Relevant bibliographies by topics / Ardeatine Massacre

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Ardeatine Massacre'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 January 2023

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Journal articles on the topic "Ardeatine Massacre"

1

Resta, Giorgio, and Vincenzo Zeno-Zencovich. "Judicial “Truth” and Historical “Truth”: The Case of the Ardeatine Caves Massacre." Law and History Review 31, no. 4 (October 24, 2013): 843–86. http://dx.doi.org/10.1017/s0738248013000485.

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It is frequently claimed that adjudication before a court of law and historical adjudication are two entirely different tasks. The methods and techniques employed by judges and historians contrast sharply. The judge faces many constraints, in terms of choice of subject matter, the arguments to be considered, the evidence to be evaluated, the procedural steps to be followed, the substantive rules to be applied, and the time available to reach a decision; historians, by contrast, are relatively free to choose their field of research, manage their own time, gather the evidence, evaluate it, decide when findings are ready to be published, and reexamine them.
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Marchisio, Sergio. "The Priebke Case before the Italian Military Tribunals: A Reaffirmation of the Principle of Non-Applicability of Statutory Limitations to War Crimes and Crimes against Humanity." Yearbook of International Humanitarian Law 1 (December 1998): 344–53. http://dx.doi.org/10.1017/s1389135900000222.

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The complex case of Erich Priebke can be analysed through two different phases. The first runs from the massacre of 335 Italian citizens at the Ardeatine Caves in Rome in 1944 to the conviction of Herbert Kappler and other Nazi officers involved in that shooting on 20 July 1948. During mis four-year period, Priebke became untraceable and escaped justice. The second phase starts when the former SS officer was detected in Argentina in May 1994 and, following extradition proceedings there, was extradited to Italy, where he underwent two criminal trials in front of the Italian military jurisdiction.
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Resta, Giorgio, and Vincenzo Zeno-Zencovich. "Judicial 'Truth' and Historical 'Truth': The Case of the Ardeatine Caves Massacre." SSRN Electronic Journal, 2013. http://dx.doi.org/10.2139/ssrn.2345615.

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Dissertations / Theses on the topic "Ardeatine Massacre"

1

Staron, Joachim. "Fosse Ardeatine und Marzabotto : deutsche Kriegsverbrechen und Resistenza : Geschichte und nationale Mythenbildung in Deutschland und Italien (1944-1999) /." Paderborn : F. Schöningh, 2002. http://catalogue.bnf.fr/ark:/12148/cb38902271k.

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Books on the topic "Ardeatine Massacre"

1

Fosse ardeatine, Roma. Torino: Testo & immagine, 2000.

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2

Celestini, Ascanio. Radio clandestina: Memoria delle Fosse Ardeatine. Roma: Donzelli, 2005.

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Mario, Renzo Di. Orrore e pietà: Dal Reich alle Fosse Ardeatine. Roma: Sovera, 1999.

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Contu, Martino. I martiri sardi delle Fosse Ardeatine: I militari. Cagliari: AM&D, 1999.

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5

Carafòli, Domizia. Aldo Finzi: Il fascista ucciso alle Fosse Ardeatine. Milano: Mursia, 2004.

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Govoni, Corrado. Aladino. Roma: Maurizio, 1997.

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7

Spataro, Mario. Rappresaglia: Via Rasella e le Ardeatine, alla luce del caso Priebke. Roma: Settimo sigillo, 1996.

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8

Iaquinti, Luigi. Via Rasella e le Fosse Ardeatine: Una storia da riscrivere? Roma: GBE/Ginevra Bentivoglio editoria, 2013.

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Luppi, Luigi. Aldo Finzi: Cofondatore della Regia Aeronautica e martire delle Fosse Ardeatine. Roma: I.B.N. editore, 2014.

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Il capitano Magro: L'avventura di un giovane aretino da Fiume alle Fosse Ardeatine. [Arezzo, Italy]: Fuori onda, 2014.

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Book chapters on the topic "Ardeatine Massacre"

1

Porteiii, Alessandro. "The Massacre at the Fosse Ardeatine." In Memory History Nation, 29–41. Routledge, 2017. http://dx.doi.org/10.4324/9780203785751-3.

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"The massacre at the Fosse Ardeatine: history, myth, ritual and symbol." In Contested Pasts, 43–55. Routledge, 2003. http://dx.doi.org/10.4324/9780203391471-10.

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Escolar, Marisa. "Happily Ever after Redemption." In Allied Encounters, 66–90. Fordham University Press, 2019. http://dx.doi.org/10.5422/fordham/9780823284504.003.0004.

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This chapter introduces two popular romance novels (romanzi rosa) by Luciana Peverelli. Published while the occupation of Rome was unfolding, La lunga notte (1944; The Long Night) and its sequel Sposare lo straniero (1946; Marry the Foreigner) treat those traumas using a hybrid form that results in arguably the earliest Italian fictional Holocaust narrative that represents the deportation of the Jews to camps and the Fosse Ardeatine massacre; unconscious of how its own anti-Semitic logic facilitates the deportation that it condemns, La lunga notte’s paradoxical treatment of Judaism aligns with dominant postwar Italian attitudes. Set during the Allied occupation, the sequel argues for the hybrid genre’s privileged position in narrating the transition back to “reality,” when the heroines become war brides, an often-vilified figure who proves an adept intercultural intermediary. Challenging preconceptions of the romance, La lunga notte and Sposare lo straniero alter the requisite happy ending for those “redeemed” by marriage.
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Escolar, Marisa. "“Liberated” Rome beyond Redemption." In Allied Encounters, 42–65. Fordham University Press, 2019. http://dx.doi.org/10.5422/fordham/9780823284504.003.0003.

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This chapter analyzes the seminal Italian representation of the gendering of redemption in “Rome,” the third episode of Roberto Rossellini’s Paisà (1946). It reads “Rome” in terms of its relationship to the novels All Thy Conquests (1946) and The Girl on the Via Flaminia (1949), by Alfred Hayes, a Rossellini collaborator who wrote the “Rome” episode. All three texts express sympathy for the Italian woman turned prostitute, at once an individual who faces material consequences and an allegory for the nation. They position her fall at the start of a national trajectory that masculinizes redemption: for Rossellini, the northern partisans who fall to their deaths at the end of Paisà; for Hayes, the soldier tourist who returns to postwar Italy in search of pleasure. Furthermore, All Thy Conquests points to the strategic use of melodrama in “Rome.” Set during the trial of Pietro Caruso, a fascist involved in the massacre at the Fosse Ardeatine near Rome, All Thy Conquestsexplicitly represents what Rossellini eschews. By focusing on the conventional gendered redemption narrative, Rossellini is able to repress the traumatic events surrounding the trial, when a Roman mob lynches Donato Carretta, a witness for the prosecution, threatening Italy’s redemption in the eyes of the world.
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