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Journal articles on the topic 'Archive Artist Publications'

Author: Grafiati

Published: 28 July 2024

Last updated: 31 July 2025

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1

Mockridge, Jessa. "Category is… The Women's Art Library: Queering metadata with the Digital Archive of Artists’ Publishing." Art Libraries Journal 49, no. 4 (2024): 148–57. https://doi.org/10.1017/alj.2024.24.

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The Digital Archive of Artists’ Publishing (DAAP) is an ethical, open source, artist-driven database of artist books and publications. DAAP recently received Heritage Lottery Funding to support the Women's Art Library (WAL) to build their own archives on the platform. Through a series of workshops, tutorials and drop-ins, artists represented in the WAL generated anecdotal, ‘gossipy’ histories which act as access points to artists’ books that may be out of print, limited in availability within institutional or public archives or libraries, or shared digitally for the first time. I will draw on

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2

VUONG, LÉA. "Art and Archive: Louise Bourgeois through a Feverish Gaze." Australian Journal of French Studies 59, no. 1 (2022): 46–59. http://dx.doi.org/10.3828/ajfs.2022.05.

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This article examines uses of archival documents in the work of French-American artist Louise Bourgeois (1911-2010). Jacques Derrida’s seminal essay on “Archive Fever” (1995) provides a framework for the close study of Bourgeois’s multi-modal archives. The article discusses how the artist’s archives, while embedded in the site that manages them, pursue their existence outside their institutional home: displayed in exhibition spaces, reproduced in print publications and recorded on film, they are constantly moving, all the while pointing to a continuous shift in the place, value and nature of t

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3

Mordashova, Valeria L. "Metamorphoses in Filipp Malavin’s Works of the 1910s and the Circumstances of his Emigration." Observatory of Culture, no. 1 (February 28, 2015): 83–87. http://dx.doi.org/10.25281/2072-3156-2015-0-1-83-87.

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Results from a fundamental research on the biography and creative work of the prominent Russian artist Filipp Malyavin (1869-1940) and covers the last prerevolutionary period of his creative activities. The research is based on the archive documents and publications including those concerned with his emigration of 1922.

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CHISELIȚĂ, Vasile. "Maestro Constantin Baranovschi, musician in the "Folclor" Orchestra: marks of a creative biography." Arta XXVIII, no. 2 (2019): 33–39. https://doi.org/10.5281/zenodo.3597230.

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In the present study, the author highlights, systematizes and analyzes, in a brief and summarizing manner, some aspects of the biography, the professional career, the creation as instrumental folk performer, arranger and composer of maestro Constantin Baranovschi, a notorious member of the great gallery of the leading artists in the professional folk “Folclor” Orchestra. As a source of inspiration in the outline of the research issues, there were, on the one hand, some data and materials, novel to a great extent, provided by the archive funds of Tele-Radio Moldova, in particular, t

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5

Sakharuk, Valerii. "Extended biography of Mykola Trokh." МISТ: Art, history, modernity, theory 18 (November 29, 2022): 55–63. http://dx.doi.org/10.31500/2309-7752.18.2022.271055.

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The article is dedicated to one of the most characteristic figures of Ukrainian art of the era of independence — the artist Mykola Trokh. It attempts to give a detailed reconstruction of his biography. The research is based on numerous documentary evidence stored in the Luboml Museum of Local History and the Mykola Trokh Charity Foundation archive, as well as on a number of publications made during the artist’s lifetime and after his death.

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Golman, Evgeniya. "Textile Collage as the Artistic Method to Comprehend Industrial Memory: the Analysis of the Project “Radiant City” by Elena Sharganova." Inter 16, no. 3 (2024): 33–48. http://dx.doi.org/10.19181/inter.2024.16.3.2.

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The article is focused on the sociological analysis of the project “Radiant city” of Elena Sharganova, resident of the tenth season of Open Studios at the Center of Contemporary Art Winzavod (2023/24), that is devoted to the artist’s hometown — Nelidovo — and consists of a series of textile collages, made with mixed media techniques including photo printing, cyanotype, machine seam, hand embroidery. Sociological conceptualization of the project is made based on the interview with the artist, analysis of archive publications kindly provided by the artist, and researches on social memory and ind

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Аверьянова, Мария Александровна. "“Siberian style” by Antonina Emelyanova." Искусство Евразии, no. 2(17) (June 27, 2020): 337–49. http://dx.doi.org/10.25712/astu.2518-7767.2020.022.

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В статье рассматривается творческое наследие ученицы Иркутской художественной мастерской-студии И.Л. Копылова Антонины Емельяновой. Она принимала активное участие в культурной жизни Иркутска 1920-х, была отмечена своим учителем, а также художественными критиками как перспективный график и один из представителей «сибирского стиля» в искусстве. Предпринята попытка обобщить разрозненный материал о художнице, встречающийся в искусствоведческой литературе, дополнить его новыми сведениями, полученными в процессе работы с источниками: документами, хранящимися в архиве Иркутского областного художестве

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Аверьянова, Мария Александровна. "“Siberian style” by Antonina Emelyanova." Искусство Евразии, no. 2(17) (June 27, 2020): 337–49. http://dx.doi.org/10.25712/astu.2518-7767.2020.02.022.

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В статье рассматривается творческое наследие ученицы Иркутской художественной мастерской-студии И.Л. Копылова Антонины Емельяновой. Она принимала активное участие в культурной жизни Иркутска 1920-х, была отмечена своим учителем, а также художественными критиками как перспективный график и один из представителей «сибирского стиля» в искусстве. Предпринята попытка обобщить разрозненный материал о художнице, встречающийся в искусствоведческой литературе, дополнить его новыми сведениями, полученными в процессе работы с источниками: документами, хранящимися в архиве Иркутского областного художестве

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9

Derbyshire, Harry. "‘The Artist is the Hero of the Story’: Harold Pinter's Moonlight as a Case Study in Reception." New Theatre Quarterly 29, no. 3 (2013): 209–19. http://dx.doi.org/10.1017/s0266464x13000419.

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The first major posthumous London revival of a play by Harold Pinter was Moonlight at the Donmar Warehouse in April 2011. There was a striking difference between the critical reception of this production and the way the play had been greeted on its 1993 premiere, when Moonlight – then framed as Pinter's return after fifteen fallow years and a number of increasingly controversial political interventions – prompted an extremely mixed response. In 2011, by contrast, the critical community was more or less united. This progression can be seen to illustrate more than just the benefits of hindsight,

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Mikhnovets, Mariia, and Irina Andrianova. "The Lost Letter of E. F. Junge to F. M. Dostoevsky." Неизвестный Достоевский 10, no. 3 (2023): 63–88. http://dx.doi.org/10.15393/j10.art.2023.6782.

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The article aims to explore the correspondence between F. M. Dostoevsky and the famous artist and memoirist E. F. Junge, who was the wife of ophthalmologist Dr. E. A. Junge. Dostoevsky was Dr. Junge’s patient in the 1860s and 1870s. E. F. Junge met the writer in the last year of his life, and she was an admirer of his talent, as well as a correspondent. Two letters from E. F. Junge to the writer, sent in March and April of 1880, are known to exist. There are also two letters from Dostoevsky, one in draft form and the other a clean copy, dated April 10 and April 11 of the same year. The study p

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11

Thurmann-Jajes, Anne. "Collecting collections: The Research Centre for Artists’ Publications." Art Libraries Journal 38, no. 3 (2013): 30–35. http://dx.doi.org/10.1017/s0307472200018654.

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Established in 1999 within the Weserburg Museum of Modern Art, in Bremen, the Studienzentrum für Künstlerpublikationen (Research Centre for Artists’ Publications) is today one of the most significant institutions worldwide in the field of artists’ publications, with holdings of more than 200,000 items, and important programmes of exhibitions and publications. The Research Centre traces its roots to the Archive for Small Press & Communication (ASPC), founded in 1974 by Anne Marsily and Guy Schraenen, and incorporates more than 40 individual archives and special collections, including the PL

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Бабичева, Мария Александровна. "Искусство и архитектура советского авангарда в критическом наследии Виничио Паладини". Actual Problems of Theory and History of Art 14 (11 жовтня 2024): 484–96. https://doi.org/10.18688/aa2414-7-38.

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The artistic scene of Soviet Avant-garde was a subject of particular interest in the interwar period. Despite the political opposition in Fascist Italy, the phenomenon of the USSR was studied comprehensively, leaving room for both criticism of the regime and the acknowledgement of its achievements. Among the numerous Italian authors who wrote on the art of the Soviet Avant-garde, the figure of the artist, architect, and critic Vinicio Paladini stands out particularly. Despite his wide artistic and theoretical activity, the role of Vinicio Paladini has, to date, been studied rather superficiall

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13

Bakhmet, Tetiana. "Archive fund of the composer Mark Karminsky." Aspects of Historical Musicology 19, no. 19 (2020): 10–28. http://dx.doi.org/10.34064/khnum2-19.01.

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Mark Veniaminovich Karminskyi (1930–1995) is a composer who, already during his lifetime, was appreciated by his contemporaries as the brightest figure in musical art, in particular, musical theater. Well-known in the country and his native Kharkiv, he was also the constant reader of the Kharkiv ‘K. Stanislavskyi’ Music and Theater Library for many years, taking part in many events that took place within its walls. An excellent lecturer and interlocutor, benevolent and affable person, he found an attentive audience and ardent admirers of his musical talent among the library’s readers and stuff

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14

Zhukhovitskaya, Larisa G. "“Listening to a Great Artist, I Found Something Great and Necessary…”: Simon Fix’s Letters to Maxim Gorky and about Maxim Gorky (Based on the Materials of A.M. Gorky’s Archive)." Literary Fact, no. 24 (2022): 132–51. http://dx.doi.org/10.22455/2541-8297-2022-24-132-151.

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This publication of materials from A.M. Gorky’s archive supplements studies related to the name of the artist Simon Fix, new facts and details of his life and work. The only mention of Fix’s name in Gorky's letter to the publisher A. Kogan (the publication of L. Fleishman in 1979) remained without comment for a long time and scattered information about the artist left significant gaps in his biography. V. Khazan's research, supplemented by the publication of Fix’s letters to R. Friedlander and N. Friedlander, kept in the archives of David and Yevsey Shor (National Library of Israel, Jerusalem)

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15

Dolzhenkova, Tatyana I. "The Problem of Scientific Approach to Studying Genealogy of the Muralist Sculptor, People's Artist of Russia V. M. Klykov." Herald of an archivist, no. 2 (2021): 615–25. http://dx.doi.org/10.28995/2073-0101-2021-2-615-625.

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The famous Soviet and Russian sculptor V. M. Klykov (1939-2006), winner of state prizes of the RSFSR and the USSR, People's Artist of Russia, Honored Artist of the Russian Federation, was an ambiguous figure in the eyes of his contemporaries. His caught the attention not only of professional critics, but also of ordinary people. Many publications and memoirs dedicated to the sculptor had been published during his lifetime. However, V. M. Klykov himself gave contradictory information on the history of his family in his interviews. At the same time, a complete and objective assessment of his lif

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Maslennikova, Anzhela. "Opera and Choral Performance in Mykhailo Krechko’s Work." Scientific herald of Tchaikovsky National Music Academy of Ukraine, no. 130 (March 18, 2021): 131–42. http://dx.doi.org/10.31318/2522-4190.2021.130.231220.

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The article considers some aspects of opera and choral performance on the example of analysis of the theatrical period of creativity of one of the prominent figures of Ukrainian choral culture, founder of the choir of the State Children’s Musical Theater — People’s Artist of Ukraine, Professor Mykhailo Krechko (1925–1996). M. Krechko as the first chief choirmaster of the theater built his individual principles of work and theatrical traditions inherent in such a unique opera choir. SCMT is the second in the world and the only professional opera and ballet theater in Ukraine for children and yo

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17

Kepin, Dmytro. "The bassoon as a monument of musical culture: source studies." Вісник Книжкової палати, no. 7 (July 28, 2022): 42–48. http://dx.doi.org/10.36273/2076-9555.2022.7(312).42-48.

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The article for the first time in Ukrainian historiography, museology and monumentology considers works of European fine art, where there is an image of a wind wooden musical instrument bassoon. Works of painting, graphics, works of monumental art (sculpture) are analyzed. This is a characteristic of the collections of bassoons in museums in Western Europe, the USA and Canada. Publications stored in the funds of the Vernadsky National Library of Ukraine, Yaroslav Mudryi National Library Of Ukraine, the National Historical Library of Ukraine, the National Scientific and Research Restoration Cen

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18

Bottura, Francesca. "Between Baroque and the high Renaissance." Umění 72, no. 4 (2024): 356–66. https://doi.org/10.54759/art-2024-0404.

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Within the historical-critical reflection advanced by Max Dvořák in the field of Geisteswissenschaften and cultural history, Italian art, and especially Italian Renaissance art, assumes a key role to an artist in his expression of the Zeitgeist in the age of profound transformations in the initiation of a “subjective” vision of the work of art with significant implications for the centuries to follow. Two major posthumous publications, edited by Dvořák’s students Johannes Wilde and Karl M. Swoboda, are devoted to the Renaissance: Geschichte der italienischen Kunst im Zeitalter der Renaissance,

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19

Bräuninger, Renate. "The Oral Archive as a Form of Dance Archive." Dance Research 38, no. 2 (2020): 242–54. http://dx.doi.org/10.3366/drs.2020.0311.

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Oral archives are important components of dance archives but are not frequently discussed. In this context I am looking at the George Balanchine Foundation's Interpreters Archive and Anne Teresa de Keersmaeker's and Bojana Cvejić’s publication entitled The Choreographer's Score, the latter as basis for a possible archive. The oral descriptions provided in those projects transmit a form of knowledge about dance and choreographic practice that cannot be offered through physical demonstration and haptic exchanges of body postures and movement qualities alone. The oral transmission of information

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20

Clarke, Ami, Lozana Rossenova, and Gustavo Grandal Montero. "The Digital Archive of Artists’ Publishing (DAAP): An email conversation with Ami Clarke and Lozana Rossenova." Art Libraries Journal 46, no. 1 (2021): 13–22. http://dx.doi.org/10.1017/alj.2020.32.

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Gustavo Grandal Montero (ALJ):Could you give an overview of the main aims and context of the project?Ami Clarke (AC): The Digital Archive of Artists’ Publishing (DAAP) is an interactive, user-driven, searchable database of artists’ books and publications, that acts as a hub to engage with others, built by artists, publishers and a community of creative practitioners in contemporary artists’ publishing, developed via an ethically-driven design process, and supported by Wikimedia UK and Arts Council England. The project is inspired by the site of Banner Repeater's public Archive of Artists’ Publ

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21

Tkachev, V. V. "“Open the world of art to residents and guests of the city” about the artistic work of N. I. Verkhoturov in the Irkutsk province at the turn of the 19th – 20th centuries." Proceedings of Southwest State University. Series: History and Law 14, no. 4 (2024): 196–209. http://dx.doi.org/10.21869/2223-1501-2024-14-4-196-209.

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Relevance. Throughout the entire period of development of the urban environment, artists changed their attitude towards artistic spaces. N. I. Verkhoturov is one of many who not only sought to increase the interest of residents in his works, but also to create an artistic environment in the Irkutsk province. These aspects strengthen and intensify the work on studying the artistic heritage of the master, which has been preserved in the archives and museums of Irkutsk.The purpose is to present the work of N. I. Verkhoturov on creating artistic spaces for the interaction of artists with visitors

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Lisica, Cindy, and Lucy Mulroney. "Cindy Lisica & Lucy Mulroney on Listening to Artists." Art Libraries Journal 40, no. 1 (2015): 11–15. http://dx.doi.org/10.1017/s0307472200000055.

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Cindy Lisica, Assistant Archivist of The Andy Warhol Museum, and Lucy Mulroney, Interim Senior Director of Special Collections at Syracuse University Libraries, discuss Andy Warhol, archives research, and listening to artists. Their work involves collaborations, unorthodox approaches and unusual research methods in archives. Their unique experiences working with rare and special collections, listening to audio and speaking direcdy with those involved in the making of the material often deliver unexpected results in their writing projects and conversations. This conversation raises questions of

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23

Shabalina, O. V. "Murmansk painter Shevnin Anatoly Nikolaevich. To the 70th anniversary of his birth." Transaction Kola Science Centre 12, no. 4-2021 (2021): 178–82. http://dx.doi.org/10.37614/2307-5252.2021.4.21.014.

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The publication is dedicated to the anniversary exhibition of art works by Murmansk painter Anatoly Shevnin, organized in the Museum-Archive of the History of Study and Development of the European North of the Barents Centre of Humanities of the Kola Science Centre of the Russian Academy of Sciences. Biographical information about the artist and description of his creative career are given

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Kobrinskii, A. A. "Master Peter: A Few Sidelights on Daniil Kharms’s Biographical Myths." Russkaya literatura 3 (2020): 217–31. http://dx.doi.org/10.31860/0131-6095-2020-3-217-231.

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The publication outlines the lifestory of the stage artist and decorator P. P. Snopkov, the former husband of the artist A. I. Poret and a member of the circle of friends of Daniil Kharms. Using the documents discovered in the archives of the Federal Security Service, the author traces the history of Snopkov’s arrest in the besieged Leningrad, in order to establish the sources and essence of the charges against him. The data on the investigation of Snopkov, protocols of interrogations and confrontations have not previously been published.

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Haladyn, Julian Jason. "Masterpiece in Focus: Friedrich Nietzsche and the Artists of the New Weimar." Agonist 13, no. 1-2 (2020): 160–63. http://dx.doi.org/10.33182/agon.v13i2.1671.

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It is not often that a philosopher is the subject of a major art exhibition. Yet as I walked towards the entrance to the National Gallery of Canada in Ottawa I could see the sculpted profile of Nietzsche looking out, from a banner promoting Friedrich Nietzsche and the Artists of the New Weimar. Curated by Sebastian Schütze, a Professor of Art History at the University of Vienna, this exhibition looks at the material histories of the Nietzsche Archive and its influence on the arts, which we encounter through the artworks, photographs, publications and documents on display. Not exactly a show of

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Pefanis, George P. "Archive, Repertory, Supplement: Thinking Theatre through Intersections." New Theatre Quarterly 36, no. 3 (2020): 249–55. http://dx.doi.org/10.1017/s0266464x20000342.

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This article discusses the relationship between drama and performance, using the Derridean concept of ‘supplement’ in theatre, which exceeds polarities and attempts a more dialectic approach. A review of Marvin Carlson’s theories of illustration, separation, translation, and fulfilment is a starting point for a comprehensive analysis of the views that encourage the binary drama-performance. This is examined in combination with Diane Taylor’s distinction between the ‘archive’, which preserves and bears all the written culture, and the ‘repertory’, which contains the world of performance. The ‘s

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Semenova, Daria. "Treasure of the Celestial Empire in Cardboard Folders." Oriental Courier, no. 1 (2025): 0. https://doi.org/10.18254/s268684310034388-4.

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The Central Academic Library of the Union of Theatrical Personae of the Russian Federation holds the archive of the artist and collector Nikolai B. Glinsky, which contains thousands of pieces of illustrative material, including those related to the Asian regions, among which China is particularly highlighted [Archive of N. B. Glinsky]. The “Far Eastern” part of the collection includes drawings, photographs, newspaper and magazine clippings, book extracts, samples of clothing details, patterns, etc., arranged chronologically and by the matric headings. The author of this article, working in the

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Sharov, Konstantin S. "The Problem of Transcribing and Hermeneutic Interpreting Isaac Newton’s Archival Manuscripts." Tekst. Kniga. Knigoizdanie, no. 24 (2020): 134–55. http://dx.doi.org/10.17223/23062061/24/7.

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In the article, the current situation and future prospects of transcribing, editing, interpreting, and preparing Isaac Newton’s manuscripts for publication are studied. The author investigates manuscripts from the following Newton’s archives: (1) Portsmouth’s archive (Cambridge University Library, Cambridge, UK); (2) Yahuda collection (National Library of Israel, Jerusalem, Israel); (3) Keynes collection (King’s College Library, Cambridge University, Cambridge, UK); (4) Trinity College archive (Trinity College Library, Cambridge University, Cambridge, UK); (5) Oxford archive (New’s College Lib

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Bondar, Larisa. "Places of Summer Vacations of Academician Evfimiy Karskiy: Crimea and Beyond (for the 160th Anniversary of His Birth)." ISTORIYA 12, no. 12-1 (110) (2021): 0. http://dx.doi.org/10.18254/s207987840018422-3.

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The article reconstructs the places of the summer vacancy of the academician-Slavist Evfimiy Fyodorovich Karskiy (1860—1931) during the entire time of his scientific and educational activity (since his graduation from the Nizhyn Historical and Philological Institute) on the basis of several groups of sources: reports (published and archival) on Karskiy&apos;s summer trips, his scientific publications, official documents (stored in the St. Petersburg Branch of the Archive of the Russian Academy of Sciences, the Central State Historical Archive of St. Petersburg, the Polish State Archive), p

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Zoryana Haladzhun, Zoryana, Alina Ilchuk, and Andriy Yarmolovych. "TYPOLOGICAL FEATURES OF THE SPECIALIZED MAGAZINE «BANDURA»." Bulletin of Lviv Polytechnic National University: journalism 1, no. 7 (2024): 1–8. http://dx.doi.org/10.23939/sjs2024.01.001.

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The work analyzes the typological features of the specialized music and literary bilingual (Ukrainian and English) magazine’ Bandura,’ published by the School of Bandura Art from 1981 to 2002 in the United States of America. It has been established that the publication of the magazine was preceded by the issuance from 1972 to 1981 of the ’Kobzarski Lystky’ (Kobzar Sheets), which were compiled by the School of Kobzar Art under the leadership of Mykola Czorny since its founding; the subscription costs varied based on two criteria: the region of distribution (America, Canada, or other countries)

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31

Johnson, Miranda. "Report on The Museum as Archive: Using the Past in the Present and Future." Museum Worlds 10, no. 1 (2022): 214–15. http://dx.doi.org/10.3167/armw.2022.100117.

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In December 2021, the Centre for Research on Colonial Culture at the University of Otago (Dunedin campus) hosted an online symposium, convening Indigenous and non-Indigenous scholars to talk about their work in and with museum and archival collections in the Pacific region. Held over three days, with morning and late afternoon sessions timed to facilitate maximum participation, attendees Zoomed in from Rapa Nui, Munich, New York, Honolulu, Sydney, Melbourne, Auckland, and Wellington. The symposium brought together practitioners, curators, artists, and scholars in a stimulating exchange that wi

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Kozhukharov, Roman R. "The Collected Works of Vladimir Narbut: Archives, texts, and approaches." Tekst. Kniga. Knigoizdanie, no. 28 (2022): 125–40. http://dx.doi.org/10.17223/23062061/28/8.

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The last lifetime poetry collection of Vladimir Narbut was published in 1922. Started by the poet in the 1930s, work on the preparation of the book of selected poems Spiral was interrupted by his arrest and, subsequently, tragic death in Kolyma in 1938. Since then, separate editions of Narbut’s works have been published three times: in 1983 the poet Leonid Chertkov compiled a collection Vladimir Narbut. Selected Poems in France; in 1990 N. Panchenko and N. Byalosinskaya published the book Vladimir Narbut. Poems in the USSR; in 2018 the OGI publishing house published the book Vladimir Narbut. C

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Litavrina, Marina. "America on Russian Actors’ Touring Map: Komissarzhevskaya and the Others." ISTORIYA 14, no. 4 (126) (2023): 0. http://dx.doi.org/10.18254/s207987840025994-2.

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The paper focuses upon the experience of Russian actors who toured in America in early 20th century. The author analyses their naïve beliefs, bold aspirations and great expectations, sizing up all these manifestations as Russian actors’ “American dream” or myth. The collision between Russian artistic messianism and American pragmatism, different views on theatre art, as well as cultural misunderstanding and language barrier — all in all performed great obstacles upon their way to American fame. In this sense, the case of Vera Komissarzhevskaya American tour (1908) is most representative. The m

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Cotton, Hannah. "A Cancelled Marriage Contract from the Judaean Desert (XHev/Se Gr. 2)." Journal of Roman Studies 84 (November 1994): 64–86. http://dx.doi.org/10.2307/300870.

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With the publication of the Greek part of the Babatha Archive in 1989 and some of the documents from the Greek-Syriac archives of Mesopotamia and the Middle Euphrates in 1989–1991, the contribution of perishable material from places other than Egypt to the study of the Roman Near East and the Roman Empire in general has become obvious. But this is just the tip of an iceberg that has been surfacing for a while. The parchments and papyri from Dura Europus, discovered in the 1920s, were published in final form in 1959: they range from the first century C.E. to the middle of the third century C.E.

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Kvashnina, Yu V. "UNPUBLISHED NOTES BY V. S. KEMENOV TO THE PAINTING BY V. I. SURIKOV "THE ANNUNCIATION" FROM THE ARCHIVAL FUND OF THE MUSEUM-ESTATE OF V. I. SURIKOV." Northern Archives and Expeditions 6, no. 2 (2022): 154–60. http://dx.doi.org/10.31806/2542-1158-2022-6-2-154-160.

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The article contains a decoding and systematization of unique research materials from the archive of the famous Soviet art critic V. S. Kemenov, stored in the funds of the Museum-Estate of V. I. Surikov (Krasnoyarsk). The materials are devoted to the study of the work of Vasily Ivanovich Surikov "The Annunciation", created by the artist in 1914. The late period of Surikov's work, to which the painting belongs, has not been fully explored to date. The publication of previously unpublished archival materials containing a detailed study of the process of creating a painting in the context of time

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Samarin, Alexander Yu. "“I Continue to Successfully Replenish My Book Collection”: Letters of D.V. Ulyaninsky to A.V. Selivanov. Part 2: 1910—1914." Bibliography and Bibliology, no. 6 (December 26, 2024): 75–99. https://doi.org/10.25281/2411-2305-2024-6-75-99.

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The article presents the publication of 31 letters for 1910—1914 by the famous bibliophile and bibliographer D.V. Ulyaninsky (1861—1918), addressed to a prominent figure of provincial culture, local historian, zoologist, porcelain collector, bibliophile and bibliographer A.V. Selivanov (1851—1915). They are kept in the State Archive of the Ryazan region. The letters contain new information about the mutual book donations of two bibliophiles, the process of clarifying bibliographic information, and D.V. Ulyaninsky’s attempt to buy part of the library of A.V. Selivanov. They also discussed the p

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Behnke, Marisol Palma. "Diario del tercer viaje de Martín Gusinde a Tierra del Fuego (1921–1922)." Anthropos 115, no. 2 (2020): 483–502. http://dx.doi.org/10.5771/0257-9774-2020-2-483.

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The text is part of a series of publications (Palma 2018a, 2018b, 2019) of the unpublished travel diaries of the German Catholic missionary priest and researcher that are preserved in the archive of the Anthropos Institute in Sankt Augustin, Germany. The article introduces and contextualizes the publication and translation of a second part of the diary, or logbook, of Martin Gusindeʼs third trip to Tierra del Fuego (1921-1922), and at the same time comments on the methodological problems that challenge a critical heuristic of travel diaries. The article focuses on the expedition which Gusinde

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Fokina, Snezhana I. "On the Issue of Non-Fatal Loss of Artistic Values on the Example of Nikolai Milioti’s Works." Observatory of Culture 18, no. 2 (2021): 164–73. http://dx.doi.org/10.25281/2072-3156-2021-18-2-164-173.

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The article introduces one of the episodes in the life of Nikolai Dmitryevich Milioti (1874—1962), an artist and active participant in art exhibitions of the early 20th century. N.D. Milioti left Soviet Russia in 1921 and remained an emigrant until the end of his life. This circumstance largely explains the fact that his life and work are still poorly studied, including the episode described in this article. The study of Nikolai Milioti’s diary entries and correspondence, stored in different archives, allows us to reconstruct some stages of the artist’s life. Specifically, this publication hig

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Isomäki, Irmeli. "Documenting art in Finland." Art Libraries Journal 13, no. 1 (1988): 20–22. http://dx.doi.org/10.1017/s0307472200005514.

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Literature on Finnish art can be sought via the national bibliography and periodicals indexes and a bibliography of Finnish history; these bibliographies are available as databases as well as in printed form and on microfiche. A working party on art libraries is looking into ways of widening bibliographical control of art literature. The publications themselves, and unpublished information, can be found in libraries and archives of several kinds, from the Library of Helsinki University to the libraries and archives of colleges of art and architecture, museums, and artists’ associations. Many o

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Iacob, Viviana. "Looking for Bauh: Negatives and Prints from the Romanian Peasant Museum Image Archive." Martor. The Museum of the Romanian Peasant Anthropology Review 24 (November 15, 2019): 27–42. http://dx.doi.org/10.57225/martor.2019.24.03.

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The article discusses a number of Aurel Bauh prints and negatives from the collections of the Ethnological Archive of the Romanian Peasant Museum. The present study uncovers visual documentation relevant to the history of sociological research in Romania, while also proposing a new periodisation for some of the prints and negatives found in the Ethnological Archive collections. This research is at the core of a visual literacy and digital curation project developed by the Romanian Peasant Museum in 2018 entitled Reţelele Privirii. The project was imagined as a starting point for a program of d

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Riggs, Christina. "An autopsic art: drawings of ‘Dr Granville's mummy’ in the Royal Society archives." Notes and Records: the Royal Society Journal of the History of Science 70, no. 2 (2016): 107–33. http://dx.doi.org/10.1098/rsnr.2015.0050.

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In 1821 Augustus Bozzi Granville FRS unwrapped and dissected an ancient Egyptian mummy, presenting the results of his examination to the Royal Society in 1825. He commissioned artist Henry Perry to draw the process in stages; these drawings were subsequently engraved by James Basire for publication in Philosophical Transactions . This article presents the original drawings for the first time, allowing comparison with their engravings. Taken together with Granville's accounts of the unwrapping of the mummy, the drawings demonstrate the significant role of illustration and other visual practices

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Kovalchuk, Inna, and Iryna Kovalchuk. "Creative Heritage of I. Yizhakevych in the Collections of the Central State Archives-Museum of Literature and Arts of Ukraine." ARTISTIC CULTURE. TOPICAL ISSUES, no. 20(1) (April 22, 2024): 9–21. http://dx.doi.org/10.31500/1992-5514.20(1).2024.306893.

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The paper studies the creative heritage of Ivan Yizhakevych — the People’s Artist of the Ukrainian SSR — through documents stored in various collections of the Central State Archives-Museum of Literature and Arts of Ukraine (hereinafter — the CSAMLA of Ukraine), by analyzing the descriptions of archival documents and their content, and making the attribution of the sketches, preserved in the artist’s collection. The research methodology is based on scientific methods of analysis, iconography, synthesis, description, classification, and comparison. Having analyzed the collections, including the

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Stelmashchuk, Halyna. "Prince Vsevolod Karmazyn-Kakovsky scientist, teacher, artist." Vìsnik Harkìvsʹkoi deržavnoi akademìi dizajnu ì mistectv 2022, no. 1 (2022): 137–52. http://dx.doi.org/10.33625/visnik2022.01.137.

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The article is devoted to the creative work of the Ukrainian Diaspora scientist, teacher, historian of art, architect and graphic artist, Prince Vsevolod Karmazyn-Kakovsky (1898–1988), about whom there is very little information in Ukraine. The study emphasizes his Ukrainian roots. The publication is based on materials from the home archive of Ph.D., sculptor and artist Kristina Kishakevich-Kachaluba from Switzerland. Prince Vsevolod Karmazyn-Kakovsky studied and lived in Ukraine until 1944. In 1944 he left Ukraine for permanent residence in Romania. As a teacher he organized faculties of land

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Maroske, Sara, Libby Robin, and Gavan McCarthy. "Building the History of Australian Science: Five Projects of Professor R.W. Home (1980–present)." Historical Records of Australian Science 28, no. 1 (2017): 1. http://dx.doi.org/10.1071/hr16018.

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R. W. Home was appointed the first and, up to 2016, the only Professor of History and Philosophy of Science (HPS) at the University of Melbourne. A pioneering researcher in the history of Australian science, Rod believes in both the importance and universality of scientific knowledge, which has led him to focus on the international dimensions of Australian science, and on a widespread dissemination of its history. This background has shaped five major projects Rod has overseen or fostered: the Australasian Studies in History and Philosophy of Science (a monograph series), Historical Records of

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Obatnina, Elena Rudol’fovna. "THE MUSIC TEACHER AND THE «PARISIAN NOTE» (CONCERNING THE HISTORY OF A. M. REMIZOV’S ENGAGEMENT WITH THE LITERARY MAGAZINE СHISLA)". Russkaya Literatura 1 (2024): 228–45. https://doi.org/10.31860/0131-6095-2024-1-228-245.

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The newly discovered data from Remizov’s personal archive make a major contribution to the history of the magazine Chisla, since formerly the role of the writer in its circle of young artists has been underestimated. The article combines individual facts of Remizov’s biography (1930–1934) into a sequence of events that outline his frst steps towards establishing a literary «school» for the young Parisians, involving the representatives of such press organs as Volya Rossii, Novaya Gazeta and Chisla. The article analyzes Remizov’s publications in Chisla, in particular, his short stories, later o

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Shapoval, Oksana. "Theory of communication in the space of philosophy and scientific thought as a determinant of the analysis of R. Wagner’s creative process." Aspects of Historical Musicology 16, no. 16 (2019): 52–76. http://dx.doi.org/10.34064/khnum2-16.03.

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Background. The knowledge about R. Wagner has now acquired the status of a significant component of not only music, but also philosophy, cultural studies, literary studies, and in studies the authors address to the intonation-conceptual and philosophical foundations of the artistic concepts of the German composer. Such universality has a basis in the substantial depths of Wagner’ works, which are the embodiment of myth-making, the conceptual ideas of Gesamtkunstwerk and Kunstreligion. Objectives. The purpose of the research is to determine the scientific basis for the implementation of the the

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Левитан, Ольга. "Русский театр в Израиле: сто лет вместе". Canadian-American Slavic Studies 45, № 1 (2011): 76–106. http://dx.doi.org/10.1163/221023911x552016.

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AbstractThe article explores the history of the Russian Theatre in Israel as an inseparable part of Israeli theatre life: Russian Jews had a decisive role in the foundation of Israeli theatre and in the very beginning of Hebrew theatre in Palestine and in Moscow, and for decades the main Israeli artists introduced themselves as pupils of Vachtangov and Stanislavsky. In addition, a specific sensitiveness to Russian cultural tradition made a serious impact on Israeli theatre school and repertoire policy. The article discusses the phenomenon of enduring connections between Israeli and Russian the

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Lassonde, Élise, and Danielle Léger. "Images as an integral part of our documentary heritage: posters and prints at Bibliothèque et Archives nationales du Québec." Art Libraries Journal 34, no. 1 (2009): 27–34. http://dx.doi.org/10.1017/s030747220001573x.

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When seeking comprehensiveness, any collector encounters the rare and the exceptional. Posters and prints are this article’s main theme; many outstanding recent additions of these documents have been made to the Quebec Heritage Collection at Bibliothèque et Archives nationales du Québec since 1992, when new areas of development were added. Various acquisition modes and strategies are described, illustrating original ways to apply legal deposit and documenting varied sources for purchase and donation within each family of publications. Forays made by visual artists into poster production are al

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Sokoliuk, Ju I. "ARCHIVAL DOCUMENTS ABOUT TARAS SHEVCHENKO HOMELAND." Shevchenko Studies, no. 1(24) (2021): 93–102. http://dx.doi.org/10.17721/2410-4094.2021.1(24).93-102.

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Article by Iu. Sokoliuk Archival Documents on the Birthplace of Taras Shevchenko aims to broaden the scientific understanding of locations that are important for the creative development of Taras Shevchenko. An extremely important aspect of the methodological work is the involvement of archival information in the channels of mass and scientific communication, the discussion at seminars and conferences, publication in specialized publications, etc. Archival documents of the 19th century reflect the features of real life of all segments of the population of Russian Impire. In the given intellige

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Pavlova, Anna L. "Alexander Maksimovich Kolchin as a Church Artist of the Classical Era." Observatory of Culture 21, no. 5 (2024): 526–39. http://dx.doi.org/10.25281/2072-3156-2024-21-5-526-539.

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New Age church art is one of the most dynamically developing areas of contemporary Russian art history. The constant process of reconstruction and restoration of churches requires a scientific approach and documentary substantiation. The artistic merits of church art in the Classical era are highly appreciated by specialists, but biographies of masters of mural painting and iconography are rarely published and are little known. The study of biographies and works of painters who devoted themselves entirely to temple decoration is important for compiling an objective picture of Russian culture o

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