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Relevant bibliographies by topics / Argentine ballads and songs

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Academic literature on the topic 'Argentine ballads and songs'

Author: Grafiati

Published: 4 June 2021

Last updated: 5 February 2022

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Journal articles on the topic "Argentine ballads and songs"

1

Walsh, Kieran. "Irish Songs and Ballads." BMJ 332, no. 7535 (2006): gp40.2—gp40. http://dx.doi.org/10.1136/bmj.332.7535.sgp40-a.

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Czerwinski, E. J., and Emery George. "Valse Triste: Songs and Ballads." World Literature Today 73, no. 1 (1999): 153. http://dx.doi.org/10.2307/40154560.

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Murray, Alan, and Nigel Gatherer. "Songs and Ballads of Dundee." Jahrbuch für Volksliedforschung 32 (1987): 197. http://dx.doi.org/10.2307/849478.

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Bohlman, Philip V., Rochelle Wright, and Robert L. Wright. "Danish Emigrant Ballads and Songs." Ethnomusicology 30, no. 1 (1986): 169. http://dx.doi.org/10.2307/851851.

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Baker, Ronald L., Rochelle Wright, and Robert L. Wright. "Danish Emigrant Ballads and Songs." Journal of American Folklore 98, no. 389 (1985): 366. http://dx.doi.org/10.2307/539958.

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Kvideland, Reimund, Rochelle Wright, Robert L. Wright, and Richard P. Smiraglia. "Danish Emigrant Ballads and Songs." Jahrbuch für Volksliedforschung 31 (1986): 175. http://dx.doi.org/10.2307/848335.

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METZER, DAVID. "The Power Ballad and the Power of Sentimentality." Journal of American Studies 50, no. 3 (2015): 659–77. http://dx.doi.org/10.1017/s0021875815001139.

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As is evident in their popularity and uses in television and film, power ballads have been prized for their emotional intensity. That intensity results from the ways in which the songs transform aspects of sentimentality developed in nineteenth- and twentieth-century repertoires, particularly parlor songs and torch songs. Power ballads energize sentimental topics and affects with rapturous feelings of uplift. Instead of concentrating on individual emotions like earlier sentimental songs do, power ballads create charged clouds of mixed emotions that produce feelings of euphoria. The emotional a

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8

Atkinson, David. "‘This is England’? Sense of Place in English Narrative Ballads." Victoriographies 3, no. 1 (2013): 1–22. http://dx.doi.org/10.3366/vic.2013.0103.

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Rightly or wrongly, ballads and folk songs collected in England are often thought to embody a sense of Englishness, even though substantial numbers of the items contained in such collections could equally be found in, say, Scotland, or even America. Nevertheless, ballad texts do reference topology and environment, and they do reference specific localities. However, while it is not difficult to think of some songs that unequivocally identify a fairly specific location (‘Rufford Park Poachers’ and ‘The Folkestone Murder’ are discussed here), many of the classical ballads in particular establish

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Allen, Joseph R., and Anne Birrell. "Popular Songs and Ballads of Han China." Harvard Journal of Asiatic Studies 51, no. 1 (1991): 309. http://dx.doi.org/10.2307/2719248.

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Marney, John, and Anne Birrell. "Popular Songs and Ballads of Han China." Chinese Literature: Essays, Articles, Reviews (CLEAR) 13 (December 1991): 131. http://dx.doi.org/10.2307/495061.

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Dissertations / Theses on the topic "Argentine ballads and songs"

1

Landau, Gregorio. "The role of music in the Nicaraguan Revolution /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1999. http://wwwlib.umi.com/cr/ucsd/fullcit?p9935470.

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2

Mierowska, Jean Elaine Nora. "The ballads of Carl Loewe : examined within their cultural, human and aesthetic context." Thesis, Rhodes University, 1989. http://eprints.ru.ac.za/2310/1/MIEROWSKA-PhD(Music)-TR90-50.pdf.

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This thesis has been written in order to provide, especially for the non-German-reading musician, a fuller picture of Loewe and his ballads than has been available up to now. This picture is developed within the literary background history of the ballad poems, and the literary, mental, and musical climate at the beginning of the Romantic era; further, Loewe's life, as revealed in his many letters, his diaries, and his autobiography, provides the human context from which the ballads emerge as a logical extension of his personality. These earlier parts of the thesis have considerable bearing o

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3

Hardwick, Victoria. "A legacy of hope : criticial songs of the GDR 1960-1989 /." Title page, table of contents and abstract only, 1996. http://web4.library.adelaide.edu.au/theses/09PH/09phh267.pdf.

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Myer, Brent A. "Playing on the margins local musicians and their resistance projects /." Diss., Columbia, Mo. : University of Missouri-Columbia, 2007. http://hdl.handle.net/10355/5937.

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Thesis (Ph. D.)--University of Missouri-Columbia, 2007.<br>The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on March 7, 2008) Includes bibliographical references.

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Bradley, Damien. "Ends And Beginnings: A Cycle of Symphonic Tango Songs." Thesis, University of Oregon, 2018. http://hdl.handle.net/1794/23189.

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This piece is an exploration of tango music. Having played, arranged, composed, and performed this music since 2011, I consider myself steeped and well-versed in the culture and musical language of tango, and this piece is an attempt to synthesize this rich body of music with my own personal style. This work is firmly grounded in the aesthetic of tango dance music from the “Golden Age” of tango in Argentina (1935-1955) and post-Golden Age music. The intent is to create music that is immediately accessible to a layperson, recognizable as tango to someone conversant in the genre, yet distinctive

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6

Abe, Shoko. "Two Argentine Song Sets: A Comparison of Songs by De Rogatis and Ginastera." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1248378/.

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Latin American classical vocal repertoire is vast, but in the United States, we only hear a fairly limited part of this literature. Much of this repertoire blends western European classical music traditions and native folk music traditions. One example of such a Latin American vocal work that is well-known in the United States is Alberto Ginastera's frequently performed song set from 1943, Cinco canciones populares argentinas. However, another lesser-known, earlier work, Cinco canciones argentinas (1923), by fellow Argentine composer Pascual De Rogatis (1880-1980) deserves attention as well. A

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Williamson, Linda Jane. "Narrative singing among the Scots travellers : a study of strophic variation in ballad performance." Thesis, University of Edinburgh, 1985. http://hdl.handle.net/1842/8223.

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Two modes of singing were evident in narrative performances recorded by Scots travellers: singing set melodies to memorized or re-created texts, and improvising on a variable melody to a memorized or a variable text. In travellers' society both modes are acceptable but the majority of travellers today prefer set melodies. The improvisatory mode was traditional and used by the older travellers born before World War I, five of whom became my informants or Ewan NacColl's, re. Travellers' Songs from England and Scotland (1977). The tradition of narrative improvisation appears to be obsolete with t

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Lee, Pei-Ling. "The Re-Construction of the Taiwanese Identity in the Process of Decolonization: The Taiwanese Political Songs Analyses." Bowling Green, Ohio : Bowling Green State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1206136433.

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Jackson-Houlston, Caroline Mary. "Ballads, songs and snatches : the appropriation of, and responses to, folk song and popular music culture in the nineteenth century." Thesis, Oxford Brookes University, 2010. http://radar.brookes.ac.uk/radar/items/9e1ec114-8faf-9eef-65eb-95772b5a8423/1.

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Ballads, Songs and Snatches demonstrates how allusion to folk song and some aspects of popular musical culture were absorbed into the polyphony of discourses in the realist prose of the nineteenth century, and explores the implications of the various transformations that occurred during this process, with an emphasis on the representation of the labouring classes. Wide and deep acquaintance with folk tradition is shown to account for richly dense literary textuaJity, especially in Scott and Hardy, even where they mediate their knowledge tactically. Lack of that knowledge is consonant with weak

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Clavero, Dolores. "Génesis y evolución de los temas épicos nacionales del romancero viejo." Thesis, University of British Columbia, 1987. http://hdl.handle.net/2429/26974.

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Although controversial, the theory that the Romancero (ballad genre) resulted from the disintegration of cantares de gesta in the late Middle Ages is generally accepted in current Spanish literary scholarship. The romances (ballads) based on epic themes of Castilian history occupy a key position in this theory, since they are considered to be the oldest and the closest to the epics from which the Romancero originated. In an attempt to justify or to disprove this claim, the present study investigates the thematic contents of the romances viejos based on Castilian subjects. Utilising the editio

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Books on the topic "Argentine ballads and songs"

1

Chicote, Gloria B. Romancero tradicional Argentino. Dept. of Hispanic Studies, Queen Mary & Westfield College, 2002.

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2

La marcha, los muchachos peronistas: 2004-2005. Ejercitar la Memoria Editores, 2010.

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3

The militant song movement in Latin America: Chile, Uruguay, and Argentina. Lexington Books, 2014.

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4

Robin, Skelton, ed. Songs and ballads. Guernica, 1997.

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5

Lorca, Federico García. Songs and ballads. Guernica, 1992.

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6

George, Emery Edward. Valse triste: Songs and ballads. Mellen Poetry Press, 1997.

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7

Brown, Betty Collins. Ballads, blues, and blessings. Xlibris, 2009.

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Brown, Betty Collins. Ballads, blues, and blessings. Xlibris, 2009.

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9

Bellman, Carl Michael. Fredman's epistles & songs. Proprius, 1990.

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10

Romancerillo del Plata. Elefante Blanco, 2002.

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Book chapters on the topic "Argentine ballads and songs"

1

Weiner, Stephanie Kuduk. "‘Sea Songs Love Ballads &c &c’: John Clare and Vernacular Song." In Palgrave Advances in John Clare Studies. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-43374-1_4.

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O’Donnell, William H. "‘Anglo-Irish Ballads’, by F. R. Higgins and W. B. Yeats, in Broadsides: A Collection of Old and New Songs (1935)." In Prefaces and Introductions. Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-06236-2_29.

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3

"Ballads Transformed." In Songs without Words. Boydell and Brewer Limited, 2016. http://dx.doi.org/10.1017/9781782048350.003.

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4

Fox, Adam. "Ballads and Songs." In The Press and the People. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198791294.003.0009.

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Chapter 8 deals with the broadside ballads and printed songs issued in Scotland between the sixteenth and the eighteenth centuries. It traces both the import of English texts and the production of domestic presses. The manner in which lyrics and tunes from south of the border influenced the development of single-sheet songs in Scotland is assessed. At the same time an independent repertoire of Scottish ballads in print is recovered and analysed. The discussion illustrates the ways in which political events and social change in early modern Scotland are reflected in the texts of these cheap and popular publications.

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Botkin, B. A., and Louis Filler. "Ballads and Songs." In The American People. Routledge, 2020. http://dx.doi.org/10.4324/9780429338847-23.

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"Ballads and Songs." In Lore of an Adirondack County. Cornell University Press, 2018. http://dx.doi.org/10.7591/9781501723650-010.

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Kuhn, Christian. "Ballads, Songs, and Libels." In Handbook of Medieval Studies, edited by Albrecht Classen. De Gruyter, 2010. http://dx.doi.org/10.1515/9783110215588.1618.

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Holloway, John, and Joan Black. "Love Songs and Narratives." In Later English Broadside Ballads. Routledge, 2020. http://dx.doi.org/10.4324/9781003060482-2.

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"Burial Songs." In Popular Songs and Ballads of Han China. University of Hawaii Press, 2019. http://dx.doi.org/10.2307/j.ctv9zcm2j.12.

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"Love Songs." In Popular Songs and Ballads of Han China. University of Hawaii Press, 2019. http://dx.doi.org/10.2307/j.ctv9zcm2j.17.

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