Relevant bibliographies by topics / Arco Augusto

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Arco Augusto'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Arco Augusto"

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Rich, J. W. "Augustus's Parthian honours, the temple of Mars Ultor and the arch in the Forum Romanum." Papers of the British School at Rome 66 (November 1998): 71–128. http://dx.doi.org/10.1017/s0068246200004244.

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LE ONORIFICENZE PARTICHE DI AUGUSTO, IL TEMPIO DI MARTE ULTORE E L'ARCO NEL FORO ROMANOQuesto articolo esamina le onorificenze conferite ad Augusto in commemorazione dell'accordo con i Parti del 20 a.C. In Dio 54.8.3 è sostenuto che l'impresa fu celebrata con la costruzione di un arco trionfale e di un tempio dedicato a Marte Ultore sul Campidoglio. Quest'ultimo sarebbe stata la sede delle insegne recuperate nell'impresa. Tuttavia, il passaggio sostiene anche che Augusto fu accolto da un'ovazione al suo ritorno a Roma, episodio che si sa non essere vero. In questo articolo viene suggerito che le onorificenze che Dio riporta furono votate dal Senato e o respinte totalmente da Augusto o accettate in una forma modificata. Augusto accettò l'idea di un tempio dove tenere le insegne, ma insistette che questo fosse costruito non sul Campidoglio, ma nel suo progettato nuovo foro. L'idea di un nuovo arco venne invece respinta da Augusto. Tuttavia egli accettò che il triplo arco eretto nel foro romano in onore della vittoria di Azio fosse modificato per commemorare il recupero delle insegne. Ulteriori onorificenze offerte ad Augusto al suo ritorno a Roma nel 19 a.C. includono un carro associato al proposto tempio di Marte Ultore; Augusto accettò che questo fosse eretto nel foro augusteo, e può quindi essere identificato con il carro menzionato nelleRes Gestae35.Tali questioni fanno nuova luce sulla concezione e sul significato simbolico del foro augusteo e del tempio di Marte Ultore e forniscono una nuova soluzione all'annoso problema dell'arco di Augusto nel foro romano. Questo articolo ha anche un più ampio significato, quale illustrazione del modo in cui i processi onorifici potessero fungere da dialogo tra i sudditi e l'imperatore.
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Oliveira, Érika Cecília Soares, and Maria de Fatima Araújo. "Aproximações do teatro do oprimido com a Psicologia e o Psicodrama." Psicologia: Ciência e Profissão 32, no. 2 (2012): 340–55. http://dx.doi.org/10.1590/s1414-98932012000200006.

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O presente artigo aborda as aproximações do teatro do oprimido na modalidade do arco-íris do desejo, método de terapia e teatro criado por Augusto Boal com a Psicologia, em especial com o psicodrama. O teatro do oprimido é frequentemente comparado e até mesmo confundido com o psicodrama, daí a necessidade de apontarmos algumas semelhanças e diferenças entre os dois métodos, as teorias que inspiraram seus criadores, bem como os objetivos que procuravam alcançar. Procuraremos problematizar o uso das técnicas do arco-íris do desejo considerando a função e a preparação do curinga para aplicá-las, seu manejo, bem como o lugar de autoridade que lhe é conferido. As técnicas boalianas devem ser utilizadas com o devido cuidado, pois é necessário não perder de vista as possíveis consequências que o seu uso indevido pode provocar nos participantes, posto que são técnicas mobilizadoras de fortes conteúdos emocionais.
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De Oliveira, Douglas Henrique, and Neide Das Graças de Souza Bortolini. "INTERLOCUÇÕES ENTRE LA MULTIPLICACIÓN DRAMÁTICA - EDUARDO PAVLOVSKY - E O ARCO-ÍRIS DO DESEJO - AUGUSTO BOAL." Cena, no. 34 (May 31, 2021): 185–95. http://dx.doi.org/10.22456/2236-3254.109507.

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Este artigo faz aproximações entre práxis teatrais desenvolvidas no contexto latino-americano de resistência aos regimes ditatoriais no século XX, nos âmbitos artístico, educacional, social e terapêutico, constituídas de poéticas políticas criadas por Eduardo Pavlovsky, na Argentina, e Augusto Boal, no Brasil. Essas epistemologias marcaram o pensamento estético e projetaram-se internacionalmente, uma vez que os autores foram exilados por suas expressões críticas e libertárias na área teatral. São trajetórias distintas que se aproximam especialmente pelo caráter de transformações sociais, políticas e interpessoais realizadas por estéticas de resistência na conjuntura das ditaduras latino-americanas. O argentino Pavlovsky desenvolve, entre outras importantes realizações, a abordagem La multiplicación dramática (1989), enquanto o brasileiro, partindo de seu Teatro do Oprimido, desenvolve O arco-íris do desejo: método Boal de teatro e terapia (1992), trabalhos que se assemelham por serem abordagens grupais terapêuticas que implicam mudanças psicossociais. Palavras-chaveTeatro. Terapia Grupal. Resistência.
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Bomfim, Monalisa Medrado. "Multiálogo e arco tenso: poemas intermídia de Décio Pignatari." Revista Criação & Crítica, no. 28 (December 22, 2020): 169–87. http://dx.doi.org/10.11606/issn.1984-1124.i28p169-187.

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Décio Pignatari (1927-2012) era o mais irreverente do trio de poetas concretos que compunha junto com os irmãos Haroldo e Augusto de Campos. A ousadia de Pignatari está na sátira, mas também no multiálogo das mídias, que ele experimenta por meio de diferentes suportes nos poemas intermídia. O objetivo do trabalho foi trazer a poesia de Décio Pignatari para o campo de análise do suporte de inscrição, sugerindo um diálogo ativo com o contemporâneo digital. Observa-se que existe algum dado tecnomoderno nos poemas intermídia um movimento (1956), hombre hambre hambra (1957) e caviar (1959), que transitam entre os suportes da página e do áudio. Para compor a discussão teórica do conceito de intermídia foram utilizados os textos: Inter textos/ inter artes/ inter media (2006) e Concrete poetry and the new performance arts: intersemiotic, intermedia, intercultural (2000), de Claus Clüver. Já os textos: A poesia concreta como precursora da cibercultura (2006) e Décio Pignatari entre a vida, os signos e a memória (2016), de Lucia Santaella, articularam o diálogo entre os poemas e o contexto digital.
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Andrés García, Manuel. "La conformación de un icono genérico y su contexto: Augusto César Sandino y la opinión pública española (1928-1934)." Historia Contemporánea, no. 64 (October 1, 2020): 919–52. http://dx.doi.org/10.1387/hc.20510.

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El objetivo de este artículo es la revisión de la figura de Augusto César Sandino y su impacto sociopolítico en la opinión pública española. Partiendo de un análisis de los acontecimientos que impulsaron la figura del líder guerrillero a la escena internacional, examinaremos la repercusión de sus actuaciones dentro de una coyuntura intervencionista como la planteada por los Estados Unidos en Centroamérica y el Caribe en las primeras décadas del XX, al igual que la reacción de los países hispanohablantes respecto a las injerencias de Washington. Será a partir de dicho contexto que abordaremos la repercusión de Sandino en la intelectualidad y medios peninsulares, tomando como referencia diarios de todo el arco ideológico para confirmar cómo, aun desde perspectivas diferenciadas – y en un marco temporal de apenas siete años – el nicaragüense acabaría convertido en un icono compartido, pero de disímil significación.
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Dalaqua, Gustavo Hessmann. "Injustiça estética." Revista Limiar 6, no. 12 (November 21, 2019): 101–29. http://dx.doi.org/10.34024/limiar.2019.v6.9565.

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O artigo apresenta o conceito de injustiça estética, que designa qualquer dano cometido a um sujeito no que diz respeito à sua capacidade estética. A primeira seção reconstrói a noção de mentalidade colonial teorizada por Amílcar Cabral para mostrar como a injustiça estética é experimentada de maneira diferente pelos opressores e oprimidos. A segunda engaja criticamente com A estética do oprimido de Augusto Boal e destaca a mútua influência existente entre injustiça estética e injustiça epistêmica. A terceira indica como ambos tipos de injustiça podem ser resistidos por meio de uma análise de outras duas obras de Boal: Teatro do oprimido e O arco-íris do desejo. A quarta seção conclui argumentando que a injustiça epistêmica é infensa à democracia e explicando por que um regime democrático requer justiça estética, conceito normativo segundo o qual todos os cidadãos são igualmente aptos a ter seus modos de ver e sentir os temas públicos levados em conta na deliberação política.
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Cousins, Mark. "August 2000, Architecture at the Edinburgh International Festival." Architectural Heritage 12, no. 1 (November 2001): 97–100. http://dx.doi.org/10.3366/arch.2001.12.1.97.

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Cousins, Mark. "August 2000, Architecture at the Edinburgh International Festival." Architectural Heritage 12, no. 12 (January 2001): 97–100. http://dx.doi.org/10.3366/arch.2001.12.12.97.

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Laffan, Michael F. "When Kiais Came to Cairo (29 July-1 August 2003)." Archipel 66, no. 1 (2003): 5–12. http://dx.doi.org/10.3406/arch.2003.3779.

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Labrousse, Pierre. "Auguste de Molins. Un artiste à Java dans Le Tour du monde (1864)." Archipel 78, no. 1 (2009): 135–51. http://dx.doi.org/10.3406/arch.2009.4145.

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Dissertations / Theses on the topic "Arco Augusto"

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Neitzke, César Augusto. "Modificação microestrutural da camada limite em aço carbono por tocha plasma a arco elétrico transferido /César Augusto Neitzke ; orientador, Fred Lacerda Amorim ; co-orientador, Irionson Antônio Bassani." reponame:Biblioteca Digital de Teses e Dissertações da PUC_PR, 2009. http://www.biblioteca.pucpr.br/tede/tde_busca/arquivo.php?codArquivo=2584.

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Dissertação (mestrado) - Pontifícia Universidade Católica do Paraná, Curitiba, 2009
Bibliografia: f. 78-81
A utilização de tratamentos térmicos em ligas ferrosas tem por função a modificação da microestrutura do material, a fim de promover propriedades adequadas as solicitações funcionais especificas de uma determinada peça. A tempera de solidos por resfriamen
The use of heat treatments in ferrous alloys has the task of modifying the microstructure of the material in order to promote adequate properties to functional requirements of a specific part. The hardening by cooling of solids in fluids, altering the mic
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Longo, Rosario Alessandro. "Dalla generazione di modelli 3D densi mediante TLS e fotogrammetria alla modellazione BIM." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2017. http://amslaurea.unibo.it/13284/.

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La tesi tratta la ricerca di procedure che permettano di rilevare oggetti utilizzando il maggior numero di informazioni geometriche ottenibili da una nuvola di punti densa generata da un rilievo fotogrammetrico o da TLS realizzando un modello 3D importabile in ambiente FEM. Il primo test si è eseguito su una piccola struttura, 1.2x0.5x0.2m, in modo da definire delle procedure di analisi ripetibili; la prima consente di passare dalla nuvola di punti “Cloud” all’oggetto solido “Solid” al modello agli elementi finiti “Fem” e per questo motivo è stata chiamata “metodo CSF”, mentre la seconda, che prevede di realizzare il modello della struttura con un software BIM è stata chiamata semplicemente “metodo BIM”. Una volta dimostrata la fattibilità della procedura la si è validata adottando come oggetto di studio un monumento storico di grandi dimensioni, l’Arco di Augusto di Rimini, confrontando i risultati ottenuti con quelli di altre tesi sulla medesima struttura, in particolare si è fatto riferimento a modelli FEM 2D e a modelli ottenuti da una nuvola di punti con i metodi CAD e con un software scientifico sviluppato al DICAM Cloud2FEM. Sull’arco sono state eseguite due tipi di analisi, una lineare sotto peso proprio e una modale ottenendo risultati compatibili tra i vari metodi sia dal punto di vista degli spostamenti, 0.1-0.2mm, che delle frequenze naturali ma si osserva che le frequenze naturali del modello BIM sono più simili a quelle dei modelli generati da cloud rispetto al modello CAD. Il quarto modo di vibrare invece presenta differenze maggiori. Il confronto con le frequenze naturali del modello FEM ha restituito differenze percentuali maggiori dovute alla natura 2D del modello e all’assenza della muratura limitrofa. Si sono confrontate le tensioni normali dei modelli CSF e BIM con quelle ottenute dal modello FEM ottenendo differenze inferiori a 1.28 kg/cm2 per le tensioni normali verticali e sull’ordine 10-2 kg/cm2 per quelle orizzontali.
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Hurley, Therese. "Jeanne d'Arc on the 1870s Musical Stage: Jules Barbier and Charles Gounod's Melodrama and Auguste Mermet's Opera." Thesis, University of Oregon, 2013. http://hdl.handle.net/1794/12991.

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The purpose of this study is to examine the presentation of Joan of Arc's life in two lyric works, Jules Barbier and Charles Gounod's Jeanne d'Arc (1873) and Auguste Mermet's Jeanne d'Arc (1876), that premiered in Paris following the upheaval of the Franco-Prussian War and Paris Commune. Relying on Parisian journals of the day, I follow two trends: some critics called for a historically-informed presentation of Joan's life and others appealed to retain certain supernatural elements, specifically the Fairy Tree and the Voices, of Joan's story. In addition to these trends, I consider an article printed shortly before the premiere of Mermet's opera and discuss the political and religious implications of the final scene (Charles VII Coronation in Reims or Joan's execution in Rouen) in these two stage works. After an introductory chapter and a chapter tracing the geneses of the melodrama and the opera, the remaining chapters each deal specifically with one of the three above-mentioned lines of inquiry as they relate to Joan of Arc's story. Chapter III discusses historical characters (Charles, duc d'Orléans, King René, and Agnès Sorel), historical music (minuet and Vexilla regis), and music believed to have been sung in the presence of Joan of Arc (Veni Creator Spiritus and Orate pro ea). Chapter IV addresses the continuing presence of legendary, supernatural elements--specifically the Fairy Tree and the Voices--and how these elements have changed in nineteenth-century stage works about Joan. In Chapter V, the difficulty of adapting Joan's life on the stage is examined. A closer look reveals that differing views existed during the 1870s as to exactly what her mission entailed. The two works reflect the changing attitudes on this topic. As a whole, this dissertation offers an examination of two rarely discussed stage works that reveal the political, religious, and musical climate surrounding the figure of Joan of Arc in the 1870s.
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Naranjo, Arcos Maria Augusta [Verfasser], and Petra [Akademischer Betreuer] Bauer. "Investigating the role of the iron dependent bHLH039 transcription factor in coordinating Fe homeostasis in Arabidopsis thaliana / Maria Augusta Naranjo Arcos ; Betreuer: Petra Bauer." Saarbrücken : Saarländische Universitäts- und Landesbibliothek, 2017. http://d-nb.info/1137509465/34.

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Soumis-Dugas, Gabriel. "Évaluation écotoxicologique d'une méthode de restauration de lacs eutrophes." Thesis, Université Laval, 2012. http://www.theses.ulaval.ca/2012/28778/28778.pdf.

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L’eutrophisation et la contamination des sédiments (ex : métaux, nutriments, etc.) sont des problèmes majeurs pour la protection des écosystèmes aquatiques et la protection des ressources d’eau douce. Le lac Saint-Augustin (Québec, Canada) est aux prises avec ces deux problèmes. Depuis 2001, plusieurs épisodes de fleurs d’eau de cyanobactéries sont rapportés durant la saison estivale (P > 70 µg/L). Galvez et collaborateurs ont proposé une méthode de restauration pour ce lac consistant : (I) à réduire la teneur en phosphore de l’eau du lac par coagulation/floculation avec du sulfate d’aluminium et (II) à effectuer un recouvrement actif de roche calcaire et de sable afin d’isoler le floc d’Al, le P et les autres contaminants (ex., métaux) et permettre la recolonisation par le benthos. L’objectif des présents travaux était d’évaluer l’écocompatibilité de cette méthode. Deux approches écotoxicologiques ont été employées : (I) essais de toxicité monospécifiques (croissance de l’algue Pseudokirchneriella subcapitata et de la lentille d’eau Lemna minor; survie et reproduction de la daphnie Daphnia magna et de l’amphipode Hyalella azteca, survie, croissance et émergence de l’invertébré Chironomus riparius ainsi que survie des larves de tête-de-boule Pimephales promelas et des alevins de truites arc-en-ciel Oncorhynchus mykiss) et (II) essai en microcosmes de 2 litres tel qu’adapté par Triffault-Bouchet. La toxicité de l’aluminium et l’impact de la roche calcaire ont été étudiés séparément : d’abord avec eau et sédiments artificiels et ensuite avec eau et sédiments du lac Saint-Augustin. Les résultats démontrent que les algues et les daphnies sont affectées par l’application d’alun. Aucun effet n’a été observé chez les autres organismes. Ceux-ci ont eu la capacité de recoloniser les milieux traités avec l’alun ou avec la technique complète. Ces résultats tendent à démontrer que la méthode de restauration est prometteuse. L’écocompatibilité de la technique ne pourra cependant être démontrée que par des essais in situ et après un suivi étroit du phytoplancton et du zooplancton dans le lac. Toutefois, dans le cadre des présents travaux, l’efficacité des traitements (en terme de déphosphatation) n’a pas permis d’atteindre le critère de qualité du MDDEP (20 µg/L). Ces paramètres devront être étroitement suivis lors des essais in situ. Mots clés : Eutrophisation, sédiments contaminés, restauration de lac, aluminium, recouvrement actif, évaluation écotoxicologique, bioessais monospécifique, microcosmes.
Eutrophication and contaminated sediments (e.g.: nutrients, metals, etc.) are preoccupying issues in aquatic ecosystems and water resource protection. Saint-Augustin Lake (Quebec, Canada) is affected by both problems in addition to the presence of de-icing salts. This small shallow lake has low renewal time and receives an intensive phosphorus transfer from bottom sediments to the water column. Since 2001, the lake presents cyanobacteria blooms every summer (P > 70 μg/L). Galvez and collaborators has proposed a remediation method for this lake that consists of (i) the precipitation of phosphorus present in the water column by the addition of alum, in association with the deposition of (ii) an active capping layer (limestone + sand) to isolated P, Al and other contaminants (e.g., metals) within bottom sediments and allow recolonisation by benthos. The objective of this study is to assess the ecotoxicological impact of that remediation method. Two ecotoxicological approaches are used to assess the impact of this method: (I) single-species bioassays (algae Pseudokirchneriella subcapitata and duckweed Lemna minor growth; daphnid Daphnia magna and amphipod Hyalella azteca survival and reproduction, invertebrate Chironomes riparius survival, growth and emergence, fathead minnow P. promelas and rainbow trouts O. mykiss survival) and (II) a 2-L microcosm as adapted by Triffault-Bouchet. Alum toxicity and limestone impact were studied separately in laboratory: first with artificial water and sediments and then using actual lake overlying water and sediments. The results show that algae and daphnids are sensitive to alum treatment. No significant effects were observed on the other organisms. These organisms had the ability to recolonize the treated media either with alum treatment or with complete treatment. These results suggest that the restoration method is promising. The environmental compatibility of the technique, would be demonstrated after testing in situ with a close monitoring of phytoplankton and zooplankton in the lake. However, the results of this study showed that the treatments dephosphatation efficacity was not enought to reach the MDDEP quality criteria (20 µg/L). Also, the concentration of residual aluminum after treatments was still over the MDDEP quality criteria after treatments. Keywords : Eutrophication, contaminated sédiments, lake restauration, aluminum, active capping, écotoxicological évaluation, monospécific bioessais, microcosms.
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Mathis, Véronique. "Louis Lafitte : un peintre d'histoire de la Révolution à la Restauration." Thesis, Normandie, 2020. http://www.theses.fr/2020NORMR081.

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Louis Lafitte (1770-1828) a tenu toute sa vie à se présenter, avec fierté, comme peintre d’histoire, ce que sa formation artistique justifie pleinement. Après un apprentissage chez le graveur Gilles-Antoine Demarteau, il entre dans l’atelier de Jean-Baptiste Regnault, concurrent et rival de celui de Jacques Louis David dans les années 1780. Présenté par ce maître, il est inscrit à l’Académie royale de peinture, sculpture et architecture en 1784 ; son cursus y est honorable : première médaille au quartier d’octobre 1788, et surtout grand prix de peinture, lors de sa première participation au concours en 1791. Ce parcours d’excellence lui vaut une place à l’Académie de France à Rome, mais il ne peut guère profiter de ce privilège, la situation politique de la France ne trouvant pas grâce aux yeux du gouvernement romain. La population supporte de plus en plus mal la présence française et en janvier 1793, c’est l’explosion ; le Palais Mancini siège de l’Académie est incendié, les pensionnaires dispersés. Tous rentrent plus ou moins rapidement en France ; certains comme Lafitte iront se réfugier à Florence jusqu’à la rupture de la neutralité de la Toscane en octobre 1793. De retour en France, commence une période paradoxale : pensionnaire de la République sur le papier jusqu’en septembre 1800, il en perçoit les modestes indemnités, compte peut-être sur un nouveau séjour romain qui ne viendra pas, mais ne parvient pas à « faire la peinture » à laquelle il aspire, faute d’obtenir un atelier, malgré des demandes répétées. Il n’entre pas non plus dans le cénacle des artistes sollicités régulièrement par les gouvernements successifs, mais il donne parfois de timides signes d’assentiment au régime en place, de l’an II jusqu’à l’Empire où il bénéficie alors de commandes officielles plus importantes, comme le simulacre de l’Arc de triomphe de l’Etoile pour le mariage de Napoléon et Marie-Louise. Son ralliement enthousiaste à la Restauration montre sans doute le vrai visage de Lafitte quant à ses affinités politiques. Il en résulte une place très officielle de dessinateur du Cabinet du Roi, qui conclut avec panache une carrière dont le parcours est souvent difficile à reconstituer. La plus grande partie de sa vie, il n’est pas dans la lumière, car faute de clients publics, il s’est tourné très vite vers une clientèle privée, que son titre de peintre d’histoire, inlassablement mis en avant, n’a pas manqué d’attirer et que ses réels talents de dessinateur ont fixé. On lui demande surtout des travaux en rapport avec les goûts du temps, décors intérieurs pompéiens, ou portraits, tous objets qui malheureusement n’ont que très exceptionnellement laissé des traces. Son crayon sûr et incisif travaille pour les graveurs d’estampes, avec des morceaux célèbres comme les figures du calendrier républicain, ainsi que pour les éditeurs de belles éditions illustrées, dont les lecteurs de l’époque sont friands. On pense notamment à la luxueuse édition Didot de Paul et Virginie, orchestré de bout en bout par Bernardin de Saint Pierre lui-même. Il s’est taillé dans ce dernier domaine une réputation telle, qu’il est resté comme un illustrateur de livres pour une part non négligeable d’auteurs du XIXe siècle. Il n’a pas manqué non plus d’être intéressé par les arts appliqués et de fournir des dessins aussi bien pour de l’orfèvrerie que pour des papiers peints ; des objets de luxe, produits en petit nombre certes, mais industriellement quand même, qui montre un artiste ne dédaignant pas les demandes d’une société de consommation exigeante. Comme on le voit, il ne fait pas œuvre de peintre d’histoire ; mais ce parcours très diversifié, faisant feu de tout bois, montre une adaptation originale à la situation nouvelle que rencontrent les artistes dans une période particulièrement troublée. Elle permit à Louis Lafitte, peintre d’histoire, sinon d’atteindre la gloire, au moins de vivre correctement de son art
All his life Louis Lafitte (1770-1828) insisted on introducing himself, with pride, as a history painter, a statement which his artistic training fully justified. After an apprenticeship with the engraver Gilles-Antoine Demarteau, he was the pupil of Jean-Baptiste Regnault, a competitor and rival of Jacques Louis David's in the 1780s. Introduced by his master, he was enrolled at the Royal Academy of Painting, Sculpture and Architecture in 1784; his studies there were honourable: first medal in October 1788, and above all the grand prize in painting, when he first took part in the competition in 1791. This course of excellence earned him a place at the Académie de France in Rome, but he could hardly take advantage of this privilege, as the political situation in France was not acceptable to the Roman authorities. The population could not stand the French presence and in January 1793, it was mayhem; the Mancini Palace, the seat of the Academy, was burnt down and the residents dispersed. All of them returned to France more or less quickly; some, like Lafitte, took refuge in Florence until the neutrality of Tuscany was ruptured in October 1793. On his return to France, a period of uncertainty began: an official resident of the Republic until September 1800, he received modest compensation. His desire to return to Rome was unfulfilled as was his aspiration to become a history painter, as he was unable to obtain a studio, despite repeated requests. Nor did he enter the cenacle of artists regularly solicited by successive governments, but he sometimes gave timid signs of assent to the regime in power, from the year II to the Empire, where he received more important official commissions, such as the simulacrum of the Arc de Triomphe de L'Etoile for the wedding of Napoleon and Marie-Louise. His enthusiastic rallying to the Restoration undoubtedly shows the true face of Lafitte's political affinity. The result was a very official position as draughtsman in the King's Cabinet, which concluded his artistic career which is often difficult to reconstruct. For most of his life, he was not in the limelight, lacking public clients, he very quickly turned to a private clientele, which he obtained by using his title of a history painter. He was mainly asked to paint works in line with the tastes of the time, Pompeian interior decorations, or portraits, which we have little trace of today. A skilled draughtsman, he worked for print engravers, producing famous pieces such as figures from the republican calendar, but also for publishers of refined illustrated editions, very appreciated by the readers of the time. One thinks, in particular, of the luxurious Didot edition of Paul and Virginie, directed from beginning to end by Bernardin de Saint Pierre himself. In the publishing field, he earned such a reputation that he remained a book illustrator for a large number of 19th-century authors. He was also interested in the applied arts and provided drawings for both the goldsmiths and wallpaper trade. These were luxury objects, produced in small numbers but mechanically manufactured. As an artist, Louis Lafitte accepted the demands of consumer society, his eclectic career showed his constant ability to adapt during the revolution and although he is not remembered as a history painter, he succeeded in making a living from his trade
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Carvalho, Cláudia Rodrigues. "Análise da vulnerabilidade sísmica do arco da Rua Augusta." Master's thesis, 2015. http://hdl.handle.net/10362/17024.

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Em Portugal grande parte dos edifícios históricos antigos são constituídos por alvenaria de pedra. Este género de construção é particularmente vulnerável a ações de natureza dinâmica, nomeadamente a ações sísmicas. O estudo da vulnerabilidade sísmica destes edifícios permite estimar os níveis de dano expectáveis, aquando da ocorrência de um sismo e apoiar o desenvolvimento de técnicas de reforço que permitam evitar o colapso dos mesmos. O objetivo principal do presente estudo é avaliar a vulnerabilidade sísmica do arco da rua Augusta em Lisboa, perante um evento sísmico regulamentar, utilizando um programa de cálculo comercial especializado que permite a utilização de análises dinâmicas não lineares. Numa primeira fase procedeu-se à identificação modal do arco, com recurso a ensaios de vibração ambiental. Os resultados destes ensaios de caracterização dinâmica foram utilizados para calibrar o modelo numérico, o qual foi desenvolvido no programa de cálculo Extreme Loading for Structures, baseado no Método dos Elementos Aplicados. O modelo numérico foi utilizado, numa segunda fase, para avaliar a vulnerabilidade sísmica do arco. Uma análise preliminar pushover permitiu obter a curva de capacidade da estrutura, que por sua vez, possibilita a definição os limites de um conjunto de estados de dano considerados relevantes para o arco. Subsequentes análises sísmicas não lineares e a definição de curvas de fragilidade, permitem estimar os níveis de dano prováveis para vários níveis de ação sísmica e concluir sobre a vulnerabilidade sísmica do Arco da Rua Augusta perante um cenário sísmico regulamentar.
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Books on the topic "Arco Augusto"

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Fogliato, Dario. L' Arco di Augusto a Susa. Collegno: Gruppo archeologico "Ad Quintum", 1992.

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Hurd, Ann Augusta Jaquins. The letters of Ann Augusta Jaquins Hurd and Mary Olivia Hurd Arno, 1858-1897. Chicago, Ill: H.H. Cooperman, 1988.

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Brighenti, Maurizio. Illustrazione dell'Arco d'Augusto in Rimini. Rimini: Luisé, 2005.

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Giovanni, Rimondini, ed. Illustrazione dell'Arco d'Augusto in Rimini. Rimini: Luisé, 2005.

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Arno, Mohr. Arno Mohr: Zeichnungen : Ausstellung in der Galerie am Robert-Koch-Platz ... vom 27. Juni bis 3. August 1990. Berlin: Akademie der Künste der Deutschen Demokratischen Republik, 1990.

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International Symposium on Arcto-Alpine Mycology (5th 1996 Labytnangi, Russia). Arctic and alpine mycology 5: Proceedings of the Fifth International Symposium on Arcto-Alpine Mycology, Labytnangi, Russia, August 15-27, 1996 = Arkticheskai︠a︡ i aʹlpiĭskai︠a︡ mikologii︠a︡ 5. Edited by Knudsen Henning, Mukhin Victor, and Institut ėkologii rasteniĭ i zhivotnykh (Rossiĭskai︠a︡ akademii︠a︡ nauk). Yekaterinburg: Yekaterinburg Publishers, 1998.

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Pertsch, Dietmar. Deutsch-polnische Begegnungen im Spiegel der Literatur: Eine kleine Literaturgeschichte zum Verhältnis von Deutschen und Polen im Werken deutschsprachiger Erzähler des 20. Jahrhunderts über die heute in Polen gelegenen, einstmals deutschen Gebiete Ost- und Westpreussen, Danzig, Hinterpommern und Schlesien : über Erzählungen und Romane von Horst Bienek, Johannes Bobrowski, Christine Brückner, Gustav Freytag, Günter Grass, Ursula Höntsch, Walter Kempowski, Siegfried Lenz, Leonie Ossowski, Rotraut Schöne, August Scholtis, Arno Surminski und Ernst Wiechert. Berlin: Berliner Institut für Lehrerfort- und -weiterbildung und Schulentwicklung, 1996.

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Società di ricerche e studi valsusini., ed. Arco di Susa: Eretto da Marco Giulio Cozio in onore di Cesare Ottaviano Augusto : 8 a.C.-1992 d.C. : monografia per il bimillenario : tre secoli di immagini grafiche, fotografiche, pittoriche. [Italy]: Segusium, 1991.

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Luigi, Foschi Pier, Pasini Pier Giorgio, Biordi Maurizio, and Rimini (Italy) Musei comunali, eds. L' Arco d'Augusto: Significati e vicende di un grande segno urbano. Rimini: Musei comunali, 1998.

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Timmermann, Marybeth, trans. Preface to Stories from the French Women’s Liberation Movement. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039003.003.0038.

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In August, 1970, barely six years ago, a few women demonstrated at the Arc de Triomphe in honor of “the wife of the unknown soldier.” And so for the first time the newspapers mentioned the MLF [Mouvement de libération des femmes or French Women’s Liberation Movement]. This name, similar to the American “Women’s Lib,” was given to the movement by the press, and the militants took it on for themselves. Ever since, the MLF has become very well known, or rather very poorly known, because the image propagated about them is one of hysterical shrews and lesbians. The primary merit of this book is to completely refute this cliché....
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Book chapters on the topic "Arco Augusto"

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Worthington, Ian. "Hadrian’s Arch." In Athens After Empire, 313–36. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190633981.003.0016.

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The final chapter completes the narrative with an examination of Hadrian’s dealings with Athens, thanks to whom the city was again made prominent in the Greek world. After discussing Hadrian’s economic and constitutional arrangements for Athens, the chapter turns to the religious and intellectual life in the city and how these appealed to a polymath like Hadrian. Most importantly there is a focus on Hadrian’s Panhellenion, a league of cities of the East created by the emperor that made Athens its center. As a result, Athens’ reputation and prestige skyrocketed once again, and it became in effect the second city of the Roman Empire after Rome. The Panhellenion also spawned a burst of building activity under Hadrian not seen since the days of Augustus. The completion of the monumental Temple to Olympian Zeus was meant to be the focal point of the Panhellenion. A section on Hadrian’s Arch is also discussed, as the monument was commissioned by the Athenians and shows the extent of Hadrian’s power over the city, Greece, and the east. As a postscript, there is a broad brushstroke description of Athens after Hadrian, including the activity of Herodes Atticus and up to the Herulian sack.
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Battersby, Christine. "Cavarero, Kant, and the Arcs of Friendship." In Toward a Feminist Ethics of Nonviolence, 109–20. Fordham University Press, 2021. http://dx.doi.org/10.5422/fordham/9780823290086.003.0007.

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This etude considers the discussion between Adriana Cavarero, Judith Butler, and Bonnie Honig with regards to the role of Kant for a postural ethics: an engraved champagne glass is inscribed with the names of Kant and several of his English merchant and shipping friends, an English motto, and the date 30 August 1763—the time of a banking crash which economists have compared to that of September 1998. The motto emblematises an ideal of friendship across national borders, and the mutual dependence of one adult self on another in a time of crisis, panic, and military and economic instability. I will argue that, in our own dangerous times, there are merits to Kant’s ideal of relations modelled on friendship, rather than dependencies linked to maternity and vulnerability.
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"Schlaf, Johannes, see Arno Holz and Johannes Schlaf August Wilhelm Schlegel." In Encyclopedia of German Literature, 885–88. Routledge, 2015. http://dx.doi.org/10.4324/9781315062471-86.

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Prince, Meredith D. "The Dux Femina Ends Westeros’ Golden Age: Cersei Lannister as Agrippina the Younger in HBO’s Game of Thrones (2011–)." In Screening the Golden Ages of the Classical Tradition, 207–24. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474440844.003.0012.

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In the second of two chapters connecting the management of sexuality to the fortunes of Augustus, his dynasty, and the empire it governs, Prince explores how the dynamics shaping Rome also inform the characterization and narrative arc of Cersei Lannister in HBO’s Game of Thrones (2011-), another prestige cable series produced during the current golden age of television. She compares Cersei Lannister to Roman historiography’s portrayal of Agrippina the Younger: granddaughter of Augustus, sister of Caligula, wife of Claudius, and mother of Nero, yet born into a patriarchal system in which she could only wield power by controlling men around her. In this strategy, both Agrippina and Cersei are challenged by another aspirant to power and competitor for influence, with deadly results. Such ambition led to Tacitus labeling Agrippina a dux femina (“woman commander”), among other imperial women whose “masculine” hunger for power was blamed for the catastrophic decline of their dynasty and of Rome itself – much as the coming of winter on Game of Thrones is correlated with the moral depravity, and dynastic collapse, in which Cersei is intimately implicated. These pessimistic narratives of decline invoke the myth of the iron age, the inverse of the golden age.
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Mello, Simone Homem de. "13. Retrieval of the Unreadable: Arno Holz and Sousândrade Revisited by Augusto and Haroldo de Campos." In Form and Feeling, 209–24. Fordham University Press, 2021. http://dx.doi.org/10.1515/9780823289134-014.

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Fell, Alison S. "‘La femme du soldat inconnu’." In Making Waves, 129–40. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781789620429.003.0009.

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On 26 August 1970, in a carefully orchestrated and highly provocative symbolic gesture, a small group of MLF feminists attempted to lay wreaths to the ‘even more unknown’ wife of the Unknown Soldier at the annual commemorative ceremonyheld at the Arc de Triomphe. The wreath-laying came to epitomize radical French feminism in the 1970s; its tongue-in-cheek iconoclasm, shocking for many, served as a recruitment tool for nascent feminists. This new generation of feminists cast the tomb as the ultimate symbol of the hegemony of masculinist culture, as a synecdoche for the oppression, belittling and silencing of women under patriarchy. This chapter explores the extent to which feminism has debated and shaped the inclusion/exclusion of women in French lieux de mémoire(sites of memory) since the 1970s. It considers in particular debates around the recasting of the statue of nineteenth-century feminist Marie Deraismes in 1983; the transferral of Marie Curie’s remains to the Pantheon in 1995; and the construction of the ‘Passerelle Simone de Beauvoir’ in Paris, which opened in 2006, asking if the aims of the original 1970 demonstration have been met, nuanced, compromised or even betrayed in more recent years.
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Giorgi, L., and F. Berni. "The Arch of Augustus in Rimini: The internal structure determined with a special tomography." In Structural Analysis of Historical Constructions: Anamnesis, Diagnosis, Therapy, Controls, 80–87. CRC Press, 2016. http://dx.doi.org/10.1201/9781315616995-9.

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Koskinen, J., A. Anttila, and J. P. Hirvonen. "Hard Carbon Coatings by the Pulsed Arc-Discharge Method." In Applications of Diamond Films and Related Materials - Proceedings of the First International Conference on the Applications of Diamond Films and Related Materials – ADC '91 Auburn, Alabama, U.S.A., August 17–22, 1991, 845–50. Elsevier, 1991. http://dx.doi.org/10.1016/b978-0-444-89162-4.50134-2.

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Rongzhi, LI, SHI Hailiang, YAN Zhen, TANG Sen, and ZHU Hesun. "Transparent Diamond Film Deposited by Optimized DC Arc Plasma Jet." In Applications of Diamond Films and Related Materials - Proceedings of the First International Conference on the Applications of Diamond Films and Related Materials – ADC '91 Auburn, Alabama, U.S.A., August 17–22, 1991, 207–12. Elsevier, 1991. http://dx.doi.org/10.1016/b978-0-444-89162-4.50032-4.

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Shervais, John W., Suzanne A. Shelley, and Donald T. Secor, Jr. "Geochemistry of volcanic rocks of the Carolina and Augusta terranes in central South Carolina: An exotic rifted volcanic arc?" In Special Paper 304: Avalonian and related peri-Gondwanan terranes of the Circum-North Atlantic, 219–36. Geological Society of America, 1996. http://dx.doi.org/10.1130/0-8137-2304-3.219.

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Conference papers on the topic "Arco Augusto"

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Solon*, Flora Ferreira, Patrícia P. P. de Souza, Sergio L. Fontes, and Jean Marie Flexor. "Assinatura geoelétrica do Arco de São Francisco: encontro das bacias do São Francisco e Parnaíba." In 11th International Congress of the Brazilian Geophysical Society & EXPOGEF 2009, Salvador, Bahia, Brazil, 24-28 August 2009. Society of Exploration Geophysicists and Brazilian Geophysical Society, 2009. http://dx.doi.org/10.1190/sbgf2009-115.

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Shirai, Koji, Tsukasa Miyagi, Mikimasa Iwata, Koji Tasaka, and Junghoon Ji. "Demonstrative HEAF (High Energy Arcing Fault) Fire Tests of High and Low Voltage Switchgears of Nuclear Power Plants." In 2018 26th International Conference on Nuclear Engineering. American Society of Mechanical Engineers, 2018. http://dx.doi.org/10.1115/icone26-82177.

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High Energy Arcing Faults (HEAF) have the potential to cause extensive damage to the failed electrical components and distribution systems along with adjacent equipment and cables within the zone of influence (ZOI). Furthermore, the significant energy released during HEAF event can act as an ignition source to other components within the area of the HEAF. In Japan, during the Great East Japan Earthquake occurred in 2011, the seismic induced HEAF fire event, which induced the whole damage of the multiple high voltage switchgears, was observed in Onagawa Nuclear Power Plant (NPP). In response, in August 2017, the NRA (Nuclear Regular Authority) in Japan amended the safety requirement for the power supply to consider the influence of the successive fire due to the HEAF event (hereinafter HEAF fire event). Therefore, it is urgently necessary to establish the design criteria to prevent the HEAF fire event, and enhance the experiment data of the HEAF fire event. In order to estimate the total arc energy during the HEAF event and obtain the threshold value to prevent the HEAF fire for the existed non-arc proof electrical cabinets, several series of three-phase internal arc tests with high (6.9kV class) and low (480V class) voltage electrical cabinets were executed. We executed internal arc tests with full scale high/low voltage metal-enclosed switchgear components (non-arc proof type, copper bus conductor), and evaluated arc energy, the mechanical damage of the cabinet and the surrounding equipment due to the impulsive pressure and the possibility of successive fire occurrence. In case of high voltage switchgear, when the arcing energy exceeded 25.3MJ, successive fire was identified. Especially, in the case where the arc flash was discharged in the circuit breaker room, a 2-second arcing duration in a three-phase short-circuit current with 18.9kA (measured arcing energy over 40MJ) caused successive fire which required extinguishment. On the other hand, in case of low voltage power center, when the arcing energy exceeded 19MJ, successive fire was identified. According to these demonstrative tests, this paper presents the evaluation method to estimate total arc discharge energy during the HEAF event for high and low voltage electrical cabinets.
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de Santana Santos, Rodrigo, and Wilson M. Figueiró. "Seismic modeling of traveltimes with rays parameterized by time and arc length." In 14th International Congress of the Brazilian Geophysical Society & EXPOGEF, Rio de Janeiro, Brazil, 3-6 August 2015. Brazilian Geophysical Society, 2015. http://dx.doi.org/10.1190/sbgf2015-208.

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Sobrino, Juan A. "The Fort York Footbridges in Toronto. The first Duplex Stainless-Steel bridges in North America." In IABSE Congress, New York, New York 2019: The Evolving Metropolis. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2019. http://dx.doi.org/10.2749/newyork.2019.1647.

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<p>In April 2015, the city of Toronto selected a proposal for the Fort York Pedestrian and Cycle Bridge project in a design-build competition. The project is located just west of the main downtown area of Toronto and provides a key link between Stanley Park to the north and the historic area of Fort York – the birth place of Toronto- crossing two rail corridors. Construction started in August 2016 and inauguration is expected by June 2019.</p><p>The project includes two pedestrian bridges. The awarded design proposal includes an unprecedented technical innovation in North America: the use of Duplex Stainless Steel on the entire structure. This pioneering use of a forefront technology provides premium aesthetics within a unique setting in addition to a safe and durable asset for the community. The structure has an extended life cycle, is more corrosion-resistant and requires less maintenance, reducing its overall cost.</p><p>Each bridge is supported by a single arch rib inclining at 18 º to provide a slender, transparent, and elegant impression. The two arches tilt in opposite direction, and the overall layout resembles a Yin &amp; Yang shape to emphasize both contrast and continuity, expressing a modern, understated and elegant aesthetic.</p><p>This paper discusses the concept, detailed design, structural behaviour and bridge erection.</p>
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Reports on the topic "Arco Augusto"

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Wang, Kon-Well. Fourth ARO Workshop on Smart Structures, Held at Penn State Univeristy Park Campus, Pennsylvania, on August 16-18, 1999. Fort Belvoir, VA: Defense Technical Information Center, September 2000. http://dx.doi.org/10.21236/ada382967.

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