Academic literature on the topic 'Ars amatoria (Ovidius) Herhaling'

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Journal articles on the topic "Ars amatoria (Ovidius) Herhaling"

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Šega Čeh, Barbara. "Publius Ovidius Naso: Pazifaa (Ars amatoria 1, 253-350)." Keria: Studia Latina et Graeca 3, no. 1 (July 14, 2001): 111. http://dx.doi.org/10.4312/keria.3.1.111-116.

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Kaj bi našteval ti vsa lovišča primerna, kjer ženske rade se družijo? Teh več kot peščenih je zrn. Kaj bi govoril že spet ti o Bajah, o bajski obali, vrelcih, ki zmeraj iz njih para žveplena puhti? Marsikdo z ranjenim srcem dejal je ob svojem odhodu: »Voda ni tukaj tako zdrava, kot glas gre o njej.« Gozdno votlino boginje Diane oglej si v predmestju, z meči si rokaje zla tam priborila oblast. Ker je devica, ker lok in strelice Kupfda sovraži, ranje zadala ljudem tisoč, in nove še bo. Kam po dekle, ki jo ljubiš, in kje naj razpneš svoje mreže, Talija vse ti pove z vprege neskladnih koles. Zdaj pa je čas za veščine, kako naj ujameš izbranko, v pesmi bom lotil se zdaj čisto posebnih veščin. Moški, prisluhnite vsi brez izjeme povsod mi pozorno, zvesto občinstvo naj bo priča že danih obljub.
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Gloviczki, Zoltán. "Icarus." Antik Tanulmányok 46, no. 1-2 (June 1, 2002): 109–17. http://dx.doi.org/10.1556/anttan.46.2002.1-2.8.

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Pygmalion és Arachne figuráját Ovidius paradigmatikus művészábrázolásaként tartjuk számon. Magától értetődne a Metamorphoses VIII. énekében szereplő Daedalus-epizód hasonló értelmezése. A részlet elemzése és összehasonlítása a téma Ars Amatoria-beli feldolgozásával ugyanakkor egyértelművé teszik, hogy a későbbi változat középpontjába az archetipikus Daedalus helyett Icarus alakja kerül. Ő jeleníti meg egyúttal az ovidiusi költőideál számos markáns vonását: meghatározva szerzőnk viszonyát a közönséghez, az idejét múlt vagy éppen kisszerűnek tartott művészi magatartásformákhoz, saját költői ambíciói beteljesülhetetlenségéhez.
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3

Łukaszewicz, Adam. "Remarks on Ovid and the Golden Age of Augustus." Symbolae Philologorum Posnaniensium Graecae et Latinae 29, no. 2 (December 15, 2019): 37–56. http://dx.doi.org/10.14746/sppgl.2020.xxix.2.3.

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Publius Ovidius Naso was an outstanding poet of the Augustan age who after a period of successful activity was suddenly sent to exile without a formal judicial procedure. Ovid wrote frivolous poems but inserted into his works also the obligatory praises of Augustus. The standard explanation of his relegation to Tomis is the licentious content of his Ars Amatoria, which were believed to offend the moral principles of Augustus. However, the Ars had been published several years before the exile. The poet himself in his Pontic writings mentions an unspecified error and a carmen, pointing also to the Ars, without, however, a clear explanation of the reason for his fall. The writer of the present contribution assumes that the actual reason for the relegation of the poet without a trial were the verses of his Metamorphoses and especially the passage about the wicked stepmothers preparing poison. That could offend Livia who, according to gossip, used poison to get rid of unwanted family members. Ovid was exiled, but the matter was too delicate for a public justification of the banishment. When writing ex Ponto the poet could not explicitly refer to the actual cause of his exile.
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TARRANT, RICHARD. "(A.) Ramírez de Verger (ed.) P. Ovidius Naso: Carmina amatoria. Amores. Medicamina faciei femineae. Ars amatoria. Remedia amoris. (Bibliotheca Scriptorum Graecorum et Romanorum Teubneriana.) Pp. xxxvi + 374. Munich and Leipzig: K.G. Saur, 2003. Cased, €74. ISBN: 978-3-598-71231-9." Classical Review 57, no. 1 (February 6, 2007): 102–4. http://dx.doi.org/10.1017/s0009840x06003416.

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Dissertations / Theses on the topic "Ars amatoria (Ovidius) Herhaling"

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Sharrock, Alison. "Seduction and repetition in Ovid's Ars amatoria 2." Oxford [England] : New York : Clarendon Press ; Oxford University Press, 1994. http://www.loc.gov/catdir/enhancements/fy0606/94000010-d.html.

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Based on the author's Thesis (Ph. D.--University of Keele), 1993.
Spine title: Seduction and repetition in Ovid's Ars amatoria II. Includes bibliographical references (p. [297]-310) and indexes. Also issued online.
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2

Hindermann, Judith. "Der elegische Esel Apuleius' Metamorphosen und Ovids Ars amatoria." Frankfurt, M. Berlin Bern Bruxelles New York, NY Oxford Wien Lang, 2008. http://d-nb.info/992748887/04.

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3

Churchill, Laurie J. "Heroic erotics the anatomy of misogyny in the Ars amatoria /." 1985. http://catalog.hathitrust.org/api/volumes/oclc/12529009.html.

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Books on the topic "Ars amatoria (Ovidius) Herhaling"

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Ovid. The Love Books of Ovid Being the Amores, Ars Amatoria, Remedia Amoris and Medicamina Faciei Femineae of Publius Ovidius Naso. Kessinger Publishing, LLC, 2005.

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2

Ovid. The Love Books of Ovid Being the Amores, Ars Amatoria, Remedia Amoris And Medicamina Faciei Femineae of Publius Ovidius Naso. Kessinger Publishing, 2005.

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