Log in

Relevant bibliographies by topics / Arms and the man (Shaw, Bernard) / Books

To see the other types of publications on this topic, follow the link: Arms and the man (Shaw, Bernard).

Books on the topic 'Arms and the man (Shaw, Bernard)'

Author: Grafiati

Published: 4 June 2021

Last updated: 10 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 19 books for your research on the topic 'Arms and the man (Shaw, Bernard).'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse books on a wide variety of disciplines and organise your bibliography correctly.

1

(undifferentiated), David Smith. Bernard Shaw - 'Arms and the man'. Harmondsworth: Penguin, 1986.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

1929-, Weintraub Stanley, ed. The portable Bernard Shaw. New York: Penguin Books, 1986.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Peters, Sally. Bernard Shaw: The ascent of the superman. New Haven: Yale University Press, 1996.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

Carrington, Norman T. Brodie's Notes on George Bernard Shaw's "Arms and the Man". Basingstoke: Macmillan, 1993.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Dietrich, Richard F. Bernard Shaw's novels: Portraits of the artist as man and superman. Gainesville: University Press of Florida, 1996.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Pagliaro, Harold E. Relations between the sexes in the plays of George Bernard Shaw. Lewiston, N.Y: Edwin Mellen Press, 2004.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Shaw, Bernard. George Bernard Shaw's plays: Mrs Warren's profession, Pygmalion, Man and superman, Major Barbara : contexts and criticism. 2nd ed. New York: W.W. Norton, 2002.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

Shaw, Bernard. Widowers' Houses, The Philanderer, Mrs Warren's Profession, Arms and the man, Candida, The Man of Destiny, and You Never Can Tell; (Collected Works of Bernard Shaw). Classic Books, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Burton, Richard. Bernard Shaw: The Man and the Mask. Kessinger Publishing, 2004.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Burton, Richard. Bernard Shaw: The Man and the Mask. Kessinger Publishing, LLC, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

11

(Foreword), Carole L. Hamilton, and Anne Marie Hacht (Editor), eds. Drama For Students: Presenting Analysis, Context, and Criticism on Commonly Studied Dramas (Drama for Students). Thomson Gale, 2005.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

12

Dwivedi, A. M. George Bernard Shaw's Arms and the Man. Anmol Publications Pvt. Ltd., 2002.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

13

Carrington, Norman T. George Bernard Shaw's Arms and the Man. 2nd ed. Trans-Atlantic Publications, 1993.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

14

Cannon Harris, Susan. Desiring Women: Irish Playwrights, New Women and Queer Socialism, 1892–1894. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474424462.003.0002.

Full text

Abstract:

The interrelationship between sexual and social revolutions in London in the 1890s shaped both the Irish dramatic revival and twentieth-century English drama. W. B. Yeats and George Bernard Shaw both embraced a socialism rooted in the radical eros of Percy Bysshe Shelley and developed by William Morris, Oscar Wilde, and Edward Carpenter. This “queer socialism” (the chapter acknowledges but departs from from Patrick Mullen’s earlier use of the phrase) was defined by its insistence on pleasure as the means and as the end of social progress. Yeats, Shaw, and John Todhunter—all Shelley enthusiasts, and all fascinated by Florence Farr’s bisexuality—contributed plays to a season that Farr produced at the Avenue Theatre. The opening night audience violently protested the double bill of Yeats’s Land of Heart’s Desire and Todhunter’s A Comedy of Sighs, in part because both plays mythologized the New Woman’s transgressive sexuality through occult representations of lesbian desire. Shaw moved to protect himself from homophobic condemnation by replacing Farr in the lead role of Arms and the Man with a more gender-conforming actress. After Shaw’s brilliant success, Yeats decided to pursue his dramatic career in Dublin, leaving Shaw to found a straightforwardly socialist dramatic revival in London.

APA, Harvard, Vancouver, ISO, and other styles

15

Shaw, Bernard. Coleccion Premio Nobel Bernard Shaw Pigmalion. El Universo, 2003.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

16

Bernard Shaw: Man and superman; and Saint Joan: A casebook. Houndmills, Basingstoke, Hampshire: Macmillan Education, 1992.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

17

Bernard Shaw: The Ascent of the Superman. Yale University Press, 1998.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

18

Saunders, Max. Imagined Futures. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198829454.001.0001.

Full text

Abstract:

This study provides the first substantial history and analysis of the To-Day and To-Morrow series of 110 books, published by Kegan Paul Trench and Trübner (and E. P. Dutton in the USA) from 1923 to 1931, in which writers chose a topic, described its present, and predicted its future. Contributors included J. B. S. Haldane, Bertrand Russell, Vernon Lee, Robert Graves, Vera Brittain, Sylvia Pankhurst, Hugh McDiarmid, James Jeans, J. D. Bernal, Winifred Holtby, André Maurois, and many others. The study combines a comprehensive account of its interest, history, and range with a discussion of its key concerns, tropes, and influence. The argument focuses on science and technology, not only as the subject of many of the volumes, but also as method—especially through the paradigm of the human sciences—applied to other disciplines; and as a source of metaphors for representing other domains. It also includes chapters on war, technology, cultural studies, and literature and the arts. This book has three main aims. First, to reinstate the series as a vital contribution to the writing of modernity. Second, to reappraise modernism’s relation to the future, establishing a body of progressive writing which moves beyond the discourses of post-Darwinian degeneration and post-war disenchantment, projecting human futures rather than mythic or classical pasts. Third, to show how, as a co-ordinated body of futurological writing, the series is also revealing about the nature and practices of modern futurology.

APA, Harvard, Vancouver, ISO, and other styles

19

Historical and Political Consciousness in Modern British and German Drama. University of Alberta, 1992.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!