Academic literature on the topic 'Arme Heinrich (Hartmann, von Aue)'

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Journal articles on the topic "Arme Heinrich (Hartmann, von Aue)"

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Mettke, Heinz. "Hartmann von Aue,Der arme Heinrich." Arbitrium 3, no. 1 (1986): 246–48. http://dx.doi.org/10.1515/arbi.1986.3.1.246.

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Jackson, Timothy R. "An excess of fidelity: Romance as the basis of Hartmann von Aue's 'Der arme Heinrich' der triuwen ze vil: Zur romanhaften Grundlage des 'Armen Heinrich' Hartmanns von Aue." Zeitschrift fuer deutsches Altertum und Literatur 149, no. 2 (2020): 142–76. http://dx.doi.org/10.3813/zfda-2020-0007.

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The 'Arme Heinrich' is usually interpreted as fairytale or legend. If one takes the term gemahel seriously and sees the relationship between Heinrich and the girl as a kind of marriage, based on reciprocal triuwe, which is disturbed by the selfish offer and acceptance of self-sacrifice, but which is restored when this solution is subsequently rejected, then the work seems rather to be in conformity with Hartmann's romances. Der 'Arme Heinrich' wird zumeist als Märchen oder Legende interpretiert. Wenn man den Terminus gemahel ernst nimmt und das auf gegenseitiger triuwe beruhende Verhältnis zwischen Heinrich und dem Mädchen auf dem Meierhof als eine Art Ehe versteht, die durch das Angebot der Selbstopferung und dessen Annahme selbstsüchtig gestört wird, um durch den Verzicht auf diese Lösung wiederhergestellt zu werden, so scheint das Werk eher mit dem Hartmannschen Roman konform zu sein.
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Jeep, John M. "Stabreimende Wortpaare in den späteren Werken Hartmanns von Aue: Iwein, Gregorius, Der arme Heinrich." Yearbook of Phraseology 9, no. 1 (2018): 51–84. http://dx.doi.org/10.1515/phras-2018-0005.

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AbstractBuilding upon recent phraseological studies of Old High and Middle High German texts, the alliterating word pairs in the later works of Hartmann von Aue are catalogued and analyzed philologically, thus contributing to an emerging complete listing of the paired rhetorical expressions through the Early Middle High German period, here Hartmann’s major courtly Arthurian romance, Iwein, his religious tale Gregorius, and Der arme Heinrich. Each pair is listed, described in the context in which it appears, and compared with any extant pairs from earlier German works. Previous research on the pair is reviewed. Hence, we trace the evolution of these expressions, in some cases through centuries. On the one hand, Hartmann employs alliterating expressions that date to the Old High German period, while on the other hand apparently creates new, or at least not previously documented ones. As in findings in earlier texts, pairs recorded on multiple occasions are likely to have been used by other authors. Typical for medieval German texts - when compared to similar modern expressions - is the insight that there is a fair amount of variation concerning the sequence of the alliterating elements and/or the inclusion of morpho-syntactic modifiers such as pronouns, possessives, adjectives, or adverbs. When known, later examples of the alliterating word-pairs are cited, albeit for obvious reasons only in an incomplete fashion. Two updates on the emerging Old High and Early Middle High German word-pair catalogue are included. Finally, a complete listing of the alliterating word-pairs in Hartmann’s works is provided. The long-term project continues to chart the emergence of German alliterating word-pairs chronologically, here within the first decade of the thirteenth century.
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Pérez Ben, Lorena. "FERNÁNDEZ RIVA, G. y MILLET, V. Hartmann von Aue: Der arme Heinrich. Textgeschichtliche elektronische Ausgabe. Universitätsbibliothek, Heidelberg, 2018." Revista de Humanidades Digitales 5 (November 25, 2020): 207. http://dx.doi.org/10.5944/rhd.vol.5.2020.27157.

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El poema narrativo de finales del siglo xii Der arme Heinrich, atribuído a Hartmann von Aue, se conserva en su totalidad en tres manuscritos y de forma parcial en varios pequeños fragmentos. En estos testimonios, si bien es cierto que la historia contada es en esencia la misma, se pueden apreciar importantes variantes así como transposiciones de versos, añadidos y eliminaciones que afectan a su comprensión y que a menudo pasan desapercibidas en los libros tradicionales. La edición electrónica Der arme Heinrich digital[1] pretende sacar provecho de las posibilidades que ofrece la tecnología para mostrar de una forma precisa la pluralidad y diversidad textual y facilitar su percepción. En esta reseña se describirá y estudiará lo que esta nueva herramienta pone a nuestro alcance.[1] https://doi.org/10.11588/edition.ahd
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Wimmer, Katharina P. "Hartmann von Aue, Le Pauvre Henri. Der arme Heinrich. Récit allemand du xiie siècle. Version A et B." Cahiers de civilisation médiévale, no. 245 (January 1, 2019): 87–89. http://dx.doi.org/10.4000/ccm.1629.

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Obukhova, Olga N., and Olga V. Baykova. "Means of Language Objectification of the German Knight Image in the Artistic Picture of World in Middle Ages." Nauchnyi dialog, no. 7 (July 30, 2020): 158–76. http://dx.doi.org/10.24224/2227-1295-2020-7-158-176.

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The analysis of historical, culturally motivated ideas about the German knight, which are objectified in the language not only in conventional, unified standards, but primarily in socio-ethnocultural assessments and stereotypes, is presented. The material of the study was German knightly novels: “Tristan” (“Tristan”) by Gottfried of Strasbourg, “Poor Heinrich” (“Der arme Heinrich”) by Hartmann von Aue, “Eneasroman” by Heinrich von Veldeke. Particular attention is paid to the study of indicators of the national specificity of the image of the German knight. It is proved in the work that the actualization of lexical units that serve to represent the image of a knight is largely specific and due to the genre specificity of Western European literature texts of the Middle Ages. It is stated that the knowledge of medieval German culture bearers about the surrounding reality, objectified by the semantics and pragmatics of linguistic and speech units, structures, compositions, united as a whole by the characteristics of the surrounding world are accumulated in the artistic picture of the world in the Middle Ages. It is concluded that the image of a knight embodies the complex of worldview coordinates and values of the knightly estate, which are recorded in a verbal (artistic) text in the form of a specially organized system of knowledge and ideas about the world.
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Classen, Albrecht. "Herz und Seele in Hartmanns von Aue “Der arme Heinrich” Der mittelalterliche Dichter als Psychologe?" Mediaevistik 14, no. 1 (2001): 7–30. http://dx.doi.org/10.3726/83994_7.

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Thomas, Neil, and Barbara Schmidt-Krayer. "Kontinuum der Reflexion: Der Arme Heinrich. Mittelalterliches Epos Hartmanns von Aue und modernes Drama Gerhart Hauptmanns." Modern Language Review 91, no. 3 (1996): 791. http://dx.doi.org/10.2307/3734181.

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Wells, D. A., and Corinna Dahlgrun. "Hoc fac, et vives (Lk 1028): vor allen dingen minne got. Theologische Reflexionen eines Laien im 'Gregorius' und in 'Der arme Heinrich' Hartmanns von Aue." Modern Language Review 88, no. 1 (1993): 250. http://dx.doi.org/10.2307/3730877.

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Wallbank, Rosemary E. "THE SALERNITAN DIMENSION IN HARTMANN VON AUE'S DER ARME HEINRICH." German Life and Letters 43, no. 2 (1990): 168–76. http://dx.doi.org/10.1111/j.1468-0483.1990.tb00647.x.

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Dissertations / Theses on the topic "Arme Heinrich (Hartmann, von Aue)"

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Hübner, Gert. "Erzählform im höfischen Roman : Studien zur Fokalisierung im "Eneas", im "Iwein" und im "Tristan /." Tübingen [u.a.] : Francke, 2003. http://www.gbv.de/dms/bs/toc/361310161.pdf.

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Books on the topic "Arme Heinrich (Hartmann, von Aue)"

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Hartmann von Aue: Der arme Heinrich. M. Diesterweg, 1987.

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Der arme Heinrich Hartmanns von Aue in der Hand von Mären-Schreibern. F. Steiner, 1997.

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Schmidt-Krayer, Barbara. Kontinuum der Reflexion--"Der Arme Heinrich": Mittelalterliches Epos Hartmanns von Aue und modernes Drama Gerhart Hauptmanns. Kümmerle, 1994.

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Hoc fac, et vives (Lk 10₂₈): Vor allen dingen minne got : theologische Reflexionen eines Laien im Gregorius und in Der Arme Heinrich Hartmanns von Aue. New York, 1991.

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Das Volksbuch vom armen Heinrich: Studien zur Rezeption Hartmanns von Aue im 19. Jahrhundert und zur Wirkungsgeschichte der Übersetzung Wilhelm Grimms. E. Schmidt, 1985.

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Kleiderkritik in mittelalterlicher Dichtung: Der Arme Hartmann, Heinrich "von Melk", Neidhart, Wernher der Gartenaere und ein Ausblick auf die Stellungnahmen spätmittelalterlicher Dichter. P. Lang, 1985.

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Book chapters on the topic "Arme Heinrich (Hartmann, von Aue)"

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Bein, Thomas. "Hartmann von Aue: Der arme Heinrich." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_11080-1.

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Eming, Jutta. "Exzellenz des Opfers in Hartmanns von Aue Der arme Heinrich. Mit Überlegungen zur Funktion von gelieben und weiteren Emotionswörtern." In Une histoire du sensible : la perception des victimes de catastrophe du xiie au xviiie siècle. Brepols Publishers, 2018. http://dx.doi.org/10.1484/m.csm-eb.5.115513.

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Braun, Lea. "Daz wir in dem tôde sweben Die Antiphon Media vita in morte sumus und Hartmanns von Aue Erzählung Der arme Heinrich." In Hymnus, Sequenz, Antiphon, edited by Andreas Kraß and Christina Ostermann. De Gruyter, 2019. http://dx.doi.org/10.1515/9783110648799-010.

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"Zwischen Wissen, Neugierde und Glauben: Von der produktiven Kraft des (Ver)Irrens in Hartmanns von Aue ,Der arme Heinrich‘." In Irrtum – Error – Erreur. De Gruyter, 2018. http://dx.doi.org/10.1515/9783110592191-038.

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Kragl, Florian. "Epiker, die Lyrik dichten: Heinrich von Veldeke und Hartmann von Aue." In Handbuch Minnesang. De Gruyter, 2021. http://dx.doi.org/10.1515/9783110351859-038.

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"The world and worldliness in Hartmann von Aue’s Der arme Heinrich." In Languages and Cultures. De Gruyter Mouton, 1988. http://dx.doi.org/10.1515/9783110864359.259.

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"Acht oder Zwölf. Die Rolle der Meierstochter im ›Armen Heinrich‹ Hartmanns von Aue." In Literarische Leben. Max Niemeyer Verlag, 2002. http://dx.doi.org/10.1515/9783110925753.649.

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"Reflections of Childhood in Medieval Hagiographical Writing: The Case of Hartmann von Aue's Der arme Heinrich." In Childhood in the Middle Ages and the Renaissance. De Gruyter, 2005. http://dx.doi.org/10.1515/9783110895445.229.

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