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Relevant bibliographies by topics / Aristotle’s Poetics

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Academic literature on the topic 'Aristotle’s Poetics'

Author: Grafiati

Published: 4 June 2021

Last updated: 18 May 2024

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Journal articles on the topic "Aristotle’s Poetics"

1

Kirby, John T. "Aristotle’s Poetics." Ancient Philosophy 8, no. 1 (1988): 131–33. http://dx.doi.org/10.5840/ancientphil19888128.

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Belfiore, Elizabeth. "Aristotle’s Poetics." Ancient Philosophy 15, no. 1 (1995): 268–72. http://dx.doi.org/10.5840/ancientphil199515159.

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Burger, Ronna. "Aristotle’s Poetics." International Studies in Philosophy 30, no. 4 (1998): 110–11. http://dx.doi.org/10.5840/intstudphil199830416.

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Dikmonienė, Jovita. "Anagnorisis in Aristotle’s Poetics: problems of definition and classification." Literatūra 61, no. 3 (2019): 32–41. http://dx.doi.org/10.15388/litera.2019.3.3.

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The article analyses the problems of meaning and classification of the term anagnorisis (ἀναγνώρισις) as it is defined in Aristotle’s Poetics. It focuses on how the term anagnorisis is understood and interpreted by scholars – different translations and their interpretations of the same type of anagnorisis are compared. The article also searches for the answers to the following questions: does the term of anagnorisis discussed by Aristotle mean the recognition of persons or just any kind of truth in a drama; why do some translators differentiate five and others six types of anagnorisis; what di

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Feddern, Stefan, and Andreas Kablitz. "Mimesis." Poetica 51, no. 1-2 (2020): 1–84. http://dx.doi.org/10.30965/25890530-05101001.

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Abstract This article starts off from the observation of the deeply polysemic character of the term mimesis in current literary studies. On the one hand, it is used to denote a poetics of imitation which was mainly derived from the Poetics of Aristotle and was to become the predominant conception of poetry in early modern times until the advent of Romanticism. On the other hand, besides this historical meaning, mimesis has, at the same time, a systematic significance. It refers to any poetics that defines poetry as a specific representation of reality. In this sense, the poetics of realism is

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Poddis, José Gonçalves. "Compaixão e Terror em Poética 1449b." Nuntius Antiquus 2 (December 31, 2008): 90–98. http://dx.doi.org/10.17851/1983-3636.2..90-98.

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This paper is a brief commentary on the words “fear” and “pity”, which define the tragedy in Aristotle’s Poetics, and its occurrence in tragic texts. The aim is to get a statistical occurrence of these terms in order to clarify Aristotle’s understanding of this poetical style, and its use by playwrights of the fifth century BC.

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Kirby, John T. "Authorship, Authenticity, Authority: Evaluating Aristotle’s Rhetoric and Poetics." Rhetorica 40, no. 2 (2022): 111–53. http://dx.doi.org/10.1525/rh.2022.40.2.111.

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This essay explores a nexus of related concepts—authorship, authenticity, and authority—as they impinge upon one another and on the experience of reading, particularly in the case of “canonical” authors such as Aristotle. Aristotle’s own Rhetoric and Poetics are considered together in light of these concepts, as well as in terms of seven constraints that operated upon Aristotle as a thinker and writer. Twentieth-century theories of reading are adduced in an examination of the rhetorical dimensions of Aristotle’s own notion of authorship. The essay also examines the rhetorical forces entailed i

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Nilova, Anna. ""POETICS" OF ARISTOTLE IN RUSSIAN TRANSLATIONS." Проблемы исторической поэтики 19, no. 4 (2021): 7–39. http://dx.doi.org/10.15393/j9.art.2021.9822.

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The article presents an overview of the existing translations of Aristotle's “Poetics”, characterizes the features of each of them. In the preface to his translation of Aristotle's “Poetics”, V. Zakharov characterized the work of the Greek philosopher as a “dark text.” Each translation of this treatise, which forms the basis of European and world literary theory, is also its interpretation, an attempt to interpret the “dark places.” The first Russian translation of “Poetics” was made by B. Ordynsky and published in 1854, however, the Russian reader was familiar with the contents of the treatis

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Narbonne, Jean-Marc. "Colloquium 3 Likely and Necessary: The Poetics of Aristotle and the Problem of Literary Leeway." Proceedings of the Boston Area Colloquium of Ancient Philosophy 33, no. 1 (2018): 69–87. http://dx.doi.org/10.1163/22134417-00331p08.

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Abstract Taking as a starting point a crucial passage of Aristotle’s Poetics where poetical technique is declared to be different from all other disciplines in human knowledge (25, 1460b8–15), I try to determine in what sense and up to what point poetry can be seen as an autonomous or sui generis creative activity. On this path, I come across the so-called “likely and necessary” rule mentioned many times in Aristotle’s essay, which might be seen as a limitation of the poet’s literary freedom. I then endeavour to show that this rule of consistency does not preclude the many means by which the p

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Poddis, José Gonçalves. "Compaixão e Terror em Poética 1449b." Nuntius Antiquus 2 (December 31, 2008): 90. http://dx.doi.org/10.17851/1983-3636.2.0.90-98.

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<p>This paper is a brief commentary on the words “fear” and “pity”, which define the tragedy in Aristotle’s Poetics, and its occurrence in tragic texts. The aim is to get a statistical occurrence of these terms in order to clarify Aristotle’s understanding of this poetical style, and its use by playwrights of the fifth century BC.</p>

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Dissertations / Theses on the topic "Aristotle’s Poetics"

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Lazarus, Micha David Swade. "Aristotle's Poetics in Renaissance England." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:fea8e0e3-df54-4b57-b45d-0b46acd06530.

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This thesis brings to light evidence for the circulation and first-hand reception of Aristotle's Poetics in sixteenth-century England. Though the Poetics upended literary thinking on the Continent in the period, it has long been considered either unavailable in England, linguistically inaccessible to the Greekless English, or thoroughly mediated for English readers by Italian criticism. This thesis revisits the evidentiary basis for each of these claims in turn. A survey of surviving English booklists and library catalogues, set against the work's comprehensive sixteenth-century print-history,

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Flower, Harry Mitchell. "The structuralist enterprise and Aristotle's Poetics /." The Ohio State University, 1986. http://rave.ohiolink.edu/etdc/view?acc_num=osu148726601122196.

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Cook, Elizabeth M. "The definition of katharsis in Aristotle's Poetics." Connect to resource, 2005. http://hdl.handle.net/1811/5885.

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Thesis (Honors)--Ohio State University, 2005.<br>Title from first page of PDF file. Document formatted into pages: contains 66 p. Includes bibliographical references (p. 65-66). Available online via Ohio State University's Knowledge Bank.

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SILVA, CHRISTIANI MARGARETH DE MENEZES E. "CATHARSIS, EMOTION AND PLEASURE IN ARISTOTLES POETICS." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2009. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=15172@1.

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COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR<br>A presente tese de doutorado trata da catarse, da emoção e do prazer na Poética de Aristóteles. O filósofo não define o que entende por catarse trágica na obra; no entanto, ele nos diz que a trama trágica suscita duas emoções dolorosas – piedade e temor – e, além disso, surte um prazer que lhe é próprio. A questão é entender como estes dois opostos, prazer e dor, relacionam-se entre si e se no esclarecimento dessa relação encontramos também pistas para interpretarmos a catarse.<br>The PHD thesis presented here is a reflection on t

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Babcock, Kimberly John. "Modern Dramatic Tragedy and Aristotle's Poetics: A Comparison." W&M ScholarWorks, 1987. https://scholarworks.wm.edu/etd/1539625396.

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Way, Peter B. "Classicism in Aristotle's Poetics and Liu Xie's Wenxin diaolong /." Thesis, Connect to this title online; UW restricted, 1990. http://hdl.handle.net/1773/6633.

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Kyriakou, Poulheria. "Aristotle's "Poetics": its theoretical foundations and its reception in Hellenistic literary theory /." The Ohio State University, 1995. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487864485228575.

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Harrison, Rowena Jane. "Recapturing Greek tragedy : Aristotelian principles in eighteenth-century opera and oratorio." Thesis, University of Newcastle Upon Tyne, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.313236.

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Barriviera, Alessandro. "Poetica de Aristoteles : tradução e notas." [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/268984.

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Orientador: Trajano Augusto Ricca Vieira<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-07T07:28:44Z (GMT). No. of bitstreams: 1 Barriviera_Alessandro_M.pdf: 27896667 bytes, checksum: 2b246e86e231acf8419b696321599ee5 (MD5) Previous issue date: 2006<br>Resumo: O presente trabalho consiste numa tradução da Poética de Aristóteles, acompanhada do texto grego e notas. A poesia sempre teve papel predominante na cultura grega antiga. Conduta moral e religiosa, por exemplo, tinham suas regras - mesmo se criticad

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Wood, Matthew Stephen. "Aristotle and the Question of Metaphor." Thesis, Université d'Ottawa / University of Ottawa, 2015. http://hdl.handle.net/10393/32476.

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This doctoral dissertation aims to give a comprehensive and contextual account of Aristotle’s theory of metaphor. The dissertation is organized around the central claim that Aristotle’s definition of metaphor in Chapter 22 of the Poetics, as well as his discussion of it in Book III of the Rhetoric, commit him to what I call a vertical theory of metaphor, rather than to a horizontal one. Horizontal theories of metaphor assert that ‘metaphor’ is a word that has been transferred from a literal to a figurative sense; vertical theories of metaphor, on the other hand, assert that ‘metaphor’ is the t

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Books on the topic "Aristotle’s Poetics"

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Aristotle: Aristotle's Poetics. Phoenix, 1998.

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Aristóteles. Aristotle's Poetics. McGill-Queen's University Press, 1997.

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Aristóteles. Aristotle's poetics. Hill and Wang, 2000.

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Aristotle, ed. Aristotle's Poetics. Duckworth, 1986.

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Aristotle, ed. Aristotle's Poetics. University of Chicago Press, 1998.

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Leonardo, Tarán, and Gutas Dimitri, eds. Aristotle's Poetics. Brill, 2012.

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Aristotle. Aristotle's Poetics. Peripatetic Press, 1990.

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Halliwell, Stephen. Aristotle's poetics. University of North Carolina Press, 1986.

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Aristóteles. Aristotle's On poetics. St. Augustine's Press, 2002.

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Aristóteles. Aristotle : poetics. NHB, 1999.

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Book chapters on the topic "Aristotle’s Poetics"

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Price, Brian. "Aristotle’s Poetics." In Classical storytelling and Contemporary Screenwriting. Routledge, 2017. http://dx.doi.org/10.4324/9781315148526-3.

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Whalley, George. "On Translating Aristotle’s Poetics." In Studies in Literature and the Humanities. Palgrave Macmillan UK, 1985. http://dx.doi.org/10.1007/978-1-349-07777-9_4.

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Stutterheim, Kerstin. "Film Dramaturgy: A Practice and a Tool for the Researcher." In The Palgrave Handbook of Screenwriting Studies. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-20769-3_36.

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AbstractThis chapter gives an overview of dramaturgy as practice and discipline. Dramaturgy has its origins in Antiquity and established itself as a theoretical and analytical approach to understand and support narrative-performative arts in the eighteenth century. After comparing the most influential roots and tradition, from its European origins to its equivalents in India and in the Arabic world, as well as considering interpretations and receptions of Aristotle’s Poetics, the chapter looks at key influential figures such as G. E. Lessing, Max Reinhardt, Max Herrmann and Bertolt Brecht. It discusses dramaturgy as a subject for higher education and its correspondence to professional practice. Furthermore, it highlights the importance of dramaturgy for the screenwriting process and, consequently, how dramaturgy can support academic analyses of time-based and narrative-performative artworks.

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Baffioni, Carmela. "Aristotle, Arabic: Poetics." In Encyclopedia of Medieval Philosophy. Springer Netherlands, 2020. http://dx.doi.org/10.1007/978-94-024-1151-5_54-2.

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Bonadeo, Cecilia Martini, Angela Guidi, Antonella Straface, et al. "Aristotle, Arabic: Poetics." In Encyclopedia of Medieval Philosophy. Springer Netherlands, 2011. http://dx.doi.org/10.1007/978-1-4020-9729-4_54.

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Baffioni, Carmela. "Aristotle, Arabic: Poetics." In Encyclopedia of Medieval Philosophy. Springer Netherlands, 2020. http://dx.doi.org/10.1007/978-94-024-1665-7_54.

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Saber, Fathieh Hussam. "Shellyseer: A Literary Evolution." In Gulf Studies. Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-19-7796-1_22.

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AbstractThe dramatic elements that are in Shellyseer have traveled for a long period of time and have been affected by dramatic elements from different cultures, which means that Shellyseer is a result of the evolution of drama. This chapter draws attention to the effect that the East and the West have on each other, by pointing out the effect that Aristotle’s Poetics—Western Theory—had on Ghanem Al-Suliti’s Shellyseer—Eastern Literature. This chapter combines comparative literature with literary theory and criticism in order to give an example of a globalized view of how drama evolves where there are no borders that limit influence. This chapter traces back drama back to its oldest documented sources to show how it evolved throughout history and offers deeper knowledge of Middle Eastern drama, the importance, and strength of political satire, and how strong of a mutual influence Eastern and Western literature have on each other.

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Goldfinger, Jacqueline. "Thoughts on Aristotle's Poetics." In Playwriting with Purpose. Routledge, 2021. http://dx.doi.org/10.4324/9781003173885-9.

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"ARISTOTLE’S POETICS." In Mimesis. Routledge, 2006. http://dx.doi.org/10.4324/9780203401002-12.

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"Aristotle’s Poetics." In Exploring Art for Perspective Transformation. BRILL, 2021. http://dx.doi.org/10.1163/9789004455344_004.

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Reports on the topic "Aristotle’s Poetics"

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Hagensick, Michael. A Comparative Study of Aristotle's Poetics and Ezra Pound's ABC of Reading. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.2256.

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