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Books on the topic 'Arranged String quartets'

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1

Zinn, William. Operatic favorites: For string quartet. Excelsior Music Pub. Co., 1990.

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2

Karas, Joža. The Terezín collection: Music for string quartet. Excelsior Music, 1991.

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3

Erskine, Kelly Thomas Alexander. Quartet in A (Kilravock manuscript no. 9) for string quartet or string ensemble, with optional keyboard (c. 1767). David Johnson Music Editions, 2007.

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4

Aufderhaar, Cleo. Wedding music: For string quartet (optional contrabass). Southern Music, 1990.

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5

Amadeus, Mozart Wolfgang. Streichquartett, F-dur, KV 168 =: String quartet, F-major, K. 168. G. Henle, 1991.

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6

Szymanowski, Karol. Works for violin & piano ; String quartet no. 2. Muza, 1990.

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7

Ellington, Duke. Fantasy: Four songs. C.F. Peters, 1989.

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8

Partch, Harry. Two studies on ancient scales: 1946/1994. Smith Publications, 1997.

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9

Sousa, John Philip. Three marches for two violins, viola, and violoncello. Masters Music Publications, 1995.

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10

Shakespeare, William. Hamlet...: Arranged for representation at the Royal Princess's Theatre. Pergamon, 1985.

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11

Charles, Kean, ed. Sh akespeare's play of a midsummer night's dream: Arranged for representation at the Princess's Theatre. Pergamon, 1985.

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12

Shakespeare, William. Shakespeare's tragedy of King Lear: Arranged for representation at the Princess's Theatre with historical and explanatory notes by Charles Kean. Pergamon, 1985.

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13

Zempléni, László. Intermediate level quartets =: Mittelschwere Quartette = Quartuors de niveau intermédiaire = Kvartettek középhaladóknak. 2013.

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14

Glass, Philip. String quartets nos. 6 and 7. 2017.

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15

Zempléni, László. Advanced level quartets =: Quartette für Fortgeschrittene = Quartuors de niveau avancé = Kvartettek haladóknak. 2013.

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16

Kosma, Joseph. Les feuilles mortes: For string quartet. 2017.

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17

Aufderhaar, Cleo. Wedding Music: String Solos and Ensemble/String Quartet. Leonard Corporation, Hal, 1990.

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18

Aufderhaar, Cleo. Wedding Music: String Quartet. Leonard Corporation, Hal, 1990.

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19

Ellington, Duke. Fantasy: Four songs. 1989.

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20

Aufderhaar, Cleo. Wedding Music: For String Quartet. Leonard Corporation, Hal, 1990.

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21

Winkler, David. Favorite Opera Overtures Arranged for String Quartet: Score and Parts. Dover Publications, Incorporated, 2014.

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22

Cohen, Mary. Christmas Quartetstart: Favorite Carols Arranged for Beginner String Quartets, Score and Parts. Faber & Faber, Limited, 2003.

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23

Ellington, Duke. Duke Ellington for Strings: Score. Alfred Publishing Company, 1999.

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24

Ellington, Duke. Duke Ellington for Strings: Violin II. Alfred Publishing Company, 1999.

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25

Movie Quartets for All: Trombone, Baritone B. C. , Bassoon, Tuba. Alfred Publishing Company, Incorporated, 2009.

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26

Movie Quartets for All: B-Flat Trumpet, Baritone T. C. Alfred Publishing Company, Incorporated, 2009.

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27

Movie Quartets for All: E-Flat Alto Saxophone, e-flat Clarinet. Alfred Publishing Company, Incorporated, 2009.

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28

Beethoven, Ludwig van. String quintet op. 29: Piano quartet op. 16 ; Great fugue op. 133. 2017.

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29

Thomson, Virgil. Party pieces. 2016.

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30

New Slang by the Shins and Yellow by Coldplay Pop Hits for String Quartet. String Letter Publishing, 2009.

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31

Aufderhaar, Cleo. Wedding Music: Violin 1 Part. Leonard Corporation, Hal, 1990.

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32

Finzi, Gerald, and Christian Alexander. Romance, Elegy and Prelude: Arranged for String Quartet. Boosey & Hawkes Inc, 2015.

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33

Romance, Elegy and Prelude: Arranged for String Quartet. Boosey & Hawkes, 2014.

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34

5 Bagatelles: Arranged for Clarinet and String Quartet by Christian Alexander Set of String Quartet Parts. Boosey & Hawkes, Incorporated, 2013.

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35

Turner, Barrie Carson, and Hal Leonard Corp Staff. Folk Collection: 8 Traditional Pieces Arranged for String Quartet. Schott Music Corporation, 2015.

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36

Mitchell, Kate, and Wolfgang Birtel. Classical Highlights: Arranged for String Quartet, Double Bass Ad Lib. Schott Music Corporation, 2017.

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37

Birtel, Wolfgang. Classical Highlights: Arranged for String Quartet, Double Bass Ad Lib. Schott, 2017.

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38

Kats-Chernin, Elena, and Johann Sebastian Bach. From Anna Magdalena's Notebook: Arranged for String Quartet. Boosey & Hawkes, Incorporated, 2013.

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39

Abbiati, Giovanni. George Gershwin Girl Crazy for String Quartet: Arranged by Giovanni Abbiati. Independently Published, 2018.

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40

Carson-Turner, Barrie. The Opera Collection: 8 Famous Opera Themes Arranged for String Quartet. Schott, 2015.

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41

Gibbons, Orlando. Gibbons suite: For clarinet in B♭, string quartet and piano, 2010. 2010.

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42

Kember, John. Chanson de Matin (Morning Song): 8 Twentieth-Century Pieces Arranged for String Quartet. Schott, 2005.

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43

Kember, John. Chanson de Nuit (Night Song): 8 Twentieth-Century Pieces Arranged for String Quartet. Schott, 2005.

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44

(Creator), Hal Leonard Corp, and Barrie Carson Turner (Editor), eds. La Donna e Mobile - 9 Italian Opera Arias Arranged for String Quartet: Score and Parts. Schott, 2006.

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45

Tarantella, Op. 23 by W. H. Squire - Arranged for Guitar and String Quartet Edition - Viola. Clear Note Publications, 2022.

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46

Tarantella, Op. 23 by W. H. Squire - Arranged for Guitar and String Quartet Edition - Cello. Clear Note Publications, 2022.

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47

Squire, William Henry Squire. Tarantella, Op. 23 by W. H. Squire - Violin 1 Part: Arranged for Guitar and String Quartet. Clear Note Publications, 2023.

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48

Tarantella, Op. 23 by W. H. Squire - Arranged for Guitar and String Quartet Edition - Violin 2. Clear Note Publications, 2022.

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49

Lott, Marie Sumner. “Domesticating” the Foreign in Arrangements of Operas, Folk Songs, and Other Works for Chamber Ensembles. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039225.003.0002.

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This chapter looks at string quartet transcriptions and arrangements. These arrangements differ from their piano-oriented counterparts in significant ways, and they reflect the changing role of chamber music—and that of opera and folk song—in musical life over the course of the nineteenth century. In translating an opera or other work for string quartet, arrangers combined seemingly opposed genres and social settings, bringing the opera house into the parlor in some cases and the countryside into the city in others. The chapter then focuses on Berlin-based publisher Adolph Martin Schlesinger.
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