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Journal articles on the topic 'Argentinean Literary Criticism'

Author: Grafiati

Published: 5 June 2025

Last updated: 2 August 2025

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1

Fernando, Bogado. ""ESCRIBIR AL TOQUE": SARLO Y LAS FICCIONES DEL PRESENTE." Chuy. Revista de estudios literarios latinoamericanos 9, no. 13 (2022): 46–59. https://doi.org/10.5281/zenodo.7474628.

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<strong>Resumen: </strong><em>A partir del concepto de “etnografía del presente” de Beatriz Sarlo, el siguiente trabajo analiza las características del modo de leer por parte de la citada crítica, haciendo foco en su libro </em>Ficciones argentinas. 33 ensayos<em> (Mardulce, 2012) en pos de poner en evidencia un conjunto de operaciones relativamente ambiguas que ofrecen la posibilidad de pensar en una tensión interna entre autonomía y no autonomía en esa mirada.  Además, se revisan algunas críticas del modelo etnogr&

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2

Caminada Rossetti, Lucía. "Argentine Literature as Part of the Latin-American: Debates, Characteristics and Dialogues." Interlitteraria 25, no. 2 (2020): 359–66. http://dx.doi.org/10.12697/il.2020.25.2.8.

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The article will suggest that the texts and ways of reaching some materials and perspectives in Argentina, remains at a national level. It is important to notice that in order to read criticism and theory regarding Latin American literature, Spanish from Río de la Plata separates at some point the fields. In that regard, one of the greatest assets and achievements of Argentinian literary research concerns the relationship between politics and fiction. In connection with this it might be asked how we can think of Argentinian literature without linking it to the social discourse? How can we thin

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3

Caminada Rossetti, Lucía. "Argentine Literature as Part of the Latin-American: Debates, Characteristics and Dialogues." Interlitteraria 25, no. 2 (2020): 359–66. http://dx.doi.org/10.12697/il.2020.25.2.8.

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The article will suggest that the texts and ways of reaching some materials and perspectives in Argentina, remains at a national level. It is important to notice that in order to read criticism and theory regarding Latin American literature, Spanish from Río de la Plata separates at some point the fields. In that regard, one of the greatest assets and achievements of Argentinian literary research concerns the relationship between politics and fiction. In connection with this it might be asked how we can think of Argentinian literature without linking it to the social discourse? How can we thin

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4

Ilie, Emanuela. "Alina Diaconu, a Personality of the Romanian Exile in Argentina." Philologica Jassyensia 39, no. 1 (2024): 239–46. http://dx.doi.org/10.60133/pj.2024.1.17.

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If in the Latin American cultural environment Alina Diaconu is recognised as a well-known and multi-awarded literary personality, the writer of Romanian origin, settled in Argentina since 1959 (when she was only 14 years old), is almost unknown in her country of origin. Although she wrote numerous novels and several volumes of poems, essays, publicist texts, interviews and even stories for children, she did not come to the attention of our literary criticism. The situation remained unchanged even after the translation into Romanian of some of her books. Except for Florea Firan (Firan 2023), ev

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5

Moy, Olivia Loksing. "From Hampstead to Buenos Aires and Beyond: Anticipating Worlds in Julio Cortázar’s Imagen de John Keats." Comparative Literature 72, no. 4 (2020): 439–59. http://dx.doi.org/10.1215/00104124-8537764.

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Abstract In the 1950s, the Argentinian author Julio Cortázar (1914–84) composed Imagen de John Keats, a little-known work that merges his own life with that of the British Romantics. Part biography and part autobiography, it includes personal essays and literary criticism that weave through the poems, life, and letters of Keats from his early youth to death. This article positions Imagen de John Keats as an important case study in world literature criticism. It demonstrates how Cortázar was not only a Latin American Boom writer who enjoyed international fame but also an idiosyncratic practitio

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ÓRZHITSKIY, Ígor. "UKRAINIAN ALLUSIONS IN HISPANIC AMERICAN LITERATURE: FROM MAZEPA TO PUTIN." 8, no. 8 (December 28, 2023): 90–104. http://dx.doi.org/10.26565/2521-6481-2023-8-06.

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The article offers a brief overview of some works written in Latin American countries from the late 19th to the early 21st century, which contain references to Ukrainian realities, but have not hitherto become the object of literary criticism from this angle. This oversight is regrettably common to literary studies both on the Latin American and the Ukrainian side. Thus, three writers from Mexico, one from the Argentine and one from Nicaragua have never been examined from this point of view, wheras the literary presence of Ukraine in that area of the world lies outside the scope interest of La

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7

Silveira, Germán. "The literary origins of film criticism in Argentina and Uruguay: Horacio Quiroga’s reviews, 1918–1931." Historical Journal of Film, Radio and Television 36, no. 2 (2016): 232–51. http://dx.doi.org/10.1080/01439685.2016.1167467.

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8

Azevedo, Marcela Maria de Paiva, and Tainá Pinto. "Um tetinho armado no deserto ou a crítica literária de Tamara Kamenszain." Revista Criação & Crítica, no. 38 (June 14, 2024): 174–97. http://dx.doi.org/10.11606/issn.1984-1124.i38p174-197.

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This article proposes how the construction of a space for women writers in literary criticism takes place. To this end, we will follow Tamara Kamenszain, an Argentine poet and essayist, who questions in her book Chicas en tiempos suspendidos (2022) – which we will read as a hybrid of poetry and feminist criticism – the difference that guarantees bards a secure and comfortable place in the canon. Based on what Tamara shares in her writings about the paths of her first publication as a critic, with the book El texto silencioso (1983), as well as her relationship with this textual genre that come

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9

Draus-Kłobucka, Agata. "Las polacas w Buenos Aires: prostytutki w historii i kulturze." Annales Universitatis Paedagogicae Cracoviensis | Studia Historicolitteraria 21 (December 23, 2021): 272–90. http://dx.doi.org/10.24917/20811853.21.15.

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The article discusses the literary and cultural uses of so-called white slavery – the prostitution and pimping in the Americas (especially in South America) of women from Eastern Europe at the turn of the 19th and 20th centuries. This motif, tragically linking the history of Poland and Argentina, is associated with historiographic, literary, and sociological research. The article analyses various attitudes of historians towards the issue and the scope of ideological issues (in particular, the issue of anti-Semitism) and criticises the impact of the specificity of media coverage on the sensatio

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10

Miranda, Gabriel Fernandes de. "El partido de la incertidumbre y las células combatientes: tonos y políticas del ensayo en la crítica latinoamericana." Caracol, no. 27 (May 24, 2024): 28–64. http://dx.doi.org/10.11606/issn.2317-9651.i27p28-64.

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This article tries to define some tendencies of use and conceptualization of the essay in Latin-American literary criticism, more specifically in the intercession between Argentina and Brazil. Through the reading of some seminal texts on the essay as a genre and some Latin-American texts published on the last two decades, we argue that there is an “uncertainty party” that insists on the indetermination as a defining feature of the essay form. We argue, however, that an unlimited potentiality of the essay, when institutionalized, can lead to a loss of political potential for this form. Therefor

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11

Viqueira, Rodrigo. "La escritura fonoautográfica de Rodolfo Walsh: la grabadora y la disputa por la voz obrera en ¿Quién mató a Rosendo?" Latin American Literary Review 49, no. 99 (2022): 21–29. http://dx.doi.org/10.26824/lalr.312.

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Most of the literary criticism has pointed out the importance of inscribing the voices of others or giving voice to others in Rodolfo Walsh’s writing. However, the material and technological conditions under which those voices appear in his texts have been scarcely addressed. In this essay I delve into sound studies to explore the uses of the tape recorder in the writing of ¿Quién mató a Rosendo? (1969). I propose the notion of a phonoautographic writing to refer to a textual practice conceived as a transcription of voices. The article analyzes the phonoautographic writing in ¿Quién mató a Ros

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12

Salas Klocker, Luis Alberto. "Salones darianos: fotografía, arte y literatura en la crónica modernista." (an)ecdótica 5, no. 1 (2021): 84–100. http://dx.doi.org/10.19130/iifl.anec.2021.5.1.19785.

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Based on what it has been called the salones darianos, that is, the chronicles that Darío wrote about several art exhibitions that he visited, this work aims to reflect on the role that the image played in the cultural project of modernismo. At the turn of the century, the image’s technological reproducibility broke into both the press and art salons. This was perceived by Darío, who explored the relationship of the photographic image with the incipient cultural industries. Less known than Mundial and Elegancias magazines, the first of Darío’s projects that included a strong presence of images

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13

Castro-Klaren, Sara. "Sexuality and Marriage in Colonial Latin America. Asuncion LavrinBetween Civilization and Barbarism: Women, Nation and Literary Culture in Modern Argentina. Francine MasielloTalking Back: Toward a Latin American Feminist Literary Criticism. Debra CastilloReading the Body Politic: Feminist Criticism and Latin American Women Writers. Amy K. Kaminsky." Signs: Journal of Women in Culture and Society 20, no. 3 (1995): 746–52. http://dx.doi.org/10.1086/495014.

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14

García-Manso, Luisa. "Justicia transicional y producción cultural: una cala en la transgresión literaria de los discursos institucionales de Argentina, Chile y España." Memoria y Narración. Revista de estudios sobre el pasado conflictivo de sociedades y culturas contemporáneas, no. 1 (October 6, 2018): 3–13. http://dx.doi.org/10.5617/myn.5458.

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El término ‘justicia transicional’ fue adoptado en los años 90 en las Ciencias Sociales y Jurídicas para hacer referencia al conjunto de medidas emprendidas en distintos países para lidiar con legados estatales de violaciones de los derechos humanos: juicios penales, comisiones de verdad, medidas de reparación de las víctimas, políticas de memoria y diferentes formas de reforma institucional, entre otros (Greiff 18). Dichas medidas, que beben de una tradición jurídica internacional, se están efectuando de manera diferente en los diversos países implicados en la confrontación con el pasado. En

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15

DUBATTI, Ricardo Adrián. "DEL SOL NACIENTE (1983/1984), DE GRISELDA GAMBARO: GUERRA DE MALVINAS, DICTADURA Y PATRIARCADO." Signa: Revista de la Asociación Española de Semiótica 29 (April 8, 2020): 273. http://dx.doi.org/10.5944/signa.vol29.2020.24156.

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Resumen: En nuestra investigación relevamos aquellos textos dramáticosargentinos que se refieren a la Guerra de Malvinas (1982), acontecimientoque constituye una presencia sensible en la sociedad argentinacontemporánea (Lorenz, 2012). Estudiamos las representaciones (Chartier,1992) por las que el teatro opera como constructo memorialista (Vezzetti,2002) que activa los trabajos de la memoria (Jelin, 2002) y habla de lo “nodecible” (Mancuso, 2010). Analizamos en Del sol naciente (1983/1984),de Griselda Gambaro, cómo la poética configura una lectura de la guerradesde una crítica antipatriarcal y

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16

Ferreira Prado, María Cecilia. "La casa y su dimensión fantástica en “El cuarto de vidrio”, de Norah Lange = The house and its fantastic dimension in “El cuarto de vidrio” by Norah Lange." Lectura y Signo, no. 13 (December 21, 2018): 101. http://dx.doi.org/10.18002/lys.v0i13.5670.

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<p class="Pa15"><em>El cuarto de vidrio </em>(póstuma-2006) es la última novela de la escritora argentina Norah Lange. En ella se privilegia el espacio de la casa, la cual aparece aquí profundamente personificada, lo que tiñe el total del relato del sello fantástico que caracteriza a los escritores del <em>boom</em>. Lange reanuda, en esta novela, la estética de lo increíble que se había iniciado en <em>Antes que mueran </em>(1944)<em>, </em>había conocido el éxito y el reconocimiento con <em>Personas en la sala </em>(1950)<e

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17

Kohlrausch, Regina, and Maria Edilene de Paula Kobolt. "CHICAS MUERTAS, DE SELVA ALMADA: TRÊS ASSASSINATOS E O SILENCIAMENTO DA VIOLÊNCIA CONTRA AS MULHERES." IPOTESI – REVISTA DE ESTUDOS LITERÁRIOS 23, no. 2 (2019): 65–78. http://dx.doi.org/10.34019/1982-0836.2019.v23.29184.

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O presente artigo volta-se para a análise da obra Chicas muertas (2014), de Selva Almada, visando mostrar de que maneira se cumpre a função social da arte, conforme Candido (2000), na voz dessa escritora argentina e também indicar como exemplo do processo de ocupação de espaço pela mulher no universo literário. Apresentam-se ainda dados biográficos situando-a também como mulher que se inclui na própria obra ficcional. Palavras-chave: Autoria feminina. Selva Almada. Chicas muertas. Referências ALMADA, Selva. Biografia. Disponível em: https://www.portaldaliteratura.com/autores.

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18

Llerena Casas, Pierre. "Las antologías de microrrelato peruanas: apuntes sobre su estudio y conformación." Microtextualidades. Revista Internacional de microrrelato y minificción, no. 13 (May 8, 2023): 1–14. http://dx.doi.org/10.31921/microtextualidades.n13a1.

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La siguiente investigación tiene como finalidad analizar las publicaciones antológicas de los últimos dieciséis años en la literatura peruana respecto a la creación de microrrelatos/minificción, género que al parecer ha comenzado a cultivarse en las últimas décadas. Sin embargo, en las diversas publicaciones que se analizarán, la inclusión de ciertos escritos fechados a mitad e inicios del siglo XX, y anteriores a este, pretenden ir en contra de lo mencionado y conocido por la crítica. Es por este motivo que, en la revisión de las antologías existentes, se evaluarán los criterios utilizados po

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19

Prieto, Martín. "Una clase sobre Julio Cortázar." Recial 4, no. 4 (2013). https://doi.org/10.53971/2718.658x.v4.n4.8216.

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This paper develops a "class" on the Argentine writer, explaining its relationship with other writers (Borges, Macedonio Fernández), the avant-garde and the fantastic. The commonplaces of literary criticism on Argentina Cortázar interpellate in these aspects

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20

Sabo, María José. "“Muchacha Punk”, de Rodolfo Fogwill: estados de la palabra, crítica literaria y disputas por los modos de narrar tras “la derrota”." Recial 11, no. 18 (2020). https://doi.org/10.53971/2718.658x.v11.n18.31309.

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The paper proposes a Rodolfo Fogwill's "Muchacha punk" (1980) short story analysis. It explores the authors participation in the debates on language politic's emerged since the final years of the last argentine dictatorship. So it is put in relation with new literary criticism rethorics as well as with the own Fogwill's cultural and political readings in the earily eighties press.

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21

Martínez, José María. "Ciencia y secularización en Las fuerzas extrañas, de Leopoldo Lugones." Neophilologus, January 17, 2022. http://dx.doi.org/10.1007/s11061-021-09716-3.

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AbstractTaking as reference the literary criticism from the English-speaking world, this essay attempts to explain the correlations between science and secularization as shown in Las fuerzas extrañas, a collection of short stories by Argentinian modernista author Leopoldo Lugones. By analyzing the intertextual connections between Lugones’ book and The Secret Doctrine, the ambitious theosophical treatise authored by Helena P. Blavatsky, and using also the concept of “scientific paradigm” proposed by Thomas Kuhn, the conclusion is reached that Lugones is both, a firm opponent of the materialisti

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22

Zybert, Elżbieta Barbara. "The Role of Libraries, Archives and Museums (LAM) in the Preservation of Cultural Heritage: the Example of the Polish Catholic Centre in Martin Coronado in Argentina." Przegląd Biblioteczny, December 30, 2019, 73–90. http://dx.doi.org/10.36702/pb.427.

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Objective – activities aiming at the preservation of the Polish cultural heritage undertaken by the library, archive, and museum functioning at the Polish Catholic Centre (Polski Ośrodek Katolicki-POK) in Martin Coronado in Argentina are presented. Particular attention is paid to the legacy of soldiers fighting on the fronts of World War II, mainly associated with the 2nd Polish Corps commanded by General Władysław Anders. Methods – A method of analysis and literary criticism was used. Results and conclusions – The Polish Catholic Centre in Martin Coronado and its libraries, archive, and museu

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23

Santiago, Olga. "Introducción al Dossier Décimo Aniversario: A diez años de aquella mañana." Recial 11, no. 18 (2020). https://doi.org/10.53971/2718.658x.v11.n18.31219.

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In this 18th edition, in which we celebrate the ten years of RECIAL, as a tribute, we summon the researchers that make up the CIFFyH - UNC Letters Area, to join the celebration with an article that gives an account of the journey of their investigations during these ten years, their objectives, scope and achievements. The broad response received from the academic community of the CIFFyH, which we celebrate and thank, allows us to display in the group of works gathered under the title Anniversary Dossier, the various courses that follow the studies that are developed in the CIFFyH Arts Area. Re

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24

Rigeade, Anne-Laure. "“Cette etrangere que je suis” : immigration, plurilinguisme et contestation (Copi, Nella Nobili)." Estudios Románicos 32 (April 24, 2023). http://dx.doi.org/10.6018/er.550111.

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The Argentinian Copi and the Italian Nella Nobili both immigrated to France and to French. But if a large part of their work was written in this foreign language, the mother tongue and their other languages, far from disappearing, fuel these writers’ creativity, in a hidden but also in a visible way. The genetic material shows this copresence of languages and this paper is largely based on genetic criticism. This literary plurilingualism is one of the reasons why these works remained in the margins of French literature, phenomenon that was accentuated by the fact that Copi and Nobili were fore

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