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Journal articles on the topic 'Argonauts (Greek mythology) Poetry'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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1

Metreveli, Lili. "Reception of Medea’s Image in Grigol Robakidze’s Novel „Megi the Georgian Girl“." International Journal of Social Sciences and Humanities Invention 5, no. 3 (March 22, 2018): 4536–39. http://dx.doi.org/10.18535/ijsshi/v5i3.09.

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Greek mythology (myth about the Argonauts) have made character of Medea of Colchis the indivisible part of world cultural heritage. For centuries character of Medea has maintained its significance and comprised source of inspiration for the representatives of various spheres of fine arts.[1] Of course, regarding the contexts of the epochs (conceptual and esthetic position) and author’s intent, some motifs of the Argonauts’ myth and character of the woman of Colchis have been changing. In this respect, novel „Megi, Georgian Girl“ by Georgian modernist writer, Grigol Robakidze is of intere

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Psimopoulos, Angelos Per. "The Argonautic Expedition: The First Worldwide Naval Epic." International Journal of Literature Studies 1, no. 1 (December 29, 2021): 95–109. http://dx.doi.org/10.32996/ijts.2021.1.1.13.

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The Greek mythology is widely acclaimed as one of the richest treasures of universal epics; the myth of the Argonautic Expedition is one of the most interesting Greek myths. Some scientific authorities hold the opinion that the story of the Argonauts was no more than an inspiring fairy-tale, while others insist, it was a real historical event. They believe that it took place in 1225 BC, and Colchis was a country located in the Caucasus Mountains, near today’s country of Georgia. After a life-long study of more than thirty years using ancient texts and information coming from nautical maps and

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Su, Yujie. "Greek Mythology in 18th-to-19th English Romantic Poetry." OALib 03, no. 08 (2016): 1–5. http://dx.doi.org/10.4236/oalib.1102773.

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Budelli, Rosanna. "Shamanic Reminiscences and Archaic Myths in the Story of the Goldsmith Ḥasan al-Baṣrī (Alf layla wa-layla)". Eurasian Studies 17, № 1 (14 листопада 2019): 123–57. http://dx.doi.org/10.1163/24685623-12340067.

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Abstract The story of the goldsmith Ḥasan al-Baṣrī in the Arabian Nights preserves numerous traces of more ancient stories and testimonies of cultures apparently distant geographically and historically. In particular, it is possible to identify various elements that refer to the symbols and customs of shamanism, although transformed and rewritten according to the Arab-Islamic culture. The same phenomenon is found with the fragments of Greek mythology scattered throughout the story and especially with the adventures of the Argonauts whose affinities with the story of Ḥasan are rather amazing. T

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Bashir, Burhan. "Insanity or Inspiration: A Study of Greek and Arab Thoughts on Poetry." Arab World English Journal For Translation and Literary Studies 5, no. 2 (May 15, 2021): 115–25. http://dx.doi.org/10.24093/awejtls/vol5no2.9.

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The nexus between poetry, insanity, and inspiration is peculiar and can be traced back to earlier centuries. There are many examples in Greek and Arab literature where poetry is believed to have connections with divinity, possession, or even madness. The paper will try to show what Greeks and Arabs thought about the origin and the creation of poetry. It will attempt to show how early mythology and legends of both assign a supernatural or abnormal source to poetry. References from these two cultures will show the similarity in some theories like that of muses and supernatural beings, helping th

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Navarrete, Miquel Àngel, and Josep Maria Sala-Valldaura. "La tela de Penelope: Entre la Grècia clàssica i la poesia catalana actual." Zeitschrift für Katalanistik 1 (July 1, 1988): 93–105. http://dx.doi.org/10.46586/zfk.1988.93-105.

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This essay examines the explicit references to Greek literature in Catalan poetry since 1980. For the first time, it examines how the Catalan poets include the mythology, philosophy and art of classical Hellas today – after the formative "noucentist" tradition of Carles Riba and Salvador Espriu – in their works. The diverse reception of Greek motifs is illustrated using selected examples. The subject areas are limited to a few central myths – primarily to the figure of the cunning Ulysses.

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Mishchenko, Anna N. "Features of Precedent Units Functioning in Russian Media Discourse (on the Example of «Argonauts», «Golden Fleece», «Jason»)." Proceedings of Southern Federal University. Philology 2020, no. 4 (December 25, 2020): 107–14. http://dx.doi.org/10.18522/1995-0640-2020-4-107-114.

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The article is devoted to the study of precedent units with the source «ancient Greek mythology», which have the potential to broadcast the linguistic and cultural features of a particular community, the recognition of which influences the success of intercultural communication. The work provides a comprehensive analysis of the precedent units included in the cycle «The History of the Golden Fleece», namely «Argonauts», «Golden Fleece», «Jason» in the texts of Russian-language media. In the article the author argues that the change in the semantics of constructions occurs not only at the denot

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Dobroshi, Veron. "Recontextualization of the Greek myths in the poetry of Ismail Kadare." Dialogica. Revistă de studii culturale și literatură, no. 1 (May 2023): 81–86. http://dx.doi.org/10.59295/dia.2023.1.10.

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Mythology and literature are closely related and this has been proven by numerous literary works throughout history. This study focuses on the influence of Greek myths in the poetry of Ismail Kadare, one of the most well-known and valued Albanian authors in the world. Although this author is better known for his prose works, we should not forget the fact that his poetry also carries some important elements that should not be ignored and forgotten. In this study, some characteristics and elements of the Greek myths that are manifested in the verses of Kadare will be analyzed; it will be shown h

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Mahato, Amar Shankar. "Mythology and Symbolism in A.K. Ramanujan’s Poem “A River”." Current Perspectives in Educational Research 6, no. 1 (October 13, 2023): 32–39. http://dx.doi.org/10.46303/cuper.2023.4.

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A.K. Ramanujan was a celebrated poet who demonstrated remarkable talent in incorporating mythology and symbolism into his poetry. In “A River,” Ramanujan employs mythological allusions to enrich the poem’s meaning. A.K. Ramanujan’s poem “A River” showcases his mastery in employing mythology and symbolism to convey profound meanings. This research paper delves into the intricate web of mythological allusions and symbolic imagery used by Ramanujan in “A River.” It explores their significance in unravelling the poem’s multi-layered meanings. It underscores the broader implications of mythology an

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Desta, Dagnachew. "Genealogy of Ancient Philosophy in View of the “Great Quarrel”: Towards an Expository Essay." Athens Journal of Philosophy 2, no. 2 (June 1, 2023): 83–100. http://dx.doi.org/10.30958/ajphil.2-2-2.

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This article attempts to offer a critical account of the genealogy of ancient Greek philosophy in its bid to transcend the old ruling mythopoeic culture. With this in mind, emphasis is given more to the speculative character of Greek thought rather than its technical and detailed aspects. In my account of the origin of Greek philosophy, I use Plato’s famous pronouncement (Plato, The Republic, Tenth Book) about the great quarrel between philosophy and poetry as a context to provide my analysis. In dealing with the question at hand, I develop the following interrelated claims. First, Greek philo

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Li, Kunyuan, Ruoyu Li, Manxi Liu, Xinwen Liu, and Bingxin Xie. "A Mysticism Approach to Yeats Byzantium." Communications in Humanities Research 4, no. 1 (May 17, 2023): 438–44. http://dx.doi.org/10.54254/2753-7064/4/20220657.

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William Butler Yeats is the most famous poet in the history of modern Irish literature. He is called the greatest poet of our time by T.S Eliot. He was awarded the Nobel Prize for Literature in 1925. He has a strong interest in mysticism and has made unremitting exploration of it throughout his life. Mysticism is an important source of Yeatss life creation. From the early collection of Irish folklore and mythology to the formation of the later mysterious system, Yeats constructed his own set of mythological systems. Yeats mysticism is particularly evident in his poem Byzantium. His poems are f

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Milin, Melita. "Ancient Greek mythology mediated by Latin culture: On Vlastimir Trajkovic’s arion and Zephyrus returns." Muzikologija, no. 12 (2012): 165–82. http://dx.doi.org/10.2298/muz120130008m.

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Vlastimir Trajkovic (b. 1947) is a prominent Serbian composer with a strong inclination towards subjects from ancient Greek mythology. Among his most important achievements may be counted Arion - le nuove musiche per chitarra ed archi (1979) and Zephyrus returns for flute, viola and piano (2003). Two important aspects of those works are discussed in the present article: 1. the line that connects them to ancient Greek culture via French Modernism (Debussy, Ravel, Messiaen) and Renaissance poetry and music (Petrarch, Caccini, Monteverdi); 2. modality, which has proved its vitality through long p

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Makhortova, Varvara. "Classical Antiquity in the Poetry of Sophia de Mello Breiner Andresen." Stephanos Peer reviewed multilanguage scientific journal 44, no. 6 (December 30, 2020): 96–102. http://dx.doi.org/10.24249/2309-9917-2020-44-6-96-102.

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The article analyses the influence of Ancient Greek philosophy and mythology, noticeable in the poetry of Sophia de Mello Breyner Andresen. The results of the analysis show that Sophia de Mello’s poetry, seemingly non-philosophic, is based on the ideas close to the theories proposed by ancient philosophers from Pre-Socratics philosophers to Socrates, Plato and Aristotle. The ideas of the unity between the human being and the Universe, as well as Plato’s theory of the Truth, the Good and the Beauty gain the special importance for the Portuguese writer. The ancient myths are reinterpreted by Sop

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Riaz, Sana, Ayaz Ahmad Aryan, and Marina Khan. "Analyzing Hellenistic Elements in Keatsâs Poetry- with Special Reference to His Tales in Verse." Global Social Sciences Review VII, no. I (March 30, 2022): 455–62. http://dx.doi.org/10.31703/gssr.2022(vii-i).42.

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This study incorporates elements of myths and feministic beauty in inter-contextual structure in John Keats' poetry. This research is majorly concerned with the use of ancient Greek mythology and the elements of feminine beauty in Keats' mythological poetry. The study investigates Keats's search for truthfulness and beauty, his identification of love for poetry and his creation of his poetic genius with special reference to feminine beauty in his poetic works. The research is descriptive and qualitative in nature the framework is established by reviewing related poems and previous literature.

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Showerman, Earl. "A Century of Scholarly Neglect: Shakespeare and Greek Drama." Journal of Scientific Exploration 37, no. 2 (August 11, 2023): 201–17. http://dx.doi.org/10.31275/20233109.

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In the late 19th and early 20th centuries, a number of Shakespeare scholars, including Israel Gollancz (1894), H.R.D. Anders (1904), J. Churton Collins (1904), and Gilbert Murray (1914) wrote convincingly of Shakespeare’s debt to classical Greek drama. However, in the century since, most scholars and editors have repeatedly held that Shakespeare was not familiar with Greek drama. In Classical Mythology in Shakespeare (1903), Robert Kilburn Root expressed the opinion on Shakespeare’s ‘lesse Greek’ that presaged this enduring dismissal: “It is at any rate certain that he nowhere alludes to any c

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Tomoiagă, Ligia. "The Concentration and Sublimation of Time as Memory in Louise Glück's Poetry." Papers in Arts and Humanities 2, no. 1 (June 8, 2022): 26–39. http://dx.doi.org/10.52885/pah.v2i1.92.

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The preoccupation with the mythical time of the world, of humanity, and of each individual's life comes as one of the most powerful poetic tools in Louise Glück's poems. From evoking the foundational times of the Garden of Eden, or the "immutable" hard nut represented by Greek mythology, the poet concentrates whatever may suggest an evolution in time in those initial 'moments'. Her reading of the history of human soul seems to suggest that everything stopped with the first page, or the first words. This study will come with many suggestions of poems that support this vision on Glück's use of m

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Bando, Hiroshi, Hiroko Ogawa, Kei Tanaka, and Shinji Nagahiro. "Meditation, Music and Medicine are three gifts from the Goddess Muses Mousike." International Journal of Complementary and Alternative Medicine 16, no. 3 (2023): 148–50. http://dx.doi.org/10.15406/ijcam.2023.16.00645.

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In Greek mythology, the Muses (Mousikē) is the goddess of music and poetry. Muses provided us meaningful gifts, which are Meditation, music and medicine (three M’s). Mindfulness meditation brings focusing on our existence just now. Solfeggio frequency music may give bring relaxing effect, where 528Hz sound has been known for possible benefit for health. Medicine shows each pharmacokinetics with evidence-based treatment. These 3M’s are arranged differently, but their combination becomes powerful method for our health control. After solving some daily problems by M’s, we can feel wellness and ha

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Χείλαρης, Δημήτρης. "ΔΗΜΗΤΡΗΣ ΧΕΙΛΑΡΗΣ, Μεταπλάσεις του μύθου της Πηνελόπης στη νεοελληνική μεταπολεμική ποίηση". Σύγκριση 31 (28 грудня 2022): 240–51. http://dx.doi.org/10.12681/comparison.31331.

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Transformations of the myth of Penelope in modern Greek post-war poetry The research of the mythical texts, i.e. the multiple versions and representations of the myth in the Modern Greek literature, constitutes one of the most interesting fields of research of both modern Greek and Comparative Literature. The interpretive study of the myth in the post-war generations and the investigation of its transformations during this period is still an open issue of Humanities. The mythological character of Penelope consists of a heroine, which has faced various transformations, both in modern Greek and

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Săran, Raul. "Ipostaze Thanatice În Poetica Lui Lucian Blaga Și Dylan Thomas." Lucian Blaga Yearbook 20, no. 1 (June 1, 2019): 88–94. http://dx.doi.org/10.2478/clb-2019-0009.

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AbstractThe following paper revolves around the concept of thanatos, whose name comes from the personification of death in the Greek mythology. In other words, the objective of this paper is to analyze the main forms and symbols regarding the theme of death in several poems of Lucian Blaga and Dylan Thomas and try to explain how, despite the fact that they come from different cultural environments and have different sources of inspiration and literary purposes regarding the aim of their works, their poetical works present several resemblances in terms of meaning in relation to the theme of dea

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Maksimov, Vladimir I. "Old-Russian Stribog and his Ancient Greek Brother Astray." Russkaia Rech, no. 1 (February 2021): 57–63. http://dx.doi.org/10.31857/s013161170013904-3.

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The essay analyses the name of a pagan God of the Ancient Rus Stribog, who was mentioned in “The Russian Primary Chronicle” and “The Tale of the Igor’s Campaign” and its connection with the ancient Greek mythology. The article suggests that an old-Russian god Stribog is similar to the ancient Greek god Astray, the father of the famous gods of winds, Boreas — the god of cold northern wind, Zephyr — the god of warm western wind, Anemoi — the god of hot southern wind and Eurus — the god of unstable eastern or south-eastern wind, who are often associated with the winds they symbolize in Russian po

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Strode, Anna. "Reliģiskie tēli 17. gadsimta latīņu kāzu dzejā Rīgā." Aktuālās problēmas literatūras un kultūras pētniecībā: rakstu krājums, no. 26/1 (March 1, 2021): 14–28. http://dx.doi.org/10.37384/aplkp.2021.26-1.014.

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The humanists of Riga began to compose various Latin poetry texts due to the currents of European humanism, which came to Livonia soon after the Protestant Reformation took place in Livonia in the first half of the 16th century. As a result of this historical and religious impact, the level of education increased, enabling an environment for the development of the literature. The aim of the article „Religious characters in the 17th-Century Nuptial Poetry in Riga” is to bring to light the content of nuptial (epithalamium, ὑμέναιος/hymenaeus, carmen nuptialis etc.) poetry written in Riga in the

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Rodrigues, Nuno S. "Recensão a: BREITENBERGER, Barbara - Aphrodite and Eros. The Devehpment of Erotic Mythology in Early Greek Poetry and Cult." Humanitas 60 (2008): 306–7. http://dx.doi.org/10.14195/2183-1718_60_20.

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Osińska, Dorota. "VICTORIAN HELLENISM AND TRAUMA: THE REINTERPRETATION OF MEDEA IN AUGUSTA WEBSTER’S “MEDEA IN ATHENS”." Acta Philologica, no. 60 (2023) (September 30, 2023): 137–51. http://dx.doi.org/10.7311/acta.60.2023.11.

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The 19th-century reinterpretations of Hellenic myths serve as an effective tool for discussing the female experience of exclusion and inclusion. Medea, one of the most notorious heroines of Greek mythology, recurrently permeated the Victorians’ consciousness, both in poetry and the visual arts. Traditionally, she is perceived as a filicide perpetrator, a femme fatale or a fallen woman. However, 19th-century British women poets represented Medea in a more subversive way. The present article explores how the mid-Victorian poet Augusta Webster (18371894) reimagines Medea as a woman confronting pe

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Lundgreen-Nielsen, Flemming. "Grundtvigs nordisk-mytologiske billedsprog - et mislykket eksperiment?" Grundtvig-Studier 45, no. 1 (January 1, 1994): 142–98. http://dx.doi.org/10.7146/grs.v45i1.16146.

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Grundtvig ’s Norse Mythological Imagery - An Experiment that Failed?By Flemming Lundgreen-NielsenSince his early youth, Grundtvig worked frequently and diligently with Norse mythology. From 1805 to 1810 he tried in a scholarly way to sort out its original sources and accordingly its ancient meanings, though Grundtvig even as a philologist preferred to give spontaneous enthusiasm aroused by a synthetic vision a priority above linguistic proofs (Norse Mythology, 1808). After a pause of some years, Grundtvig in 1815 returned to Norse mythology, allowing himself a more free and subjective interpre

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Κατσιγιάννη, Άννα. "ΑΝΝΑ ΚΑΤΣΙΓΙΑΝΝΗ, Ευτοπία (;) και προσωπική μυθολογία: Διακαλλιτεχνική μείξη και ανακατασκευή της παράδοσης στο Ες -Ες -Ες -Ερ Ρωσσία του Ανδρέα Εμπειρίκου". Σύγκριση 31 (28 грудня 2022): 74–88. http://dx.doi.org/10.12681/comparison.31276.

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Eutopia (?) and Personal Mythology: Interartistic relations and Reconstruction of intellectual tradition in USSR Russia of Andreas Embeirikos The present paper focuses mainly on the extensive narrative poem USSR Russia (in Greek: Ες -Ες -Ες -Ερ Ρωσσία) by Andreas Embeiricos. It seeks to illuminate how different art forms are brought together in weaving the poem's narrative, language combining with visual imagery and Tsaikofsky’s music to «orchestrate» the poetic text. Another purpose of this paper is to trace the reconstruction of the intellectual tradition in this long programmatic poem. It h

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Vasilakis, Dimitrios A. "Love as Descent: Comparing the Models of Proclus and Dionysius through Eriugena." Religions 12, no. 9 (September 5, 2021): 726. http://dx.doi.org/10.3390/rel12090726.

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This paper explores the models of the providential-erotic descent in Neoplatonism and Christianity and the ethical consequences that these two models entail. Neoplatonic representative is an excerpt from Proclus’ Commentary on the First Alcibiades, where a parallel with ancient Greek mythology is drawn: Socrates’ providential love for Alcibiades is compared to Hercules’ descent to Hades in order to save Theseus. This image recalls not only the return of the illumined philosopher back to the Cave (from Plato’s Republic) but also the Byzantine hagiographical depiction of Jesus Christ’s Resurrect

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Persi, Ugo. "Античные мотивы в поэтическом мире Максимилиана Волошина. Aрхаизм или архаизирование ?" Modernités Russes 15, № 1 (2015): 315–23. http://dx.doi.org/10.3406/modru.2015.1042.

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In Maksimilian Vološin’s poetry and criticism classical antiquity does not predominate over other themes, yet at the same time we can argue that Greek antiquity reverberates throughout his work. Vološin tackled the theme of archaism in an essay published in the first issue of Apollon. Pavel Muratov criticized it harshly, considering unacceptable its confusion of archaism and archaicization. Vološin was not actually archaicizing antiquity : he was refashioning it through the use of archetypes. It is thus necessary to study antiquity in Vološin not only in the light of classical philology and my

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Φερεντίνου, Βικτώρια. "ΒΙΚΤΩΡΙΑ ΦΕΡΕΝΤΙΝΟΥ, Τα συγκοινωνούντα δοχεία μιας υβριδικής ποιητικής: Ο μύθος ως διακαλλιτεχνική και διαπολιτισμική ώσμωση στο έργο του Νίκου Εγγονόπουλου". Σύγκριση 31 (28 грудня 2022): 28–41. http://dx.doi.org/10.12681/comparison.31272.

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The Communicating Vessels of a Hybrid Poetics: Myth as Intermedial and Intercultural Osmosis in the Oeuvre of Nikos Engonopoulos In 1938, the year of the International Exhibition of Surrealism at the Gallery Beaux-Arts in Paris, the poet and painter Nikos Engonopoulos created Birth of Orpheus and Genesis of Myth. The depiction of the birth of young Orpheus as emblematic of the construction of myth recalls the mythopoetic process as articulated in the anthology of the poet, psychoanalyst and photographer Andreas Embeirikos, Writings or Personal Mythology (1936-1946): “Each myth’s becoming is a

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Maystrenko, Lyudmyla. "THE EXPRESSION OF DESTRUCTIVE LOVE IN OVID’S HEROIDS WITH EMOTIONAL MEANS." Fìlologìčnì traktati 12, no. 1 (2020): 82–89. http://dx.doi.org/10.21272/ftrk.2020.12(1)-8.

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The search of scientists of the XXI century is increasingly focused on a sphere that is not available for direct observation – the sphere of emotions. Therefore, the issue of the emotive component of a literary text at different levels relates to priority areas not only of modern linguistics. Emotions represent the linguistic picture of the artistic universe of the poet, reveal the inner world of his characters. The existential-sensual sphere is a manifestation of the subjective attitude of a person to the surrounding reality and himself in the mental space of the artist. Ovid subtly reproduce

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Obed, Rana Jabir. "A Poetic Re-Telling of the Orphic Myth: A Political Study of Denise Levertov’s “A Tree Telling of Orpheus”." Journal of Social Sciences Research, SPI 1 (November 15, 2018): 331–35. http://dx.doi.org/10.32861/jssr.spi1.331.335.

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Modern poets, such as William Butler Yeats, Ezra Pound, William Carlos Williams, Edna St. Vincent Millay, and Rainer Maria Rilke, have used classical myths in a modern context to explain modern issues and to feed up from the rich material of Greek and Roman mythology. Denise Levertov takes the right of all authors to knock into the heart of Western and classical traditions and to reinvent them for her time. Though Levertov’s early poetry expresses her appreciation of nature and of the epiphanic moments of daily life, during the late 1960s her work became progressively concerned with political

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Hamad, Mohammad. "Symbolism of Water in Classic and Modern Arabic Literature." International Journal of Language and Literary Studies 2, no. 4 (December 26, 2020): 258–65. http://dx.doi.org/10.36892/ijlls.v2i4.367.

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Water in Arabic literature has literal and symbolic meanings. Water is one of the four elements in Greek mythology; life would be impossible without water and it is a synonym for life; life originated in water. Springs, wells, rain, seas, snow, and swamps are all associated with water. Each form of water may take on a different manifestation of the original from which it comes about. Arabic literature employs the element of water in poetry, the short story, and the novel. We find it in titles of poems: Unshudat al-matar (Hymn of the Rain) and Waj’ al-ma’ (The Pain of Water); and novels: Dhakir

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Chystiak, Dmytro. "Betraying the Myth: Comparative Analysis of Russian and Ukrainian Translations of the Plays by Maurice Maeterlinck." Accueillir l’Autre dans sa langue. La traduction comme dispositif de médiation, no. 103 (September 17, 2021): 197–205. http://dx.doi.org/10.31861/pytlit2021.103.197.

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The history of Ukrainian and Russian translations of the playwright by Maurice Maeterlinck is full of well-known names like Lesya Ukrainka, Natalia Kobrynska, Valeriy Briussov and Nikolay Minskiy. Nevertheless some aspects of translations show several problems in misunderstanding of the realities of the French text. Our purpose was to make the comparative analysis of the Russian and Ukrainian translations of Ariane et Barbe-Bleue, a key text of the Maeterlinck’s theatre. The linguo-poetic and linguo-aesthetic analysis were used. The study have shown that the Slavonic translators have omitted t

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Fürst, Isidora. "Themis and Dike – Justice in Greek Myth and Tradition." Vesnik pravne istorije 2, no. 1 (December 18, 2021): 9–39. http://dx.doi.org/10.51204/hlh_21101a.

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The understanding of law in Ancient Greece was based on the religious interpretations of human nature and natural laws. Two Greek goddesses were representatives of justice and fairness. In the ancient sources Themis is presented as a goddess and prophetess, one of the Titans and the daughter of Gea and Uranus. She is a symbol of divine order, justice, natural law and good customs. Dike, the daughter of Themis, is the goddess of justice and truth, the protector of rights and courts of justice, the arbiter, the symbol of honor, the goddess of revenge and punishment. In early Greek culture and po

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Koncewicz, Marcelina. "Władza pod piórem… Zmiany w przedstawianiu postaci Napoleona w polskiej poezji z okresu Księstwa Warszawskiego." Dyskretny urok władzy. Idealiści, kolaboranci, oportuniści 19, no. 2 (October 28, 2022): 310–26. http://dx.doi.org/10.4467/23531991kk.22.023.16257.

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Artykuł podejmuje temat kreowania postaci Napoleona w polskiej poezji z okresu Księstwa Warszawskiego. Przedstawia, jak zmieniało się postrzeganie jego władzy w zależności od sytuacji politycznej. Ukazuje wpływ kultury i religii na kreowanie postaci władcy. Poeci tacy jak Wincenty Turski, Franciszek Wężyk i Józef Skorkowski skupiają się na zasługach wojskowych Napoleona. Posługują się metaforami i innymi środkami stylistycznymi związanymi ze sferą mitologii sakralnej oraz greckiej i rzymskiej. Julian Ursyn Niemcewicz i Kajetan Koźmian w swoich wierszach opisują obrazy śmierci i klęski maszeruj

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Apene, Dickson Nkehmengwe. "Intertextuality Across Genres: A Study of Homer’s the Odyssey and Suzan-Lori Parks’s Father Comes Home from the Wars." Global Academic Journal of Linguistics and Literature 5, no. 05 (September 23, 2023): 81–86. http://dx.doi.org/10.36348/gajll.2023.v05i05.003.

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This research work aims to show the relationship between Homer’s The Odyssey and Parks’s Father Comes Home from the Wars. It has as objective, to debunk the stereotypical norms of writing literary works, which shows that comparative analysis can only be limited to a particular genre, that is (novel to novel, play to play and poetry to poetry). This intertextual study proclaims that a literary work cannot be limited only to a particular genre but can equally cut across genres. This explains why Parks rewrites Homer’s epic poem The Odyssey into a play, Father Comes Home from the Wars, which she

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Rushton, Emily. "Meta/morphosis." Book 2.0 13, no. 2 (December 1, 2023): 157–65. http://dx.doi.org/10.1386/btwo_00090_7.

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Meta/morphosis is a long-form poetry that acts as the rationale behind wider doctoral research as a practitioner-researcher, which uses performance research as a well-being intervention for young people with socio-emotional mental health conditions through the vehicle of mythology. The rationale behind my research – which explores the navigation of human emotion and aims to create pathways to new becomings () – creative writing felt like the only apt medium. The poem meanders around the original form of Ovid’s Metamorphoses – inspired by the way in which the intertwining internal monologues an

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Kovtun, Natalia. "The Intertextual Game in Ulitskaya’s Novel Medea and Her Children." Respectus Philologicus 22, no. 27 (October 25, 2012): 70–86. http://dx.doi.org/10.15388/respectus.2012.27.15338.

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This article attempts to present a reading of Ulitskaya’s novel as a metatext of world culture, as an encrypted message through which the author inveigles “a shrewd reader” into the guessing of discourses (from ancient mythology to works of social realism and postmodernism) in order to detect traces of the initial scenarios proposed to humanity by the Creator. The conceptual basis of the work was the myth of Sophia Wisdom Divine, an artist painting the primary blueprint of the universe and inviting other artists to co-create (the muse and the artist). Ulitskaya’s Sophiology is based on the ide

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Budin, Stephanie Lynn. "Erotic Mythology - (B.) Breitenberger Aphrodite and Eros. The Development of Erotic Mythology in Early Greek Poetry and Cult. Pp. x + 296, ills. New York and Abingdon: Routledge, 2007. Cased, £65, US$100. ISBN: 978-0-415-96823-2." Classical Review 59, no. 2 (September 15, 2009): 338–40. http://dx.doi.org/10.1017/s0009840x09000067.

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YOSE, JOSEPH, RALPH KENNA, PÁDRAIG MacCARRON, THIERRY PLATINI, and JUSTIN TONRA. "A NETWORKS-SCIENCE INVESTIGATION INTO THE EPIC POEMS OF OSSIAN." Advances in Complex Systems 19, no. 04n05 (June 2016): 1650008. http://dx.doi.org/10.1142/s0219525916500089.

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In 1760 James Macpherson published the first volume of a series of epic poems which he claimed to have translated into English from ancient Scottish-Gaelic sources. The poems, which purported to have been composed by a third-century bard named Ossian, quickly achieved wide international acclaim. They invited comparisons with major works of the epic tradition, including Homer’s Iliad and Odyssey, and effected a profound influence on the emergent Romantic period in literature and the arts. However, the work also provoked one of the most famous literary controversies of all time, coloring the rec

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Климбус Ірина Михайлівна. "ЦИКЛ «ПАРНАС» ВІТАЛІЯ МАНИКА ДЛЯ СКРИПКИ СОЛО: ПРОГРАМНИЙ СЮЖЕТ ІЗ АНТИЧНОЇ МІФОЛОГІЇ В СУЧАСНІЙ ІНТЕРПРЕТАЦІЇ". World Science 3, № 8(48) (31 серпня 2019): 54–57. http://dx.doi.org/10.31435/rsglobal_ws/31082019/6648.

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   Vitali Manyk is a modern composer from Ivano-Frankivsk who productively works in various music genres. He is the author of works for symphony orchestra, vocal and chamber instrumental tracks, music background of theatre performances. Lack of critical analysis of his art has caused the topicality of this article. Its main objective is to reveal basic features of the programming principle application in the «Parnassus» cycle which consists of nine pieces for violin solo.Having chosen the figurative music plot which originated from Ancient Greece, V. Manyk declares his intere

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Kearns, Emily. "PINDAR AND EURIPIDES ON SEX WITH APOLLO." Classical Quarterly 63, no. 1 (April 24, 2013): 57–67. http://dx.doi.org/10.1017/s0009838812000699.

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Among the most characteristic motifs in Greek mythology is the sexual union of a god with a mortal woman and the resultant birth of a hero. The existence of hexameter poetry listing the women thus favoured – the famous women in the underworld in the eleventh book of the Odyssey, and above all theEoiai– is evidence of an interest in the women involved, not only in their heroic sons, and suggests that already at an early date the theme was the object not merely of passive reception but of an active consciousness. TheEoiai, indeed, saw such unions as an integral part of an earlier and better age,

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Chrzanowska-Kluczewska, Elżbieta. "Transmedial Creation of Text Worlds. Pictorial Narration in Response to Verbal Texts." Discourses on Culture 19, no. 1 (June 1, 2023): 25–64. http://dx.doi.org/10.2478/doc-2023-0002.

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Abstract With the narrative and visual turn engaging research in several scholarly disciplines over the last decades, the author of this article intends to approach the issue of world-formation in such pictorial representations that have originated in response to verbal texts, mostly literary. The study assumes a semiotic vantage point, with text understood broadly as any meaningful sequence or network of signs. It draws also from Intermedial Studies, following in particular the idea of media transformation (transmediation) as proposed by Lars Elleström (2014), especially in application to “qu

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Mitevski, Vitomir. "The Influence of Ancient Greek Culture on Macedonian Literature of the 19th Century." Colloquia Humanistica, no. 1 (July 22, 2015): 19–31. http://dx.doi.org/10.11649/ch.2012.002.

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The Influence of Ancient Greek Culture on Macedonian Literature of the 19th CenturyIn Macedonia under the Ottoman rule during the nineteenth century, the Macedonian people-the nation is subject to political pressure and the cultural influence of Turkey and other countries. Under the influence of propaganda leading by Athens and education politics in the area of contemporary Republic of Macedonia, some Macedonian militant intellectuals embraced, at the same time, were influenced by romanticism and the Old-Greek culture, which strongly affect their literary works. In this context, two authors ar

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Shapoval, Oksana. "Theory of communication in the space of philosophy and scientific thought as a determinant of the analysis of R. Wagner’s creative process." Aspects of Historical Musicology 16, no. 16 (September 15, 2019): 52–76. http://dx.doi.org/10.34064/khnum2-16.03.

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Background. The knowledge about R. Wagner has now acquired the status of a significant component of not only music, but also philosophy, cultural studies, literary studies, and in studies the authors address to the intonation-conceptual and philosophical foundations of the artistic concepts of the German composer. Such universality has a basis in the substantial depths of Wagner’ works, which are the embodiment of myth-making, the conceptual ideas of Gesamtkunstwerk and Kunstreligion. Objectives. The purpose of the research is to determine the scientific basis for the implementation of the the

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Kapach, Avi. "The Dioscuri between Time and Eternity: A Study in Greek Myth and Genealogy." New England Classical Journal 50, no. 1 (May 5, 2023). http://dx.doi.org/10.52284/necj.50.1.article.kapach.

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This paper examines the genealogical doubleness of the Dioscuri, whose existence is divided between two generations: as brothers of Helen and sons of Leda and Tyndareus (or Zeus), the Dioscuri should belong to the generation of the Trojan War; yet their exploits take place during the previous generation, the generation of the Argonauts and the Calydonian Boar Hunt. I argue that the discrepancy between the Dioscuri’s two lives constituted a key feature of their mythology from an early period, giving rise to a genealogical problem that was reflected, with increasing subtlety, in ancient Greek li

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Tessaro, Camila Lorenzini, João Gabriel Cavazzani Doubek, and Matheus Kahakura Franco Pedro. "BEYOND THE NEUROLOGIST: CHARLES FOIX AS A POET AND A PLAYWRIGHT." European Neurology, May 4, 2024. http://dx.doi.org/10.1159/000539145.

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Background: Charles Foix (1882-1927) may be mostly remembered today due to his contributions to vascular neurology and the syndromes that bear his name, such as the Foix-Alajouanine syndrome. However, he also developed a literary career and composed poetry and a vast collection of plays, often dealing with biblical themes or figures from Greek mythology. Summary: His poetry was often inspired by his own experiences during the First World War, in which he was assigned to serve as medical officer in Greece, becoming enamored with his surroundings and the classical lore. Key messages: The authors

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Պետրոսյան, Արմեն. "Արգոնավորդներ. հնդեվրոպական առասպելը՝ որպես հայոց նախապատմության աղբյուր". Herald of Social Sciences, 27 січня 2023, 307–22. http://dx.doi.org/10.53548/0320-8117-2022.3-307.

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Այս առասպելում Այետես արքայի և նրա դուստր Մեդեայի կերպարները և անունները համեմատելի են հնդկական Յայատիի և նրա դուստր Մադհավիի և իռլանդական Էոխայդի և նրա դուստր Մեդբի առասպելների հետ, որոնք հնդեվրոպական համատեքստում մանրամասն ուսումնասիրել է Ժորժ Դյումեզիլը։ Այան՝ այն երկիրը, որտեղ նավարկում են արգոնավորդները, ակնհայտորեն առասպելական՝ կախարդական մի թագավորություն է, երանելի անդրաշխարհ, որը միայն հետագայում է նույնացվել Կոլխիդայի հետ: Հնագույն Կոլխիդան գտնվում էր հետագա Կոլխիդայի հարավ-արևմուտքում, այն տարածքներում, որտեղ մ.թ.ա. XIV-XIII դդ. եղել է խեթական աղբյուրների Հայասայի թագավորությունը։ Ա

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Tsokanos, Dimitrios. "“To the glory that was Greece": Hellenic patterns in Poe's poetry." Littera Aperta. International Journal of Literary and Cultural Studies, December 30, 2015, 23–36. http://dx.doi.org/10.21071/ltap.v3i3.10831.

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Edgar Allan Poe’s poetry has repeatedly drawn the attention of many literary critics since his poems have meticulously been delved into from different perspectives. Undeniably, a multitude of references that allude to ancient Greek mythology and classical literature are present within his verses. These have been noticed and delineated by noteworthy Poe scholars such as Scott Peeples, Kenneth Silverman, Daniel Hoffman and Kevin Hayes in several of their researches in the past. However, despite the wide range of studies that have been published, one cannot encounter any mention regarding the exi

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Shaughnessy, Michael F. "A Reflective Conversation With Professor Louis Markos About Myths And The Humanities?" European Scientific Journal ESJ 16, no. 32 (November 30, 2020). http://dx.doi.org/10.19044/esj.2020.v16n32p1.

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Louis Markos holds a BA in English and History from Colgate University and an MA and PhD in English from the University of Michigan. He is a Professor of English and Scholar in Residence at Houston Baptist University, where he holds the Robert H. Ray Chair in Humanities and teaches courses on British Romantic and Victorian Poetry and Prose, the Greek and Roman Classics, C. S. Lewis, and J. R. R. Tolkien. He is the author of twenty books, including The Myth Made Fact: Reading Greek and Roman Mythology through Christian Eyes, Ancient Voices: An Insider’s Look at Classical Greece, On the Shoulder

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Skoryna, Lyudmyla. "INTERTEXTUAL FIELD PARAMETERS IN THE NOVEL "ANDRII LAHOVSKYI" BY AHATANHEL KRYMSKYI." LITERARY PROCESS: methodology, names, trends, no. 20 (2022). http://dx.doi.org/10.28925/2412-2475.2022.20.9.

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The article outlines the intertextual field parameters in the novel "Andrii Lahovskyi" by Ahatanhel Krymskyi. In the process of research the active use of quotations and allusions by the writer was found out. Quotations are organically embedded in the speech of all characters, it is especially true of the main character (71 example found). The novel is dominated by quotations with partial attribution - indicating the author of the prototext (37 quotations) or the whole work (4 quotations). There are 6 quotations with full attribution, 4 quotations with “allusive” attribution and 10 quotations

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