Relevant bibliographies by topics / Armenian music / Dissertations / Theses
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Dissertations / Theses on the topic 'Armenian music'

Author: Grafiati
Published: 4 June 2021
Last updated: 26 February 2023

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Consult the top 15 dissertations / theses for your research on the topic 'Armenian music.'

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1

Berberian, Marina. "Exploring Armenian keyboard music : roots to modern times." FIU Digital Commons, 2010. http://digitalcommons.fiu.edu/etd/1604.

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The extended program notes include historical facts of the composers and characteristics of the pieces being performed. The thesis also includes information about Armenian composers starting from 18th to the 20th century, composition's historical background, brief biographies of the composers as well as analysis of form and structure. The graduate piano recital comprised the following compositions: Sayat Nova - R. Andriasian Yes Mi Kharib Blbuli Pes; Komitas - R. Andriasian Garun a, Shoker Jan, Dzirani Dzar, Gakavik; A. Khachaturyan Poem; A. Babadjanyan Elegy in Commemoration of A. Khachaturya
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2

Injejikian, Hasmig. "Sayat Nova and Armenian ashoogh musical tradition." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59269.

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The main objective of this thesis is to show that the thirty melodies ascribed to the ashoogh Sayat Nova are melodically and rhythmically homogeneous, and that they bear similarity to both Armenian folk and sacred melodies. Since very little has been written on this topic in Occidental languages, it has been necessary to provide (1) a descriptive account of the ancient Armenian music; namely, vibassan, koosan, folk and sacred traditions; (2) a presentation of ashoogh poetic forms, rhyming schemes, and accentuation patterns, which are summarized for the first time in a chart with corresponding
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3

Nercessian, Andy Hagop. "Marxism-Leninism, national identity, and the perception of Armenian music." Thesis, University of Cambridge, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.619554.

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4

Demirjian, Mesrob Zaven. "The hymns of Pentecost of the Armenian Apostolic Orthodox Church translation with theological commentary /." Theological Research Exchange Network (TREN), 1991. http://www.tren.com.

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5

McCollum, Jonathan Ray. "Music, ritual, and diasporic identity a case study of the Armenian Apostolic Church /." College Park, Md. : University of Maryland, 2004. http://hdl.handle.net/1903/1379.

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Thesis (Ph. D.) -- University of Maryland, College Park, 2004.<br>Thesis research directed by: Music. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
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6

Mailian, Rubik. "The origin and development of the Armenian neumes (xaz) a survey of recent scholarship /." Theological Research Exchange Network (TREN), 1998. http://www.tren.com.

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7

Wolverton, Cynthia Kay. "The Contributions of Armenian Composers to the Clarinet Repertoire: An Annotated Bibliography of Selected Works, A Lecture Recital, Together with Three Recitals of Selected Works by Khachaturian, Bax, Castelnuovo-Tedesco, Lutoslawski, Nielsen, Burgmüller, and Others." Thesis, University of North Texas, 2002. https://digital.library.unt.edu/ark:/67531/metadc3299/.

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With the exception of the music of Aram Khachaturian, the output of Armenian composers has been largely overlooked. This small Middle-Eastern country with a population of almost four million and an intriguing history indeed has a rich musical heritage. From its roots in sacred music and folksong, Armenian music has evolved into a unique blend of national elements and Western art music. Although it remains largely undiscovered, there is an entire repertoire of works in this aesthetic. The Trio for clarinet, violin, and piano by Khachaturian has long been a standard in the clarinetist's repertoi
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8

Olley, Jacob. "Writing music in nineteenth-century Istanbul : Ottoman Armenians and the invention of Hampartsum notation." Thesis, King's College London (University of London), 2018. https://kclpure.kcl.ac.uk/portal/en/theses/writing-music-in-nineteenthcentury-istanbul(14da4f98-328f-4f92-8c8d-e2993a7bb6d0).html.

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This thesis describes the invention and adoption of a new notation system, known today as ‘Hamparsum notası’ or ‘Hay ardi jaynagrut‘iwn’ (‘modern Armenian notation’), in nineteenth-century Istanbul. The first part focuses on a small group of Catholic Armenians who developed the notation system in around 1812, including the musician Hambarjum Limōnčean (1768–1839), the Mxit‘arist scholar Minas Bžškean (1777–1851), and their patrons the Tiwzean family. I argue that the notational reform was an aspect of a larger cultural and intellectual revival led by the monastery of San Lazzaro in Venice.
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9

Zagros, Nahro. "Social gatherings of the Ezdi diasporas in contemporary Armenia : the music of funeral and wedding rituals." Thesis, University of York, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.538645.

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10

Agopian, Vartan. "Comparative Analysis of Arrangements of Armenian Folk Tunes for the Piano by Armenian Composers." Master's thesis, 2016. http://www.nusl.cz/ntk/nusl-349183.

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Armenian music of today is largely influenced by Armenian folk music. Composers such as Sayat Nova and Gomidas Vartabed have left behind numerous tunes that are still sung today by Armenians whether in Armenia or the Armenian diaspora. This thesis comparatively analyzed piano arrangements of Armenian folk tunes by Armenian composers. The aim of this thesis is bifold: to find elements of piano arrangements that are commonly used by different composers and to introduce the riches of Armenian music to the Czech and International music communities. The comparative analyses revealed the existence o
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11

Davtyan, Azniv. "Arménská klavírní literatura se zřetelem na instruktivní literaturu." Master's thesis, 2011. http://www.nusl.cz/ntk/nusl-300148.

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The diploma thesis is focused on the Armenian piano music in context with Armenian culture. The first chapter summarizes important events of the history of Armenia from the ancient times to the present. Following chapters describes Armenian musical culture and Armenian piano music. The last chapter intended to be the most important, it tries to characterize giants of Armenian music and their most important works.
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12

"Armenian Folk Elements in Arno Babajanian's Piano Trio in F-Sharp Minor." Doctoral diss., 2016. http://hdl.handle.net/2286/R.I.38625.

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abstract: Armenian music has a rich history. It started as independent, monodic song, and succeeded in keeping its uniqueness from the influences of other countries' musical traditions. During the nineteenth century the great Armenian musicologist and composer Komitas started to travel and write down these songs from Armenian villages. Komitas, who had higher education in Western classical music, was one of the first composers to harmonize Armenian songs and sacred music using Western classical techniques. This was a milestone in the development of Armenian music. Arno Babajanian was a Soviet
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13

Sienkiewicz, Fred. "Forefathers, antecedents, and the development of Alexander Arutiunian's ‘Big Soviet’ Armenian style." Thesis, 2019. https://hdl.handle.net/2144/34825.

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The career of prolific Armenian pianist and composer Alexander Arutiunian [Alek’sandr Harut’unyan] spanned the Soviet age in Armenia (1920–1991), and his Trumpet Concerto (1950) achieved worldwide recognition and acclaim. Despite the importance of this work to trumpeters internationally, the information and context necessary for performers and scholars to understand Arutiunian’s Concerto and other works has not been previously available in English. Prior to this study, the composer’s biography, compositional style, and works have not been the subject of any significant published research by En
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14

"Piano Quintet." Master's thesis, 2014. http://hdl.handle.net/2286/R.I.24906.

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abstract: Piano Quintet> is a three movement piece, inspired by music of Eastern Europe. Sunrise in Hungary starts with a legato song in the first violin unfolding over slow moving sustained harmonics in the rest of the strings. This is contrasted with a lively Hungarian dance which starts in the piano and jumps throughout all of the voices. Armenian Lament introduces a mournful melody performed over a subtly shifting pedal tone in the cello. The rest of the voices are slowly introduced until the movement builds into a canonic threnody. Evening in Bulgaria borrows from the vast repertoire of B
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15

GIOVANNINI, ORTENSIA. "“One Nation, but one culture? This is a question”. Espressioni musicali e costruzione identitaria degli armeni della diaspora." Doctoral thesis, 2017. http://hdl.handle.net/11573/941757.

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Il genocidio del 1915 ha portato alla creazione di diverse comunità armene diasporiche in tutto il mondo. Esse si autorappresentano, vengono indicate e raggruppate sotto l’etichetta diaspora armena spesso senza fare troppa attenzione alle diversità intrinseche ad esse. La letteratura critica riguardante la diaspora armena è in molti casi lacunosa per quanto riguarda i rapporti fra comunità diasporiche e musica, soprattutto nel caso degli armeni di Francia e Italia, focus di questo lavoro. Questa ricerca si basa sulla teorizzazione che le comunità armene in diaspora sono comunità immaginate, c
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