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Journal articles on the topic 'Ars poetica'

Author: Grafiati

Published: 4 June 2021

Last updated: 10 March 2023

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1

Ferrucci (book author), Franco, and Alessandro Carrera (review author). "Ars poetica." Quaderni d'italianistica 16, no. 1 (April 1, 1995): 141–43. http://dx.doi.org/10.33137/q.i..v16i1.10401.

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2

Marlis, Stefanie. "Ars Poetica." Antioch Review 48, no. 4 (1990): 483. http://dx.doi.org/10.2307/4612268.

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3

Gannon, Mary. "Ars Poetica." Antioch Review 51, no. 3 (1993): 371. http://dx.doi.org/10.2307/4612764.

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4

Low, Lisa. "Ars Poetica." Colorado Review 48, no. 3 (2021): 80. http://dx.doi.org/10.1353/col.2021.0084.

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5

Low, Lisa. "Ars Poetica." Massachusetts Review 63, no. 1 (March 2022): 88. http://dx.doi.org/10.1353/mar.2022.0013.

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6

Pastan, Linda. "Ars Poetica." Grand Street 5, no. 3 (1986): 157. http://dx.doi.org/10.2307/25006878.

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7

Cabrera Infante, Guillermo. "Ars poetica." America 20, no. 1 (1998): 149–60. http://dx.doi.org/10.3406/ameri.1998.1345.

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8

Collins, Michael. "Ars Poetica." Callaloo 16, no. 3 (1993): 579. http://dx.doi.org/10.2307/2932258.

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9

Cumberland, Sharon. "Ars Poetica." Iowa Review 18, no. 3 (October 1988): 126–28. http://dx.doi.org/10.17077/0021-065x.3671.

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10

Cumberland, Sharon. "Ars Poetica." Iowa Review 19, no. 1 (January 1989): 96–98. http://dx.doi.org/10.17077/0021-065x.3722.

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11

Pieratti, Danielle. "Ars Poetica." Cream City Review 42, no. 2 (2018): 45–48. http://dx.doi.org/10.1353/ccr.2018.0057.

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12

Dargan, Kyle. "Ars Poetica." Callaloo 29, no. 1 (2006): 30. http://dx.doi.org/10.1353/cal.2006.0047.

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13

Cooley, Peter. "Ars Poetica." Callaloo 29, no. 4 (2006): 1280. http://dx.doi.org/10.1353/cal.2007.0011.

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14

Deidier, Roberto, and Justin Vitiello. "Ars poetica." World Literature Today 71, no. 2 (1997): 260. http://dx.doi.org/10.2307/40153036.

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15

Ball, Sally. "Ars Poetica." Ploughshares 44, no. 4 (2018): 5. http://dx.doi.org/10.1353/plo.2018.0075.

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16

Borjas, Sara. "Ars Poetica." Ploughshares 45, no. 1 (2019): 15–16. http://dx.doi.org/10.1353/plo.2019.0003.

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17

Demers, Jeanne. "Ars poetica. Ars poesis." Études littéraires 22, no. 3 (April 12, 2005): 7–10. http://dx.doi.org/10.7202/500908ar.

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Au Moyen Âge, la Musique chante l'unité du savoir et de l'être. Quand, au XIV e siècle, être et savoir se distancient l'un de l'autre, entraînant avec eux théorie et pratique, matière et forme, la «littérature» émergente joue un rôle d'articulation entre ces dichotomies. Les Arts de seconde rhétorique disent comment la poésie prend en quelque sorte le relais de la Musique au sein d'une économie marchande, et comment elle lutte contre l'hégémonie grandissante de la prose.

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18

John, David St. "Editorial: Ars Poetica." Antioch Review 45, no. 1 (1987): 3. http://dx.doi.org/10.2307/4611670.

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19

A., Sean Cho. "Ars Poetica #3." Massachusetts Review 62, no. 1 (2021): 201. http://dx.doi.org/10.1353/mar.2021.0028.

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20

Pitol, Sergio. "An Ars Poetica?" World Literature Today 89, no. 1 (2015): 34–38. http://dx.doi.org/10.1353/wlt.2015.0188.

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21

Sergio Pitol and Translated by George Henson. "An Ars Poetica?" World Literature Today 89, no. 1 (2015): 34. http://dx.doi.org/10.7588/worllitetoda.89.1.0034.

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22

Thorsen, Bengerd Juul. "Baumgarten’s Meditationes as a Commentary on Horace’s Ars Poetica." Philosophica: International Journal for the History of Philosophy 22, no. 44 (2014): 9–25. http://dx.doi.org/10.5840/philosophica2014224415.

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In his first work, the poetics Meditationes philosophicae de nonnullis ad poema pertinentibus. Baumgarten frequently cites Horace’s Ars Poetica. Horace was highly esteemed by Baumgarten and his contemporaries, especially in the fields of poetics and art theory. Baumgarten uses Ars Poetica throughout Meditationes. but it is especially in the paragraphs introducing some of the key concepts of his philosophy that there is a significant amount of excerpts from Horace’s poetics. In this article, I examine if and how contemporary scholarly interpretations may have influenced these uses of Horace’s text and maybe even Baumgarten’s theory. Following a brief account of relevant commentaries as well as Horace’s position in contemporary art theory, I explore the implied interpretations of Ars Poetica in Baumgarten’s excerpts, focusing on his three key terms, phantasia. heterocosmica and methodum lucidam. Compared to the conception of Horace as expressed in the commentaries, this study suggests a complex interaction between those and Baumgarten’s art theory.

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23

Sorini, Maya J. "Trauma Surgeon Ars Poetica." JAMA 327, no. 17 (May 3, 2022): 1711. http://dx.doi.org/10.1001/jama.2022.2843.

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24

Chipasula, Frank. "Manifesto on Ars Poetica." Index on Censorship 18, no. 9 (October 1989): 10. http://dx.doi.org/10.1080/03064228908534714.

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25

Rogers, Pattiann. "Edging Dusk, Ars Poetica." Iowa Review 39, no. 1 (April 2009): 12–13. http://dx.doi.org/10.17077/0021-065x.6626.

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26

Вендитти, М., and М. Шруба. "“Ars poetica” М.М. Хераскова." Russian Literature 75, no. 1-4 (January 2014): 535–61. http://dx.doi.org/10.1016/j.ruslit.2014.05.024.

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27

Métayer, Michel. "Walter Benjamins Ars poetica." Recherches germaniques, no. 49 (December 12, 2019): 23–34. http://dx.doi.org/10.4000/rg.2024.

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28

Cutts, Qiana M. "More Than Craft and Criteria: The Necessity of Ars Spirituality in (Black Women’s) Poetic Inquiry and Research Poetry." Qualitative Inquiry 26, no. 7 (November 6, 2019): 908–19. http://dx.doi.org/10.1177/1077800419884966.

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The author introduces ars spirituality as a reflexive practice in poetic inquiry. She examines Faulkner’s ars poetica and ars criteria and contends their focus on the craft, aesthetics, and evaluation of research poetry do not account for the ways in which spirituality influences Black women’s research poetry and poetic inquiry. The author argues Black women’s poetry—whether crafted from/for personal experiences, historical research, or transcripts—is born of the spirit and conceptualizes ars spirituality using the works of Audre Lorde and Cynthia Dillard. Three guiding principles of ars spirituality are discussed and an ars spirituality example is provided.

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29

Gilman, Donald. "Teaching the Truth: Thomas More, Germanus Brixius, and Horace’s Ars poetica." Moreana 42 (Number 164), no. 4 (December 2005): 43–66. http://dx.doi.org/10.3366/more.2005.42.4.7.

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In his Letter to Brixius (1520) Thomas More proposes a poetics that incorporates Horatian prescriptions of structure, style, and the role of the poet. In attacking the untruths in the poem Chordigerae navis conflagratio (1513) by the French humanist Germanus Brixius or Germain de Brie, More alludes frequently to loci classici in Horace’s Ars poetica and, at the same time, presents three poetic principles: (1) the use of history in imaginative literature; (2) the significance of decorum and verisimilitude in the creation of fictional representation; (3) the nature of the poet who, similar to the Roman orator, contributes to society through moral example and teaching. In drawing upon precepts set forth by Horace and Roman rhetoricians and interpreted by Renaissance critics, More defines the means of teaching the truth in humanist fiction.

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30

Джиджора, Є. "Ars-poetica в києворуській гімнографії." Проблеми сучасного літературознавства, Вип. 28 (2019): 11–19.

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31

Harris, Jalynn. "The Lump, and: Ars Poetica." Hopkins Review 15, no. 2 (March 2022): 53–54. http://dx.doi.org/10.1353/thr.2022.0039.

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32

Джиджора, Євген. "ARS-POETICA IN KIEVORUSIAN HYMNOGRAPH." Problems of Contemporary Literary Studies, no. 28 (May 2, 2019): 11–19. http://dx.doi.org/10.18524/2312-6809.2019.28.165830.

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33

McALPINE, ERICA. "LOVE POEM AS ARS POETICA." Yale Review 101, no. 3 (2013): 102. http://dx.doi.org/10.1353/tyr.2013.0069.

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34

Thomas, Amber Flora. "Killing the Rabbit: Ars Poetica." Callaloo 34, no. 3 (2011): 781. http://dx.doi.org/10.1353/cal.2011.0157.

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35

Kumin, Maxine. "Ars Poetica: A Found Poem." Women's Review of Books 9, no. 2 (November 1991): 21. http://dx.doi.org/10.2307/4021142.

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36

Kelley, Donald R. "Scienza Nuova and Ars Poetica." New Vico Studies 26 (2008): 47–58. http://dx.doi.org/10.5840/newvico2008263.

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37

Courtney, E. "HORACE, ARS POETICA 414–15." Classical Quarterly 55, no. 2 (December 2005): 644. http://dx.doi.org/10.1093/cq/bmi066.

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38

McALPINE, ERICA. "LOVE POEM AS ARS POETICA." Yale Review 101, no. 3 (June 18, 2013): 102. http://dx.doi.org/10.1111/yrev.12064.

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39

Solomon, Kelsey A. "Ars Poetica, Appa-latch-uh." Appalachian Heritage 46, no. 3 (2018): 125. http://dx.doi.org/10.1353/aph.2018.0053.

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40

Лучук, І. "ARS POETICA: Маланюк - Тувім (інтертекстуальний діалог)." Проблеми слов"янознавства, Вип. 60 (2011): 243–51.

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41

Gini, Anthony. "Platonic Tmesis in Horace's "Ars Poetica"." Classical World 85, no. 3 (1992): 227. http://dx.doi.org/10.2307/4351069.

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42

K., G. A. "Is Horace's Ars Poetica a Parody?" American Journal of Philology 113, no. 3 (1992): 441. http://dx.doi.org/10.2307/295464.

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43

Brandt, Per Aage. "Ars Poetica – refleksion med tre digte." Slagmark - Tidsskrift for idéhistorie, no. 3 (January 30, 2018): 65–79. http://dx.doi.org/10.7146/sl.v0i3.103384.

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44

Pérez Estrada, Rafael, and Mark Aldrich. "Conceptos para una poética / Ars Poetica." Sirena: poesia, arte y critica 2006, no. 2 (2006): 6–11. http://dx.doi.org/10.1353/sir.2006.0139.

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45

Bleyle, Susan. "Body Part Translation: An Ars Poetica." Anthropology and Humanism 38, no. 2 (December 2013): 202–3. http://dx.doi.org/10.1111/anhu.12020_2.

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46

Noble-Kooijman, Jacques-Kees. "1392 Ars nova poetica. La voix d’Eustache Deschamps / 1392 Ars nova poetica. The voice of Eustache Deschamps." Anastasis. Research in Medieval Culture and Art 9, no. 1 (May 29, 2022): 75–94. http://dx.doi.org/10.35218/armca.2022.1.04.

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47

Астаф"єв, О. Г. ""Ars poetica" Євгена Маланюка: словник і семантика." Мовні і концептуальні картини світу, Вип. 6, кн. 1 (2002): 37–42.

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48

Gerbrandy, Piet S. "The Hisperica Famina as an Ars Poetica." Journal of Latin Cosmopolitanism and European Literatures, no. 4 (November 16, 2020): 60–79. http://dx.doi.org/10.21825/jolcel.vi4.9520.

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Hitherto the group of seventh-century texts and fragments known as Hisperica famina has defied interpretation. Following suggestions made by a.o. Andy Orchard, I propose to read the A-text as an ambitious piece of literature, in which linguistic competition, hilarious though it may be, is seen as a tool to cope with the anxieties of living in an inhospitable world. After offering a new perspective on the text’s dialogic structure, suggesting that the narrator is an Englishman recalling his student years in Ireland, I read the descriptions of sea and fire as metapoetical symbols and the final section on a cattle raid as an allegory. Subsequently, I pay attention to irony and self-mockery, to conclude that the text is not only about words and grammar but has literary, social, and existential value as well.

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49

Hyett, Eric E., and Spencer Thurlow. "Translator's Note: Translating Toshiko Hirata's Ars Poetica." World Literature Today 94, no. 4 (2020): 7. http://dx.doi.org/10.1353/wlt.2020.0227.

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50

Maróti, Egon. "EINE HOMER-REMINISZENZ IN DER ARS POETICA." Acta Antiqua Academiae Scientiarum Hungaricae 40, no. 1-4 (December 2000): 331–34. http://dx.doi.org/10.1556/aant.40.2000.1-4.28.

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