Relevant bibliographies by topics / Ars dictandi

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Ars dictandi'

Author: Grafiati
Published: 13 August 2021
Last updated: 29 July 2025

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Journal articles on the topic "Ars dictandi"

1

WORSTBROCK, FRANZ JOSEF. "Die Anfänge der mittelalterlichen Ars dictandi." Frühmittelalterliche Studien 23, no. 1 (1989): 1–42. http://dx.doi.org/10.1515/9783110242218.1.

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Jegorow, Adam. "Ars amandi, ars dictandi – średniowieczna Pseudo-Ars amatoria i jej funkcje dydaktyczne w Akademii Krakowskiej." Terminus 20, no. 3 (48) (2018): 283–311. http://dx.doi.org/10.4467/20843844te.18.015.10084.

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Bartoli, Elisabetta. "Tra retorica e storia. I preamboli pontifici del codice Villarense e qualche episodio petrino dalle artes dictandi del XII secolo." De Medio Aevo 11, no. 1 (2021): 97–106. http://dx.doi.org/10.5209/dmae.78348.

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Questo contributo è dedicato alla discussa possibilità di utilizzare le notizie storiche contenute nei trattati di ars dictandi e nelle sillogi di lettere modello composte dai maestri a scopo esemplificativo. Per dimostrare il grado di attendibilità e i metodi attraverso cui i maestri rielaborano le vicende storiche, nell’articolo vengono analizzati alcuni preamboli pontifici usati da dettatore per allestire una collezione di exordia e alcune lettere modello che parlano delle vicende dei papi nel XII secolo.
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Bartoli, Elisabetta. "Tra retorica e storia. I preamboli pontifici del codice Villarense e qualche episodio petrino dalle artes dictandi del XII secolo." De Medio Aevo 11, no. 1 (2021): 97–106. http://dx.doi.org/10.5209/dmae.78348.

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Questo contributo è dedicato alla discussa possibilità di utilizzare le notizie storiche contenute nei trattati di ars dictandi e nelle sillogi di lettere modello composte dai maestri a scopo esemplificativo. Per dimostrare il grado di attendibilità e i metodi attraverso cui i maestri rielaborano le vicende storiche, nell’articolo vengono analizzati alcuni preamboli pontifici usati da dettatore per allestire una collezione di exordia e alcune lettere modello che parlano delle vicende dei papi nel XII secolo.
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5

Gómez-Bravo, Ana María. "El latín de la clerecía: Edición y estudio del Ars dictandi Palentina." Euphrosyne 18 (January 1990): 99–144. http://dx.doi.org/10.1484/j.euphr.5.126498.

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6

KLAES, MONIKA. "Die ‘Summa’ des Magister Bernardus. Zu Überlieferung und Textgeschichte einer zentralen Ars dictandi des 12. Jahrhunderts." Frühmittelalterliche Studien 24, no. 1 (1990): 198–234. http://dx.doi.org/10.1515/9783110242225.198.

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7

Noble-Kooijman, Jacques-Kees. "From the Art de Dictier to the Poetic Art: The Lyrical Voice." Human and Social Studies 7, no. 3 (2018): 155–69. http://dx.doi.org/10.2478/hssr-2018-0030.

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Abstract Eustache Deschamps writes in 1392 his Art de Dictier, an art of writing (ars dictandi) and, according to its added title, an art of “making songs, balads, virelais and rondeaux.” He introduces it, therefore, as a versification treatise that is exemplary for his generation of nonmusician poets, unlike Machaut, his most probable initiator into metrics. In so doing he introduces the concept of natural music, a genre proper to inspire poets for whom lyrical musicality is entirely produced by poetic language alone. Without perceiving, perhaps, the novelty of this poetic aesthetics, he thus
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8

Broaddus, Elise. "Killing the Messenger in Richard Coer de Lyon." Journal for the History of Rhetoric 27, no. 1 (2024): 29–46. http://dx.doi.org/10.5325/jhistrhetoric.27.1.0029.

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Abstract Reading the ars dictaminis as a medieval media theory that carefully accounts for the relationships the epistle generates between the text object and its users, this article examines the human body of the epistolary messenger as a locus of anxiety in both medieval rhetoricians’ theorizations of epistolarity and literary depictions of epistolarity. Letter-writing manuals—such as Guido Faba’s Summa dictaminis (ca. 1228–29), Thomas of Capua’s Ars dictandi (1216–20), and Conrad von Mure’s Summa de arte prosandi (1275–76)—emphasize the status of the letter as a material object, operating a
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9

Camargo, Martin. "A Twelfth-Century Treatise on ‘Dictamen’ and Metaphor." Traditio 47 (1992): 161–213. http://dx.doi.org/10.1017/s0362152900007224.

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The more we learn about the quantity and diversity of the copies, commentaries, and adaptations of Ciceronian rhetoric that have survived from the medieval period, the more we are led to ask why these materials were preserved and how they were used. The question of practical utility has especially concerned those students of medieval commentaries on the De inventione and Rhetorica ad Herennium who are faced with the task of explaining why these treatises continued to be copied and studied long after the demise of both the Roman law courts and the Roman schools. While the use to which the ars d
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10

Tunberg, Terence O. "What Is Boncompagno‘s ‘Newest Rhetoric’?" Traditio 42 (1986): 299–334. http://dx.doi.org/10.1017/s0362152900004116.

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The intensification of intellectual endeavour which characterises the twelfth century is manifested in the art of rhetoric no less than in the other fields of learning. Two new types of theoretical manual represent the trends of twelfth-century rhetoric: the artes dictandi, which apply rhetorical doctrine to the composition of letters and documents, and the artes poetrie, which are primarily concerned with the writing of verse. This creative momentum continued after 1200, particularly in Italy, where dictamen underwent rapid development. There the ars notarie emerged as a semi-autonomous disci
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Dissertations / Theses on the topic "Ars dictandi"

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Håkansson, Noa. "'vidher sannind utan alt arght' : Utgåva av SDHK nr 12636 samt en studie om konstans och variation i ett antal formler ur Vadstena klosters medeltidsbrev 1374–1423." Thesis, Uppsala universitet, Institutionen för nordiska språk, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-447521.

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Denna uppsats har två övergripande syften. För det första gör jag en utgåva – det vill säga en transkription, översättning och kommentar – av det medeltida diplomet SDHK nr 12636. Detta gör jag för att bidra till Svenskt Diplomatariums löpande publicering av de bevarade medeltidsbreven. För det andra undersöker jag variationen i utformningen av ett antal brevformler som ingår i tio medeltida diplom utfärdade i Vadstena socken mellan åren 1374 och 1423. I denna del av studien lägger jag fokus vid fem formler ur det brevideal som stundom kallas Ars dictandi. I dessa fem formler tittar jag på en
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2

AMENDOLA, CRISTIANO. "Le "artes dictandi" di Bartolomeo Miniatore da Ferrara e l’Umanesimo volgare. Con l’edizione del "Formulario di esordi ed epistole per Giacomo Bolognini"." Doctoral thesis, Università degli studi della Basilicata, 2022. http://hdl.handle.net/11563/157806.

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Pino, Tapia Alfredo, and Zavala Francisco Álvarez. "Caso Clarín, aspectos jurídicos relevantes. Nacionalidad, aplicabilidad del APPI España-Chile, trato justo y equitativo y denegación de justicia : comentarios en derecho del laudo dictado en el caso CIADI No. ARB/98/2 "Víctor Pey C. y Fundación Presidente Allende c. Chile"." Tesis, Universidad de Chile, 2015. http://repositorio.uchile.cl/handle/2250/135144.

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Memoria (licenciado en ciencias jurídicas y sociales)<br>I. El “Caso Clarín” El día dos de octubre de mil novecientos noventa y siete don Víctor Pey Casado, actuando a nombre propio y en representación de la Fundación Presidente Allende (entidad española sin fines de lucro) presentó una solicitud de arbitraje en contra del estado de Chile, ante el Centro Internacional de Arreglo de Diferencias relativas a Inversiones (CIADI), dando origen a un extenso litigio internacional vigente hasta nuestros días. En su demanda, los actores sostienen que Chile ha incurrido en violaciones respecto de
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Books on the topic "Ars dictandi"

1

Camargo, Martin. Ars dictaminis, ars dictandi. Brepols, 1991.

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2

Voltolina, Giulietta. Un trattato medievale di "ars dictandi": "le V tabule salutationum" di Boncompagno da Signa. Edizioni Casamari, 1990.

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3

Bütow, Adolf. Die Entwicklung der Mittelalterlichen Briefsteller Bis Zur Mitte des 12. Jahrhunderts: Mit Besonderer Berücksichtigung der Theorieen der Ars Dictandi ... Creative Media Partners, LLC, 2018.

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Die Entwicklung der Mittelalterlichen Briefsteller Bis Zur Mitte des 12. Jahrhunderts: Mit Besonderer Berücksichtigung der Theorieen der Ars Dictandi ... Creative Media Partners, LLC, 2023.

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5

Gamberini, Andrea. The Ideologues of Communal Political Culture. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198824312.003.0008.

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This chapter focuses on the immense work of refoundation of political language and culture carried out by two groups in the communal age: the experts of the Ars dictandi and the jurists. The former, through the reworking of materials from the distant past (ancient republicanism, Cicero, then, from the end of the thirteenth century, also Aristotle), came to identify the essence of politics in the government of the community through justice, which alone could guarantee peace and collective profit. The latter, meanwhile, developed the instruments to affirm the primacy of the commune both within a
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Book chapters on the topic "Ars dictandi"

1

Bartoli, Elisabetta. "Chapter 31. The art of letter-writing." In Comparative History of Literatures in European Languages. John Benjamins Publishing Company, 2024. http://dx.doi.org/10.1075/chlel.xxxiv.31bar.

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This essay contains, in the first part, a chronological excursus (late 11th-late 13th century) dedicated to the ars dictandi, the medieval ars that teaches epistolography and the editing of prose texts; the most significant masters and the most important works are illustrated, from Alberico di Montecassino to Pier della Vigna and Tommaso di Capua. In the second part, on the basis of contemporary studies, a panorama of comparative research carried out or to be carried out on the materials of ars dictandi is traced; these researches demonstrate the richness of the epistolographic texts and the p
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2

Bartoli, Elisabetta. "The art of letter-writing." In Comparative History of Literatures in European Languages. John Benjamins Publishing Company, 2024. https://doi.org/10.1075/chlel.34.31bar.

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Abstract This essay contains, in the first part, a chronological excursus (late 11th-late 13th century) dedicated to the ars dictandi, the medieval ars that teaches epistolography and the editing of prose texts; the most significant masters and the most important works are illustrated, from Alberico di Montecassino to Pier della Vigna and Tommaso di Capua. In the second part, on the basis of contemporary studies, a panorama of comparative research carried out or to be carried out on the materials of ars dictandi is traced; these researches demonstrate the richness of the epistolographic texts
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3

Worstbrock, Franz Josef. "Die Anfange der mittelalterlichen Ars dictandi." In Frühmittelalterliche Studien Band 23. De Gruyter, 1989. http://dx.doi.org/10.1515/9783112417928-002.

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4

Bartoli, Elisabetta. "Le poetrie e la bucolica medievale latina." In Filologie medievali e moderne. Edizioni Ca' Foscari, 2018. http://dx.doi.org/10.30687/978-88-6969-137-9/002.

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Since the thirteenth century, the poetrie are an instrument of prescriptive codification for poetic composition. The bucolic genre, even though it was sporadically present in the IX-XII centuries, was employed by several authors thanks to Virgilian eclogues. The fourteenth century starts a period of intensified pastoral composition, which will notably increase in the following two centuries. The link between XIII-XV intellectuals and ars dictandi and ars poetria is undeniable; the remarks made by these authors on literary genres is programmatic and continuous. This paper aims to investigate wh
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Rosiene, Alan M. "The Ars versificaria of Gervase of Melkley." In Filologie medievali e moderne. Edizioni Ca' Foscari, 2018. http://dx.doi.org/10.30687/978-88-6969-137-9/009.

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Gervase of Melkley, a younger contemporary of Geoffrey of Vinsauf, writes his De arte versificatoria et modo dictandi at the peak of a revisionary movement that places the discussions of figures and tropes inherited from classical and medieval grammatical and rhetorical traditions in new contexts, creating what we now call the Arts of Poetry and Prose. Gervase’s art draws upon the works of Matthew of Vendome, Geoffrey of Vinsauf, and Bernardus Silvestris for its doctrine and its examples. But how often does Gervase refer to these writers? How does he use their arts in his art? When does he bor
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Kowalska, Danuta. "O rytmiczności prozatorskiej parafrazy Psałterza Dawidowego Mikołaja Reja." In Filologia jako porządkowanie chaosu. Wydawnictwo Uniwersytetu Łódzkiego, 2018. https://doi.org/10.18778/8142-402-8.12.

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Przedmiotem artykułu jest zagadnienie rytmiczności prozatorskiej parafrazy Psałterza Dawidowego Mikołaja Reja. Analiza wybranych składniowych (paralelizmy składniowe) oraz fonetycznych środków stylistycznych (anafory, aliteracje, figury etymologiczne) pozwala ukazać misterną pracę tłumacza nad celowym doborem leksemów oraz ich uszeregowaniem w obrębie pojedynczego zdania bądź wersu. Źródeł tego charakterystycznego stylu prozy Reja trzeba szukać w odrzuceniu przez pisarza renesansowego cyceronianizmu i nawiązywaniu do średniowiecznych tradycji retorycznych, a zwłaszcza kunsztownej ars dictandi.
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Klaes, Monika. "Die 'Summa' des Magister Bernardus Zu Überlieferung und Textgeschichte einer zentralen Ars dictandi des 12. Jahrhunderts." In Frühmittelalterliche Studien Band 24. De Gruyter, 1990. http://dx.doi.org/10.1515/9783112418024-012.

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