Relevant bibliographies by topics / Archives nationales (France). Musée sigillographique

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Academic literature on the topic 'Archives nationales (France). Musée sigillographique'

Author: Grafiati
Published: 27 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Archives nationales (France). Musée sigillographique"

1

Babelon, Jean-Pierre. "Le Musée de l'Histoire de France aux Archives nationales à Paris." La Gazette des archives 139, no. 1 (1987): 260–65. http://dx.doi.org/10.3406/gazar.1987.4119.

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Blima-Barru, Martine Sin, and Pascal Riviale. "Les sources ethnomusicologiques des Arts et Traditions Populaires aux Archives nationales, valorisation numérique d’un patrimoine unique." Études, no. 30 (March 4, 2019): 77–89. http://dx.doi.org/10.7202/1056921ar.

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Pendant cinq décennies Claudie Marcel-Dubois et Maguy Andral, figures incontournables de l’ethnomusicologie au Musée des Arts et Traditions populaires, collectent un matériel d’étude d’une grande richesse et d’une grande diversité, abordant les pratiques musicales, la facture et l’organologie sur la presque totalité du territoire métropolitain français et dans certaines terres d’outre-mer. À la veille de redéployer ses collections à Marseille, le Musée des Arts et Traditions populaires (devenu MuCEM en 2005) lance une vaste opération de sauvegarde des archives. L’article apporte un éclairage p
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3

Martellini, Matilde. "Vie et moments d’une gare: le Musée d’Orsay entre projet muséographique et projet curatorial (1980-1986)." Opus Incertum 10 (December 24, 2024): 170–75. https://doi.org/10.36253/opus-15845.

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This contribution explores the episode of the reconfiguration of the Orsay station, focusing particularly on the role of Gae Aulenti and her museographic project. Aulenti’s approach employed compositional elements that were both a source of critique and the foundation of the museum's unique identity. By examining newly available documents from the Archives Nationales de France and the Musée d’Orsay Documentation and Library, this study reconstructs the genesis of the Parisian museum project. Aulenti’s work at the Orsay reveals the profound confrontation between curatorial practices, architectu
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4

Sairam, Nikil, and Michael Moran. "First Sex- The Natufian Statue and Professor Dorothy Garrod." International Journal of Urologic History 2, no. 2 (2023): 38–43. http://dx.doi.org/10.53101/ijuh.2.2.01052302.

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Objectives Our knowledge of the social structure of pre-historic peoples is limited by the scant physical record, largely limited to archeological fragments of biological materials, tools, and funereal art. The Natufian, who lived near present day Jerusalem around 9000 BCE, was a culture first identified by Dorothy Garrod, a British paleo-archeologist. The Natufian produced what may be the world’s first expression of sexuality in art in the Ain-Sakhri statue, depicting two figures intertwined in a coital embrace. Our aim was to better illustrate Garrod’s seminal work, and the significance of t
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5

Hillard, Denise. "Dominique Coq, Catalogues régionaux des incunables des bibliothèques publiques de France. Volume XX, Paris : Académie Nationale de Chirurgie – Alliance Israëlite Universelle – Archives Nationales – Arts Décoratifs – Assemblée Nationale – Bibliothèque Interuniversitaire Cujas – Bibliothèque Polonaise de Paris – Bibliothèque Universitaire des Langues et civilisations (Supplément) – Conseil d’État – Cour de Cassation – École Nationale Supérieure des Beaux-Arts (Supplément) – École Normale Supérieure – Institut du Monde Arabe – Institut National d’Histoire de l’Art – Facultés Jésuites du Centre de la rue de Sèvres (Supplément) – Musée Jacquemart-André – Musée du Louvre – Musée National du Moyen Âge – Ordre des Avocats au Barreau de Paris – Société de l’Histoire du Protestantisme Français. Genève, Droz, 2016, 343 p., XXXVI pl. (École pratique des hautes études, Sciences historiques et philologiques, XII, Histoire et civilisations du livre ; 35 – Centre d’études supérieures de la Renaissance)." Bulletin du bibliophile N° 365, no. 1 (2017): 175–77. http://dx.doi.org/10.3917/bubib.365.0187.

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Books on the topic "Archives nationales (France). Musée sigillographique"

1

Unknown. Inventaire général des richesses d\'art de la France. Archives du Musée des Monuments français: Partie 3: Inventaires, correspondance, pièces administratives, ... aux archives nationales (suite et fin). Adamant Media Corporation, 2002.

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2

V, Matoïan. Archéologie, Patrimoine et Archives: Les Fouilles Anciennes à Ras Shamra et à Minet el-Beida II. Peeters Publishers & Booksellers, 2019.

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Archéologie, Patrimoine et Archives: Les Fouilles Anciennes À Ras Shamra et À Minet El-Beida I. Peeters Publishers & Booksellers, 2017.

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Book chapters on the topic "Archives nationales (France). Musée sigillographique"

1

Panaïté, Oana. "Archives." In Postcolonial Realms of Memory. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789620665.003.0002.

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The archive is both an object and a practice where history and memory converge. Yet this French site of memory is also defined by what it leaves out, i.e. the colonial past. This article examines two sites – that is, two forms and practices of document conservation and management along with their public and didactic uses – that define the postcolonial context in France. The first is represented by former colonial archives (Musée national de l’histoire de l’immigration; Archives nationales d’outre-mer) whose relocation and renaming reflects public attitudes and state policies of obfuscation rat
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