Relevant bibliographies by topics / Ariadne auf Naxos= Ariadne on Naxos

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  2. Dissertations / Theses
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Academic literature on the topic 'Ariadne auf Naxos= Ariadne on Naxos'

Author: Grafiati
Published: 26 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Ariadne auf Naxos= Ariadne on Naxos"

1

Araújo, Alberto Filipe, and José Augusto Lopes Ribeiro. "Ariadna en Naxos sobre el signo de la metamorfosis. Una contribución mitocrítica y educacional." DEDiCA Revista de Educação e Humanidades (dreh), no. 7 (March 1, 2015): 85–110. http://dx.doi.org/10.30827/dreh.v0i7.6940.

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El presente estudio realiza un análisis mitocrítico de Ariadna en Naxos (Ariadne auf Naxos) de Richard Strauss (1916), con un doble objetivo. El primero, comprobar la pertinencia de la tesis de Gilbert Durand sobre la permanencia, derivación y usura del mito cuando se aplica a textos literarios, libretos musicales, textos fundamentales de la cultura, de la ciencia y del arte, así como en soporte iconográfico, fílmico y musical. Nuestro segundo objetivo es reflexionar, desde el punto de vista de la hermenéutica simbólica, sobre el mensaje antropológico, psicológico y espiritual contenido en la
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Lücker, Arno. "ZAUBERSCHÖN!" Opernwelt 64, no. 4 (2023): 52. http://dx.doi.org/10.5771/0030-3690-2023-4-052.

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Grant, J. "Ariadne auf Naxos (1916 version)." Opera Quarterly 15, no. 3 (1999): 605–7. http://dx.doi.org/10.1093/oq/15.3.605.

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Hamilton, David. "Ariadne auf Naxos. Richard Strauss." Opera Quarterly 5, no. 4 (1987): 112–17. http://dx.doi.org/10.1093/oq/5.4.112.

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Baxter, R. "Ariadne auf Naxos. Richard Strauss." Opera Quarterly 22, no. 1 (2006): 179–81. http://dx.doi.org/10.1093/oq/kbi082.

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Müller, Regine. "Auf höchstem Niveau." Opernwelt 66, no. 6 (2025): 84–85. https://doi.org/10.5771/0030-3690-2025-6-084.

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Marcos Hierro, Ernest. "Metamorfosi i divinització a l'"Ariadne aux Naxos" d'Hugo von Hofmannsthal i Richard Strauss." Anuari de Filologia. Antiqua et Mediaeualia 2, no. 9 (2020): 143–52. http://dx.doi.org/10.1344/afam2019.9.2.14.

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Aquest article examina com un cas de «mythopoiesis» l’ús creatiu del mite de l’abandonament d’Ariadna a Naxos i de la seva unió posterior amb el déu Dionís-Bacchus a l’òpera Ariadne auf Naxos de Hugo von Hofmannsthal i Richard Strauss. Amb la introducció del personatge de Circe com a pretendent amorosa prèvia del jove déu, Hofmannsthal converteix el «deus ex machina» de la faula original en el subjecte d’un procés mutu d’enamorament amb Ariadne presentat com una «allomatische Verwandlung», una metamorfosi recíproca.
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May, T. "Ariadne auf Naxos: Revised version (1916)." Opera Quarterly 15, no. 3 (1999): 520–30. http://dx.doi.org/10.1093/oq/15.3.520.

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Haustein, Clemens. "Wo bleibt der Mut zum Happy End?" Opernwelt 66, no. 3 (2025): 6–8. https://doi.org/10.5771/0030-3690-2025-3-006.

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In Berlin inszeniert Tobias Kratzer «Die Frau ohne Schatten» teilweise brillant, in Hamburg verrennt sich Dmitri Tcherniakov bei «Ariadne auf Naxos». Beide aber wollen vom Mythos nichts wissen, ebensowenig von einem guten Ende VON CLEMENS HAUSTEIN
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Aleksić, Milica. "Ariadne's Weaving in the Musical-Visual Field." Kwartalnik Młodych Muzykologów UJ, no. 50 (3) (June 2022): 5–41. http://dx.doi.org/10.4467/23537094kmmuj.21.005.16099.

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Recognition and reflection of the radially structured semantic intertextual raster in the opera Ariadne auf Naxos Op. 60 by Richard Strauss and Hugo von Hofmannsthal, are the goals of this paper, with the awareness that ‘reading’ of this complex textual amalgam cannot be comprehensive and that this is only one of the possible ways of looking at different languages, their texts, and relationships in which they come in, with the emphasis on the connection between the music and architectural texts. The focus is to spot some of the paths in this specific music-scenic maze. The recognition of the ‘
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Dissertations / Theses on the topic "Ariadne auf Naxos= Ariadne on Naxos"

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Easterling, Douglas. "Authorial Voice and Agency in the Operas of Richard Strauss| A Study of Self-Referentiality." Thesis, University of Cincinnati, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1561131.

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<p>Self-referentiality plays an important, but often overlooked, role in the works of Richard Strauss. The broad category of self-reference includes works of metafiction, which literary critic Patricia Waugh has defined as fiction that &ldquo;self-consciously and systematically draws attention to its status as an artifact in order to pose questions about the relationship between fiction and reality&rdquo; and &ldquo;explores the <i>theory </i> of writing fiction through the <i>practice</i> of writing fiction.&rdquo;<sup>1</sup> Additionally, Werner Wolf has conceptualized self-reference to inc
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Chen, Yi-Wen, and 陳怡文. "Ariadne Transformed: The Strauss-Hofmannsthal Collaboration on the "Ariadne auf Naxos"-Workgroup." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/66nkd3.

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博士<br>國立臺灣師範大學<br>音樂學系<br>106<br>According to the Strauss Werkverzeichnis (by Franz Trenner, 3rd edition, Munich, 1999), the TrV 228 includes four versions. The first two versions (TrV 228、TrV 228a) carry the title “Ariadne auf Naxos.” The former, consisting of the “opera” Ariadne auf Naxos and the Strauss’s “incidental music” for Hofmannsthal’s adaptation of the play Der Bürger als Edelmann, was premiered in Stuttgart on 25 October 1912. The later, which is performed more often nowadays, was premiered in Vienna on 4 October 1916. The third version (TrV 228b), premiered at Deutsches Theater Be
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WADSTROM, SARAH MORIAN. "ANGELICA KAUFFMAN'S "ARIADNE ABANDONED BY THESEUS ON NAXOS"." Thesis, 1987. http://hdl.handle.net/1911/13260.

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Ariadne Abandoned by Theseus on Naxos was painted by the Swiss-born artist Angelica Kauffman in 1774, while she was living in England. Her work was an important factor in the development of the early Neoclassical style in England, and this painting embodies the ideas of noble simplicity and sedate grandeur put forth by her friend Johann Winckelmann as appropriate for such history paintings. One of her few single-figure, non-portrait history paintings, it is typical of the careful composition and rich Venetian coloring for which she was well-known. Angelica was a well-educated woman, and theref
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Books on the topic "Ariadne auf Naxos= Ariadne on Naxos"

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Pucher, Georges. Ariane à Naxos, R. Strauss. Éditions Premières Loges, 2014.

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Richard, Strauss. Ariadne auf Naxos: Oper in einem Aufzuge nebst einem Vorspiel. Nederlandse Opera, 1988.

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3

Nickel, Lothar R. Was bleibt, was bleibt von Ariadne?: Hugo von Hofmannsthals "Ariadne auf Naxos" : Anspruch und Widerspruch. Schulz-Kirchner, 1993.

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4

Benda. ARIADNE AUF NAXOS. Music-Garland, 1986.

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Richard, Strauss. Ariadne auf Naxos. EMI, 1988.

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Richard, Strauss. Ariadne auf Naxos. Phillips, 1988.

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7

Strauss, Richard. Ariadne Auf Naxos. tredition Verlag, 2012.

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Richard Strauss: Ariadne Auf Naxos. Wentworth Press, 2019.

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Richard Strauss: Ariadne Auf Naxos. Creative Media Partners, LLC, 2022.

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Richard, Strauss. Ariadne auf Naxos in Full Score. Dover Publications, 1993.

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Book chapters on the topic "Ariadne auf Naxos= Ariadne on Naxos"

1

Strauss, Richard. "Ariadne auf Naxos." In Handbuch der Oper. Springer Berlin Heidelberg, 2024. http://dx.doi.org/10.1007/978-3-662-68526-6_257.

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Hiebler, Heinz. "»Ariadne auf Naxos« (1912/1916)." In Hofmannsthal-Handbuch. J.B. Metzler, 2016. http://dx.doi.org/10.1007/978-3-476-05407-4_95.

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Meyer, Michael. "»Ariadne auf Naxos« durch die Brille Wiens." In Moderne als Geschichtsvergewisserung. Bärenreiter-Verlag, 2022. http://dx.doi.org/10.1007/978-3-7618-7250-5_8.

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Morabito, Sergio. "Lücken im Welt-Theater-Bau oder Ariadne auf Naxos." In Opernarbeit. J.B. Metzler, 2019. http://dx.doi.org/10.1007/978-3-476-04909-4_10.

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Gilliam, Bryan. "Der Rosenkavalier — Ariadne auf Naxos — Die Frau ohne Schatten." In Richard Strauss Handbuch. J.B. Metzler, 2014. http://dx.doi.org/10.1007/978-3-476-00510-6_14.

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"Ariadne auf Naxos." In Werke Band 1 (1902-1918), edited by Zsuzsa Bognár, Werner Jung, and Antonia Opitz. Aisthesis Verlag, 2022. http://dx.doi.org/10.5771/9783849816872-609.

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SCHMIDT-NEUSATZ, HELGA. "ARIADNE AUF NAXOS:." In Richard Strauss-Blätter. Hollitzer Verlag, 2006. http://dx.doi.org/10.2307/j.ctvg8p5w5.11.

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"ARIADNE AUF NAXOS." In Richard Strauss-Blätter. Hollitzer Verlag, 2006. http://dx.doi.org/10.2307/j.ctvg8p5w5.12.

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Eder, Antonia. "III Ariadne auf Naxos." In Der Pakt mit dem Mythos. Nomos Verlagsgesellschaft mbH & Co. KG, 2014. http://dx.doi.org/10.5771/9783968217734-159.

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LESNIG, GÜNTHER. "75 JAHRE ARIADNE AUF NAXOS." In Richard Strauss-Blätter. Hollitzer Verlag, 1987. http://dx.doi.org/10.2307/j.ctvg8p5p8.3.

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