Relevant bibliographies by topics / Argentine Folk Music

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Argentine Folk Music'

Author: Grafiati
Published: 4 June 2021
Last updated: 7 February 2022

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Journal articles on the topic "Argentine Folk Music"

1

Hidalgo, Marcela, and Ricardo Salton. "Argentina." Popular Music 6, no. 2 (1987): 227–30. http://dx.doi.org/10.1017/s0261143000006012.

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This bibliography is designed to complement the article by Pablo Vila. It contains recently published academic books and articles, but excludes journalism. The discography covers significant recent music in the fields of national rock, tango, folk and ‘fusion’.
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2

Palleiro, María. "Charms and Wands in John the Lazy: Performance and Beliefs in Argentinean Folk Narrative." Acta Ethnographica Hungarica 64, no. 2 (2019): 353–68. http://dx.doi.org/10.1556/022.2019.64.2.7.

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Abstract“Virtue wands” do appear in Argentinean folk narrative as useful devices used by the hero to achieve his dreams. Using the correct charm and waving his wand, the Argentinean folk hero John the Lazy manages to marry the princess and to live without working. Charms show in this way how to do things with words, pronouncing the proper words in the right situation. In this presentation, I deal with the formulaic use of a magic charm in this Argentinean folktale, collected in fieldwork in 1988. This charm deals with an invocation to the “Wand of virtue” given to the hero by God`s mercy, whos
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3

Zorn, Magdalena, and Juan Manuel García. "On the concept of ‘music performance’ in the context of the COVID-19 lockdown: A brief musicological discussion based on a public survey among listeners in Argentina." INSAM Journal of Contemporary Music, Art and Technology, no. 5 (December 15, 2020): 89–107. http://dx.doi.org/10.51191/issn.2637-1898.2020.3.5.89.

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In this work, the concept of music performance in the context of the Covid-19 lockdown is assessed through a brief musicological discussion based on a public survey performed on the broad population in Argentina during the lockdown. Traditionally, listeners and performers interact in con­cert halls sharing the same space and time. During the Covid-19 lockdown, listeners and performers were obliged to stay home and thus, online music consumption in the genres of Classic, Jazz, Pop and Folk became “state of the art”. With the increasing importance of performances through the internet, the intera
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4

Moore, Christobel C., and Felicity A. Baker. "Musical Preferences of Argentines and Uruguayans Living in Australia: Implications for Music Therapy Clinical Practice." Voices: A World Forum for Music Therapy 9, no. 1 (2010). http://dx.doi.org/10.15845/voices.v9i1.27.

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This article provides an overview of the elements that impact on the cultural identity of Argentines and Uruguayans in Australia, their relationship to music and the implications for music therapy clinical practice. A survey collected quantitative data on musical preferences and qualitative data on what respondents associated with different genres. The final sample of 12 respondents was not representative of the Australian communities, but collected data was congruent with the reviewed literature and significant internal consistency was observed. Classical music, ballads, folk and tango had th
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Dissertations / Theses on the topic "Argentine Folk Music"

1

Kawabata, Mitsuko. "Musical Representations of the Gaucho and Immigrant: Navigating Identity within the Argentine Criollo Circus." Scholarly Repository, 2009. http://scholarlyrepository.miami.edu/oa_theses/196.

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The circo criollo, or Argentine native circus, arose as one of the most important forms of popular expression during the late nineteenth century. This performance context can serve as a site for exploring old and new constructions of Argentine identity that encompassed the lower and middle classes and included native and immigrant groups, particularly in Buenos Aires. Although the native circus contributed greatly to the creation of such an identity, little is known about the musical practices of the circus itself, including what types of music or dance were performed, the manner in which th
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2

Mitchell, Aaron Paul. "A Conductor's Guide to Ariel Ramírez's Misa Criolla." University of Cincinnati / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1243354657.

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3

Ho, Yu-Hsin, and 何郁欣. "A Study of Ginastera's Piano Music: Argentine Folk elements and his Compositional Techniques." Thesis, 2001. http://ndltd.ncl.edu.tw/handle/28839038379972577058.

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碩士<br>國立中山大學<br>音樂學系研究所<br>89<br>Abstract: Alberto Ginastera is considered one of the most important composers in Argentina. His music reflects the ancient aboriginal primitivism and the nationalistic spirit of Argentine traditional music. Strong rhythm has played a significant role in his music. According to Ginastera’s own criteria, his works can be divided into three periods, but only the first two periods are related to nationalistic music. The first period is called “objective nationalism” (1937-1947), where folk elements are used directly in the works. The second period, called “subjecti
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Books on the topic "Argentine Folk Music"

1

Carlos, Vega. Las danzas populares argentinas. Instituto Nacional de Musicología "Carlos Vega," Dirección Nacional de Música, Secretaría de Cultura, Ministerio de Educación y Justicia, 1986.

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2

García, Miguel A. Voces de tinta: Estudio preliminar y antología comentada de Folklore argentino (1905) de Robert Lehmann-Nitsche. Editorial de la Universidad de la Plata, 2008.

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3

B, Chicote Gloria, and Lehmann-Nitsche Robert 1872-1938, eds. Voces de tinta: Estudio preliminar y antología comentada de Folklore argentino (1905) de Robert Lehmann-Nitsche. Editorial de la Universidad de la Plata, 2008.

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4

Bailes-danzas argentinas: Análisis crítico de su evolución. Ediciones CICCUS, 2013.

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5

Buenosaires, Oscar de. Not-- just-- tango--: Classical music in Argentina. FOG Publications, 2001.

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6

Historia de la música en la Argentina. Acervo Editora Argentina, 2006.

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7

Ritmos y formas musicales de Argentina, Paraguay y Uruguay. Editorial Universitaria, Universidad Nacional de Misiones, 2006.

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8

Músicas populares: Aproximaciones teóricas, metodológicas y analíticas en la musicología argentina. Universidad Nacional de Córdoba, 2008.

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9

Rubio, Héctor Edmundo, and Federico Sammartino. Músicas populares: Aproximaciones teóricas, metodológicas y analíticas en la musicología argentina. Editorial Buena Vista, 2013.

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10

Portorrico, Emilio Pedro. Diccionario biográfico de la música argentina de raíz folklórica. 2nd ed. E.P. Portorrico, 2004.

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Book chapters on the topic "Argentine Folk Music"

1

Illari, Bernardo. "A story with(out) Gauchos: folk music in the building of the Argentine nation." In The Cambridge History of World Music. Cambridge University Press, 2013. http://dx.doi.org/10.1017/cho9781139029476.021.

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