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Journal articles on the topic 'Arita porcelain'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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1

Hidaka, M., H. Horiuchi, K. Ohashi, et al. "Structural properties of the red-color overglazes on the Kakiemon-style porcelains produced in the later 17th century by means of X-ray diffraction (I)." Cerâmica 55, no. 334 (2009): 120–27. http://dx.doi.org/10.1590/s0366-69132009000200002.

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Kakiemon-style porcelains produced at Arita areas (SAGA) in Kyushu Island are famous Japanese porcelains. The porcelain-techniques creating its elegant and bright red-color underglaze and overglaze were found and developed in 1650's (early Edo period) first by Kakiemon kiln. Red-color overglaze and transparent glaze of the Kakiemon-style porcelains have been investigated by means of X-ray diffraction using synchrotron radiation. The results suggest that the red-color brightness is mainly induced by micro-structural correlation between α-Fe2O3 fine particles, as red-color emission elements, and
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2

Kim, Kee Yun. "Characteristics and Present Status of Arita Porcelain in Japan." Journal of Basic Design & Art 22, no. 4 (2021): 29–42. http://dx.doi.org/10.47294/ksbda.22.4.3.

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3

Montanari, Riccardo, Philippe Colomban, Maria Francesca Alberghina, Salvatore Schiavone, and Claudia Pelosi. "European Smalt in 17th-Century Japan: Porcelain Decoration and Sacred Art." Heritage 7, no. 6 (2024): 3080–94. http://dx.doi.org/10.3390/heritage7060145.

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Japanese art tradition, contrary to the case of China, is characterized by an efficient and continued, although mostly undocumented, use of smalt from the late 16th century onward. Recent studies have successfully identified this pigment, the cobalt-colored glass that spread throughout the Old Continent during the Renaissance period, as the coloring agent employed for overglaze-blue enameling on Japanese porcelains produced at the kilns of Arita (the porcelain production center of Japan) from the early 1640s until the 20th century. Fragmentary evidence of the use of smalt in Japanese sacred ar
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4

Uda, M., H. Kanno, and T. Mukoyama. "Preliminary report on porcelain in Meissen (Germany) and Arita (Japan)." Nuclear Instruments and Methods in Physics Research Section B: Beam Interactions with Materials and Atoms 150, no. 1-4 (1999): 597–600. http://dx.doi.org/10.1016/s0168-583x(98)00983-5.

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5

Yang, Diana X. "Phantom Porcelains: Zhangzhou and Yoshida Polychrome Dishes with Seal Design." Ming Qing Yanjiu 25, no. 2 (2021): 175–201. http://dx.doi.org/10.1163/24684791-12340059.

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Abstract Zhangzhou ceramics, coarsely potted with thick glaze and sandy feet, were mass-produced in southern Fujian during the late Ming and early Qing periods. The rise of the Zhangzhou kiln complex was an outcome of expanding maritime trade since the Jiajing period (1522–1566) and Zhangzhou production reached a climax in the Wanli period (1572–1620). The Fujianese workshops created a whole spectrum of porcelain products, ranging from monochrome pieces to blue-and-white and polychrome ones. Of the decorative vocabulary that is unique to Zhangzhou kilns, the pavilion and seal design (previousl
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6

Maske, Andrew L., and Oliver Impey. "The Early Porcelain Kilns of Japan: Arita in the First Half of the Seventeenth Century." Journal of Japanese Studies 24, no. 1 (1998): 119. http://dx.doi.org/10.2307/132941.

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7

Wilson, Richard L., and Oliver Impey. "The Early Porcelain Kilns of Japan: Arita in the First Half of the Seventeenth Century." Monumenta Nipponica 52, no. 3 (1997): 424. http://dx.doi.org/10.2307/2385646.

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8

Shinkovoy, A. I. "History, Analysis and Attribution of Japanese Arita Porcelain (with Reference to the Irkutsk Regional Art Museum Collection)." Izvestia of the Ural federal university. Series 2. Humanities and Arts 19, no. 1 (160) (2017): 43–61. http://dx.doi.org/10.15826/izv2.2017.19.1.004.

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9

Montanari, Riccardo, Nobuyuki Murakami, Alberto De Bonis, et al. "The early porcelain kilns of Arita: Identification of raw materials and their use from the 17th to the 19th century." Open Ceramics 9 (March 2022): 100217. http://dx.doi.org/10.1016/j.oceram.2021.100217.

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10

ÖNEY, Dicle. "IMJIN SAVAŞI SONRASI KORELİ ÇÖMLEKÇİLERİN JAPON SERAMİK KÜLTÜRÜNE ETKİLERİ." SOCIAL SCIENCE DEVELOPMENT JOURNAL 7, no. 33 (2022): 43–56. http://dx.doi.org/10.31567/ssd.734.

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The Imjin War was fought between Japan and Korea between 1592 and 1598. The process that started with Japan's invasion of Korea resulted in the capture of skilled Korean craftsmen and about 800 Korean potters, among them, after the war. Captive Korean potters were settled in areas of western and southern Japan ruled by the Lords of the time. Korean potters, who have a deep-rooted ceramic tradition, developed ceramic production techniques in the Japanese regions where they were placed and became the creators of products such as Satsuma-yaki, Hagi and Karatsu ceramics, and Arita porcelain, which
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11

Coman, Sonia. "Arita Porcelain Today, Asian Pavilion, Rijksmuseum, Amsterdam. April 22-October 16, 2016. Catalogue, edited by Aniina Koivu and Scholten & Baijings, 2016." Journal of Japonisme 2, no. 2 (2017): 155–69. http://dx.doi.org/10.1163/24054992-00022p04.

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12

Письмак, Юрий. "Viennese vase painted in Dresden (architectural, artistic, stylistic, morphological and structural features)." Arta 30, no. 1 (2021): 54–62. http://dx.doi.org/10.52603/arta.2021.30-1.08.

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The article examines the architectural, artistic, stylistic, morphological and structural features of an old porcelain vase from a private Odessa collection. The unpainted vase was made in 1860s at Vienna Porcelain Manufactory. This vase was painted in Helena Wolfsohn’s studio in Dresden between 1864 and 1878 (?). Helena Wolfsohn lived and worked in a significant center of European civilization, culture and arts of her time. The images are painted on the vase using the technique of manual overglaze painting. Amazingly arranged bouquets of flowers are painted on the turquoise background of the
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13

Suk, Chang Dae, and Masahiro Kitada. "Colors and Chemical Components of Glaze in the Arita Blue and White Porcelains made in 17th and 19th Century." Journal of the Japan Institute of Metals 67, no. 1 (2003): 47–52. http://dx.doi.org/10.2320/jinstmet1952.67.1_47.

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14

Katsuki, Hiroaki, Ki-Hoon Chang, Myong-Ho Kang, et al. "Comparative study on old white porcelains produced in Gwangju (Korea) and Arita (Japan) in the 15th to 19th centuries." Journal of Archaeological Science: Reports 27 (October 2019): 101927. http://dx.doi.org/10.1016/j.jasrep.2019.101927.

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15

"The early porcelain kilns of Japan: Arita in the first half of the seventeenth century." Choice Reviews Online 34, no. 05 (1997): 34–2563. http://dx.doi.org/10.5860/choice.34-2563.

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