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Dissertations / Theses on the topic 'Arpeggios'

Author: Grafiati

Published: 4 June 2021

Last updated: 6 February 2022

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1

Magnusson, Klas. "Arpeggios i NES-musik : Skillnader i användning av arpeggios, och hur väl det hörs skillnad på dem." Thesis, Högskolan i Skövde, Institutionen för informationsteknologi, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-15322.

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Detta examensarbete skapades med målet att undersöka skillnader i preferensen gällande arpeggios i NES- och Famicom-musik baserat på kultur. Bakgrundskapitlet tar upp tidigare forskning inom tangentiella ämnen, samt beskriver arpeggios och hur NES- och Famicom-konsolerna är uppbyggda. En kvantitativ metod utvecklas sedan, och problematiseras. Detta följs av en beskrivning av det förarbete som gjordes, och skapandet av de två artefakter som användes. En enkät genomfördes efter förarbetet, och resultatet av denna analyseras därefter i rapporten. Resultatet visar på att det finns vissa skillnader

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2

TORRES, Diorgenes Terciano. "Improvisação melódica com o uso de arpejos: proposta metodológica para a disciplina Improvisação I no curso técnico da Escola de Música do Estado do Maranhão – EMEM." Universidade Federal do Maranhão, 2016. http://tedebc.ufma.br:8080/jspui/handle/tede/1854.

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Submitted by Rosivalda Pereira (mrs.pereira@ufma.br) on 2017-08-22T18:02:33Z No. of bitstreams: 1 DiorgenesTorres.pdf: 4899348 bytes, checksum: 3345fe53d538fb6b70d16529a8e2c4ee (MD5)<br>Made available in DSpace on 2017-08-22T18:02:33Z (GMT). No. of bitstreams: 1 DiorgenesTorres.pdf: 4899348 bytes, checksum: 3345fe53d538fb6b70d16529a8e2c4ee (MD5) Previous issue date: 2016-07-19<br>This research was made with students from the Maranhão’s State Music School and it investigates about using arpeggios (triads and fourths) on melodic improvisation like being a base of a methodological proceedin

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3

Pessoa, Almir Júnio. "Improvisação à viola caipira: um estudo de caso aplicando modelos selecionados ao cateretê vide vida marvada." Universidade Federal de Goiás, 2016. http://repositorio.bc.ufg.br/tede/handle/tede/6859.

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Submitted by JÚLIO HEBER SILVA (julioheber@yahoo.com.br) on 2017-02-17T16:33:44Z No. of bitstreams: 2 Dissertação - Almir Júnio Pessoa - 2016.pdf: 4318212 bytes, checksum: 068b26d251cc79bde9c837320a2d5b43 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)<br>Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2017-02-20T12:02:42Z (GMT) No. of bitstreams: 2 Dissertação - Almir Júnio Pessoa - 2016.pdf: 4318212 bytes, checksum: 068b26d251cc79bde9c837320a2d5b43 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)<br>Made ava

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4

Jordan, Robert D. "Scale, arpeggio, and interval studies for the bassoon /." The Ohio State University, 2001. http://rave.ohiolink.edu/etdc/view?acc_num=osu1486397841220445.

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5

Ports, Dan R. K. (Dan Robert Kenneth). "Arpeggio : metadata indexing in a structured peer-to-peer network." Thesis, Massachusetts Institute of Technology, 2007. http://hdl.handle.net/1721.1/41663.

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Thesis (M. Eng.)--Massachusetts Institute of Technology, Dept. of Electrical Engineering and Computer Science, 2007.<br>Includes bibliographical references (p. 69-77).<br>Peer-to-peer networks require an efficient means for performing searches for files by metadata keywords. Unfortunately, current methods usually sacrifice either scalability or recall. Arpeggio is a peer-to-peer file-sharing network that uses the Chord lookup primitive as a basis for constructing a distributed keyword-set index, augmented with index-side filtering, to address this problem. We introduce index gateways, a techni

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6

Hedenstedt, Erik. "Att lära sig improvisera musik med hjälp av arpeggion : En självstudie i att öva improvisation." Thesis, Karlstads universitet, Institutionen för konstnärliga studier, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-54836.

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The purpose of this study is to explore how arpeggioexcercises used as a method for studying improvisation is experienced. Research questions are: What is my attention directed towards when performing the exercise? What benefit for my improvising can there be by using arpeggioexercises? To investigate this, I have done eight practice sessions of one hour each where an arpeggioexercise is used to study a song. All sessions are ended with audio logs where I reflect on how things have gone during the practice session. I have also made two improvisations on the selected song, one before the practi

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7

Yanko, Matthew. "Reggio’s arpeggio : an autoethnographic tale of a music teacher’s explorations with Reggio Emilia." Thesis, University of British Columbia, 2015. http://hdl.handle.net/2429/52692.

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The Reggio Emilia approach to early childhood education has been globally recognized by educators and researchers as the most exceptional example of quality early education (Gardner, 1999; Kantrowitz & Wingert, 1991). However, within this approach there is a strong emphasis on the visual arts that in turn has diminished opportunities for children to participate in music activities. Andress (1998) was the first to expose the lack of music in this approach, and her concern was echoed by Matthews (2000), O’Hagin (2007), Vuckovic & Nyland (2010), and Smith (2011). As a result of this void, the pre

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8

Jacobsson, Miriam. "Va'-vil-du, Mozart? : Två transkriberingar från klarinett och violin till flöjt." Thesis, Luleå tekniska universitet, Institutionen för konst, kommunikation och lärande, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-79089.

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I min uppsats utforskar jag möjligheterna att transkribera verk till mitt eget instrument tvärflöjt. Jag har arbetat med satser ur två konserter, en för violin och en för klarinett, och transkriberat om dessa till flöjt. Jag har fokuserat på en sats ur vardera konsert. Mitt arbete börjar med att välja vilka instrument jag skulle transkribera från. Sedan har jag valt notutgåva för dessa och skrivit in dem i det notskrivningsprogram jag har valt, och därefter påbörjat transkriberingsarbetet. När transkriberingen var klar tog jag kontakt med pianist och påbörjade min instudering av verken, för

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9

Marjamäki, Veikko. "Franz Schubert's "Arpeggione" sonata : Style, background and role in romantic viola repertoire." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3978.

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The importance that Franz Schuberts music has on any classical musician is almost indisputable. His output stretches over all the important genres of his time and while he never wrote solo pieces specifically for the viola, one work has gained an essential status in the viola repertoire. That work being the sonata for arpeggione and piano, D. 821. Volumes have been written on Schubert, his style, early 19th century Vienna, romanticism, classicism and the formal development of the sonata form as well as the rise of the bourgeoise music scene. Perhaps less is written on the viola and especially

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10

Kim, SeonJu. "Challenges faced by modern violists when preparing the F. Schubert Arpeggione sonata for performance /." Thesis, Connect to this title online; UW restricted, 2000. http://hdl.handle.net/1773/11422.

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11

Havlíčková, Lucie. "Franz Schubert a jeho Sonáta "Arpeggione" D.821 v úpravě pro fagot a klavír." Master's thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2018. http://www.nusl.cz/ntk/nusl-391617.

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This diploma thesis deals with the personality of Austrian romantic composer Franz Schubert, his life and list of his compositions. It also focuses on Sonata a minor "Arpeggione" D.821, written originally for arpeggione and piano, and deals with customized parts and interpretation problems in transcription for bassoon and piano.

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12

"A Revision of Joseph Prunner's Progressive Studies for the Double Bass." Doctoral diss., 2012. http://hdl.handle.net/2286/R.I.14697.

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abstract: The legacy of the great double bassist and pedagogue Joseph Prunner (1886-1969) includes his scale and arpeggio exercise book, Progressive Studies for the Double Bass, composed in 1955. Progressive Studies was originally written for Prunner's students at the Bucharest Conservatoire and was not intended for a wide publication. In the work Prunner presents major and harmonic and melodic minor scales that are performed in one octave and then extended diatonically through all their modes, progressing through this pattern for three octaves, followed by a series of arpeggio exercises. Thes

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13

Silva, Maria da Graça Bastardo e. "O uso da cor como ferramenta didática na execução de escalas e arpejos ao piano em alunos de 1º e 2º grau." Master's thesis, 2019. http://hdl.handle.net/10400.14/33298.

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Este Projeto de Intervenção Pedagógica pretende dar a conhecer a utilização de auxiliares didáticos na aquisição e desenvolvimento de habilidades motoras e cinestésicas ao piano, nas escalas e arpejos, e verificar se esta metodologia melhora ou não a aprendizagem dos mesmos. Estas constituem um aspeto técnico de grande importância para qualquer executante, esteja ele a um nível inicial ou superior. Sem o seu estudo diário, dificilmente se atinge a proficiência técnica e a fluidez de performance, requisitos inerentes a todo o pianista. Procura-se, neste projeto, acelerar o processo de mecanizaç

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14

Lin, Chia-Yu, and 林家瑜. "From Arpeggione to Violoncello -- a Performance Critique on Schubert''s Sonata "Arpeggione"." Thesis, 2003. http://ndltd.ncl.edu.tw/handle/05361317535691524176.

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碩士<br>國立交通大學<br>音樂研究所<br>91<br>This is an article on Schubert’s Sonata in A minor, Arpeggione. The discussion covers the historical background of the composer, Frank Schubert, and the development and decline of the instrument─Arpeggione. By analizing the music, the author aims to thoroughly understand the entire work and, as a result, to better interpret this piece. It is hoped that after reading this article the readers will gain more understanding on this work.

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15

GUO, PEI-RONG, and 郭珮容. "A Study on Schubert's Arpeggione Sonata." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/25mxb4.

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16

Joubert, Pierre-Jacques. "'n Tegniese en musikale benadering tot toonleer- en arpeggio-spel / Pierre-Jacques Joubert." Thesis, 2015. http://hdl.handle.net/10394/13902.

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Die meerderheid tegniese handboeke skenk baie aandag aan toonlere en arpeggio's. Dit beklemtoon die belangrikheid van die onderwerp. Martin (1993:12, 13) gee 'n goeie verklaring hiervoor: "There is nothing more basic to the piano technique than scales. They provide better preparation for piano playing than any other element of technique ... " Verskeie ander outeurs beklemtoon verdere belangrike aspekte daarvan. Du Plessis (1987:5) skryf dat toonlere en arpeggio's, anders as gewone tegniese oefeninge wat slegs die vingers versterk, onontbeerlik is vir die instandhouding en verbetering van vinge

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17

Wang, Hsin-Yi, and 王心怡. "A Study of Schubert''s Sonata in A Minor “Arpeggione”." Thesis, 2002. http://ndltd.ncl.edu.tw/handle/26326506077336952969.

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碩士<br>國立中山大學<br>音樂學系研究所<br>90<br>The arpeggione is an instrument invented and built in1823 by the Viennese instrument maker Johann Georg Staufer. This instrument has the shape of guitar but bowed like a cello, thus it’s called the “guitar violoncello”. During its short life lasted for no more than a decade, we are fortunate there survived an “Arpeggione Sonata, D821” composed by Franz Schubert in 1824. This thesis discusses on the style of this composition and the historical background of arpeggione, with more focus on the interpretation and technique in the arrangement for cello. After arpegg

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18

Lu, Chao-Ying, and 呂昭瑩. "Schubert: Sonata in A minor, D.821("Arpeggione"), arranged for Viola and Piano." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/27240054189796875082.

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19

Chien, Chen Chen, and 簡蓁禛. "An Analytical and Interpretational Study of Franz Schubert’s Sonata in A Minor “Arpeggione”﹐D. 821." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/39355866996237650719.

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碩士<br>中國文化大學<br>音樂學系西洋音樂組<br>103<br>The essay presents musical analyses and performance interpretations of Schubert’s Sonata in A Minor “Arpeggione”, D. 821. This study consists of five chapters. Chapter 1 is the introduction; Chapter 2 is a brief discussion of Schubert’s compositional style and the compositional background of the Sonata D. 821; Chapter 3 is the analysis of this piece; Chapter 4 discusses issues regarding the performance interpretation, and Chapter 5 is the conclusion.

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20

Yuan, Yi-Ching, and 袁繹晴. "An Analytic and Interpretation of Franz Schubert''s Sonatafor Arpeggione and Piano in a minor, D. 821." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/dfeq69.

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21

Huang, Chan-Hung, and 黃展鴻. "Interpretation and Style Comparison between Two Editions of Franz Schubert’s First Movement of Arpeggione Sonata in A Minor." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/a6k9q2.

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碩士<br>國立臺南藝術大學<br>音樂學系碩士班<br>106<br>Franz Peter Schubert is one of the most important Arstria composer in earlier 19th century and importance both of German Lieds and instrument pieces. On the other hand, the " Arpeggione Sonata in a minor" was written for Arpeggio in 1824. Furthermore, there was a mound of different arrangements and editors after Arpeggio had been forgotten. The author would like to find a suitable presentation to present this piece by searching and studying of this piece. The essay's project is Arpeggione Sonata in a minor. The author separates the essay into three part, fir

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22

Wu, Yu-shan, and 吳郁姍. "An Analytic and Interpretation of the Sonata in A minor “Arpeggione”D.821 by Franz Schubert / Debby Wu Viola Recital." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/52806002307332481444.

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23

CHEN, GUAN-JEN, and 陳冠臻. "An Analysis and A Comparison of the Flute and the Cello Versions of Franz Schubert’s Sonata in A Minor “Arpeggione”, D. 821." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/00563758683754562224.

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碩士<br>國立高雄師範大學<br>音樂學系<br>105<br>Through the ages, adapting works have always been prevalent, including the circulation of string works, the adaption from wind transposition, even styles which are adapted for chamber music or orchestra. However, the limitation of different instruments, the ways of performing, the difference of orchestration, and adaptors’ unique interpretation all make adaptations very different from the originals. This study focuses on analyzing Franz Schubert’s Sonata in A Minor “Arpeggione”, D. 821 which is adapted for the flute and piano. This document first analyzes the c

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