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1
Coloma, Germán. "Argentine Spanish." Journal of the International Phonetic Association 48, no. 2 (2017): 243–50. http://dx.doi.org/10.1017/s0025100317000275.
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Although Spanish is a relatively unified language, in the sense that people from very distant locations manage to understand each other well, there are several phonetic phenomena that distinguish geographically separated varieties. The total number of native speakers of Spanish is above 400 million, and roughly 10% of them live in Argentina (Instituto Cervantes 2014). The accent described below corresponds to formal Spanish spoken in Buenos Aires, and the main allophones are indicated by parentheses in the Consonant Table. The recordings are from a 49-year-old college-educated male speaker, who has lived all his life in either the city of Buenos Aires or the province of Buenos Aires.
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Alonso, Alberto José. "Celebration of the 208th Anniversary of May Revolution." Diplomatic Ukraine, no. XIX (2018): 242–49. http://dx.doi.org/10.37837/2707-7683-2018-13.
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The article is devoted to the May Revolution in Argentina and the 25th anniversary of the opening of the representation of the Argentine Republic in Ukraine. The May Revolution has its origins in the events of May 25, 1810. It was the day when the foundation act declaring the creation of the Argentine state was issued. Two hundred and eight years ago, the word “freedom” arose in the hearts of Argentines. Remembering the most significant moments of history, Argentines preserve and cherish their desire for peace and freedom. Ukraine and Argentina are negotiating bilateral agreements on social security, extradition, mutual assistance in criminal and civil cases, tourism, cinematographic production, intellectual property protection, environmental safety. More than 50 bilateral agreements have already been signed by the two countries in recent years. The enhancement of cooperation is to be reiterated at the meetings of the Joint Commission for Economic and Trade Affairs in Buenos Aires. It is expected that those meetings would result in visits of delegations of Ukrainian businessmen to Argentina and vice versa. The author draws attention to the unveiling of a commemorative sign dedicated to the father of the Argentine nation, General Don José de San Martín, in the garden square in front of the Embassy of the Argentine Republic to Ukraine. The article also focuses on active efforts to spread the culture of Argentina through the Argentine House in Kyiv that offers a wide range of activities, including Argentine literature workshops, tango and folk dance classes, tourism seminars, movie screenings. The author argues that nothing brings people closer together than culture and concludes that relations between Ukraine and the Argentine Republic are at a high level. Keywords. Argentine Republic, May Revolution, Ukraine, bilateral agreements, Argentine culture, economy, Buenos Aires.
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Bower, Stephanie. "Political and Socio-Economic Elites: The Encounter of Provincials with Porteños in Fin-de-Siêcle Buenos Aires." Americas 59, no. 3 (2003): 379–403. http://dx.doi.org/10.1353/tam.2003.0003.
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In 1880, following a two-generation-long civil war, Argentina embarked upon a critical period of nation-building, which culminated in the centennial celebrations of 1910. In The Argentine Generation of 1880: Ideology and Cultural Texts, David Foster has commented upon the inconclusiveness of national cultural formation as Argentina turned from the nineteenth to the twentieth century, the uncertainty of how much from the provinces would be incorporated into the elite-constructed culture emanating from the port city of Buenos Aires. The recently published work of Roy Hora, The Landowners of the Argentine Pampas: A Social and Political History 1860-1945, and the work of Tulio Halperin, “The Buenos Aires Landed Class and the Shape of Argentine Politics (1820-1930),” which preceded it, further heighten the significance of provincial-porteño interaction at this point in Argentine history. Halperin and Hora find that during these years, and beyond, the socio-economic and the political elite of Argentina was not a unified whole, but rather two distinctive groups. In the leadership of the socio-economic elite was a landed class based on the estancias of the Argentine pampa and overwhelmingly porteño in character. Provincials dominated the political elite, as the provinces ‘captured’ the federal government in the years following their reunification with the province of Buenos Aires in 1861. Participation in the federal government brought the provincial political elite into contact with the porteño estancieros who dominated the socio-economic elite, as these were almost universally resident in the federal capital. But Roy Hora has described the relationship between the two groups as “problematic.”
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Johns, Michael. "The Urbanisation of a Secondary City: The Case of Rosario, Argentina, 1870–1920." Journal of Latin American Studies 23, no. 3 (1991): 489–513. http://dx.doi.org/10.1017/s0022216x00015820.
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In 1845, Argentine statesman Domingo Sarmiento predicted that ‘what took 20 years to occur in North America, i.e. the emergence almost by magic of numerous cities, provinces and states in what was once uninhabited terrain, will occur in Argentina in the same span of time’. Forty years later, however, French writer Emile Daireaux observed that ‘the commercial development of Buenos Aires is that of a satellite which orbits Europe's sphere of attraction; Argentina's other cities and towns are in turn satellites of Buenos Aires’. A half-century later still, Ezequiel Martínez Estrada could complain that ‘the country's progress will come only when…we care for the health of the entire body and not only the euphoria of its decapitated head’. The imagery of Daireaux and Martínez Estrada portrays Buenos Aires' comprehensive domination of the Argentine city system, a city system quite unlike the replica of the US model envisaged by an optimistic Sarmiento.
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Donzis, Liliana. "Alain Didier-Weill à Buenos Aires, Argentine." Insistance 14, no. 2 (2017): 89. http://dx.doi.org/10.3917/insi.014.0089.
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Rodrigues, João Paulo Coelho de Souza. "Diplomacia cultural y circulación literaria: dos escritores brasileños en Buenos Aires entre los centenarios." Catedral Tomada. Revista de crítica literaria latinoamericana 6, no. 11 (2019): 74–101. http://dx.doi.org/10.5195/ct/2018.336.
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This paper analyses the travels of two writers, Paulo Barreto (1915) and Julia Lopes de Almeida (1922), to Argentina in the context of the cultural diplomacy developed by Buenos Aires and Rio de Janeiro newspapers, trying to understand the possible impact they had in the penetration of Brazilian literature in Argentine reviews and magazines. The article focuses the press and these writers rhetoric about journalism, and their travels, and discusses the role played by Buenos Aires market for readers to the formation of the Brazilian literary field.
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ESPINOSA, ANDREA SHAHEEN. "On Diasporic Generation and Syrian-Argentine Musicking in Buenos Aires, Argentina." Yearbook for Traditional Music 51 (November 2019): 139–65. http://dx.doi.org/10.1017/ytm.2019.9.
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الملخصتتمتع بوينس آيرس، عاصمة الأرجنتين، حاليًا بمشهد موسيقي عربي مفعم بالحيوية حيث يؤدي الموسيقيون والراقصون عروضاً أصيلة من الأساليب التقليدية. وأصبحت هذه العروض أيضًا مواقع شائعة لإثبات الهوية والتضامن والمطالبة بحق الفرد في أداء التقليد العربي. وفي الوقت الذي يُعْتَبر فيه الموسيقيون البارزون محكمين في الموسيقى الكلاسيكية السورية، إلا أنّ أداء كل منهم يختلف اختلافًا كبيرًا. وتُظهِر مفاهيمهم المتنوعة للتقاليد، وبوضوح، جذورًا في تجربة شتات معينة يمكن أن تبدأ في مراعاة الاختلاف والانحراف. يستكشف هذا المقال إذاً الطرق التي يهيمن بها الطابع الزماني المؤقت، بدلاً منه المكاني، على ممارسات الشتات لفناني الأداء السوريين الأرجنتينيين.
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Chelala, César. "buenos aires Doctor accused in Argentine grandmothers' crusade." Lancet 349, no. 9046 (1997): 187. http://dx.doi.org/10.1016/s0140-6736(05)60994-4.
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Fortuna, Victoria. "Dancing Argentine Modernity: Imagined Indigenous Bodies on the Buenos Aires Concert Stage (1915–1966)." Dance Research Journal 48, no. 2 (2016): 44–60. http://dx.doi.org/10.1017/s0149767716000206.
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This article argues that the unrealized balletCaaporá(1915), conceived for choreography by Vaslav Nijinsky, and Oscar Araiz'sLa consagración de la primavera(1966,The Rite of Spring) fundamentally shaped the establishment and reimagination of concert dance as a site of modernity in Argentina. Both works danced modernity through imagined pre-Columbian indigenous myths choreographed in Euro-American concert dance forms. In Argentina, “unmarked” ballet and modern dance forms signaled a universalized cultural advancement aligned with the West, while indigenous myths staged “marked” Latin American origins that held racial difference at a distance from the modern present.CaaporáandConsagraciónnegotiated the “marked” and the “unmarked” toward different ends. WhileCaaporástrove to “Argentinize” European ballet at the turn of the century,Consagraciónmarked the move to claim concert dance as Argentine at midcentury. By focusing on the role of indigenism in these two works, this article contributes to scholarship on the modernist negotiation of the marked and unmarked in Latin American concert dance as a strategy for staging—and transcending—the nation.
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Malacalza, Néstor H., Marta A. Caccavari, Guillermina Fagúndez, and Cecilia E. Lupano. "Unifloral honeys of the province of Buenos Aires, Argentine." Journal of the Science of Food and Agriculture 85, no. 8 (2005): 1389–96. http://dx.doi.org/10.1002/jsfa.2105.
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Carrasquero, Silvia Irene. "The geological collection from the Scottish National Antarctic Expedition (1902–04) in the Museo de La Plata, Argentina." Scottish Journal of Geology 57, no. 1 (2021): sjg2020–029. http://dx.doi.org/10.1144/sjg2020-029.
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In December 1903, William Speirs Bruce, leader of the Scottish National Antarctic Expedition, arrived in Buenos Aires and contacted Francisco Moreno, director of the Museo de La Plata to request his assistance. Bruce asked Moreno to be an intermediary with the Argentine government and to facilitate Bruce's wish for Argentina to take over the meteorological station that the Scottish expedition had established on Laurie Island (South Orkney Islands). Moreno was please to provide the necessary assistance and was instrumental in Bruce achieving his ambition. As a gesture of appreciation, before leaving Buenos Aires Bruce presented a small collection of Laurie Island rock specimens to Moreno as a donation to the Museo de La Plata. This donation initiated the museum's Antarctic collection.
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Heras, Raúl Garcia. "Foreign Business-Host Government Relations: The Anglo Argentine Tramways Co. Ltd. of Buenos Aires, 1930–1966." Itinerario 19, no. 1 (1995): 85–96. http://dx.doi.org/10.1017/s0165115300021197.
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From 1880 to 1930, Argentina received hundreds of millions of pounds of British investments, making it in an economic sense a British dominion. The world economic crisis of the 1930s forced both Britain and Argentina t o reconsider many of these economic ties. The changing Anglo-Argentine relationship is reflected in the complex relations between a British tramway company, the Anglo Argentine Tramways Co. Ltd., that operated in Buenos Aires and the Argentine national government between the onset of the Great Depression and the early 1960s. The Anglo, as the company was popularly known, was the main tramway concern diat offered public transportation and contributed to the urban development of a cosmopolitan Latin American metropolis until 1914. Second, the history of the company illustrates political and economic problems that plagued the links between foreign public utilities and the host government from the 1930s onwards. Third, since the Anglo belonged to SOFINA, a transnational holding company with worldwide investments in public transportation and electric power stations, our case study shows the limitations of Sofina's political power in Britain and Argentina.
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Grosman, Lucas S. "Argentine Constitutional Law. An Overview." International Journal of Legal Information 43, no. 1 (2015): 1–4. http://dx.doi.org/10.1017/s0731126500012294.
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The Argentine Constitution was adopted in 1853 after years of domestic turmoil which ended with the defeat of Juan Manuel de Rosas, an authoritarian caudillo from the Province of Buenos Aires, by Justo José de Urquiza y García. This Constitution, with the amendments that will be explained below, still remains in force.
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Caimari, Lila. "The Archive’s Moment." Histories 1, no. 3 (2021): 100–107. http://dx.doi.org/10.3390/histories1030013.
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This article summarizes observations on the “archive question” as it manifests itself in Argentina at the present moment. Based on a presentation delivered in Buenos Aires, it opens with a general appraisal of the multiple dynamics (political, disciplinary, technological) converging on this issue. Then, it focuses on a particular dimension of this process—namely, the impact of the digital archive on the reconstruction of the Argentine past.
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Hanrahan, Stephanie J. "Working in the “Villas” of Buenos Aires: Cultural Considerations." Journal of Clinical Sport Psychology 5, no. 4 (2011): 361–71. http://dx.doi.org/10.1123/jcsp.5.4.361.
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People who live in the villas (i.e., slums) of Buenos Aires are confronted with poverty, poor and dangerous living conditions, and discrimination. Ten weeks were spent in the villas delivering a program designed to enhance life satisfaction and self-worth through games and the development of mental skills. The purpose of this paper is not to report on the content or the effectiveness of the program, but rather to explore the variables within Argentina and the villas as well as my own cultural biases that may have influenced the delivery of a psychological intervention program. Argentine factors include a high prevalence of psychologists and a psychoanalytic focus. Characteristics of the villas include environmental factors (e.g., transportation issues, sanitation), logistical issues (e.g., venues, access to writing implements), and psychological matters (e.g., hopelessness, different perceptions of confidence). Practitioner concerns included limited familiarity with life in the villas and having values that might be different from those of the participants. The discussion includes recommendations for others who are considering working in similar cultural and contextual situations.
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Melean, Jorge Troisi. "“Esclavos y jesuitas: explotación, control y negociación en la Argentina colonial”." REVISTA PLURI 1, no. 1 (2019): 161. http://dx.doi.org/10.26843/rpv112018p161-170.
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El territorio que actualmente ocupa la Argentina correspondía a la Provincia jesuítica del Paraguay, donde se erigieron los colegios de Buenos Aires, Córdoba, Corrientes, La Rioja, Salta, Santa Fe, Santiago del Estero, Tucumán, la Universidad de Córdoba y la residencia de Catamarca. Hacia 1767, más de 3.500 esclavos afroamericanos se encontraban trabajando en cada una de las propiedades de los colegios y residencias del territorio argentino colonial, una porción de la Provincia jesuítica del Paraguay. Los esclavos constituían un factor esencial del sistema jesuita. Prácticamente un 30% del capital ignaciano en la región estaba invertido en ellos.Palabras- Clave: Esclavos, Jesuitas, Control, Exploración, NegociaciónAbstractThe territory currently occupied by Argentina corresponded to the Jesuit Province of Paraguay, where the schools of Buenos Aires, Córdoba, Corrientes, La Rioja, Salta, Santa Fe, Santiago del Estero, Tucumán, the University of Córdoba and the residence of Catamarca By 1767, more than 3,500 African-American slaves were working on each of the properties of the colleges and residences of the colonial Argentine territory, a portion of the Jesuit Province of Paraguay. Slaves were an essential factor in the Jesuit system. Almost 30% of the Ignatian capital in the region was invested in them.Keywords: Slaves, Jesuits, Control, Exploration, Negotiation
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Tank-Storper, Sébastien. "L’attentat contre la AMIA à Buenos Aires. Une histoire argentine ?" Diasporas, no. 27 (October 27, 2016): 143–59. http://dx.doi.org/10.4000/diasporas.457.
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Deutsch, Sandra McGee, and Richard J. Walter. "The Province of Buenos Aires and Argentine Politics, 1912-1943." Hispanic American Historical Review 66, no. 4 (1986): 815. http://dx.doi.org/10.2307/2515115.
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Svec, William R., and Richard J. Walter. "The Province of Buenos Aires and Argentine Politics, 1912-1943." History Teacher 20, no. 4 (1987): 600. http://dx.doi.org/10.2307/493770.
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Jones, Charles, and Richard J. Walter. "The Province of Buenos Aires and Argentine Politics, 1912-1943." Bulletin of Latin American Research 6, no. 1 (1987): 106. http://dx.doi.org/10.2307/3338362.
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Dolkart, Ronald H., and Richard J. Walter. "The Province of Buenos Aires and Argentine Politics, 1912-1943." American Historical Review 92, no. 2 (1987): 517. http://dx.doi.org/10.2307/1866821.
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LEEN, CATHERINE. "City of Fear: Reimagining Buenos Aires in Contemporary Argentine Cinema." Bulletin of Latin American Research 27, no. 4 (2008): 465–82. http://dx.doi.org/10.1111/j.1470-9856.2008.00282.x.
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McGee Deutsch, Sandra. "The Province of Buenos Aires and Argentine Politics, 1912-2943." Hispanic American Historical Review 66, no. 4 (1986): 815–16. http://dx.doi.org/10.1215/00182168-66.4.815.
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Whigham, Thomas. "Cattle Raising in the Argentine Northeast: Corrientes,c.1750–1870." Journal of Latin American Studies 20, no. 2 (1988): 313–35. http://dx.doi.org/10.1017/s0022216x00003011.
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Though Argentina has long been synonymous with trackless pampas and teeming livestock herds, this common image requires some qualification. Before the late nineteenth century, when refrigerated transport made possible a large international market for Argentine beef, cattle played a less important role in the economy of the Río de la Plata than is usually assumed. Except for Buenos Aires province, where stockraising was predominant even in the colonial period, ranchers often had to struggle hard and insistently to find their niche in the overall commerce of the region. Grazing conditions were excellent in many areas of the Río de la Plata, but because the port of Buenos Aires always enjoyed a near-exclusive control over external trade, theporteñoseffectively blunted the development of any stockraising that threatened to compete with their own exports. In the northeastern provinces, this resulted in a cattle industry marked by technological backwardness and erratic growth. The chaotic politics of the post-independence era reinforced these conditions, though reform-minded ranchers and government officials consistently tried to improve provincial standards of stockraising.
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Chiaramonte, Gustavo E. "The shark genus Carcharhinus Blainville, 1816 (Chondrichthyes : Carcharhinidae) in Argentine waters." Marine and Freshwater Research 49, no. 7 (1998): 747. http://dx.doi.org/10.1071/mf97249.
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The purpose of this contribution is to review the species of the shark genus Carcharhinus found along the coast of Argentina. New southern limits for the distribution of the genus are given for the western South Atlantic. The presence of Carcharhinus leucas (Valenciennes, 1839) is recorded for the first time on the Province of Buenos Aires coast. New evidence is given which confirms the presence of Carcharhinus brachyurus(GÜnther, 1870) in the area. Carcharhinus plumbeus (Nardo, 1827) is known from only a single Argentine record. Carcharhinus longimanus (Poey, 1861) has been recorded from oceanic waters offshore of Argentina, but has not been taken from continental shelf waters. Resumen. En éste trabajo se revisan las especies de tiburones del género Carcharhinus encontradas en la costa de la Argentina. Nuevos límites septentrionales para la distribución de las especies del género en el Atlántico Sudoccidental son presentados. Se refiere por primera vez la presencia de Carcharhinus leucas (Valenciennes, 1839) para la costa de la Provincia de Buenos Aires. Se presenta nueva evidencia que confirma la presencia de Carcharhinus brachyurus (GÜnther, 1870) en el área. Carcharhinus plumbeus (Nardo, 1827) ha sido citado una sóla vez para Argentina. Carcharhinus longimanus (Poey, 1861) ha sido registrado en aguas oceánicas frente a la plataforma de Argentina, pero no en aguas sobre la plataforma continental.
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Sánchez, María del Rosario. "La construcción de la información periodística sobre la COVID-19 en la prensa local argentina." Investigar la Comunicación desde Perspectivas, Teorías y Métodos Periféricos 8, no. 15 (2021): 429–51. http://dx.doi.org/10.24137/raeic.8.15.19.
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Amadeo, B. (1999). La aplicación de la teoría del framing a la cobertura de la corrupción política en Argentina (1991-1996) [tesis doctoral]. Universidad de Navarra, Facultad de Comunicación, Pamplona, España. D'adamo, O. J., Beaudoux, V. G. y Freidenberg, F. (2000). Medios de comunicación, efectos políticos y opinión pública: ¿una imagen, vale más que mil palabras? Buenos Aires: Editorial de Belgrano. Defensoría del Público SCA (2020). Apuntes para las coberturas sobre la pandemia COVID-19. Recuperado de https://defensadelpublico.gob.ar/recomendaciones-para-la-cobertura-de-la-pandemia-covid-19/ Del Palacio Montiel, C. (2009). Una mirada a la historia de la prensa de México desde las regiones. Un estudio comparativo (1792-1950). Revista Historia Iberoamericana, 2(1), 80-97. Entman, R. (1993). Framing: Toward clarification of a fractured paradigm. Journal of Communication, 43(4), 51-58. https://doi.org/10.1111/j.1460-2466.1993.tb01304.x Ford, A. (1994). Navegaciones. Comunicación, cultura y crisis. Buenos Aires: Amorrortu. Gomis, L. (1991). Teoría del periodismo. Cómo se forma el presente. Barcelona: Paidós. Graber, D. (1989). Content and memory. What is it all about. American Behavioral Scientist, 33(2), 144-152. Iyengar, S. y Kinder, D. R. (2010). News that matters: Television and American opinion. Chicago: University of Chicago Press. Koziner, N. (2013). Antecedentes y fundamentos de la teoría del framing en comunicación. Austral comunicación, 1(2), 01-25. Llull, L. (2001). Bahía Blanca, prensa y política en la Liverpool del Sur. 1900-1936. En L. Prislei (Dir.), Pasiones sureñas. Prensa, cultura y política en la frontera norpatagónica (1884-1946). Buenos Aires: Prometeo. Martini, S. (2000). Periodismo, noticia y noticiabilidad. Buenos Aires: Norma. Martini, S. (2015). Medios y sociedad. Las agendas del delito en la prensa gráfica y digital y en la televisión en la Argentina. En M. Degoumois (Dir.), Delitos y medios masivos de comunicación. Aportes para la reflexión acerca de los discursos sobre violencia y criminalidad (pp. 255-278). Buenos Aires: Ministerio de Justicia y Derechos Humanos de la Nación. Orbe, P. y Napal, M. (2018). Los medios de comunicación en la ciudad: del papel a la era digital. En M. Cernadas y J. Marcilese (Coords.), Bahía Blanca siglo XX. Historia política, económica y sociocultural (pp. 273-304). Bahía Blanca: EdiUNS. Rodrigo Alsina, M. (1989). La construcción de la noticia. Barcelona, Paidós. Sádaba, T. (2007). Framing: el encuadre de las noticias. El binomio terrorismo- medios. Buenos Aires: La Crujía. Schiller, H. (1996). Information inequality. Nueva York: Routledge. Silva, H. (1998) “Un destino manifiesto”. 1898 – 1998. Cien años de periodismo. Bahía Blanca: La Nueva Provincia. Sohr, R. (1998). Historia y poder de la prensa. Barcelona: Andrés Bello. Tuchman, G. (1978). News making. A study in the construction of reality. New York: The Free Press. Valdetattaro, S. (2005). Prensa y temporalidad. La trama de la comunicación, 10, 97-104. Verón, E. (1983) Construir el acontecimiento. Buenos Aires: Gedisa. Zalba, E. (2007). Una aproximación al <orden del discurso> periodístico. Boletín de la BCN, Biblioteca del Congreso de la Nación, 123.
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Boix, Ornela. "New uses of music: an analysis based on indie music in Buenos Aires." Civitas - Revista de Ciências Sociais 19, no. 1 (2019): 230. http://dx.doi.org/10.15448/1984-7289.2019.1.30121.
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During the 2000s, the term “indie” became common and relatively principal for the juvenile, urban music of the metropolitan area of Buenos Aires. How can we understand the indie phenomenon in the history of juvenile music related to Argentine rock bands? What variables should we take into consideration to comprehend indie since its logic differs from the one established by the identitarian appropriation of music genres? In order to answer these questions, we describe indie music in Buenos Aires and show its evolution. We suggest that indie is much more than a way in which people identify themselves with music. It is the manifestation of a new relation with music and its means of production. In line with this idea, we explore the most recent pragmatic approach to “music into action” and music as mediator of the social to reformulate the notion of music to use. *** Novos usos da música: Uma análise baseada na música indie em Buenos Aires ***Durante a década de 2000, a palavra “indie” era comum e relativamente central para a música juvenil e urbana da zona metropolitana de Buenos Aires. Como entender o fenômeno indie na história de músicas juvenis associadas ao rock na Argentina? Com quais parâmetros compreendê-lo, já que se trata de um fenômeno que escapa à apropriação identitária dos gêneros musicais? Para responder estas perguntas descrevemos a música indie em Buenos Aires e mostramos sua evolução. Afirmamos que o indie é muito mais uma forma de fazer do que se identificar com a música. Nesse sentido, é a manifestação de um novo relacionamento com a música e a produção de música. Para tanto tem sido necessário explorar o discurso pragmático sobre a “música como ação” e sobre a música como mediadora do social que habilitava este olhar sobre o indie. Analisando deste modo, reformulamos o conceito de música de uso.Palavras-chave: Música indie; Usos da música; Identidade; Abordagem pragmática; Buenos Aires.
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Fadel, Valentín, Eugenia Alvarenga, and Mirta Arriaga. "Cactaceae type specimens deposited in the Argentine Museum of Natural Sciences (BA Herbarium), Buenos Aires, Argentina." Revista del Museo Argentino de Ciencias Naturales 16 (2014): 95–105. http://dx.doi.org/10.22179/revmacn.16.387.
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Colmegna, Patricio, Fabricio Garelli, Emilia Fushimi, et al. "Artificial Pancreas: The Argentine Experience." Science Reviews - from the end of the world 1, no. 1 (2019): 37–53. http://dx.doi.org/10.52712/sciencereviews.v1i1.7.
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The objective of this work is to present a brief review on the international Artificial Pancreas project. In addition, the local project that led to the first Latin American clinical trials with an Artificial Pancreas will be described. These trials were performed in Buenos Aires during 2016 and 2017. The last trial used an algorithm developed in Argentina and defined as the ARG (Automatic Regulation of Glucose). This procedure and its in silico and clinical results will also be presented in this paper.
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Ferns, H. S. "The Baring Crisis Revisited." Journal of Latin American Studies 24, no. 2 (1992): 241–73. http://dx.doi.org/10.1017/s0022216x00023385.
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Several accounts of the Baring crisis, 1890–7, are available.1 Among these is my own, chapter xiv of Britain and Argentina in the Nineteenth Century (Oxford, 1960), based upon the Foreign Office papers in the Public Record Office, contemporary periodical literature and secondary works such as the now little-noticed classic, J. H. Williams, Argentine International Trade under Inconvertible Paper Money, 1880–1900 (Cambridge, Mass., 1920). My first purpose in exploring beyond the sources used forty years ago, in the archives of the Bank of England, Baring Brothers & Co., N. M. Rothschild, W. H. Smith and the Marquis of Salisbury, is to correct at least one error in my original work, and this unfortunately repeated by others. My second is to discover whether or not further study of archival material confirms, modifies or denies any of my first conclusions about the role of the Argentine government in the solution of the Baring crisis.The principal error corrected concerns the form of Barings' involvement in Argentine affairs in the late 1880s. They did not get into difficulties because they underwrote a large loan to the Argentine government for the purpose of expanding the water supply and sewage system of Buenos Aires. The fact is that they promoted a private enterprise which took over the water and sewage system of Buenos Aires, and this failed for a number of reasons set out below.As to my original conclusions about the Baring crisis, they have been confirmed by the archival material considered. The solution of the Baring crisis was made possible by the policies devised and enforced by the Argentine government.
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Milano, Laura Vanesa. "En el culo del mundo: festivales, autogestión y sexualidad en la pospornografía producida en Argentina / In the ass of the world: Festivals, self-management and sexuality in post-pornography produced in Argentina." Kamchatka. Revista de análisis cultural., no. 9 (August 31, 2017): 485. http://dx.doi.org/10.7203/kam.9.10100.
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Resumen: Este trabajo indaga en las prácticas artísticas de la pospornografía producidas en Argentina y en los modos de producción que se generaron en torno a ellas: Procesos de producción autogestiva, cooperativa y colectiva y creación de espacios nuevos de socialización y resistencia. Entendiendo el posporno como un entrecruzamiento entre arte y activismos de la disidencia sexual, me interesa problematizar estas modalidades del “hacer posporno” tomando como caso las experiencias de los festivales y jornadas realizadas en las ciudades de Buenos Aires y La Plata.Palabras clave: Pospornografía, sexualidad, autogestión, activismo. Abstract: This work investigates the artistic practices of postpornography produced in Argentina and the modes of production that were generated around them: processes of self-management, cooperative, and creation of new spaces of socialization and resistance. Understanding the postpornography as a cross between art and activism of sexual dissidence, I am interested in problematizing these modalities of "doing post-porn" in the contemporary Argentine context. , taking as a case the experiences of festivals and workshops held in the cities of Buenos Aires and La Plata.Keywords: Postpornography, sexuality, self-management, activism.
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Ariza, Julio. "Dos dispositivos de resistencia: Sobre Invasión (1969), de Hugo Santiago y Moebius (1996), de Gustavo Mosquera." Catedral Tomada. Revista de crítica literaria latinoamericana 5, no. 9 (2018): 321–45. http://dx.doi.org/10.5195/ct/2017.274.
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This article analyzes the mechanisms of political resistance deployed by cinematographic resources in two Argentine films: Invasión (1969), directed by Hugo Santiago, with screenplay by Jorge Luis Borges and Adolfo Bioy Casares, and Moebius (1996) directed by Gustavo Mosquera. Focusing the analysis further on Moebius, but making a foothold in Invasión, I argue that both films work with "fantastic situations" that seek to stage the universality of the notion of "resistance." This vocation of universality makes Santiago’s fictitious Aquileia to anticipate the Buenos Aires of the last civic-military dictatorship in Argentina, and the more retro-futuristic Buenos Aires of Mosquera speaks to us of those same dictatorial years, as well as of the deep crisis of disinterest for the other of the neoliberal nineties. Both Invasión and Moebius propose that resistance has no end, and they assume the task of constantly "resisting" the artificial balance of the contemporary, approaching in a disturbing way past, present and future.
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Taylor, Julie. "Death Dressed As a Dancer: The Grotesque, Violence, and the Argentine Tango." TDR/The Drama Review 57, no. 3 (2013): 117–31. http://dx.doi.org/10.1162/dram_a_00282.
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Tango dancers in Buenos Aires milongas (dance clubs) create a mise-en-scène where intimacy and anonymity clash. Their tango and the rules of etiquette they practice share dissonant experiences of violence, exclusion, and trauma with an Argentine grotesque, the grotesco criollo.
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Buch, Esteban. "L’avant-garde musicale à Buenos Aires : Paz contra Ginastera." Circuit 17, no. 2 (2007): 11–33. http://dx.doi.org/10.7202/016836ar.
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Le Centro Latinoamericano de Altos Estudios Musicales (claem), fondé en 1962 à Buenos Aires par Alberto Ginastera et financé par la Fondation Rockefeller, fut pendant les années 1960 le principal centre de musique contemporaine d’Amérique latine. Pourtant, le pionnier du dodécaphonisme en Argentine, Juan Carlos Paz, l’appelait volontiers l’« Academia Pitman de la composition musicale ». Ce mépris résultait d’une rivalité qui aura structuré le milieu local de la musique contemporaine pendant trente ans, et qui correspondait à deux visions concurrentes de l’histoire de la musique, entre l’avant-garde et le nationalisme. On retrace cette histoire en analysant notamment les documents de la querelle qu’en 1942 Paz baptisa « El Caso Ginastera ª.
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Denis, Paul-Yves. "La structure urbaine en république Argentine : le cas de Buenos Aires." Cahiers de géographie du Québec 11, no. 22 (2005): 43–53. http://dx.doi.org/10.7202/020680ar.
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Approximately one half of Argentina’s population is found along an axis extending between the cities of Rosario and La Plata, and which includes only 3 per cent of the national territory. Because of this striking concentration, Buenos Aires's metropolitan function is of ever-increasing importance ; with its seven million inhabitants, it bas a virtual monopoly of the secondary and tertiary activities of the country. But this lack of equilibrium, and the city's off-centre location, have made necessary the decentralization of both industry and government. The development of five large centres — Córdoba, Mendoza, Tucumán, Santa Fe — Paraná, and Resis-tencia — Corrientes — have permitted the establishment of a better balanced urban structure and national economy.
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Podalsky, Laura. "Cityscapes and Alienation: Buenos Aires in the Argentine Cinema, 1950-1960." Nuevo Texto Crítico 11, no. 21-22 (1998): 77–92. http://dx.doi.org/10.1353/ntc.1998.0009.
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Poppe∗, Nicolas. "Siteseeing Buenos Aires in the early Argentine sound filmLos tres berretines." Journal of Cultural Geography 26, no. 1 (2009): 49–69. http://dx.doi.org/10.1080/08873630802617150.
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Withington, Frank. "On the Birds of Lomas de Zamora, Buenos Aires, Argentine Republic." Ibis 30, no. 4 (2008): 461–73. http://dx.doi.org/10.1111/j.1474-919x.1888.tb08504.x.
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Novillo-Corvalán, Patricia. "Global South Modernism: Tagore, Victoria Ocampo, and the Geopolitics of Horizontal Relations." Modernist Cultures 16, no. 2 (2021): 164–90. http://dx.doi.org/10.3366/mod.2021.0327.
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This article explores cultural dialogues between countries located in the (so-called) global South, focusing on India and Argentina through the nexus between the Bengali author, artist, and educationalist Rabindranath Tagore (1861–1941) and the Argentine writer, publisher, and feminist Victoria Ocampo (1890–1979). The article examines the dialectical tensions that arose out of their encounter in Buenos Aires in 1924 which, while forging productive cultural networks through the globalist paradigms proposed by Ocampo's modernist review SUR and Tagore's Bengal-inflected notion of visva-sahitya – as well as the latter's significant contribution to the Argentine cultural scene – it also brought to the fore the geopolitics of empire by foregrounding India's and Argentina's fraught colonial relations with imperial Britain. 1
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Scolnik, Fernando. "Grassroots Labor Organizations in Metropolitan Buenos Aires, 2003–2007." Latin American Perspectives 42, no. 2 (2014): 30–41. http://dx.doi.org/10.1177/0094582x14551139.
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During the 1990s, the Argentine working class was hard-hit by the neoliberal offensive, which reversed many of the gains previously won. The decade saw a serious degradation of living conditions and an increase in inequality as a consequence of unemployment and precarious work. After the economic crisis of 2001, labor unions were strengthened by a decline in unemployment and the reactivation of collective bargaining. At the same time, the crisis generated a questioning of the traditional union leadership and the emergence of grassroots organizations (internal committees and bodies of delegates) that introduced democratic decision making to the workplace in accordance with developments at the time in the community assemblies, movements of unemployed workers, and recovered factories. During Néstor Kirchner’s presidency, these organizations led union struggles that had a strong political and social impact and even achieved coordination among themselves outside of the organic labor union groups. Durante la década de 1990, la clase obrera argentina fue muy impactada por la ofensiva neoliberal que revocó muchas de las ganancias previamente obtenidas. La década fue testigo de una degradación grave de las condiciones de vida y un aumento en la desigualdad como consecuencia del desempleo y el trabajo precario. Tras la crisis económica de 2001, los sindicatos fueron reforzados por una disminución del desempleo y la reactivación de la negociación colectiva. Al mismo tiempo, la crisis generó un cuestionamiento de la dirigencia sindical tradicional y el surgimiento de organizaciones de base (comités y cuerpos de delegados) que introdujo la toma de decisiones democrática a los lugares de trabajo en función de los acontecimientos de ese entonces en las asambleas comunitarias, movimientos de trabajadores desempleados, y las fábricas recuperadas. Durante la presidencia de Néstor Kirchner, estas organizaciones condujeron luchas sindicales que tuvieron un fuerte impacto político y social, e incluso lograron coordinación entre sí fuera de los grupos sindicales orgánicos.
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Hernández, Antonio María. "The Municipal Regime, the Autonomous City of Buenos Aires and the Metropolitan Areas in the Argentine Federation." Verfassung in Recht und Übersee 53, no. 1 (2020): 51–71. http://dx.doi.org/10.5771/0506-7286-2020-1-51.
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The Argentine Constitution, especially after the 1994 Constitutional Reform, established a federal structure of four orders of government: Federal, Provinces, the Autonomous City of Buenos Aires and Municipal. Also, Provinces have the possibility to create regions for economic and social development. In this first point, some characteristics are highlighted, such as the tendency towards centralization. The autonomous municipal regime is analyzed in the second point. The municipal regime was inserted in the original Constitution of 1853, but throughout the history there has been a debate about its nature, ranging from autarchy to autonomy. In the 1994 Constitutional Reform, municipal autonomy was recognized, with five aspects: institutional, political, administrative, financial, and economic. In the third point, the Autonomous City of Buenos Aires is studied. It is a City-State, with a nature similar to that of the Provinces and is represented in the Chamber of Deputies and in the Senate of the Nation. Its own Constitution was drafted in 1996. The phenomenon of metropolitan areas of Buenos Aires and Cordoba are briefly considered, in the fourth point. And, finally, in the fifth point, the transcendent relationship between the autonomous municipal regime and the federal republic and the role of cities in the globalized world are reflected.
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Reber, Vera Blinn. "Misery, Pain and Death: Tuberculosis in Nineteenth Century Buenos Aires." Americas 56, no. 4 (2000): 497–528. http://dx.doi.org/10.1017/s0003161500029825.
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Dijo anoche, su canto de muertela Canción de la tos en tu perchoy, al mojarse en las notas rojizasmostró flores de sangre el pañuelo.Pulmonary tuberculosis substantially influenced societal attitudes and Argentine life style in the nineteenth century. Because tuberculosis was socially defined, how Porteños viewed the tubercular depended on conceptions of the disease, as well as popular and medical views of contagion and cure. Illness did not isolate individuals from society or even from familiar faces and responsibilities. Class, gender, age, attitudes on contagion, and approaches to treatment influenced the choices available to men, women, and children.
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del Águila, Álvaro. "Living on the Construction Site: Paraguayan Construction Workers in Buenos Aires." Latin American Perspectives 45, no. 1 (2017): 77–90. http://dx.doi.org/10.1177/0094582x17730373.
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Argentine enterprises subsume Paraguayan migrant workers into the construction industry in the Buenos Aires metropolitan area, subordinating them to the demands of production by temporarily housing them on the construction sites themselves. Ethnographic fieldwork carried out on various construction sites between 2006 and 2015 shows how this practice overlaps with wider processes of global transformation in labor relations. The lodging of workers on construction sites is an increasingly widespread strategy for capitalist entrepreneurs to exploit the migrant workforce even further. Las empresas argentinas han incorporado a los trabajadores migrantes paraguayos a la industria de la construcción en el área metropolitana de Buenos Aires y los han subordinado a las exigencias de la producción, alojándolos temporalmente en las obras mismas. Un trabajo de campo etnográfico realizado en varias obras entre 2006 y 2015 muestra cómo dicha práctica se entrelaza con procesos más amplios en la transformación de las relaciones laborales a nivel global. El alojamiento de los trabajadores en las obras es una estrategia cada vez más extendida para que los empresarios capitalistas puedan explotar la mano de obra migrante aún más de lo que ya hacen.
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Rozenberg, Natalia Abramovna. "Argentine Period of the Stepan Erzia’s Creativity (1927–1950). Searching and Findings." Общество: философия, история, культура, no. 10 (October 2020): 87–94. http://dx.doi.org/10.24158/fik.2020.10.16.
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Relevance: The problem of studying the work of one of the outstanding masters of the Russian Diaspora – Stephan Erzia, who created several hundred sculp-tures in Argentina, has been raised. Their specificity, connection with the culture of the country hasn’t been studied properly, and cultural and art history analysis has not been carried out. At the same time, identifying the reasons why the Argentineans per-ceive his art in relation to the Argentine one, is an essential research task. Moreover, Erzia’s exhibitions of recent years, held in Buenos Aires, Moscow and St. Petersburg, were successful. Novelty: The uniqueness of Erzia’s work is due to his double mentality. He saw the world not only as Russian, but also as Argentinean. New cultural meanings are in-dicated in the problems of his sculptures and in the visual language itself. Erzia’s stay in Argentina is considered in the context of the formation of na-tional art. Including the example of the synthesis of architecture and sculpture of representative build-ings created by European masters. Although the 20–40s of the 20th century were an era of prosperity for Argentina, their own architects will only make them-selves known in the 1930s. Many of them worked in Europe and Argentina. The interest in Erzia’s art before his first exhibition in Buenos Aires was pre-pared by the press. The articles emphasized that the sculptor would show the works that were success-fully demonstrated in 1926 in Paris. The audience became convinced of the high professionalism and genre diversity of the master's works. A year after his arrival, Erzia turns less to marble and bronze, more to the tree of local tropical species – quebracho and algarroba. They possessed exceptional density, mul-tiplicity of color shades, and expressive texture. Er-zia’s works were formed in cycles. These are por-traits and nudes, monumental images of geniuses of humanity, the theme of motherhood. A bold change in iconographic canons distinguishes the best works of the master.
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Doti, Brenda L. "Three new paramunnids (Isopoda: Asellota: Paramunnidae) from the Argentine Sea, South-west Atlantic." Journal of the Marine Biological Association of the United Kingdom 97, no. 8 (2016): 1695–709. http://dx.doi.org/10.1017/s0025315416001016.
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Three new species of paramunnid isopods are described:Pentaceration pleonarietissp. nov.,Neasellus argentinensissp. nov. andN. bicarinatussp. nov. The three species were collected off Buenos Aires province, the last one was also collected off Chubut province, Argentine Sea. The species belonging toPentacerationrepresents the first record of this genus in the Argentine Sea. The diagnostic characters of the genusNeasellusare revised and besides the inclusion of the two new species herein described, a new combination for the speciesPelagogonium oculatumSchultz, 1977 is proposed.
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Trouvé, Analía. "Brilliant grey: the color of documentary resources at the Fundación Espigas in Buenos Aires." Art Libraries Journal 30, no. 3 (2005): 8–13. http://dx.doi.org/10.1017/s0307472200014024.
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Grey literature, documentation published outside traditional commercial channels, is not very often taken into account by art librarians in Argentina, judging by searches on online databases. However, experience with grey literature at the Fundación Espigas, the highly specialized Argentinian art information center in Buenos Aires, is changing this point of view. The Center’s database offers access to a great corpus of such publications, especially to ephemera such as private view cards, pamphlets, auction catalogues, catalogues of solo and group exhibitions and posters. This ‘minimal documentary information’ has an important place as a resource, and would prove invaluable for any research project on Argentine art in the future. Indeed this material is not grey but unexpectedly brilliant at providing rich and hidden information.
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Alonso, Paula. "Politics and Elections in Buenos Aires, 1890–1898: The Performance of the Radical Party." Journal of Latin American Studies 25, no. 3 (1993): 465–87. http://dx.doi.org/10.1017/s0022216x00006635.
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Three main political parties regularly contested elections in Argentina in the late nineteenth century: the Partido Autonomista Nacional (PAN), the Unión Cívica Nacional (UCN), and the Unión Cívica Radical (UCR). However, little is known about the nature of party competition, the contesting parties' electoral performances or the characteristics of their electoral support. Discussion of the electoral politics prior to 1912, when the vote became secret and compulsory for all Argentine males over 18 years of age, has been dominated by notions of corruption, repression and lack of opportunity for popular participation. While in other countries such assessments have been revised in recent years after unreformed elections were analysed in more detail, accounts of electoral repression are still dominant in discussions of the pre-1912 Argintine electoral system.
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Ferrando, Noelia S., and María C. Claps. "A revised and updated checklist of Monogononta rotifers from Argentina." Check List 12, no. 4 (2016): 1942. http://dx.doi.org/10.15560/12.4.1942.
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We provide here a checklist of species of Monogononta rotifers from lentic and lotic environments in Argentina, 25 years after the initial catalogue compiled by Susana B. José de Paggi. This new inventory now includes the reports on rotifers documented in 93 studies produced after 1990. The majority of the investigations were carried out in three of the 24 Argentine provinces. In addition, the presence of 13 species in samples from three water bodies within Buenos Aires province are now cited here for the first time in Argentina. In this updated checklist, a total of 351 species are catalogued, the majority being representatives of the Lecanidae, Brachionidae, and Lepadellidae.
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Streppone, Victoria. "La critica de arte y la construcción del patrimonio cultural. Buenos Aires 1931." Imafronte, no. 26 (January 16, 2020): 125–48. http://dx.doi.org/10.6018/imafronte.400851.
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Este trabajo se centra en una “constelación” de intelectuales argentinos de horizontes inevitablemente eurocentricos que, mediante la propia contribución ofrecida en la revista Sur (1931-1992) a través de ensayos sobre crítica de arte, intentan comprender las dificultades del momento artístico local. Con el inicio de una secuencia de eventos, se propone una reflexión que entiende el cine y la arquitectura como un “espacio pedagógico”. Por medio del análisis y la interpretación del papel cultural de Victoria Ocampo (Buenos Aires 1890-1979) y la “herramienta-revista” Sur, se presentan una serie de eventos y estrategias unidos por un fil rouge orientado a crear la unidad cultural argentina; desde el apoyo personal y privado, brindado a Le Corbusier durante su viaje por Argentina y el proyecto documental que inicia en el marco del cine sovietico de Sergej Ėjzenštejn hasta abarcar el neorrealismo italiano de Vittorio De Sica y Cesare Zavattini.
 El enfoque en Ocampo, escritora, mecenas y directora de Sur, lleva el análisis crítico al marco moderno de los estudios de género, abriendo -a la cultura y sociedad argentina de los años en cuestión- un panorama de ideas complejo y fructífero, respecto al horizonte de desarrollo del propio patrimonio cultural. This paper focuses on a “constellation” of argentinian scholars characterized by an inevitable and common eurocentric horizon that, through their own contribution in Sur (1931-1992) with several art critic essays, try to interpretate the tough local artistic moment. Starting from a sequence of events, a reflection on cinema and architecture as a 'pedagogical space’, is proposed. Through the analysis and interpretation of Victoria Ocampo’s cultural role and her tool-magazine named Sur, a series of events and strategies connected by a fil rouge oriented to create an Argentian cultural unity are presented: from the personal and private support provided to Le Corbusier during his journey to Argentina and the documentary project that starts in the framework of the Soviet cinema of Sergej Ėjzenštejn, to the Italian neorealism of Vittorio De Sica and Cesare Zavattini.
 The focus in Ocampo, writer, maecenas and director of Sur brings critical analysis to the modern framework of gender studies, opening - to the Argentine culture and society of those years - a complex and fruitful panorama of ideas, to the horizon of development of one's cultural heritage.
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Guy, Donna J. "CLAH Lecture: Harrods Buenos Aires. The Case of the Unwanted Dresses, 1912–1940." Americas 77, no. 3 (2020): 351–60. http://dx.doi.org/10.1017/tam.2020.38.
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ABSTRACTIn 1912, a small department store called Harrods opened in Buenos Aires, one that by the 1920s expanded to almost a city block. Although named after the founder of the London store, the manager of Harrods London, Richard Burbidge, his son Woodman, and a few board members planned the purchase of land and opened the business, and then presented it to the entire London board. Unfamiliar with Buenos Aires, believing that women consumed more than men, and presuming that upper-class women there had the same consumer desires of those in England, the store opened catering to the upper-class female population and focused on readymade dresses. And, to the great surprise of the local manager, women of all classes did not want these dresses because they preferred to purchase cloth and take it to their dressmakers.The dilemma facing Harrods Buenos Aires, detailed in company reports in the archive of Harrods London and in scans of Buenos Aires Harrods archives in the possession of British bookseller Jennifer Wilton-Williams, show that sales reports, rather than studies of the Argentine market like those published by the US Department of Commerce, shaped the new department store's response. Until the 1940s, Harrods Buenos Aires focused on the sale of less expensive articles that came from its dining room, its cosmetics department, and infants’ and children's clothing. Furthermore, employees purchased more than 40 percent of the clothing. Originally imagined as the flagship of the upper-class female shopper, it ended up as a store for the middle class, especially women who bought gifts and enjoyed being seen in the dining room. It closed in 1998.