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Journal articles on the topic 'Armenian photography'

Author: Grafiati

Published: 20 February 2023

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1

Koureas, Gabriel. "Parallelotopia: Ottoman transcultural memory assemblages in contemporary art practices from the Middle East." Memory Studies 12, no. 5 (October 2019): 493–513. http://dx.doi.org/10.1177/1750698019870689.

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This article engages with the conversations taking place in the photographic space between then and now, memory and photography, and with the symbiosis and ethnic violence between different ethnic communities in the ex-Ottoman Empire. It questions the role of photography and contemporary art in creating possibilities for coexistence within the mosaic formed by the various groups that made up the Ottoman Empire. The essay aims to create parallelotopia, spaces in the present that work in parallel with the past and which enable the dynamic exchange of transcultural memories. Drawing on memory theory, the article shifts these debates forward by adopting the concept of ‘assemblage’. The article concentrates on the aesthetics of photographs produced by Armenian photographic studios in Istanbul during the late nineteenth century and their relationship to the present through the work of contemporary artists Klitsa Antoniou, Joanna Hadjithomas, Khalil Joreige and Etel Adnan as well as photographic exhibitions organised by the Centre for Asia Minor Studies, Athens, Greece.

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2

Abbaspour, Mitra M. "A Hero and a Homeland for Armenians in America: Photography and the Construction of Cultural Memory." International Journal of Middle East Studies 42, no. 1 (January 14, 2010): 13–16. http://dx.doi.org/10.1017/s0020743809990584.

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Both portrait and landscape, historical scene and contemporary monument, and, ultimately, both engraving and photograph, this image contains the keys to a significant story from modern Armenian cultural history. In the years following World War I hundreds of Armenians immigrated to the United States, where through the creation of objects such as this picture, they reconstituted their community, emphasizing the longevity of their history, their unity as a minority culture, and their identity as a diaspora.

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3

Khachibabyan, Mane. "“The Unexamined Life is not Worth Living”: The Armenian Genocide." WISDOM 2, no. 5 (December 1, 2014): 21. http://dx.doi.org/10.24234/wisdom.v2i5.29.

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The article discusses the work, research and efforts Professor Armen Marsoobian has done towards explicating and representing the fragments left from the Armenian Genocide period. Armenian Genocide has had its huge impact on the lives of Armenian people and the national ideology.Professor Marsoobian through photography exhibitions and his books, retells the story of Armenian people and events of 1915 to the world. The past needs to be examined, for we need to clearly understand the reasoning behind historical events, in order to prevent and be more secure in future.

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4

Low, David. "Photography and the Empty Landscape: Excavating the Ottoman Armenian Image World." Études arméniennes contemporaines, no. 6 (December 30, 2015): 31–69. http://dx.doi.org/10.4000/eac.859.

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5

Low, David. "Resistance and Renewal: Ottoman Armenian ‘Soldiers’ Photography’ during the First World War." zeitgeschichte 45, no. 2 (July 16, 2018): 155–76. http://dx.doi.org/10.14220/zsch.2018.45.2.155.

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Der Matossian, Bedross. "Reimagining a Lost Armenian Home: The Dildilian Photography Collection, written by Armen T. Marsoobian." Journal of the Society for Armenian Studies 28, no. 2 (April 4, 2022): 317–18. http://dx.doi.org/10.1163/26670038-12342765.

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7

Mikayelyan, Gor A., Sona V. Farmanyan, and Areg M. Mickaelian. "Armenian Astronomical Heritage and Big Data." Proceedings of the International Astronomical Union 15, S367 (December 2019): 269–72. http://dx.doi.org/10.1017/s174392132100048x.

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AbstractAstronomy in Armenia was popular since ancient times and Armenia is rich in its astronomical heritage, such as ancient and medieval Armenian calendars, records of astronomical events by ancient Armenians, the astronomical heritage of the Armenian medieval great thinker Anania Shirakatsi, etc. Armenian astronomical archives have accumulated vast number of photographic plates, films and other careers of observational data. The Digitized Markarian Survey or the First Byurakan Survey, is the most important low-dispersion spectroscopic database. It is one of the rare science items included in UNESCO “Memory of the World” Documentary Heritage list. The Byurakan Astrophysical Observatory (BAO) Plate Archive Project (2015–2021) will result in digitization and storage of some 37,000 astronomical plates and films and in creation of an Electronic Database for further research projects. Based on these data and archives and development of their interoperability, the Armenian Virtual Observatory was created and joined the International Virtual Observatory Alliance.

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8

I., Ghandar. "EGYPTIAN PHOTOGRAPHY TRENDS FROM 1875 TO 1900 THROUGH SOME OF ARMENIAN PHOTOGRAPHERS AND THEIR WORKS." Egyptian Journal of Archaeological and Restoration Studies 5, no. 1 (June 1, 2015): 1–11. http://dx.doi.org/10.21608/ejars.2015.6860.

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9

Kubrak, Oskar, Paulina Kubrak, and Mkrtich H. Zardaryan. "In search of the camp of the IV Scythian legion near ancient Artaxata: research at Pokr Vedi 2015–2018." Polish Archaeology in the Mediterranean, no. 29/2 (December 31, 2020): 409–32. http://dx.doi.org/10.31338/uw.2083-537x.pam29.2.17.

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During the last years of Emperor Trajan’s reign, the Legio IV Scythica was stationed in the capital of Armenia at that time, Artaxata. It had made its way there within the scope of the Roman campaign against the Parthians. Its presence was immortalised on stamped rooftiles, bricks and a monumental inscription discovered by the southern border of the present-day village of Pokr Vedi. The inscription carved into limestone confirms the building activities of the Roman army. Similar inscriptions were frequently placed on the gates and most important buildings in legionary camps. Polish and Armenian archaeologists undertook a joint search for the supposed camp of the Fourth Scythian Legion in the vicinity of the present-day village of Pokr Vedi, where the above-mentioned construction inscription had been found. The field surveys conducted within the framework of the Pokr Vedi Project were mainly of a non-invasive character. The following were applied: surface prospection, aerial photography, interviews with the inhabitants, scanning of part of the terrain and geophysical measurements done using two methods: electrical resistivity and magnetic measurements. The accumulated data enabled the selection of sites in which survey trenches were located

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10

Kopczyńska-Kłos, Hanna. "Projekty genealogiczne Fundacji Kultury i Dziedzictwa Ormian Polskich." Lehahayer 5 (May 15, 2019): 297–305. http://dx.doi.org/10.12797/lh.05.2018.05.17.

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Genealogical Projects of the Foundation of Culture and Heritage of Polish ArmeniansThe Foundation of the Culture and Heritage of Polish Armenians located in Warsaw collects both original and copied birth certificate registries dated at the times from 17th to 20th centuries and coming from Armenian Catholic parishes. The Foundation catalogues and translates them from Kipchak, Armenian and Latin into Polish. Additionally, it collects information on grave inscriptions and photographs. All data is being stored electronically and published online. It serves the purpose of compiling genealogical trees of Armenian families living in Poland (over 5000 people in 9 generations) and creating an online biographical dictionary of Polish Armenians (WikiOrmianie, over 1200 biograms).

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Baeva, O. V. "The Surb Gevorg Church in the Village of SultanSaly. The “Russian-Byzantine” Style in the Temple Architecture of the Don Armenians." Art & Culture Studies, no. 4 (December 2022): 286–303. http://dx.doi.org/10.51678/2226-0072-2022-4-286-303.

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In the settlements of the Don Armenians, founded in the last quarter of the 18th century by immigrants from the Crimea, many churches were built. By the beginning of the 20th century, more than ten stone churches were erected on the territory of the Armenian district. One of them is the Surb Gevorg church in the village of Sultan-Saly the architecture of which this study is devoted to. It was built in the 1860s in the “RussianByzantine” style, which stylistically distinguishes it from the rest of the temples of the Don Armenians, even those whose construction was chronologically close to that of Surb Gevorg. The temple is a unique example of the appeal of Armenian Gregorians to this style. The article presents the conclusion that the church was built according to the pattern projects of K. Thon designed in 1838. Based on archival written sources, drawings, photographic materials, and on-site observation, the author of the article studies the initial project, which remained unimplemented, the history of construction and architecture of the church of Surb Gevorg, and its place in religious construction of the Don Armenians and Russian architecture of the 19th century.

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Ohanowicz-Tarasiuk, Maria. "Ochrona dziedzictwa ormiańskiego w działaniach Fundacji Kultury i Dziedzictwa Ormian Polskich." Lehahayer 7 (March 15, 2021): 313–18. http://dx.doi.org/10.12797/lh.07.2020.07.09.

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Protection of the Armenian heritage in the activitiesof the Foundation for the Culture and Heritage of Polish Armenians One of the basic statutory tasks of the Foundation for the Culture andHeritage of Polish Armenians in Warsaw, established in 2006, is to save the materialheritage of Polish Armenians. Its collection, mainly originating from Armenianchurches in the former Eastern Borderlands, consists of a large archive of parishdocuments, record books, parchments, manuscripts, old prints, books, magazines, photographs, icons and liturgical paraments. This resource was moved to Polandwithin its new borders after the end of World War II, thanks to the efforts of priestsand parishioners. The Foundation, in 14 years of its activity, has ordered and inventoriedthese resources. They are made available at the Foundation’s seat, as well asin the Virtual Archive of Polish Armenians and through the public platform www.szukajwarchiwach.pl. From its beginnings, the Foundation has also undertaken thenecessary emergency work on the most endangered objects, and, depending onthe amount of obtained funds, also conducts conservation works.

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Rezaei, Saeed, and Maedeh Tadayyon. "Linguistic landscape in the city of Isfahan in Iran: The representation of languages and identities in Julfa." Multilingua 37, no. 6 (October 25, 2018): 701–20. http://dx.doi.org/10.1515/multi-2017-0031.

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AbstractThis paper reports on the diversity of languages displayed in the linguistic landscape of Julfa district, a largely Armenian dominated area, in the city of Isfahan in Iran. The data included a corpus of 323 photographs taken from the top-down and bottom-up signage in this quarter of the city. Ethnographic fieldwork was also conducted to reach a deeper understanding of the linguistic landscape in Julfa. The results of the analyses indicated that Julfa, as home to Armenians in diaspora and also a luxurious neighborhood frequented by more modern strata of the Isfahani society, is occupied more noticeably with Persian and English language and to a lesser extent with Armenian language. The findings further revealed that this neighborhood represents not only Iranian but also Armenian and Christian identities. The results are analyzed based on Bourdieu’s theory of language as a symbolic power. Furthermore, the collective identity and language ecology of Julfa in Isfahan are discussed. At the end, some lines of research for further studies in the LL of Iran are provided.

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14

Kunth, Anouche. "Traces, bones, desert: the extermination of the Armenians through the photographers eye." Human Remains and Violence: An Interdisciplinary Journal 1, no. 2 (2015): 71–87. http://dx.doi.org/10.7227/hrv.1.2.7.

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Braving the Ottoman‘s ban on capturing any images of the persecuted Armenians, witnesses dodged censorship and photographed pictures that would later be branded as proofat the Paris Peace Conference in 1919–20. Despite the challenge of these images to representations of the Armenian genocide, they were soon forgotten after the 1923 Treaty of Lausanne erased the Armenian Question, while time took care of destroying the corpses abandoned in the desert. This article will examine the image-disappearance dialectic through distinct temporalities of remembrance,and commemoration, each of which mobilises its own specific, iconographical semantics. In response to contemporary challenges, the repertoire of images has not remained sealed; over the last decade it has been reopened through depictions of bare landscapes and stretches of desert and bones,that suddenly pierce through the earth. The article will show how these images implicitly speak of the disappearance and seek meaning through emptiness.

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15

Pitman, Alexandra. "Trauma, bereavement and the creative process: Arshile Gorky's The Artist and His Mother." Advances in Psychiatric Treatment 19, no. 5 (September 2013): 366–69. http://dx.doi.org/10.1192/apt.bp.112.010850.

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SummaryThe artist Arshile Gorky played a central role in the development of Abstract Expressionism during the 1940s. Born in Armenia, his early figurative works recall a childhood of persecution by Ottoman Turks, a period during which he suffered a number of significant losses. The painting The Artist and His Mother (c. 1926–1936) is based on a photograph showing the 7-year-old Gorky with his mother, 7 years before she starved to death during the Armenian Genocide. This article explores the early experiences that haunt this painting and the difficulties Gorky struggled with during his adult life as an immigrant to the USA – factors that contribute to an understanding of his suicide in 1948.

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16

Parsegian, Vazken Lawrence. "On Preserving Architectural History: The Armenian Experience." Journal of the Society of Architectural Historians 44, no. 3 (October 1, 1985): 284–86. http://dx.doi.org/10.2307/990077.

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The assembly of the Armenian Architectural Photographic Archives-the first of its kind among ethnic histories-has revealed the value of using microform techniques for both preserving photographic records at relatively low cost and for aiding architectural research which involves large amounts of photographic detail. Moreover, the values multiply as computer capabilities are integrated with the assembly process for internal cross-referencing and for facilitating availability to researchers as an on-line data base. The article also discusses the severe difficulties that projects of this kind face due to the political-geographic barriers existing in many historical regions.

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17

Alloa, Emmanuel. "Afterimages: Belated Witnessing in the Photographs of the Armenian Catastrophe." Journal of Literature and Trauma Studies 4, no. 1-2 (2016): 43–65. http://dx.doi.org/10.1353/jlt.2016.0009.

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18

Kalancha, Inha. "Electronic segment in criminal procedural legislation of Armenia." Naukovyy Visnyk Dnipropetrovs'kogo Derzhavnogo Universytetu Vnutrishnikh Sprav 1, no. 1 (March 30, 2020): 205–10. http://dx.doi.org/10.31733/2078-3566-2020-1-205-210.

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The article deals with the study of electronic segment in the criminal procedural law in Armenia. It proves the use of specialized electronic tools and information systems within the framework of criminal process in Armenia. Among them: a special computer system for recording, archiving data and protecting the system; technical means for controlling and intercepting telephone and other types of communications. The author identifies a number of non-specialized electronic tools applied in criminal proceedings, in particular: audio-visual, video recording, electronic or telegraph technical means; electronic media; means of communication; computer; phone; technical means, etc. The paper also presents the requirements for electronic recording of individual investigative ac-tions carried out by means of photographic work, audio-recording, video-recording, filming. Criminal-Procedural Code of Armenia separately specifies the requirements for electronic recording of interrogation, examination, exhumation, witnessing, person identification by a photograph, submitting a corpse for identi-fication, search, mail monitoring, telegrams and other means of communication, inspection and withdrawal of correspondence, wiretapping of telephone conversations, investigatory experiment, obtaining samples for carrying out expert research. The study focuses on the right of the suspect immediately after his / her deten-tion to notify of his / her whereabouts and the reasons for his / her detention using phone or other means of communication. However, it is possible to delay the effectuation of this right for up to 12 hours, if there is a reasonable assumption that immediate exercise of this right may obstruct crime prevention or will result in destroying or damaging the evidence. Moreover, petition for permission to apply measures of procedural coercion may be sent to the court and supervising prosecutor in electronic format. Procedural actions within criminal proceedings in Armenia are recorded in electronic format through the prism of the procedural action protocol. The hearing is accompanied by electronic recording of its progress and results. Electronic communication is also employed in terms of international cooperation.

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19

Šumpich, Jan, Ole Karsholt, Nikolay Savenkov, and Hartmut Roweck. "The genus Tegostoma in Armenia, with description of a new species (Crambidae, Odontiinae)." Nota Lepidopterologica 45 (August 23, 2022): 269–78. http://dx.doi.org/10.3897/nl.45.87795.

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A small but beautifully coloured species of Tegostoma Zeller, 1847, which was collected by the authors in Armenia, has turned out to be unnamed and is here described as Tegostoma burtoni sp. nov. The description is supported by morphology and DNA barcodes . Photographs of the adults and genitalia of both sexes are provided. Tegostoma lepidalis (Herrich-Schäffer, 1851) and Pyrausta gulpembe Kemal & Koçak, 2018 are recorded as new species for Armenia.

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20

Rejman, Sabina. "Fotografie rodziny Mierów i Jędrzejowiczów z zespołu „Archiwum Podworskie Mierów-Jędrzejowiczów w Staromieściu” w Archiwum Państwowym w Rzeszowie." UR Journal of Humanities and Social Sciences 16, no. 3 (2020): 123–40. http://dx.doi.org/10.15584/johass.2020.3.7.

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According to archivists a photograph can be both an illustrative material and a historical source. But still there is no handbook which can describe all aspects connected with photograpfic documentation. In the State Archive in Rzeszów (complex “Archiwum Podworskie Mierów-Jędrzejowiczów w Staromieściu”) there is the small separated collection of photographies. They present: portrait photos (Tytus Jan Mateusz hrabia Mier, Henryka z Mierów Komorowska) and watches with a miniature portrait of Jan hrabia Mier; postcards with photos of military manoeuvres; the portrait photo (Lubina z Rogoyskich Mierowa) and a photo for official documents (Jan Feliks Jędrzejowicz). The family of Mier which had Scotish and Calvinist roots and the family of Jędrzejowicz of Armenian and merchant origin were connected by the marriage contracted in 1878 in Vienna between Adam Jędrzejowicz (1847–1924), the son of Jan Kanty and Maria (maiden name Straszewska) from Zaczernie and Gabriela Felicja (maiden name Mier) (1850–1939), the daughter of Feliks and Felicja, divorced with Zdzisław Tyszkiewicz, the heir to landed property of Kolbuszowa. After the wedding Staromieście became their family home (now it is within the city limits of Rzeszów). Then Jan Feliks (1879–1942), the only son of this couple, managed the estate. Photographs provide valuable information both in the textual (notes connected with presented on photos persons, things, events) and illustrative stratum.

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Adam, Will. "Communion and Jurisdiction." Ecclesiastical Law Journal 23, no. 2 (April 27, 2021): 200–208. http://dx.doi.org/10.1017/s0956618x21000065.

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In May 2019 ARCIC III, the current phase of the Anglican–Roman Catholic International Commission met at St George's Cathedral, Jerusalem. The commission members (and staff) were entertained to lunch in the Latin Patriarchate by the Apostolic Administrator (now the Latin Patriarch), Archbishop Pierbattista Pizzaballa OFM. On the wall was a photograph which, it was explained, was a picture of the dozen or so bishops in Jerusalem who were in communion with the See of Rome. There were among them Latins or Roman Catholics, Greek Melkite Catholics, Maronites, Syrian Catholics and Armenian Catholics. All were present in Jerusalem and its environs and exercising episcopal ministry and jurisdiction. And all were in communion with each other.

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Bulkeley, Rip. "Aivazovsky's Icebergs: an Antarctic mystery." Polar Record 51, no. 2 (February 24, 2014): 212–15. http://dx.doi.org/10.1017/s0032247414000047.

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ABSTRACTThe Armenian-Russian artist Ivan Aivazovsky completed a painting of a polar seascape entitled Ledyanyye gory [Ice mountains] in 1870. The picture has usually been taken for an Antarctic scene depicting HIMS Mirnyi, one of the two ships of the Russian Antarctic Expedition of 1819–1821, in the presence of icebergs, ice cliffs and floes. The author contends, first, that this identification is open to considerable doubt, and second, that other aspects of the painting are also problematic. The painting is in the Aivazovsky Museum in Ukraine. The Museum kindly supplied him with high resolution photographs of the painting but personal scrutiny has proved impossible hitherto. Further research, especially into Aivazovsky's papers, might resolve some of the questions which it raises.

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Pashinyan, G. A., P. O. Romodanovsky, F. Ayub, E. V. Belyaeva, E. S. Sahakyan, E. Kh Barinov, R. G. Alimova, and E. S. Tuchik. "Identification of objects and processes of forensic medicine." Kazan medical journal 75, no. 4 (July 15, 1994): 324–26. http://dx.doi.org/10.17816/kazmj90416.

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The modern development of transport, the presence of a number of potentially dangerous industrial complexes, the threat of natural disasters at any time can lead to large-scale disasters. Examples are the earthquake in Ashgabat, Mexico City, Armenia, Iran, Los Angeles, the accident at the Chernobyl nuclear power plant, a number of major rail accidents in the country and abroad.One of the important issues in such disasters is personal identification, which is carried out, as a rule, by external signs, finger patterns, bone remains, medical documents, photographs, etc.

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FIRAT, MEHMET. "Gundelia siirtica (Asteraceae), a new lactiferous species from Siirt (south-eastern Anatolia)." Phytotaxa 394, no. 4 (March 4, 2019): 276. http://dx.doi.org/10.11646/phytotaxa.394.4.5.

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Gundelia siirtica sp. nov. is described from Siirt Province, Turkey. The new species appears to be most similar to G. mesopotamica and G. armeniaca, from which it differs in plant height and indumentum, size and number of synflorescences, colour of corolla externally and internally, shape and size of fruit complex (disseminule). A comprehensive description of this species is provided, with detailed photographs, a distribution map, a habitat description, a vernacular name and an IUCN conservation status.

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Erkonan, Sahika. "The politics of self-reflexivity in ethnography." Interactions: Studies in Communication & Culture 11, no. 1 (April 1, 2020): 115–18. http://dx.doi.org/10.1386/iscc_00012_7.

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This short commentary aims to describe the role of political subjectivity and the researcher’s memory in fieldwork by focusing on a self-reflective account of my ethnographic fieldwork. This reflection comes after two years of ethnographic inquiry into sensory experience and observation of how memory is performed in relation to personal photographs and objects. It is part of an ongoing Ph.D. thesis about the post-memories of Armenian Genocide descendants in the diaspora, where I seek to understand how they remember the past in the present by observing their sensory engagement with the past. As well as this, the fieldwork shows the necessity of auto-ethnographic inquiry of the researcher, given that I am Turkish. This commentary ultimately asks what the role is of political subjectivity in ethnographic fieldwork, thinking especially of visual mediation in the diaspora.

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POLHEMUS, DAN A., and VINCENT J. KALKMAN. "Four new species of Wahnesia Förster, 1900 from the D’Entrecasteaux, Louisiade and Woodlark island groups, Papua New Guinea (Odonata: Argiolestidae)." Zootaxa 5004, no. 3 (July 21, 2021): 447–64. http://dx.doi.org/10.11646/zootaxa.5004.3.3.

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The species of the damselfly genus Wahnesia Förster, 1900 occurring in the D’Entrecasteaux Islands, Louisiade Archipelago, and on Woodlark Island are reviewed, and four new species are described: W. muyuw from Woodlark Island, W. misima from Misima Island, W. tagula from Tagula (Sudest) Island, and W. rossel from Rossel Island, these latter three islands all lying in the Louisiade Archipelago. In addition, new information is presented on the identification and distribution of the two previously described species from the D’Entrecasteaux islands: W. annulipes (Lieftinck, 1956) from Goodenough, Fergusson, and Normanby islands, and W. armeniaca (Lieftinck, 1956) from Goodenough and Fergusson islands. Illustrations are provided for the male abdominal terminalia and genital ligula of the four new species, as well as the wings and a color photograph of a live male of W. muyuw, and the ligula of W. armeniaca, accompanied by updated distribution maps for all species treated.

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Vinogradov, Andrey Yu. "Architecture at the Crossroads of Cultures: The Church Complex in Varzahan near Bayburt in the Light of New Finds." Античная древность и средние века 48 (2020): 368–407. http://dx.doi.org/10.15826/adsv.2020.48.023.

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Varzahan (modern Ugrak near Bayburt in Turkey) is the completely destroyed church complex located at the junction of cultural worlds: Byzantine and Muslim, Armenian and Kartvelian. Although its churches were known mainly from W. Bachmann’s description and photographs, our recent archival finds (the photographs of N. Okunev’s expedition) allow us to reconstruct the appearance and construction history of the Varzahan churches. For the first time, the construction of the cross-domed church has been reconstructed: it was a triconch inscribed into a cross-like outline; the function of the small church next to the octagon has been discovered: it was a gate church. The author provides many architectural and decorative analogies to the monuments of Varzahan. There is a number of unique details indicating that the patron of the major construction project in Varzahan invited, along with the Byzantine builders from the Asia Minor, two groups of masters from Tao (probably identical with the two crews of David Kuropalates in the 960s – early 970s), one oriented to Cappadocia (the triconch builders), another to the Pontos (the builders of the octagon and the gate church), or including masters from these regions. The most probable date for this “joint work” seems the period between 979 and 988, when the “lords” (strategos/doux) of the theme of Chaldia were David’s allies Chordvanel and Bagrat, the natives of Tao.

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Lindsay, Ian, and Ningning Nicole Kong. "Using the ArcGIS Collector Mobile App for Settlement Survey Data Collection in Armenia." Advances in Archaeological Practice 8, no. 4 (July 28, 2020): 322–36. http://dx.doi.org/10.1017/aap.2020.26.

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AbstractRecent years have seen the rapid adoption of digital site recording strategies following the proliferation of GPS-enabled mobile devices and data collection apps. Much of the emerging literature on digital—or paperless—archaeology, however, has focused on excavation contexts, with fewer discussions of mobile-GIS solutions on archaeological survey. This article discusses the design and implementation of a site survey workflow based on Esri's ArcGIS Collector mobile app in the context of Project ArAGATS's Kasakh Valley Archaeology Survey in northwestern Armenia. The Collector app provides a simple, map-centric user interface that allows surveyors with little-to-no GIS experience to record site locations, enter attribute data on customized digital forms, and attach photographs. With a network connection, the Collector app instantly uploads site information as GIS data to the project geodatabase and refreshes the data across surveyors’ mobile devices. Although the Collector app lacks certain GIS features and requires an institutional Esri license, we found that the native integration with our project GIS and broad access to visualization and recording tools in the app made in-field decision-making and interpretation more collaborative and inclusive across the survey team.

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Tsvetkov, Mucho K. "Sofia Sky-Archive Data Center: Photographic Plate Collections for Developing Countries." Transactions of the International Astronomical Union 24, no. 3 (2001): 231. http://dx.doi.org/10.1017/s0251107x0000081x.

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The Sofia Sky Archive Data Center (SSADC) was developed on the base of the Wide-Field Plate Database (WFPDB – http://www.skyarchive.org) as a project of the Working Group on Sky Surveys, Commission 9 of the IAU, and is dedicated to saving plate collections. The center manages 12 PCs connected in a local computer network and a PDS 1010 microdensitometer donated by the European Southern Observatory. The main field of operation is the WFPDB development, plate digitization and image processing for different astronomical tasks in South- and East Europe (Russia, Ukraine, Armenia, etc.), and as a regional coordinator especially for the neighbour countries – Romania, Yugoslavia, Macedonia, Greece and Turkey. The main problem in the way of the WFPDB development is the creation of the computer-readable plate catalogues of the original logbooks because the speed of converting the logbooks in a computer-readable form is very low. The message is: we have to find the way to accelerate this important part of the project where the role of the developing countries in this direction should be very important. (Co-authors are: K. Tsvetkova, K. Stavrev V. Popov, H. Lukarski, A. Borisova, M-E. S. Michailov and G. Borisov of Sofia, Bulgaria, and S. Christov, Bulgarian South-West University).

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FRANK, DAVID. "Revision of the subgenus Stigmatophorella of Chalcophorella (Coleoptera: Buprestidae: Chrysochroinae)." Zootaxa 4895, no. 4 (December 17, 2020): 451–82. http://dx.doi.org/10.11646/zootaxa.4895.4.1.

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The subgenus Stigmatophorella Tôyama, 1986 of Chalcophorella Kerremans, 1903 is revised based on comparative study of extensive material including types of all described taxa. One new subspecies is described: Chalcophorella (Stigmatophorella) bagdadensis wandalii subsp. nov. from NE Iraq, NW Iran and S Armenia. Chalcophorella quadrimaculata (Redtenbacher, 1850) is removed from synonymy with C. stigmatica (Dalman, 1817), transferred from the nominotypical subgenus to Stigmatophorella and downgraded to subspecies Chalcophorella (S.) bagdadensis quadrimaculata (Redtenbacher, 1850) stat. nov., assign. nov. Two new synonymies are established: C. (S.) bagdadensis quadrimaculata = C. (S.) bagdadensis freyi Obenberger, 1942 syn. nov.; = C. (S.) bagdadensis berhauti Mandl & Pochon, 1957 syn. nov. (formerly synonym of C. (S.) bagdadensis bagdadensis). Lectotypes are designated for following taxa to ensure their correct application and recognition in future: Chalcophorella (S.) bagdadensis amarensis Obenberger, 1942; C. (S.) bagdadensis bagdadensis (Laporte de Castelnau & Gory, 1837), C. (S.) bagdadensis freyi; C. (S.) bagdadensis quadrimaculata; C. (S.) escalerae (Abeille de Perrin, 1904); C. (S.) orientalis Obenberger, 1924; and C. (S.) quadrioculata (Kollar, 1843). All herein included taxa are illustrated with colour photographs of habitus and the male aedeagus. A key to all taxa is presented.

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Lewy, Guenter. "The Armenian Genocide: Cultural and Ethical Legacies. Ed. Richard Hovannisian. New Brunswick, N.J.: Transaction Publishers, 2007. xii, 449 pp. Notes. Index. Illustrations. Photographs. Figures. Tables. $29.95, paper." Slavic Review 67, no. 4 (2008): 1000–1001. http://dx.doi.org/10.2307/27653046.

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TUGAY, OSMAN, DENİZ ULUKUŞ, KUDDİSİ ERTUĞRUL, TUNA UYSAL, HAKKI DEMİRELMA, and HÜSEYİN DURAL. "A new species of Cousinia (sect. Cousinia, Asteraceae) from the Ağrı Mountain (eastern Turkey): evidence from morphology, karyology and anatomy." Phytotaxa 427, no. 4 (December 30, 2019): 259–69. http://dx.doi.org/10.11646/phytotaxa.427.4.4.

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Cousinia agridaghensis (sect. Cousinia) from Ağrı province, eastern Turkey, is described as new to science. The new species is morphologically closely related to C. urumiensis, C. fedorovii and C. armena but differs in capitula shape, synflorescence shape, stem height, shape of segments of basal and uppermost cauline leaves. In addition, the new species is compared with C. urumiensis, which is distributed in Turkey, in terms of chromosome number and anatomical features. The basic chromosome number is determined x = 12 in C. agridaghensis and x = 13 in C. urumiensis. The differences in leaf midrib shape and number of vascular bundles in C. agridaghensis and C. urumiensis are observed. The achene coat and pollen grain surface of C. agridaghensis and C. urumiensis are studied with SEM photographs. Furthermore, a detailed description, distribution map, conservation status and ecology of the new species are given.

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Russell, James. "Scent Smile and Sorrow: Selected Verse (1891–1957) and Jottings from Notebooks. A Centennial Publication, 1875–1975. By Avedick Issahakian. Edited and translated from the Armenian by E. B. Chrakian. Watertown, Mass.: Library of Armenian Studies, Publishers, 1975. 80 pp. Illustrations. Photographs. $4.95, paper." Slavic Review 44, no. 2 (1985): 382–83. http://dx.doi.org/10.2307/2497819.

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Abrahamian, H. V., K. Gigoian, A. A. Kisselev, T. P. Kisseleva, and N. A. Shakht. "Positional photographic observations of saturn, uranus, neptune, their satellites and pluto in 1990 with the telescope ZTA-2.6 m at byurakan in armenia." Astronomical & Astrophysical Transactions 3, no. 3 (January 1993): 279–85. http://dx.doi.org/10.1080/10556799308230565.

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Dengler, Jürgen, Alla Aleksanyan, Didem Ambarlı, Idoia Biurrun, Iwona Dembicz, Anna Kuzemko, Péter Török, Stephen Venn, and Michael Vrahnakis. "The Eurasian Dry Grassland Group (EDGG) in 2018–2019." Hacquetia 18, no. 2 (December 1, 2019): 147–54. http://dx.doi.org/10.2478/hacq-2019-0010.

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Abstract This report summarises the activities and achievements of the Eurasian Dry Grassland Group (EDGG) from January 2018 through July 2019. During the reported period, two Eurasian Grassland Conference (EGCs) took place: the 15th EGC in Sulmona, Italy, and the 16th EGC in Graz, Austria. The 11th and 12th EDGG Field Workshops studied vegetation diversity patterns in the inner alpine valleys of Austria and Switzerland, while the 13th Field Workshop was organised in Armenia. The formerly electronic newsletter of EDGG (Bulletin of the Eurasian Dry Grassland) was transformed into a peer-reviewed international journal, called Palaearctic Grasslands, which now is attracting both scientific and photographic contributions. Furthermore, the EDGG homepage was re-constructed with a new design and content management system. The EDGG has also finalised two grassland-related Special Features during the past 1.5 years in the international journals Tuexenia and Hacquetia, and contributed with eight chapters to the book Grasslands of the World: Diversity, Management and Conservation. The vegetation-plot database GrassPlot, containing standardised multi-scale data from Palaearctic grasslands and closely connected with EDGG, has developed well, as did some other regional and national grassland-focused databases.

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Shay, Anthony. "Daughter of Egypt: Farida Fahmy and the Reda Troupe, by Marjorie A. Franken. 2001. Glendale, CA: VassiliansDepot.com dba Armenian Reference Books Company. x + 121 pp., photographs, index. $25.00 paper." Dance Research Journal 35, no. 1 (2003): 111–14. http://dx.doi.org/10.1017/s0149767700008822.

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Kirilko, Vladimir Petrovich. "Architrave Slab of the Entrance into the Gate Church of Funa." Античная древность и средние века 49 (2021): 164–75. http://dx.doi.org/10.15826/adsv.2021.49.012.

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The gate church of the Theodorite castle near the village of Funa appeared in 1459 and existed to 1778. Left unattended later on, it became decayed, quickly dilapidated, and finally turning into ruin after the earthquake of 1927. The experts’ conclusions concerning its origin are based mainly on the typical features of the architectonics and carved decoration of the structure, correlated with the traditions of Armenian architecture and Seljuk ornamentation. The most exquisite architectural detail of the building is the large slab with relief ornamentation that overlapped from outside the doorway of the south entrance. Two iconographic sources are published for the first time to supply new information about the slab in question along with the results of a substantive study of a large fragment of the artefact which was found by chance outside the castle short time ago. Almost a half of the composition that adorned the outermost part of the architrave survived. Its completely lost middle part can be reconstructed reliably by the photograph taken by N. N. Klepinin and the drawing by D. M. Strukov. The ornamental motif of the slab is one of the most popular in mediaeval art, being typical of the eastern decorative tradition. It is still not possible to discover the origin and exact date of the architrave which was secondary used in the church of 1459. Stylistically, structurally, and technologically it is comparable with carved architectural details of many main buildings of the capital town of Theodoro, which were erected in the 1420s. Therefore, the slab in question possibly has the same chronology, but still it could be made even earlier.

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Dudwick, Nora. "Looking toward Ararat: Armenia in Modern History. By Ronald Grigor Suny. Bloomington: Indiana University Press, 1993. xi, 289 pp. Index. Photographs. Maps. Table. $39.95, hard bound; $14.95, paper." Slavic Review 53, no. 3 (1994): 968–70. http://dx.doi.org/10.2307/2501616.

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Göçek, Fatma Muge. "Genocide in the Ottoman Empire: Armenians, Assyrians and Greeks, 1913–1923. Ed. George N. Shirinian. New York: Berghahn Books, 2017. xi, 433 pp. Notes. Bibliography. Index. Photographs. $69.95, hard bound." Slavic Review 77, no. 4 (2018): 1054–56. http://dx.doi.org/10.1017/slr.2018.306.

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Gardiner, Roger F. "Armenian Rugs: Fabric of a Culture. An Exhibition at the Balch Institute for Ethnic StudiesAugust 17-October 29, 1988. Co-sponsored by the Armenian Rug Society. Ed. Pamela B. Nelson. 40 pp; colour and black and white photographs, maps and "selected bibliography". Philadelphia: Balch Institute for Ethnic Studies, 1988." Iranian Studies 25, no. 1-2 (1992): 157–58. http://dx.doi.org/10.1017/s0021086200017011.

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41

Yaghoubian, David N. "The Armenians of Iran: The Paradoxical Role of a Minority in a Dominant Culture ed. Cosroe Chaqueri, Cambridge: Harvard Center for Middle Eastern Studies, 1998. 408 pp., photographs." Iranian Studies 32, no. 4 (1999): 610–13. http://dx.doi.org/10.1017/s0021086200000232.

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42

Kuhnke, La Verne. "Armenians of Jerusalem: Memories of Life in Palestine, by John H. Melkon Rose. 291 pages, maps, glossary, photographs, index. New York: The Radcliffe Press, 1993. $39.50 (Cloth) ISBN 1–85043-596–0." Middle East Studies Association Bulletin 29, no. 1 (July 1995): 107. http://dx.doi.org/10.1017/s0026318400031138.

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43

Chorbajian, Levon. "Armenia: Portraits of Survival and Hope. By Donald E. Miller and Lorna Touryan Miller. Berkeley: University of California Press, 2003. xii, 197 pp. Appendixes. Notes. Bibliography. Index. Photographs. Map. $29.95, hard bound." Slavic Review 63, no. 4 (2004): 875–76. http://dx.doi.org/10.2307/1520447.

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44

Önol, Onur. "Russia's Entangled Embrace: The Tsarist Empire and the Armenians, 1801–1914. By Stephen Badalyan Riegg. Ithaca, NY: Cornell University Press, 2020. xiv, 314 pp. Appendix. Notes. Bibliography. Index. Photographs. Maps. $45.00, hard bound." Slavic Review 80, no. 4 (2021): 943–44. http://dx.doi.org/10.1017/slr.2022.50.

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Riegg, Stephen Badalyan. "Roving Revolutionaries: Armenians and the Connected Revolutions in the Russian, Iranian, and Ottoman Words. By Houri Berberian. Oakland: University of California Press, 2019. xvii, 301 pp. Appendix. Notes. Bibliography. Index. Illustrations. Photographs. Maps. $34.95, paper." Slavic Review 79, no. 1 (2020): 185–86. http://dx.doi.org/10.1017/slr.2020.19.

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Turkan, Zihni, and Gaye Anil. "An important cultural heritage in the walled city historical texture of Nicosia: “Victoria street ”." Revista Amazonia Investiga 9, no. 31 (August 7, 2020): 148–58. http://dx.doi.org/10.34069/ai/2020.31.07.13.

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Victoria Street is the most important arterial street of Arabahmet Neighborhood, an important part of the walled city of Nicosia, the capital of Cyprus, which houses the historical city texture. A cultural mosaic embodied in its architectural heritage, the formation of the street texture dates back to the Byzantine period of Cyprus. Beginning in the Lusignan period with the Armenian Church still standing today, the historical street texture did not show any development during the Venetian period. The formation of texture of Victoria Street continued in the Ottoman period, and a symbol of the street and the city, ArabahmetPaşa Mosque and XIX. Century Traditional Turkish Houses have taken place in its texture. The historical street texture saw its most important formation and development process during the British period. Besides many buildings with shops on the ground floor and houses on the upper floors built during this period, concrete buildings of shops and houses, three-floor apartments built towards the end of this period contributed to the shaping of the street. The Catholic Church within the present day historical texture of the street was also built during the British period, and forms the border of the street at its south end. During the Republic of Cyprus period, which began in 1960, concrete shops and houses were built in place of buildings tumbling down, and the development of the street texture continued. However, because of the political strife between the communities in Cyprus, the demographical profile of the street changed and this historical texture was neglected. Later, some of the Traditional Turkish House style buildings were renovated with funding from the United Nations and became functional. The aim of this study is to analyze the formation and development of Victoria Street, which is an important cultural heritage within the historical texture of the walled city of Nicosia, through various historical periods, and to establish the physical and social status and its important place in the city beginning with the first construction of the street texture to the present. Information was gathered from written and visual resources for the study using a qualitative research method. The street texture was examined with a field study and photographed.

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Simyan, Tigran S. "The world of Hutsuls through the eyes of Sergei Parajanov: semiotic translation, film language, existential invariants." Rusin, no. 67 (2022): 375–89. http://dx.doi.org/10.17223/18572685/67/21.

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The article analyses Parajanov's reflections on semiotic translation, on the example of the life, traditions, and customs of the Hutsuls, as recorded in his article “Eternal Movement” about his film Shadows of Forgotten Ancestors. Shadows of Forgotten Ancestors became a stylistic and semantic invariant for Parajanov's subsequent films. In fact, it became a manifesto movie. Parajanov found his own thematic language and creative constants, such as rituals, traditions, customs, and sacraments. By focusing on the creative invariants of the lives of different peoples (Hutsuls, Armenians, Turks, Tatars, etc.), Parajanov began to aesthetically conjecture and reveal their inner worlds, customs, and more. Shadows of Forgotten Ancestors is based on a deep love of Hutsul culture, as well as I. Savchenko's “method” that assumes a direct cognition and absorption of the object-culture, nature, and the sensual world on different communication channels (visual, auditory, olfactory). Based on the deep knowledge of the Hustsul culture, Parajanov works with the world of values, by translating the text into a visual image, as well as fantasizing visual customs. Through the bearer of culture, an elderly woman, he began to look at the world of the Hutsuls and absorb their spirit for the correct reconstruction of the material in the transnational language of beauty and recoding denotative codes into connotative ones. Parajanov's reflection on the film showed the transition from the amorphous cinematic language of socialist realism to the language of auteur cinematography: the rejection of clear plot reproduction, photographic reproduction of everyday life, manners and customs, “notorious canons”, “old habits, and impressions”. The emergence of the author's cinematic language made his conflict with the Soviet cinematic system and nomendaturai “elite” even clearer. This is evidenced by the fact that Parajanov still had to defend his position and argue against dubbing his film, since in that case, the viewer would lose the authentic auditory world of the Hutsuls.

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McCabe, Ina Baghdiantz. "The Emergence of the Diocese of New Julfa in the Seventeenth Century, Vasgen Ghougassian. University of Pennsylvania, Armenian Texts and Studies 14. Atlanta, Georgia: Scholar's Press, 1998. ISBN 0–7885–0438-X, 326 pages, 2 maps, 28 photographs, appendices, bibliography, index." Iranian Studies 33, no. 3-4 (2000): 502–3. http://dx.doi.org/10.1017/s0021086200002607.

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Medvedev, Andrey, Natalia Alekseenko, Natalia Telnova, and Alexander Koshkarev. "Long-term analysis of irrational water use processes based on cartographic materials and remote sensing data." Abstracts of the ICA 1 (July 15, 2019): 1. http://dx.doi.org/10.5194/ica-abs-1-245-2019.

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<p><strong>Abstract.</strong> Assessment and monitoring of environmental features based on large-scale and ultra-high resolution data, including remote sensing data, which have advantages in the repeatability of information and the speed of processing of incoming data, often face issues of completeness and duration of time series in retrospective analysis. Cartographic materials and remote sensing data allow monitoring for rapidly changing natural and anthropogenic features in the study areas, but very often face a problem when an event or phenomenon occurred many years ago and it is necessary to make a complete chronology.</p><p>Ultra-high-resolution data, remote sensing data and the results of the subsequent geoinformation analysis are widely used to solve problems in a number of socio-economic areas of territorial development, in particular:</p><ul><li>in environmental studies &ndash; identification of local sources of water pollution, the consequences of their impact onecosystems, synthetic assessment of the ecological state of the territories and their comfort;</li><li>in the management of various resources, including water &ndash; determination of biological productivity of water bodies, identification of water bioresources, detection of anthropogenically provoked and natural changes in water mass,implementation for glaciological studies, etc.</li></ul><p>Within the framework of the current study, a multi-time analysis of the water area and the coastal strip of Lake Sevan (the Republic of Armenia) at an altitude of about 1900 m above sea level, was carried out. The lake has repeatedly beensubjected to changes in the water level of the reservoir in the past. The 1930s and in the period between 1949 to 1962 were noted by the most intense drop in water level (more than 10 meters). In the 1990s, there was a slight increase inthe level, and then until 2001, the level of the lake continued to decrease.</p><p>The main factors affecting aquatic ecosystems and the overall ecological status of the lake are:</p><ol><li>Repeated changes in the water level of the reservoir in the past and its expected fluctuations in the future.</li><li>The uncontrolled discharge of harmful substances caused great damage to the lake, which affected the water qualityand biodiversity of this unique natural site.</li><li>Untimely cleaning of flooded forests, which increases the risk of eutrophication of the lake.</li><li>The poorly organized system of waste disposal and unauthorized landfills of municipal solid waste, as well as animalwaste.</li><li>Unauthorized construction of recreational facilities and capital structures in the coastal and water protection zonewhich may be flooded.</li></ol><p> The information support of the study is based on the materials of satellite imagery from the worldview2, SPOT 5/6,Resurs-P, Canopus-B, materials from the international space station (ISS), materials of archival aerial photography anddata obtained from the UAVs, in combination with other map data sources in the range of scales 1&thinsp;:&thinsp;5&thinsp;000 &ndash; 1&thinsp;:&thinsp;100&thinsp;000,including digital topographic maps, land use maps, statistical and literary data. In fact, cartographic materials andremote sensing data provide a time history of 75 years, from large-scale topographic maps of 1942&ndash;1943 to highlydetailed images of 2017&ndash;2018.</p><p>According to the results of the study, it was possible to establish the position of the coastline for different time periods.The period between 1949 and 1962, when there was the most critical drop in the water level, was especially interestingand had not been studied before. Archival aerial photographs for 1943 and 1963 allowed to reconstruct the position ofthe coastline for almost every year of irrational water use.</p>

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Winter, Jay. "A Question of Genocide: Armenians and Turks at the End of the Ottoman Empire. Ed. Ronald Grigor Suny, Fatma Müge Göçek, and Norman M. Naimark. Oxford: Oxford University Press, 2011. xxii, 434 pp. Notes. Index. Illustrations. Photographs. Maps. $34.95, hard bound." Slavic Review 72, no. 1 (2013): 134–35. http://dx.doi.org/10.5612/slavicreview.72.1.0134.

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