Academic literature on the topic 'Arms and the man (Shaw, Bernard)'

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Journal articles on the topic "Arms and the man (Shaw, Bernard)"

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Stoyan Tchaprazov. "The Bulgarians of Bernard Shaw's Arms and the Man." Shaw 31, no. 1 (2011): 71. http://dx.doi.org/10.5325/shaw.31.1.0071.

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Ibrahim, Ghassan Awad, and Mahmoud Ali Ahmed Omer. "G. B. Shaw's War Antipathy in Arms and the Man and Major Barbara." Vol-6, Issue-2, March - April 2021 6, no. 2 (2021): 315–21. http://dx.doi.org/10.22161/ijels.62.47.

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This research paper deals with George Bernard Shaw's treatment of wars and their warmongers whose intention is to urge or attempt as much as they can to stir up war which largely culminates in death, destruction and all kinds of evil not to mention social diseases such as poverty, ignorance, starvation, prostitution and the like. In Arms and the Man and Major Barbara, Shaw expresses by his own ideas his real feelings of hatred and hostility when he pours his poignant criticism against capitalists and war makers, including weapon dealers, who encourage people to start or join a war to achieve t
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Azizmohammadi, Fatemeh. "Sexism or Gender Differentiation and Class Differentiation in George Bernard Shaw′s Arms and the Man." International Journal of Literature and Arts 2, no. 1 (2014): 6. http://dx.doi.org/10.11648/j.ijla.20140201.12.

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Woods, Leigh. "‘The Wooden Heads of the People’: Arnold Daly and Bernard Shaw." New Theatre Quarterly 22, no. 1 (2006): 54–69. http://dx.doi.org/10.1017/s0266464x06000297.

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Once Arnold Daly and Bernard Shaw had got through their baptisms of fire in the transatlantic theatre of the 1890s, the circumstances for their future collaboration must have seemed propitious to them both. However, the Irish-American's inflexibility and the Anglo-Irishman's passion for control led to the fracturing of the relationship within the span of a few years in the first decade of the new century. The exposure of their work – in tandem in American vaudeville and later as competitors on the English variety stage – marked points of their disagreement and quirks in their difficult persona
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Sen, Amartya. "Property and Hunger." Economics and Philosophy 4, no. 1 (1988): 57–68. http://dx.doi.org/10.1017/s026626710000033x.

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In an interesting letter to Anna George, the daughter of Henry George, Bernard Shaw wrote: “Your father found me a literary dilettante and militant rationalist in religion, and a barren rascal at that. By turning my mind to economics he made a man of me” (George, 1979, p. xiii). I am not able to determine what making a man of Bernard Shaw would exactly consist of, but it is clear that the kind of moral and social problems with which Shaw was deeply concerned could not be sensibly pursued without examining their economic aspects. For example, the claims of property rights, which some would defe
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Hughes, Patricia, and Ian Kerr. "Transference and countertransference in communication between doctor and patient." Advances in Psychiatric Treatment 6, no. 1 (2000): 57–64. http://dx.doi.org/10.1192/apt.6.1.57.

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Khaleel Al-Khalili, Raja, and Jumana Jameel. "George Bernard Shaw’s Arms and the Man: A Stylistic Analysis." Arab World English Journal For Translation and Literary Studies 3, no. 1 (2019): 246–56. http://dx.doi.org/10.24093/awejtls/vol3no1.19.

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Leary. "Virgilian Echoes: Arms and the Man and the Aeneid." Shaw 37, no. 1 (2017): 101. http://dx.doi.org/10.5325/shaw.37.1.0101.

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Leary. "Anagoge/Archetype in Arms and the Man: Shaw, Virgil, and Jung." Shaw 38, no. 2 (2018): 196. http://dx.doi.org/10.5325/shaw.38.2.0196.

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Ibrahim, Md Ibrahim Khalil. "An An Existential Reading of GB Shaw’s Arms and the Man." International Journal of Linguistics, Literature and Translation 4, no. 5 (2021): 178–83. http://dx.doi.org/10.32996/ijllt.2021.4.5.19.

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This paper attempts to analyze George Bernard Shaw’s Arms and the Man from existentialistic approach. Adopting a qualitative content analysis method, it concentrates on the fundamental components of existentialism such as searching for the true identity and selfhood, the authenticity of meaningless war and absurd romantic love questioning freedom of choice and decision. Representing the futile Bulgarian war along with its controversial customs and manners, it demonstrates the ultimate destination of the individuals of the play. Additionally, it figures out how the major characters like Sergius
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Dissertations / Theses on the topic "Arms and the man (Shaw, Bernard)"

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Matsuba, Stephen N. "The Prism of war : Shaw's treatment of war in Arms and the man and Heartbreak house." Thesis, University of British Columbia, 1987. http://hdl.handle.net/2429/26887.

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Many critics examine Shaw's plays in terms of the subjects they deal with, but they often ignore what aspects of these subjects Shaw draws on or how he uses them. One subject that appears in many of his works is war. This thesis examines Shaw's treatment of war in Arms and the Man and Heartbreak House, and attempts to discover a common element between them that reveals something not only about the plays themselves, but also about Shaw's drama in general. The chapter on Arms and the Man notes how Shaw makes war a highly visible element of the play, but avoids dealing with issues directly relat
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Månevik, Anna. "What Makes a Man? : Hegemonic Masculinity in Arms and the Man by G.B. Shaw." Thesis, Karlstads universitet, Estetisk-filosofiska fakulteten, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-9315.

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The focus of this essay is the interaction between the male characters in the play Arms and the Man by George Bernard Shaw and how those characters position themselves according to R.W. Connell’s theories on hegemonic masculinity. Connell’s theories can be productively applied to Shaw’s play, highlighting many similarities and exposing interesting patterns. The most striking example of this is the fact that Captain Bluntschli, the character that finally reaches the top of the hierarchical ladder of hegemonic masculinity, does that by repudiating conventional masculine ideals where patriotism,
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Parfitt, Anne-Marie. ""Elasticity and Image" : directing George Bernard Shaw's Arms and the Man." Thesis, University of British Columbia, 2011. http://hdl.handle.net/2429/33566.

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“Elasticity and Image”: Directing George Bernard Shaw’s Arms and the Man examines the research, preparation, and rehearsal process behind Arms and the Man, staged at the University of British Columbia’s Frederic Wood Theatre from March 18-27, 2010. My objective was to discover how to create a production that stayed true to the text, while appealing to a more contemporary audience. The ideas of elasticity and image were cornerstones in the development and rehearsal process. I was interested to see in which ways I could stretch the world of the play while maintaining its authenticity. Durin
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Kramer, Johanna I. "George Bernard Shaw's "Big Three" : an althusserian reading of Man and Superman, John Bull's Other Island, and Major Barbara." Thesis, 1998. http://hdl.handle.net/1957/33556.

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Traditional readings of George Bernard Shaw's texts suggest that he is not a pure Marxist socialist because of the spiritual and nationalist aspects of his vision. This thesis attempts to confront Shaw's politics in order to demonstrate that he indeed offers a viable socialist program. Overlaying his socialism with Louis Althusser's concepts of "overdetermination," "structural causality," and "ideology" reveals that Shaw uses relatively autonomous instances of the superstructure toward socialist ends. This reevaluation of Shaw is best achieved through a combined reading of three of his major p
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Books on the topic "Arms and the man (Shaw, Bernard)"

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(undifferentiated), David Smith. Bernard Shaw - 'Arms and the man'. Penguin, 1986.

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1929-, Weintraub Stanley, ed. The portable Bernard Shaw. Penguin Books, 1986.

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Peters, Sally. Bernard Shaw: The ascent of the superman. Yale University Press, 1996.

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Carrington, Norman T. Brodie's Notes on George Bernard Shaw's "Arms and the Man". Macmillan, 1993.

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Dietrich, Richard F. Bernard Shaw's novels: Portraits of the artist as man and superman. University Press of Florida, 1996.

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Pagliaro, Harold E. Relations between the sexes in the plays of George Bernard Shaw. Edwin Mellen Press, 2004.

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Shaw, Bernard. George Bernard Shaw's plays: Mrs Warren's profession, Pygmalion, Man and superman, Major Barbara : contexts and criticism. 2nd ed. W.W. Norton, 2002.

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Shaw, Bernard. Widowers' Houses, The Philanderer, Mrs Warren's Profession, Arms and the man, Candida, The Man of Destiny, and You Never Can Tell; (Collected Works of Bernard Shaw). Classic Books, 2000.

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Burton, Richard. Bernard Shaw: The Man and the Mask. Kessinger Publishing, 2004.

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Burton, Richard. Bernard Shaw: The Man and the Mask. Kessinger Publishing, LLC, 2007.

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Book chapters on the topic "Arms and the man (Shaw, Bernard)"

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Reitemeier, Rüdiger, and Raimund Schäffner. "Shaw, George Bernard: Arms and the Man." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17061-1.

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Arnot, R. Page. "Arms and the Man: I." In Shaw. Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-05402-2_63.

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Yeats, W. B. "Arms and the Man: II." In Shaw. Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-05402-2_64.

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Stephens, Yorke. "Arms and the Man: III." In Shaw. Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-05402-2_65.

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Schäffner, Raimund. "Shaw, George Bernard: Man and Superman." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17064-1.

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Yde, Matthew. "From Hell to Heaven: Creative Evolution and the Drive toward the Military-Industrial-Religious Complex: Man and Superman, John Bull’s Other Island, Major Barbara." In Bernard Shaw and Totalitarianism. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137330208_4.

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Roche, Anthony. "“The Rush of Air, the Windows Opened on Extravagance and Storm of Idea …”: Kate O’Brien’s The Last of Summer and Bernard Shaw’s Man and Superman." In Bernard Shaw and the Making of Modern Ireland. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-42113-7_3.

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Wixson, Christopher. "3. ‘Pleasant’." In George Bernard Shaw: A Very Short Introduction. Oxford University Press, 2020. http://dx.doi.org/10.1093/actrade/9780198850090.003.0004.

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‘Pleasant’ examines the plays contained in George Bernard Shaw’s 1898 volume Plays Pleasant, namely Arms and the Man (1893–4), Candida (1894), The Man of Destiny (1895), and You Never Can Tell (1895–6), and concludes with the zenith of Shaw’s ‘pleasant’ comedy, Pygmalion (1912). In them, Shaw turned tropes drawn from romantic and sentimental comedy, the comedy of manners, and farce against one another, challenging the audience’s assumptions and expectations. Frequently making characters who adhere to conventional values and beliefs buffoonish, Shaw uses humour to reclaim the theatre as an arena dedicated to the dissection of the status quo.
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"6. ‘I Won’t Have That Man on the Air’: The War Years." In Bernard Shaw and the BBC. University of Toronto Press, 2009. http://dx.doi.org/10.3138/9781442687431-011.

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Berg, Fredric. "Structure and philosophy in Man and Superman and Major Barbara." In The Cambridge Companion to George Bernard Shaw. Cambridge University Press, 1998. http://dx.doi.org/10.1017/ccol0521562376.007.

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