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Journal articles on the topic 'Armenian photography'

Author: Grafiati

Published: 20 February 2023

Last updated: 28 July 2025

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1

Schulze Tanielian, Melanie. "Defying the Humanitarian Gaze: Visual Representation of Genocide Survivors in the Eastern Mediterranean." Humanity: An International Journal of Human Rights, Humanitarianism, and Development 14, no. 2 (2023): 186–211. http://dx.doi.org/10.1353/hum.2023.a916996.

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Abstract: This article is a critical encounter with the genre of humanitarian photography through the case study of images of women survivors of the Armenian Genocide. Viewing photographs taken as part of the American humanitarian campaign in the Eastern Mediterranean, the article exposes the universalizing modality of humanitarian photography while exposing mass atrocities as perpetuating the silencing of victims by reducing them to symbols of suffering. Through an indexical, forensic, and critical fabulatory engagement with the humanitarian photograph, the article aims to unsettle the univer

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2

Koureas, Gabriel. "Parallelotopia: Ottoman transcultural memory assemblages in contemporary art practices from the Middle East." Memory Studies 12, no. 5 (2019): 493–513. http://dx.doi.org/10.1177/1750698019870689.

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This article engages with the conversations taking place in the photographic space between then and now, memory and photography, and with the symbiosis and ethnic violence between different ethnic communities in the ex-Ottoman Empire. It questions the role of photography and contemporary art in creating possibilities for coexistence within the mosaic formed by the various groups that made up the Ottoman Empire. The essay aims to create parallelotopia, spaces in the present that work in parallel with the past and which enable the dynamic exchange of transcultural memories. Drawing on memory the

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3

al-Hajj, Badr. "The Armenian Pioneers of Middle Eastern Photography." Jerusalem Quarterly, no. 31 (June 20, 2007): 22. https://doi.org/10.70190/jq.i31.p22.

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4

Khachibabyan, Mane. "“The Unexamined Life is not Worth Living”: The Armenian Genocide." WISDOM 2, no. 5 (2014): 21. http://dx.doi.org/10.24234/wisdom.v2i5.29.

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The article discusses the work, research and efforts Professor Armen Marsoobian has done towards explicating and representing the fragments left from the Armenian Genocide period. Armenian Genocide has had its huge impact on the lives of Armenian people and the national ideology.Professor Marsoobian through photography exhibitions and his books, retells the story of Armenian people and events of 1915 to the world. The past needs to be examined, for we need to clearly understand the reasoning behind historical events, in order to prevent and be more secure in future.

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Abbaspour, Mitra M. "A Hero and a Homeland for Armenians in America: Photography and the Construction of Cultural Memory." International Journal of Middle East Studies 42, no. 1 (2010): 13–16. http://dx.doi.org/10.1017/s0020743809990584.

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Both portrait and landscape, historical scene and contemporary monument, and, ultimately, both engraving and photograph, this image contains the keys to a significant story from modern Armenian cultural history. In the years following World War I hundreds of Armenians immigrated to the United States, where through the creation of objects such as this picture, they reconstituted their community, emphasizing the longevity of their history, their unity as a minority culture, and their identity as a diaspora.

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Low, David. "Photography and the Empty Landscape: Excavating the Ottoman Armenian Image World." Études arméniennes contemporaines, no. 6 (December 30, 2015): 31–69. http://dx.doi.org/10.4000/eac.859.

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7

Clarke, David, and Nina Parish. "Memory Books: Mapping Histories of Ethnic Coexistence." Diaspora 24, no. 2 (2024): 256–78. https://doi.org/10.3138/diaspora.24.2.2025.02.24.

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This article examines Armenian artistic and cultural practitioners’ uses of memory-mapping to create representational spaces in book form that challenge hegemonic national representations of territories with multiple, conflicted histories. Such mappings often draw on cartographic documents, but the projects discussed here reflect a broader definition of mapping as process. Vigen Galstyan and Nelli Shishmanyan's (2020) project Before the Crossfire. After the Wall provides a photographic record of everyday life in Armenian villages whose Azerbaijani populations have left since 1991 and tensions

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Low, David. "Resistance and Renewal: Ottoman Armenian ‘Soldiers’ Photography’ during the First World War." zeitgeschichte 45, no. 2 (2018): 155–76. http://dx.doi.org/10.14220/zsch.2018.45.2.155.

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Der Matossian, Bedross. "Reimagining a Lost Armenian Home: The Dildilian Photography Collection, written by Armen T. Marsoobian." Journal of the Society for Armenian Studies 28, no. 2 (2022): 317–18. http://dx.doi.org/10.1163/26670038-12342765.

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Ersoy, Ahmet A. "Low, David. Picturing the Ottoman Armenian World : Photography in Erzurum, Harput, Van and Beyond." Photographica 8 (2024): 208–10. http://dx.doi.org/10.4000/11pbf.

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11

Mikayelyan, Gor A., Sona V. Farmanyan, and Areg M. Mickaelian. "Armenian Astronomical Heritage and Big Data." Proceedings of the International Astronomical Union 15, S367 (2019): 269–72. http://dx.doi.org/10.1017/s174392132100048x.

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AbstractAstronomy in Armenia was popular since ancient times and Armenia is rich in its astronomical heritage, such as ancient and medieval Armenian calendars, records of astronomical events by ancient Armenians, the astronomical heritage of the Armenian medieval great thinker Anania Shirakatsi, etc. Armenian astronomical archives have accumulated vast number of photographic plates, films and other careers of observational data. The Digitized Markarian Survey or the First Byurakan Survey, is the most important low-dispersion spectroscopic database. It is one of the rare science items included

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I., Ghandar. "EGYPTIAN PHOTOGRAPHY TRENDS FROM 1875 TO 1900 THROUGH SOME OF ARMENIAN PHOTOGRAPHERS AND THEIR WORKS." Egyptian Journal of Archaeological and Restoration Studies 5, no. 1 (2015): 1–11. http://dx.doi.org/10.21608/ejars.2015.6860.

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13

Kubrak, Oskar, Paulina Kubrak, and Mkrtich H. Zardaryan. "In search of the camp of the IV Scythian legion near ancient Artaxata: research at Pokr Vedi 2015–2018." Polish Archaeology in the Mediterranean, no. 29/2 (December 31, 2020): 409–32. http://dx.doi.org/10.31338/uw.2083-537x.pam29.2.17.

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During the last years of Emperor Trajan’s reign, the Legio IV Scythica was stationed in the capital of Armenia at that time, Artaxata. It had made its way there within the scope of the Roman campaign against the Parthians. Its presence was immortalised on stamped rooftiles, bricks and a monumental inscription discovered by the southern border of the present-day village of Pokr Vedi. The inscription carved into limestone confirms the building activities of the Roman army. Similar inscriptions were frequently placed on the gates and most important buildings in legionary camps. Polish and Armenia

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Törne, Annika. "Picturing the Ottoman Armenian World: Photography in Erzurum, Harput, Van and Beyond, Armenians in the Modern and Early Modern World, by David Low." Iran and the Caucasus 29, no. 2 (2025): 225–28. https://doi.org/10.1163/1573384x-02902008.

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15

Kazaryan, Armen. "Architecture of Medieval Armenia as a Field of Research for Russian and Italian Scholars: Comparative Analyses of the Historiography." Arts 12, no. 6 (2023): 238. http://dx.doi.org/10.3390/arts12060238.

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For the first time in the literature, this study provides an analysis of the activities of two major architectural–archeological missions that investigated the architectural heritage of the Armenian Highlands: the Russian Ani Archaeological Expedition (1892–1893 and 1904–1917) and the Italian academic programs of the Universities of Rome and Venice and that of Milan Polytechnic (from 1966 to the 1980s). In this article, the results of the conducted research are compared, and their contribution to the development of the history of medieval architecture is evaluated. The differences in the resul

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Eivazy, Nairy, Jan P. L. Peeters, and Sandy Claes. "Visualizing a space for care: Preserving personal stories of diaspora communities through participatory stop-motion animation." Animation Practice, Process & Production 12, no. 1 (2023): 97–114. http://dx.doi.org/10.1386/ap3_00045_1.

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Diaspora communities in displacement often hold onto objects that they cherish because they contain memories, expressions and ways of life deeply embedded in their culture of origin. This project investigates animation-making with these objects, deploying a participatory approach, and attempts to create a space for memories attached to these objects to be recollected and come to life. Stop-motion can bring life into familiar everyday objects through sequential photography and manipulation. The physical alteration of the objects and the familiarity of tangible items trigger memories in the view

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Kopczyńska-Kłos, Hanna. "Projekty genealogiczne Fundacji Kultury i Dziedzictwa Ormian Polskich." Lehahayer 5 (May 15, 2019): 297–305. http://dx.doi.org/10.12797/lh.05.2018.05.17.

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Genealogical Projects of the Foundation of Culture and Heritage of Polish ArmeniansThe Foundation of the Culture and Heritage of Polish Armenians located in Warsaw collects both original and copied birth certificate registries dated at the times from 17th to 20th centuries and coming from Armenian Catholic parishes. The Foundation catalogues and translates them from Kipchak, Armenian and Latin into Polish. Additionally, it collects information on grave inscriptions and photographs. All data is being stored electronically and published online. It serves the purpose of compiling genealogical tre

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18

Khasayeva, Sh. "The First Record of Dysdera armenica Charitonov, 1956 (Araneae: Dysderidae) in Azerbaijan." Bulletin of Science and Practice 10, no. 7 (2024): 61–64. http://dx.doi.org/10.33619/2414-2948/104/07.

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Dysdera armenica Charitonov, 1956 previously known from Armenia and Georgia, is newly recorded for the spider fauna of Azerbaijan. A redescription of the male along with photographs of its palp are provided.

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Kosyan, Armine, Alireza Zamani, and Yuri M. Marusik. "Notes on Dysderidae (Arachnida, Araneae) of Armenia and Iran, with new species and records." ZooKeys 1172 (July 25, 2023): 117–30. http://dx.doi.org/10.3897/zookeys.1172.107112.

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New data are provided on dysderid spiders of Armenia and Iran. Dysdera haykanasp. nov. is described based on male specimens collected in Kotayk and Lor provinces, central and northern Armenia. The female of Dysdera nakhchivanica Beydizade, Shafaie & Guseinov, 2018 is described for the first time, and the species is newly recorded from Armenia. Furthermore, new distribution data are provided for Harpactea armenica Dunin, 1989, including the first record of the species from Iran. Photographs and a distribution map are provided for all three species.

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Kosyan, Armine, Alireza Zamani, and Yuri M. Marusik. "Notes on Dysderidae (Arachnida, Araneae) of Armenia and Iran, with new species and records." ZooKeys 1172 (July 25, 2023): 117–30. https://doi.org/10.3897/zookeys.1172.107112.

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New data are provided on dysderid spiders of Armenia and Iran. Dysdera haykana sp. nov. is described based on male specimens collected in Kotayk and Lor provinces, central and northern Armenia. The female of Dysdera nakhchivanica Beydizade, Shafaie & Guseinov, 2018 is described for the first time, and the species is newly recorded from Armenia. Furthermore, new distribution data are provided for Harpactea armenica Dunin, 1989, including the first record of the species from Iran. Photographs and a distribution map are provided for all three species.

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Ananian, Vasil, and Asmus Schröter. "Aeshna juncea (Odonata: Aeshnidae) new to Armenia." Notulae odonatologicae 9, no. 5 (2020): 218–28. https://doi.org/10.5281/zenodo.3823265.

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Aeshna juncea is reported from Armenia for the first time on the basis of voucher specimens and photographic records. On 30-vii-2018 a putative pair was photographed, and on 3- and 4-viii-2019 several specimens were photographed and examined in the hand. The occurrence of A. juncea in the Caucasus region as well as its puzzling regional distribution in relation to its congener A. serrata is summarized and discussed.

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22

Baeva, O. V. "The Surb Gevorg Church in the Village of SultanSaly. The “Russian-Byzantine” Style in the Temple Architecture of the Don Armenians." Art & Culture Studies, no. 4 (December 2022): 286–303. http://dx.doi.org/10.51678/2226-0072-2022-4-286-303.

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In the settlements of the Don Armenians, founded in the last quarter of the 18th century by immigrants from the Crimea, many churches were built. By the beginning of the 20th century, more than ten stone churches were erected on the territory of the Armenian district. One of them is the Surb Gevorg church in the village of Sultan-Saly the architecture of which this study is devoted to. It was built in the 1860s in the “RussianByzantine” style, which stylistically distinguishes it from the rest of the temples of the Don Armenians, even those whose construction was chronologically close to that

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23

Ohanowicz-Tarasiuk, Maria. "Ochrona dziedzictwa ormiańskiego w działaniach Fundacji Kultury i Dziedzictwa Ormian Polskich." Lehahayer 7 (March 15, 2021): 313–18. http://dx.doi.org/10.12797/lh.07.2020.07.09.

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Protection of the Armenian heritage in the activitiesof the Foundation for the Culture and Heritage of Polish Armenians One of the basic statutory tasks of the Foundation for the Culture andHeritage of Polish Armenians in Warsaw, established in 2006, is to save the materialheritage of Polish Armenians. Its collection, mainly originating from Armenianchurches in the former Eastern Borderlands, consists of a large archive of parishdocuments, record books, parchments, manuscripts, old prints, books, magazines, photographs, icons and liturgical paraments. This resource was moved to Polandwit

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24

Ananian, Vasil, and John L. Muddeman. "Sympetrum arenicolor (Odonata: Libellulidae) new to Armenia." Notulae odonatologicae 9, no. 4 (2019): 139–43. https://doi.org/10.5281/zenodo.3539750.

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Sympetrum arenicolor is reported from Armenia, for the first time on the basis of a voucher specimen and photographic records. On 09-ix-2017 a putative female was photographed, and on 09-ix-2019 a male and a female, initially in tandem linkage, were photo¬graphed and examined in the hand.

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Rezaei, Saeed, and Maedeh Tadayyon. "Linguistic landscape in the city of Isfahan in Iran: The representation of languages and identities in Julfa." Multilingua 37, no. 6 (2018): 701–20. http://dx.doi.org/10.1515/multi-2017-0031.

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AbstractThis paper reports on the diversity of languages displayed in the linguistic landscape of Julfa district, a largely Armenian dominated area, in the city of Isfahan in Iran. The data included a corpus of 323 photographs taken from the top-down and bottom-up signage in this quarter of the city. Ethnographic fieldwork was also conducted to reach a deeper understanding of the linguistic landscape in Julfa. The results of the analyses indicated that Julfa, as home to Armenians in diaspora and also a luxurious neighborhood frequented by more modern strata of the Isfahani society, is occupied

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Kunth, Anouche. "Traces, bones, desert: the extermination of the Armenians through the photographers eye." Human Remains and Violence: An Interdisciplinary Journal 1, no. 2 (2015): 71–87. http://dx.doi.org/10.7227/hrv.1.2.7.

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Braving the Ottoman‘s ban on capturing any images of the persecuted Armenians, witnesses dodged censorship and photographed pictures that would later be branded as proofat the Paris Peace Conference in 1919–20. Despite the challenge of these images to representations of the Armenian genocide, they were soon forgotten after the 1923 Treaty of Lausanne erased the Armenian Question, while time took care of destroying the corpses abandoned in the desert. This article will examine the image-disappearance dialectic through distinct temporalities of remembrance,and commemoration, each of which mobili

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Pitman, Alexandra. "Trauma, bereavement and the creative process: Arshile Gorky's The Artist and His Mother." Advances in Psychiatric Treatment 19, no. 5 (2013): 366–69. http://dx.doi.org/10.1192/apt.bp.112.010850.

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SummaryThe artist Arshile Gorky played a central role in the development of Abstract Expressionism during the 1940s. Born in Armenia, his early figurative works recall a childhood of persecution by Ottoman Turks, a period during which he suffered a number of significant losses. The painting The Artist and His Mother (c. 1926–1936) is based on a photograph showing the 7-year-old Gorky with his mother, 7 years before she starved to death during the Armenian Genocide. This article explores the early experiences that haunt this painting and the difficulties Gorky struggled with during his adult li

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Parsegian, Vazken Lawrence. "On Preserving Architectural History: The Armenian Experience." Journal of the Society of Architectural Historians 44, no. 3 (1985): 284–86. http://dx.doi.org/10.2307/990077.

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The assembly of the Armenian Architectural Photographic Archives-the first of its kind among ethnic histories-has revealed the value of using microform techniques for both preserving photographic records at relatively low cost and for aiding architectural research which involves large amounts of photographic detail. Moreover, the values multiply as computer capabilities are integrated with the assembly process for internal cross-referencing and for facilitating availability to researchers as an on-line data base. The article also discusses the severe difficulties that projects of this kind fac

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Alloa, Emmanuel. "Afterimages: Belated Witnessing in the Photographs of the Armenian Catastrophe." Journal of Literature and Trauma Studies 4, no. 1-2 (2016): 43–65. http://dx.doi.org/10.1353/jlt.2016.0009.

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Mark, Kalashian, Davodi Morteza, and Karimpour Younes. "New and reconfirmed records of Sphenoptera orichalcea (Pallas, 1781) (Coleoptera, Buprestidae) from Iran and Armenia." Journal of Insect Biodiversity and Systematics 8, no. 1 (2022): 1–7. https://doi.org/10.52547/jibs.8.1.1.

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Based on materials recently collected in Iran and Armenia, jewel-beetle Sphenoptera (Chrysoblemma) orichalcea (Pallas, 1781) is reported for the first time for Iranian fauna, and occurrence of the species in Armenia is also reconfirmed. Some diagnostic characters, ecological and biological notes along with photographs are provided.

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Kalancha, Inha. "Electronic segment in criminal procedural legislation of Armenia." Naukovyy Visnyk Dnipropetrovs'kogo Derzhavnogo Universytetu Vnutrishnikh Sprav 1, no. 1 (2020): 205–10. http://dx.doi.org/10.31733/2078-3566-2020-1-205-210.

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The article deals with the study of electronic segment in the criminal procedural law in Armenia. It proves the use of specialized electronic tools and information systems within the framework of criminal process in Armenia. Among them: a special computer system for recording, archiving data and protecting the system; technical means for controlling and intercepting telephone and other types of communications. The author identifies a number of non-specialized electronic tools applied in criminal proceedings, in particular: audio-visual, video recording, electronic or telegraph technical means;

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Šumpich, Jan, Ole Karsholt, Nikolay Savenkov, and Hartmut Roweck. "The genus Tegostoma in Armenia, with description of a new species (Crambidae, Odontiinae)." Nota Lepidopterologica 45 (August 23, 2022): 269–78. http://dx.doi.org/10.3897/nl.45.87795.

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A small but beautifully coloured species of Tegostoma Zeller, 1847, which was collected by the authors in Armenia, has turned out to be unnamed and is here described as Tegostoma burtoni sp. nov. The description is supported by morphology and DNA barcodes . Photographs of the adults and genitalia of both sexes are provided. Tegostoma lepidalis (Herrich-Schäffer, 1851) and Pyrausta gulpembe Kemal & Koçak, 2018 are recorded as new species for Armenia.

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Šumpich, Jan, Ole Karsholt, Nikolay Savenkov, and Hartmut Roweck. "The genus Tegostoma in Armenia, with description of a new species (Crambidae, Odontiinae)." Nota Lepidopterologica 45, no. () (2022): 269–78. https://doi.org/10.3897/nl.45.87795.

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A small but beautifully coloured species of Tegostoma Zeller, 1847, which was collected by the authors in Armenia, has turned out to be unnamed and is here described as Tegostoma burtoni sp. nov. The description is supported by morphology and DNA barcodes . Photographs of the adults and genitalia of both sexes are provided. Tegostoma lepidalis (Herrich-Schäffer, 1851) and Pyrausta gulpembe Kemal & Koçak, 2018 are recorded as new species for Armenia.

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Titanyan, Manushak, and Arman Torosyan. "The relations of Artsakh muslim mausoleums with Armenian architecture." Multidisciplinary Reviews 7 (August 16, 2024): 2024020. http://dx.doi.org/10.31893/multirev.2024ss020.

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Artsakh is located on the cultural crossroads of Asia and Europe. Over the centuries, a cultural legacy has been created here, representing the culture and architecture of other people, who settled in the region and were part of its history. Today, it is very interesting and relevant to consider the interactions existing between Armenian and foreign architectural schools. The purpose of this study is to.analytically systematize the compositional interactions of the Muslim mausoleum of the Artsakh territory, watch at them from a different perspective and find their relations with Armenian archi

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Rejman, Sabina. "Fotografie rodziny Mierów i Jędrzejowiczów z zespołu „Archiwum Podworskie Mierów-Jędrzejowiczów w Staromieściu” w Archiwum Państwowym w Rzeszowie." UR Journal of Humanities and Social Sciences 16, no. 3 (2020): 123–40. http://dx.doi.org/10.15584/johass.2020.3.7.

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According to archivists a photograph can be both an illustrative material and a historical source. But still there is no handbook which can describe all aspects connected with photograpfic documentation. In the State Archive in Rzeszów (complex “Archiwum Podworskie Mierów-Jędrzejowiczów w Staromieściu”) there is the small separated collection of photographies. They present: portrait photos (Tytus Jan Mateusz hrabia Mier, Henryka z Mierów Komorowska) and watches with a miniature portrait of Jan hrabia Mier; postcards with photos of military manoeuvres; the portrait photo (Lubina z Rogoyskich Mi

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AKOPIAN, JANNA. "Taxonomic synopsis of the genus Rubus (Rosaceae) in Armenia." Phytotaxa 677, no. 2 (2024): 125–43. https://doi.org/10.11646/phytotaxa.677.2.2.

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The article presents the results of a taxonomic study of the genus Rubus (Rosaceae) in the flora of Armenia comprising 14 species from 3 subgenera. The following taxa are identified: R. saxatilis (subgenus Cylactis), R. idaeus (subgenus Idaeobatus), R. sanctus, R. armeniacus, R. candicans, R. ibericus, R. cartalinicus, R. peruncinatus, R. takhtadjanii, R. canescens, R. piceetorum, R. zangezurus, R. caucasicus, R. caesius (subgenus Rubus). The occurrence of R. ibericus is confirmed in the flora of Armenia. A checklist and a key for identification of the species, data on their geographic and alt

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Rajaei, Sh. Hossein, and László Gyula M. "Scotopteryx kurmanjiana, a new species from the Kopet-Dagh Mountains (Lepidoptera, Geometridae, Larentiinae)." Nota Lepidopterologica 37, no. (1) (2014): 37–42. https://doi.org/10.3897/nl.37.7954.

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Scotopteryx kurmanjiana sp. n. is described from the Kopet-Dagh Mountains in Northeast Iran and South Turkmenistan. The new species is considered to be closely related to Scotopteryx kuznetzovi (Wardikian, 1957) described from Armenia. Detailed description of the external morphology and the genitalia characters of the male with six colour photographs and two illustrations of genitalia are provided.

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Adam, Will. "Communion and Jurisdiction." Ecclesiastical Law Journal 23, no. 2 (2021): 200–208. http://dx.doi.org/10.1017/s0956618x21000065.

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In May 2019 ARCIC III, the current phase of the Anglican–Roman Catholic International Commission met at St George's Cathedral, Jerusalem. The commission members (and staff) were entertained to lunch in the Latin Patriarchate by the Apostolic Administrator (now the Latin Patriarch), Archbishop Pierbattista Pizzaballa OFM. On the wall was a photograph which, it was explained, was a picture of the dozen or so bishops in Jerusalem who were in communion with the See of Rome. There were among them Latins or Roman Catholics, Greek Melkite Catholics, Maronites, Syrian Catholics and Armenian Catholics.

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Pashinyan, G. A., P. O. Romodanovsky, F. Ayub, et al. "Identification of objects and processes of forensic medicine." Kazan medical journal 75, no. 4 (1994): 324–26. http://dx.doi.org/10.17816/kazmj90416.

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The modern development of transport, the presence of a number of potentially dangerous industrial complexes, the threat of natural disasters at any time can lead to large-scale disasters. Examples are the earthquake in Ashgabat, Mexico City, Armenia, Iran, Los Angeles, the accident at the Chernobyl nuclear power plant, a number of major rail accidents in the country and abroad.One of the important issues in such disasters is personal identification, which is carried out, as a rule, by external signs, finger patterns, bone remains, medical documents, photographs, etc.

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Bulkeley, Rip. "Aivazovsky's Icebergs: an Antarctic mystery." Polar Record 51, no. 2 (2014): 212–15. http://dx.doi.org/10.1017/s0032247414000047.

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ABSTRACTThe Armenian-Russian artist Ivan Aivazovsky completed a painting of a polar seascape entitled Ledyanyye gory [Ice mountains] in 1870. The picture has usually been taken for an Antarctic scene depicting HIMS Mirnyi, one of the two ships of the Russian Antarctic Expedition of 1819–1821, in the presence of icebergs, ice cliffs and floes. The author contends, first, that this identification is open to considerable doubt, and second, that other aspects of the painting are also problematic. The painting is in the Aivazovsky Museum in Ukraine. The Museum kindly supplied him with high resoluti

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Mkhitaryan, Narine. "The origin of the Armenian architecture artistic decoration forms during the reign of Bagratunis." Multidisciplinary Reviews 7 (August 16, 2024): 2024ss014. http://dx.doi.org/10.31893/multirev.2024ss014.

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The methods of artistic decoration and the ancient and early medieval origins of their form creation used in Armenian architecture during the reign of the Bagratunis are presented. The focus of the research is the ornamental decoration of the religious structures from the 9th to the 11th centuries: portals, window arches, pilasters, wall capitals, ornamental lines, and the decorative motifs (plant, geometric, iconographic) mounted on them. The aim of the research is to highlight, through comprehensive analysis, the synthesis of Armenian medieval architecture and the ornamental art of the Bagra

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FIRAT, MEHMET. "Gundelia siirtica (Asteraceae), a new lactiferous species from Siirt (south-eastern Anatolia)." Phytotaxa 394, no. 4 (2019): 276. http://dx.doi.org/10.11646/phytotaxa.394.4.5.

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Gundelia siirtica sp. nov. is described from Siirt Province, Turkey. The new species appears to be most similar to G. mesopotamica and G. armeniaca, from which it differs in plant height and indumentum, size and number of synflorescences, colour of corolla externally and internally, shape and size of fruit complex (disseminule). A comprehensive description of this species is provided, with detailed photographs, a distribution map, a habitat description, a vernacular name and an IUCN conservation status.

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Erkonan, Sahika. "The politics of self-reflexivity in ethnography." Interactions: Studies in Communication & Culture 11, no. 1 (2020): 115–18. http://dx.doi.org/10.1386/iscc_00012_7.

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This short commentary aims to describe the role of political subjectivity and the researcher’s memory in fieldwork by focusing on a self-reflective account of my ethnographic fieldwork. This reflection comes after two years of ethnographic inquiry into sensory experience and observation of how memory is performed in relation to personal photographs and objects. It is part of an ongoing Ph.D. thesis about the post-memories of Armenian Genocide descendants in the diaspora, where I seek to understand how they remember the past in the present by observing their sensory engagement with the past. As

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Mamonova, Svetlana Alekseevna. "Virtual reconstruction of the Church of St. Nicholas the Wonderworker (Lori region of Armenia): a study of the cultural heritage of the Russian presence in Armenia in the XIX - XX centuries." Историческая информатика, no. 2 (February 2023): 34–78. http://dx.doi.org/10.7256/2585-7797.2023.2.43508.

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In studies on the history of the Russian presence in Armenia, an important place is occupied by the question of the role of the Orthodox Church. Currently, there are several Orthodox churches in Armenia. One of the most interesting, the Church of St. Nicholas the Wonderworker in Amrakits (Lori region of Armenia) is unique in its architecture, has a century-old history, but suffered significant destruction during the large-scale Spitak earthquake in 1988. Since that time, it has actually lost its significance as a functioning temple. In 2022, survey work began in Armenia to determine the possib

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Knyazev, Svyatoslav A. "Triodia laetus (Staudinger, 1877) – new species of ghost moths (Lepidoptera, Hepialidae) for the fauna of Russia, Armenia and Azerbaijan." Acta Biologica Sibirica 11 (March 12, 2025): 249–57. https://doi.org/10.5281/zenodo.14994833.

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A poorly-known Hepialidae species <em>Triodia laetus</em> (Staudinger, 1877) is reported from the territory of Russia, Armenia, and Azerbaijan for the first time. The new locations proved its wide distribution in the Caucasus and Transcaucasia. Type specimens, materials from museum and private collections, as well as photographic observations on iNaturalist were studied. A description of the external characteristics of the male and female is given, as well as a description and images of the genitals. The distinctive features are compared with the closely related species <em>Triodia sylvina</em

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吴, 选宏. "Nostalgia, Father’s Name, Symmetry—Interpreting the Life Experience of Ruan Yizhong’s Photographic Work “Missing Armenia”." Chinese Traditional Culture 12, no. 03 (2024): 391–402. http://dx.doi.org/10.12677/cnc.2024.123063.

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Zamani, Alireza, Rahşen S. Kaya, and Yuri M. Marusik. "New taxonomic and faunistic data on the funnel-weavers (Araneae, Agelenidae) of Turkiye and the Caucasus, with five new species." ZooKeys 1218 (November 21, 2024): 251–86. http://dx.doi.org/10.3897/zookeys.1218.135249.

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New taxonomic and faunistic data on the agelenid spiders of Turkiye and the Caucasus are provided. Five species are described as new to science: Maimuna antalyensissp. nov. (♂♀; Turkiye: Antalya), Tegenaria ballarinisp. nov. (♂♀; Turkiye: Antalya), T. beyazcikasp. nov. (♂; Turkiye: Antalya), T. egrisianasp. nov. (♂♀; Georgia: Imereti), and T. hoeferisp. nov. (♂♀; Armenia: Kotayk). Tegenaria lazarovi Dimitrov, 2020, syn. nov. is proposed as a new junior synonym of T. averni Brignoli, 1978. Persiscape caucasica (Guseinov, Marusik & Koponen, 2005) is newly reported from Armenia, and T. chumac

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Vinogradov, Andrey Yu. "Architecture at the Crossroads of Cultures: The Church Complex in Varzahan near Bayburt in the Light of New Finds." Античная древность и средние века 48 (2020): 368–407. http://dx.doi.org/10.15826/adsv.2020.48.023.

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Varzahan (modern Ugrak near Bayburt in Turkey) is the completely destroyed church complex located at the junction of cultural worlds: Byzantine and Muslim, Armenian and Kartvelian. Although its churches were known mainly from W. Bachmann’s description and photographs, our recent archival finds (the photographs of N. Okunev’s expedition) allow us to reconstruct the appearance and construction history of the Varzahan churches. For the first time, the construction of the cross-domed church has been reconstructed: it was a triconch inscribed into a cross-like outline; the function of the small chu

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Hanson, Matt A. "Iz Öztat: Underbelly." Public 34, no. 68 (2023): 154–55. http://dx.doi.org/10.1386/public_00178_4.

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Underbelly, by Iz Öztat, is an exhibition that ran from February to May at Zilberman Istanbul, and featured themes from across the artist’s oeuvre musing on queer sculpture and art history through a variety of media, including video, installation, drawing and writing. This review examines and critiques the role of the artist’s biography and identity in the production and archiving of their work, foregrounding issues of cultural heritage and personal intimacy despite divisions of nationality, gender, and other limitations to the canonization of non-Western perspectives on the fringes of Europe.

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POLHEMUS, DAN A., and VINCENT J. KALKMAN. "Four new species of Wahnesia Förster, 1900 from the D’Entrecasteaux, Louisiade and Woodlark island groups, Papua New Guinea (Odonata: Argiolestidae)." Zootaxa 5004, no. 3 (2021): 447–64. http://dx.doi.org/10.11646/zootaxa.5004.3.3.

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The species of the damselfly genus Wahnesia Förster, 1900 occurring in the D’Entrecasteaux Islands, Louisiade Archipelago, and on Woodlark Island are reviewed, and four new species are described: W. muyuw from Woodlark Island, W. misima from Misima Island, W. tagula from Tagula (Sudest) Island, and W. rossel from Rossel Island, these latter three islands all lying in the Louisiade Archipelago. In addition, new information is presented on the identification and distribution of the two previously described species from the D’Entrecasteaux islands: W. annulipes (Lieftinck, 1956) from Goodenough,

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