biographical narrative, which was obtained by the method of oral history, and it also contains information from archival sources and participant observation. The respondents are members of a group of fifty-six children war refugees, who were educated and accommodated in Czechoslovakia between 1985 and 1991. It was a part of internationalsolidarity aid, provided to liber

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Schmidt, Thomas R. "‘It’s OK to feel’: The emotionality norm and its evolution in U.S. print journalism." Journalism 22, no. 5 (2021): 1173–89. http://dx.doi.org/10.1177/1464884920985722.

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Between the 1960s and the 1990s journalists in U.S. newspapers created, constructed, and advanced emotionality as a new occupational norm in American print journalism, challenging some aspects of the dominant objectivity norm while simultaneously affirming its overall relevance. This historical study delineates how the emotionality norm emerged as a constitutive element of narrative journalism during this time period. Drawing from archival research, in-depth interviews, and textual analysis of trade publications, this study analyzes how narrative journalists developed moral ideals, practices,

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Pivovar, Efim I., and Elena A. Kosovan. "Documentary On-Line Exhibitions of the Central State Archives of Ukraine as a Way to Commemorate the Great Patriotic War of 1941–45." Herald of an archivist, no. 1 (2021): 118–29. http://dx.doi.org/10.28995/2073-0101-2021-1-118-129.

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The article deals with virtual exhibition activities of the central state archival institutions of Ukraine associated with the anniversary of the Great Patriotic War of 1941–45. The authors acknowledge that archives are an important institute of memory for Ukraine, and therefore they attempt to assess the impact of the official Ukrainian historical and political policy on the exhibition activities in the central state archives, using on-line exhibitions dedicated to the anniversary of the Victory of 1945 as an example. The Great Patriotic War is one of the most contradictory elements of the Uk

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Rubin, Vladimir A., and Ekaterina V. Spiridonova. "Source Study of National Military Memorial Heritage: A Case Study of the Orenburg Region." Herald of an archivist, no. 2 (2019): 417–27. http://dx.doi.org/10.28995/2073-0101-2019-2-417-427.

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The article reviews sources for studying cultural politics in the sphere of preservation of military memorial heritage. Lack of scientific works on this topic makes the study significant. Its object is national military memorial heritage as a phenomenon of Russian culture, its subject is historical and cultural sources necessary for a comprehensive analysis of the development of Russian military memorial space in pre-revolutionary, Soviet and post-Soviet eras. The authors have studied archival sources (16 fonds in 3 state archives); periodical press of the Orenburg region (4 regional and 56 di

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Dhada, Mustafah. "The Wiriyamu Massacre of 1972: Its Context, Genesis, and Revelation." History in Africa 40, no. 1 (2013): 45–75. http://dx.doi.org/10.1017/hia.2013.2.

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AbstractThis text on the Wiriyamu massacre of 1972 in Mozambique uses fieldwork and archival materials to address its historical context, the methods used to collect data for the narrative, the trajectory that the narrative took to reach the pages of The Times of London, the contest that ensued over its veracity, and its eventual acceptance as true by all parties concerned. The text concludes that both the context as well as the construction of the massacre narrative was much more complex and nuanced than the extant literature suggests. Its revelation too was governed by a series of factors, s

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Knight, Abigail, Julia Brannen, and Rebecca O'connell. "Using Narrative Sources from the Mass Observation Archive to Study Everyday Food and Families in Hard Times: Food Practices in England during 1950." Sociological Research Online 20, no. 1 (2015): 29–72. http://dx.doi.org/10.5153/sro.3579.

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By using examples from food and domestic life in England during 1950, this paper examines the use of narrative archival sources as a methodological alternative to researching everyday food practices by traditional research methods, such as interviewing. Through the analysis of three diaries written for the Mass Observation Archive, and the everyday food practices expressed in these diaries, we consider the benefits and challenges of using narrative archival diary data to gain insights into food and eating during times of austerity. Before presenting and discussing the cases, we outline some of

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Pivovar, Efim I., and Elena A. Kosovan. "UNDER THE SIGN OF SCARLET POPPY. THE MEMORY OF THE GREAT VICTORY WITHIN THE ONLINE EXHIBITIONS BY THE UKRAINIAN ARCHIVES." RSUH/RGGU Bulletin. Series Eurasian Studies. History. Political Science. International Relations, no. 2 (2021): 38–65. http://dx.doi.org/10.28995/2686-7648-2021-2-38-65.

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The article covers the issue of displaying archival documents on the Internet as part of the anniversary events timed to the anniversary of the Victory over Nazism which took place in 1945. The authors focus on exhibitions by the Ukrainian central state archives and use them to analyse the role of the modern archival institution as an object and subject of politics of memory and as a collec - tive memory institution that somewhat historicizes the past events (in this case, these events are the Second World War and the Great Patriotic War, beginning and final victory in them) through preserved

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Gencel Bek, Mine, and Patricia Prieto Blanco. "(Be)Longing through visual narrative: Mediation of (dis)affect and formation of politics through photographs and narratives of migration at DiasporaTürk." International Journal of Cultural Studies 23, no. 5 (2020): 709–27. http://dx.doi.org/10.1177/1367877920923356.

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Our article explores how diasporic journeys and identities are remembered and represented through the visual narratives of DiasporaTürk, a Turkish diasporic media presence consisting of a Twitter account, an Instagram page, and two books. These engagements revive past (dis)affects and highlight the contemporary relevance of nostalgia, sorrow and victimization as key themes in the migration experience of ‘guest-workers’ from Turkey. The evidentiary force of the index, inhabiting fictional characters while looking like factual and archival material, seems thus to both acknowledge and validate mi

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Prasolov, Ditriy N. "Zolsky Uprising (1913) in Versions of the Revolutionary Past: Archival Documents vs. Memoir Narrative." New Past, no. 1 (March 31, 2020): 8–26. http://dx.doi.org/10.18522/2500-3224-2020-1-8-26.

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Dobczansky, Markian. "Rehabilitating a Mythology: The Ukrainian SSR’s Foundational Myth After Stalin." Nationalities Papers 47, no. 3 (2019): 366–78. http://dx.doi.org/10.1017/nps.2019.2.

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AbstractThis article looks at the rehabilitation of the early history of the Communist Party of Ukraine and the Ukrainian SSR during the Thaw. It argues that the post-Stalin political moment offered the Ukrainian Party and academic establishments the opportunity to revalorize their republic’s founding narrative. In order to popularize this narrative, they produced publications on the revolution in Ukraine and early party history, rehabilitated Ukrainian Communists from the 1920s who had fallen victim to repressions, and constructed a set of monuments that embodied the new historical paradigm.

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Barber, Claire. "Mining Textiles:Extracting multi-narrative responses from textiles to rethink a mining past." International Visual Culture Review 1 (February 7, 2019): 33–42. http://dx.doi.org/10.37467/gka-visualrev.v1.1770.

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This article is evidence of a practice-based investigation into the imaginative worlds of mining and textiles as a starting point for transforming ways of thinking and creating in the locality. Featuring artist-in-residence and archival processes of research, and performative and site-responsive interventions, a number of recurring themes of enquiry will be developed that combine elements of clothing design, historical studies, nature studies, photography, inflatable construction and social anthropology. The article will draw from the authors artistic practice in the extraction of multi-narrat

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Black, Jason Edward. "A Str8 Subject in Mayor Milk’s Court: Queer Str8ness and World Making in an LGBTQ Anthology Project." Cultural Studies ↔ Critical Methodologies 19, no. 4 (2018): 256–63. http://dx.doi.org/10.1177/1532708618784319.

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This critical autoethnography interrogates the nuances of queer str8 subjectivity and scholarly standpoints by tracing the narrative experiences of the author during a longitudinal queer archival project on late social activist Harvey Milk. Episodes of the author’s journey into the queer archive are interlaced with theoretical discussions of queer str8 theory and considerations of identity reflexivity. Questioning the roles of queer str8s in queer activist scholarship and probing the limitations of cis-straight-identified privilege in a queer archive, in particular, this narrative punctuates t

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