Relevant bibliographies by topics / Archivio Cameraphoto (Venice, Italy)

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  3. Book chapters

Academic literature on the topic 'Archivio Cameraphoto (Venice, Italy)'

Author: Grafiati
Published: 26 July 2024

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Journal articles on the topic "Archivio Cameraphoto (Venice, Italy)"

1

Nielinger, Carola. "‘The Song Unsung’: Luigi Nono's Il canto sospeso." Journal of the Royal Musical Association 131, no. 1 (2006): 83–150. http://dx.doi.org/10.1093/jrma/fkl001.

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Taking into account the sources now available at the Archivio Luigi Nono in Venice, this article first looks at Nono's serial masterpiece Il canto sospeso (1955–6) in its historical context, both in Germany and in Italy. Having outlined the political circumstances and aesthetic premisses, the article goes on to provide a detailed analysis of the serial technique employed. Particular attention is paid to a technique of pitch permutation that explains the pitch structures of several movements, hitherto not fully understood. Each of the nine movements is examined in view of a better understanding of the work's expressive qualities and in order to show the underlying formal and compositional relationships.
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Books on the topic "Archivio Cameraphoto (Venice, Italy)"

1

curator, Gioni Massimiliano, ed. Amarcord: Frammenti di memoria dall'Archivio storico della Biennale = fragments of memory from the historic Archive of la Biennale : Ca' Giustinian, calle del Ridotto, S. Marco 1364/A. Venezia: La Biennale di Venezia, 2013.

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2

Italy) ICAM Congress (12th 2004 Venice. ICAM 12, conference of the International Confederation of Architectural Museums: Proceedings of ICAM 12, Venice, Sept 18-23, 2004, Universita di Venezi, Archivio Progetti. Venice]: [ICAM], 2004.

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3

G, Saba Cosetta, and Archivio storico delle arti contemporanee (Venice, Italy), eds. Arte in videotape: Art/tapes/22, collezione ASAC, La Biennale di Venezia : conservazione, restauro, valorizzazione. Cinisello Balsamo (Milano): Silvana, 2007.

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4

Mostra internazionale d'arte cinematografica (75th : 2018 : Venice, Italy), ed. Il cinema in mostra: Volti e immagini dalla Mostra internazionale d'arte cinematografica : 1932-2018 : 75o. Venezia: Fondazione La Biennale di Venezia, 2018.

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5

Inventory of the 'lettere e scritture Turchesche' of the Venetian State Archives. Leiden: Brill, 2010.

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Book chapters on the topic "Archivio Cameraphoto (Venice, Italy)"

1

Bello Minciacchi, Cecilia. "«Il festival rinascerà», Paola Masino inviata alla Manifestazione d’Arte Cinematografica di Venezia del 1946." In Italianistica. Venice: Fondazione Università Ca’ Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-422-5/004.

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The essay presents and analyses the film criticism articles written by Paola Masino for the new edition of the Venice Film Festival after the Second World War. The articles, which appeared in the Gazzetta d’Italia between August 31 and September 19, 1946, were not later collected or republished. These are rare materials, never studied before, found among the documents of the Fondo Paola Masino kept at the Archivio del Novecento, Sapienza University of Rome. Other significant and useful information to understand Masino’s critical perspective on cinema emerges from the letters sent from Venice to family members. The analysis of the articles highlights in Paola Masino a lively intellectual curiosity and great precision in aesthetic judgments, in addition to a peculiar sensitivity to chromatic values, and an ethical attention to the political perspective of film directors and to the recent tragedies of war and partisan resistance in Italy. Among the most interesting data emerged from these articles, there are some theoretical reflections on aesthetic principles valid not only for cinema, but for all the arts, including the narrative and the literary work of the same Paola Masino.
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