Relevant bibliographies by topics / Argentine Small art works

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Argentine Small art works'

Author: Grafiati
Published: 27 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Argentine Small art works"

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Rozenberg, Natalia Abramovna. "Argentine Period of the Stepan Erzia’s Creativity (1927–1950). Searching and Findings." Общество: философия, история, культура, no. 10 (October 2020): 87–94. http://dx.doi.org/10.24158/fik.2020.10.16.

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Relevance: The problem of studying the work of one of the outstanding masters of the Russian Diaspora – Stephan Erzia, who created several hundred sculp-tures in Argentina, has been raised. Their specificity, connection with the culture of the country hasn’t been studied properly, and cultural and art history analysis has not been carried out. At the same time, identifying the reasons why the Argentineans per-ceive his art in relation to the Argentine one, is an essential research task. Moreover, Erzia’s exhibitions of recent years, held in Buenos Aires, Moscow and St. Petersburg, were success
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Fressoli, M. G., and G. M. M. Schuster. "The Argentine Avant-Garde: Experiments With Space in the Works of Pío Collivadino and Florencio Molina Campos." Cuadernos Iberoamericanos 13, no. 2 (2025): 128–44. https://doi.org/10.46272/2409-3416-2025-13-2-128-144.

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This paper discusses the concept of avant-garde in arts in two aspects. On the one hand, avant-garde does not always manifest itself as a homogeneous, programmatic and «conscious» movement that defies the long-established processes in the artistic system, which is already part of the canonical concept of avant-garde. On the other hand, the avant-garde can be defined through the prism of cases that, in an episodic way, contradict the ways in which art had been understood in Argentina until then. At the same time, the works studied were part of a debate on the avant-garde that was taking place a
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Kolomiiets, V. "CREATIVITY AND STAGES OF DEVELOPMENT OF ASTOR PIAZZОLLA IN WORLD BANDONEON ART". SCIENTIFIC-DISCUSSION, № 98 (12 березня 2025): 17–20. https://doi.org/10.5281/zenodo.15010355.

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The path of the victorious Astor Piazzolla, the widespread executor of the Argentine Tango and bandoneonist, is indicative in the development of musical art. There is little information about Astor Piazzolla, especially in Ukraine. Therefore, the proposed study determines its scientific novelty. The purpose of the study is to reveal the creativity and composer style of Astor Piazzolla, to analyze his creative achievements. His works were in the root of the traditional tango in the modern way, which concentrated elements of jazz and classical music and was called Nuevo Tango. The sources and pe
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Wang, Sige. "National vocal tradition as a synthesis of composers’ and performance art (on the example of A. Ginastera’s creativity)." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 61, no. 61 (2021): 162–78. http://dx.doi.org/10.34064/khnum1-61.09.

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Statement of the problem. The study of the processes of synthesis of composers’ and performance arts is one of the relevant areas of modern music science. An important aspect of their manifestation is the national tradition, which has its own characteristics in different historical and cultural conditions. This is especially true of national music representing countries that are far from the European continent. These include Argentine music, in particular, the vocal one. The analysis of publications on the chosen topic shows that the issue of national manifestations in the art of music remains
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Quiles, Daniel R. "My Reference Is Prejudiced: David Lamelas's Publication." ARTMargins 2, no. 3 (2013): 31–62. http://dx.doi.org/10.1162/artm_a_00060.

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This article addresses David Lamelas's 1970 work Publication, arguing that it represents a subtle critique of the internationalization of conceptual art by a recent entrant into the West European milieu. Exhibited at Nigel Greenwood Gallery in London after the artist's 1968 relocation from Argentina, Publication consists of thirteen written responses to three statements about the possible use of “language as an Art Form” that were sent by Lamelas to international figures in conceptual art such Daniel Buren, Gilbert and George, Lucy Lippard, and Lawrence Wiener. A close reading of this and othe
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Gabr, Intidhar Ali. "The Arab-Islamic evoke in Borges’ poetry." Journal of the College of languages, no. 48 (June 1, 2023): 109–27. http://dx.doi.org/10.36586/jcl.2.2023.0.48.0109.

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This article deals with the Arab-Islamic influence on the Argentine writer Luis Jorge Borges who is considered one of the greatest writers of the twentieth century. He speaks many languages and has a very significant cultural background. He is known for his great love of the Arabic language and his deep knowledge of oriental culture. Islamic and Arabic themes have always been present in his literary works and his writing style, whether in a novel, essay, or poetry. This descriptive study tries to study how the author uses Arabic material to express other ideas in an international literary styl
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Romanenkova, Yulia. "Art Language of Small Plastic Art by Arkady Pugachevsky." Bulletin of KNUKiM. Series in Arts, no. 36 (June 10, 2017): 107–17. https://doi.org/10.31866/2410-1176.36.2017.157684.

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The purpose of the article. The article is dedicated to the later period of creativity of Ukrainian artist Arkady Pugachevsky. Pugachevsky-older is known in the area of lovers of graphic arts primarily as an expert of technician of printmaking. Specializing in high printing, he gives preference to the engraving on the plastic. Methodology of investigation. The research methodology consists in complex using of biographical, historical, comparative methods of analysis, used for comprehensive coverage of case material. Scientific novelty of article is in the introduction into scientific use of wo
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Schuster, Graciela. "The Concept of the Visible between Art and Politics." Latin American Perspectives 42, no. 1 (2015): 84–94. http://dx.doi.org/10.1177/0094582x14563052.

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In the context of the Argentine crisis of December 2001, artist collectives of various kinds went out into the streets to reestablish their bonds with society, protesting and proposing alternatives. Their works and actions linked art and politics, and the visible was a salient aspect of those artistic processes. In the artistic actions performed at the Brukman factory, an abandoned enterprise recovered by its workers, Realism was the axis of the connection between art and politics, and the production and circulation of the artworks linked the public, the particular, and the intimate. En el con
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Adi, Sigit Purnomo. "PELATIHAN PEMBUATAN MINIPRINT DENGAN MENGGUNAKAN MEDIA TRIPLEK DI KOMUNITAS MAKMOER ART PROJECT SUKOHARJO." Abdi Seni 12, no. 1 (2021): 45–50. http://dx.doi.org/10.33153/abdiseni.v12i1.3748.

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Abstract Miniprint is one of the print size formats in graphic arts that is not yet very popular in Indonesia. Miniprint format prints in small sizes both matrix and paper. Printing in small sizes is fun. Small format requires patience and technical skill in visualizing the artist's ideas and ideas. Considering that miniprints have many features apart from a small format, they can also be carried everywhere and can also be used as an aesthetic element or room decorator and have good selling power, encouraging the author to hold a workshop or training on making miniprints in the Makmoer Art Pro
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Gentle, Paul, and Marco Giliberti. "Were valuable art works an economic form of money during the German Third Reich Period and its aftermath?" Public and Municipal Finance 6, no. 4 (2017): 33–38. http://dx.doi.org/10.21511/pmf.06(4).2017.04.

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This examines the special use of art works as a store of value in Germany during the Third Reich era. Some Jews were able to buy their freedom, as the fascists closed in. Then as the Third Reich fell, some escaping fascists used art works to secure freedom outside of Germany. One of the characteristics of money is a store of value. When confidence in a currency is present, the more conventional form of money takes precedence. A respected, economic form of currency and coin has all three elements of money: medium of exchange, store of value and unit of account. This last trait is especially abs
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Dissertations / Theses on the topic "Argentine Small art works"

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Clark, W. Andrew, Cher L. Cornett, and Peter M. Hriso. "Linking Art to Science: Digital Media as a Technology Translation Tool." Digital Commons @ East Tennessee State University, 2005. https://dc.etsu.edu/etsu-works/2524.

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Technology translation can be achieved through the blending of the sciences and arts in the form of digital imagery. Digital animation and video can be utilized to portray molecular events where the mechanism of action is known but the process occurs at a sub-microscopic level. There needs to be a strong collaboration between scientific advisors and digital artists when creating the animation such that the artistic interpretation of the molecular event conforms to the known and accepted confines of science. The finished animation may be used for information, education or persuasion as entrepre
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Books on the topic "Argentine Small art works"

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Bossan, Enrico. Arte vivo: Contemporary artists from Argentina. Edited by Imago Mundi (Project) and Fabrica (Organization). Antiga edizioni, 2017.

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Ghana, FCA, ed. Small works, big city. FCA Ghana, 2005.

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Ghana, FCA, ed. Small works, big city. FCA Ghana, 2005.

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Ghana, FCA, ed. Small works, big city. FCA Ghana, 2005.

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Tell, Verónica, Andrea Ostera, and Leandro Comba. Andrea Ostera: Obras = works, 1994-2017. Galeria de Arte Diego Obligado, 2018.

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Gallery, Sligo Art. Íontas: Sixth small works art exhibition. Sligo Art Gallery, 1995.

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Gallery, Sligo Art. Íontas: Second small works art exhibition. Sligo Art Gallery, 1991.

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Gallery, Sligo Art. Íontas: Eigth small works art exhibition. Sligo Art Gallery, 1997.

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Romanow, Joanna Kleinberg. Small. Drawing Center, 2014.

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Íontas, (8th 1997 Sligo Ireland). Íontas eighth small works art exhibition, 1997. Sligo Art Gallery, 1997.

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Book chapters on the topic "Argentine Small art works"

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Herrero-Matoses, Fernando. "Alberto Greco’s Vivo-Dito, Lettrism, and the Prophecies of the Proper Name." In Music, the Avant-Garde, and Counterculture. Springer Nature Switzerland, 2024. https://doi.org/10.1007/978-3-031-69514-8_5.

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AbstractThis chapter explores the legacy of Lettrism in the practices of Argentine artist Alberto Greco as a means of investigating the self-proclaimed prophetic narrative of neo-avant-garde artists in Paris in the late 1950s and early 1960s. It examines how Greco’s ephemeral public actions (Vivo-Dito) in the streets of Paris, Buenos Aires, or Madrid, in which he repeatedly proliferated his own name as both signature and work of art, opened up exploratory avenues in which the artistic self was both inscribed and dispossessed. This text builds on Andrew Hussey’s interpretation of Isidore Isou’s
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Piccoli, Renzo O., Diego J. Trucco, Demian J. Presser, and Diego C. Cafaro. "Optimal Design of Pipeline Networks for Inter-plant Water and Energy Integration." In Lecture Notes in Mechanical Engineering. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-77429-4_51.

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AbstractThe concentration of specific industries in relatively small areas exists in many countries. This characteristic incentivizes cooperation and facilitates the optimal use of common resources. That is the case of the cluster of crop and chemical manufacturing industries in the center of Argentina, next to the Parana River. All of these plants are closely linked to the use of water streams in associated processes. The objective of this work is to minimize the overall costs of water and energy consumption through the optimal design of an inter-plant pipeline network. This is achieved by co
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Picchiami, Sabrina. "Outsiders, non per loro scelta. Esperienze artistiche nell’Ospedale neuropsichiatrico di Arezzo 1958-1978 | L’atelier." In Arte ai margini. Firenze University Press, USiena Press, 2024. http://dx.doi.org/10.36253/979-12-215-0400-2.10.

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The atelier at Arezzo Neuropsychiatric Hospital transformed the artistic activity from a diagnostic tool to a recognized form of creative expression. Initiated in 1958 by Dr. Furio Martini and influenced by the cultural shifts of the 1950s and 60s, the atelier provided patients with a setting to express their experiences and emotions. Aftherwards the activities aimed even at offering therapeutic benefits and a small personal profit. To date, over 300 works by patients have been find, underscoring the therapeutic and social significance of art in psychiatric contexts.
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Mehl, Margaret. "11. The World in Sendai." In Music and the Making of Modern Japan. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0374.11.

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Chapter 11, ‘The World in Sendai’ investigates the types of ‘Western music’ that were actually performed in concerts in Sendai. This is the main theme of. Based on the programmes of local concerts between 1907 and 1921 published in the magazine Ongakukai (World of music), this chapter shows how local concerts, in which different groups came together to perform an eclectic repertoire to a mixed audience, helped transform the people of Sendai into members of a nation within a wider world of nations. The modern institution of the public concert represented a space where Japanese and foreigners me
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Philbrick, Ethan. "Introduction." In Group Works. Fordham University Press, 2023. http://dx.doi.org/10.5422/fordham/9781531502690.003.0101.

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In the introduction, Philbrick sets up the conceptual and historical terrain of the book by offering three short essays on the group tuned to three different registers—group theory, group politics, and group art—before turning to archival traces of one visionary small group from the 1970s, the Combahee River Collective, and the resonance of their work in Cauleen Smith’s 2018 film Sojourner.
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Harold, James. "Wicked Artists." In Dangerous Art. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197519769.003.0004.

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This chapter takes up the problem of immoral artists, as well as related questions, like immoral production. When an artist commits great crimes, some are tempted to treat the art itself as though it were also tainted. The question is whether this is the right thing to do. This chapter argues that the question can be approached in two ways. First, the chapter considers the possibility that works by bad artists are in themselves morally bad. It argues that this view is plausible in only a small number of cases. Second, the chapter considers the possibility that communities around bad artists ar
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"Batya Brutin, Holocaust Icons in Art: The Warsaw Ghetto Boy and Anne Frank. Berlin: Walter de Gruyter; Jerusalem: The Hebrew University Magnes Press, 2020. xvi + 213 pp." In No Small Matter, edited by Anat Helman. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197577301.003.0025.

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This chapter reflects on Batya Brutin's Holocaust Icons in Art: The Warsaw Ghetto Boy and Anne Frank (2020). This volume documents the engagement of artistic creativity with the photographs of the boy with raised hands in the Warsaw ghetto (1943) and those of Anne Frank. In the six chapters detailing the various ways in which artists from different cultures and countries integrated these iconic figures into their oeuvre, Brutin acquaints the reader with dozens of artists who, at some point in their artistic development, opted to “express their thoughts, emotions and perceptions of the Holocaus
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Lipps, Jere H., Ajit Vartak, Ton Van Eijden, C. Rajshekhar, Sudha Vaddadi, and Rohit Vartak. "Paleontological postage stamps in art and education." In The Evolution of Paleontological Art. Geological Society of America, 2022. http://dx.doi.org/10.1130/2021.1218(25).

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ABSTRACT Postage stamps are small works of art seen by people worldwide that can be used effectively in education. The first paleontological stamp was released by India in 1951. Since then, over 4000 stamps with fossils, paleontologists, museums, and collecting sites have been issued by almost 200 countries. Stamps that illustrate fossils or reconstructions are intrinsically interesting and popular with many of the millions of stamp collectors. All disciplines of paleontology are represented, but dinosaurs are by far the most common subject, although even bacteria appear on a few stamps. Most
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Cleempoel, Koenraad Van. "Representations of astrolabes in Western art." In Astrolabes At Greenwich. Oxford University PressOxford, 2006. http://dx.doi.org/10.1093/oso/9780198530695.003.0009.

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Abstract The relatively infrequent depiction of astrolabes in works of art seems disproportionately small in relation to the large amount of instruments that have survived and to the high number of contemporary treatises that discuss the astrolabe. In comparison, its three-dimensional counterparts – the armillary sphere, and the celestial and the terrestrial globe – have experienced wider acclaim from artists throughout the ages. The immediate ornamental and didactic appeal of these other instruments may be responsible for this trend. But also, in a broader sense, the image of the globe and th
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Rodowick, D. N. "The Force of Small Gestures." In Indefinite Visions. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474407120.003.0012.

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In The Logic of Sensation, Gilles Deleuze describes sensation as a domain that lies beneath, over, or inside quotidian vision as if in another dimension of intensive qualitative experience masked by habitual perception. Sensation is also a way of grasping the immanence of philosophy to works of art. The logic of sensation is part and parcel of our world as lived; one might say that sensation is immanent to perceptual experience as force is immanent to matter. In Deleuze’s account of sensation, the plastic arts are less concerned with matter and figuration than they are with force and becoming.
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Conference papers on the topic "Argentine Small art works"

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Исламова, Л. Я., and М. Я. Исламова. "SMALL GENRES OF ORAL FOLK ART INGUSH (PROVERBS, CHASES), AND ICY MOTIFS IN THE WORK OF SAIDA CHAKHKIEVA." In ПРОБЛЕМА ЖАНРА В ФИЛОЛОГИИ. Crossref, 2024. https://doi.org/10.34775/a4131-3583-6462-u.

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Данная статья посвящена исследованию малых жанров устного народного творчества ингушей, а именно пословиц и поговорок, и анализа произведений Саида Чахкиева на основе их мотивов. В результате исследования выявлено, что не только фольклор, но и произведения автора, созданные на его основе, имеют поучающий, дидактический характер. This article is devoted to the study of small genres of Ingush oral folk art, as well as names and events, as well as the analysis of Saida Chakhkieva's works based on their motives. As a result of the research, it turned out that not only folklore, but also the works
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Некрасова, Т. И. "DEDICATED TO VERA MUKHINA MEDALS IN THE ART WORKS OF TEACHERS AND STUDENTS." In Вера Мухина — гордость России. К 135-летию со дня рождения выдающегося советского скульптора. Crossref, 2025. https://doi.org/10.54874/9785605245841.2024.01.07.

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Актуальность и популярность в современном искусстве произведений скульптуры малых форм, памятных знаков, изготовленных из металла, определяют обращение к этой теме преподавателей и студентов кафедры монументально-декоративной скульптуры. Отдавая дань уважения личности выдающегося советского скульптора Веры Игнатьевны Мухиной (1889– 1953), преподаватели и студенты СПГХПА им. А. Л. Штиглица сделали эскизы памятных медалей для дальнейшей отливки в бронзе. The relevance and popularity of small shapes works of sculpture, commemorative signs made of metal in the modern art, determine the appeal to t
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Nikiforovs, Juris. "Works of Latvian Medallists in Fidem Congress Exhibition in Florence." In 82nd International Scientific Conference of the University of Latvia. University of Latvia Press, 2024. http://dx.doi.org/10.22364/htqe.2024.37.

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Medal is a miniature to be held. As an art form medal has evolved from being decorative to purely modernistic in a sense of creative expression. Many of Latvian medallists have a long experience in the field of medal art, working as sculptors and educators. Some artists have joined the Latvian Medal club recently. Latvian national section of medal art was represented in FIDEM (International Medal Art Federation) XXXVII Congress exhibition in Biblioteca Nazionale Centrale in Florence 2023 with 25 works by 15 artists of a living generation. Sculptural styles of the exhibited art medals of Latvia
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Бородкин, П. В., and Т. В. Горбунова. "SCULPTURE AND STAINED GLASS AS A PART OF THE ART MARKET." In ХУДОЖНИК И МЕНЕДЖЕР В ПРОСТРАНСТВЕ СОВРЕМЕННОГО АРТ-РЫНКА Материалы VII научно-практической конференции молодых ученых. Crossref, 2024. http://dx.doi.org/10.54874/9785605196556.2024.3.02.

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Выставочные пространства редко проводят масштабные групповые показы работ скульпторов, как следствие, затрудняя анализ общих стилистические тенденций и творческих исканий мастеров. Витраж как авторское произведение, в силу преобладания тиражной продукции и специфики работы дизайн-студий, претерпевает ограничения на авторское творчество. Такие тенденции приводят к тому, что арт-рынок не предоставляет современным художникам возможность заявить о себе через авторское творчество. Сложившаяся ситуация не позволяет полноценно развиваться ни арт рынку, ни авторскому творчеству в России. Works of scul
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Hu, Zijian, Fengjun Bai, Huajie Wang, et al. "Deep Learning Approaches in Tight Gas Field Pay Zone Classification." In SPE Argentina Exploration and Production of Unconventional Resources Symposium. SPE, 2023. http://dx.doi.org/10.2118/212394-ms.

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Abstract Log interpretation is critical in locating pay zones and evaluating their potential. Conventional log interpretation is done manually. In our work, deep learning methods are utilized to deal with preliminary pay zone classification. In this way, human expertise can be liberated from trivial and repetitive tasks during logging interpretation. In a fluvial depositional environment, the sand distribution varies both vertically and horizontally. Thus, a large dataset covering a large area may lead to a too "averaged" model. In our work, we select a relatively small dataset (e.g., seven we
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MARIAN, Ana. "The creation of sculptor Claudia Cobizev in the approach of art critic Sofia Bobernaga." In "Ştiință și educație: noi abordări și perspective", conferinţă ştiinţifică internaţională. Ion Creangă Pedagogical State University, 2024. https://doi.org/10.46727/c.v3.21-22-03-2024.p309-317.

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Many times appreciated, the creation of the sculptor Claudia Cobizev (1905-1995) was repeatedly reflected in specialized studies by art critics Ludmila Toma (1976, 1978), Sofia Bobernaga (1988), Ana Marian (2007, 2018). In the work of Claudia Cobizev. Sculpture (1988, Moscow, "Sovetskii hudojnik", 17p., ill, in Russian) Sofia Bobernaga reflects the creation of the sculptor. Although her work belongs to the "flourishing" period of socialist realism in the arts of the Moldavian SSR, it contains a deep artistic message, being undeniably varied in its visual aspect. Referring to the great variety
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Fujarra, André L. C., Guilherme F. Rosetti, Jaap de Wilde, and Rodolfo T. Gonçalves. "State-of-Art on Vortex-Induced Motion: A Comprehensive Survey After More Than One Decade of Experimental Investigation." In ASME 2012 31st International Conference on Ocean, Offshore and Arctic Engineering. American Society of Mechanical Engineers, 2012. http://dx.doi.org/10.1115/omae2012-83561.

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After one decade of experimental investigation, the Vortex-Induced Motion – VIM phenomenon deserves a comprehensive survey concerning the advances related to its understanding, mainly under the consideration of the fundamental aspects that keep it in a close relationship to the dynamic behavior of the same phenomenon acting on slender bodies, the well known Vortex-Induced Vibration – VIV. A considerable amount of results can be found in the literature, although there are few works dealing with a general view of the problem. Probably, the main reason for such a large amount of works with no int
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Rodrigues, Roberta Kamei, Polyana Medeiros de Menezes, Luis Gustavo Fornereto, Vanina Lorena Karpenkopf, Lucia Magdalena, and Rodrigo Balloni Rabelo. "Study of the Effect of the Use of Flowback Aids in Brines and Fracturing Fel." In SPE Argentina Exploration and Production of Unconventional Resources Symposium. SPE, 2023. http://dx.doi.org/10.2118/212583-ms.

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Abstract The hydraulic fracturing technique is based on pumping a given fluid at a high pressure, greater than the rupture pressure of the reservoir rock, which causes the creation of high permeability channels inside the rock. This process also makes the fluid contained in the formation flow preferentially through the newly cracked channels. After stabilizing the pressure inside the rock formation, the fracturing fluid may settle inside the fracture or even infiltrate into the formation. The next step, known as flowback, consists in removing all fracturing fluid, so that the well can start pr
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González, José Wilfredo, Alejandro Jose Linares, Diego Armando Rodriguez, Alexander Castro Chacon, and Jose Vasquez. "Determining a Flow Zone Indicator in Conventional and Unconventional Reservoirs Using Resistivity Logs." In SPE Argentina Exploration and Production of Unconventional Resources Symposium. SPE, 2023. http://dx.doi.org/10.2118/212572-ms.

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Abstract The Flow Zone Indicator (FZI) depends on permeability and porosity. The permeability of a reservoir is one of the most difficult properties to determine, since the models to calculate permeability use input from several logs (gamma ray, density-neutron, sonic, etc.). Permeability modeling is done using complex methodologies such as: matching learning, fuzzy logic, cluster, multiple linear regression, etc., and at the end, permeability models end up being unique for each reservoir. The objective of this work is to determine a flow zone indicator (FZI) from the deep (Rt) and shallow res
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Noya, M., H. Celleri, E. Camilion, et al. "Nanoindentation Characterization of Vaca Muerta Formation Shale Rocks and Its Relation to Geomechanical Model and Core Plugs Properties." In 57th U.S. Rock Mechanics/Geomechanics Symposium. ARMA, 2023. http://dx.doi.org/10.56952/arma-2023-0758.

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ABSTRACT Nanoindentation has arisen as a promising technique to geomechanically characterize small cutting samples obtained during drilling a well. This technique is a useful tool to characterize unconventional reservoirs during the exploration phase. While we have previously analyzed cutting rock samples from Palermo Aike Fm. (Austral-Magallanes Basin, Argentina) in which not enough data was available to cross check the technique, we now analyze Vaca Muerta Fm. (Neuquen Basin, Argentina) core rock samples that have a thoughtful geomechanical characterization. In this work we compare the prope
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