Relevant bibliographies by topics / Art's philosophy

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Art's philosophy'

Author: Grafiati
Published: 5 June 2025
Last updated: 1 August 2025

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Journal articles on the topic "Art's philosophy"

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Benjamin, Andrew. "Colouring Philosophy: Appel, Lyotard and Art's Work." Critical Horizons 11, no. 3 (2010): 379–95. http://dx.doi.org/10.1558/crit.v11i3.379.

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HALDANE, JOHN. "The Modernist Fallacy: philosophy as art's undoing [1]." Journal of Applied Philosophy 5, no. 2 (1988): 159–73. http://dx.doi.org/10.1111/j.1468-5930.1988.tb00239.x.

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Carrier, David. "Art's Spectators." Journal of Aesthetics and Art Criticism 46, no. 3 (1988): 419. http://dx.doi.org/10.2307/431113.

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CARRIER, DAVID. "Art's Spectators." Journal of Aesthetics and Art Criticism 46, no. 3 (1988): 419–20. http://dx.doi.org/10.1111/1540_6245.jaac46.3.0419a.

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Davies, Stephen. "First Art and Art's Definition." Southern Journal of Philosophy 35, no. 1 (1997): 19–34. http://dx.doi.org/10.1111/j.2041-6962.1997.tb00823.x.

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Monseré, Annelies. "The Charge from Psychology and Art's Definition." Theoria 82, no. 3 (2016): 256–73. http://dx.doi.org/10.1111/theo.12093.

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Shon, Sue. "Art's Work in Mnemonic Care." Krisis | Journal for Contemporary Philosophy 42, no. 1 (2022): 130–33. http://dx.doi.org/10.21827/krisis.42.1.38698.

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Tytar, Olena, and Viktoriia Alimova. "B.WALDENFELS'S RESPONSIVE TOPOGRAPHY OF FOREIGNNESS: ART'S RESPONSES TO CONTEMPORARY CHALLENGES." Journal of V. N. Karazin Kharkiv National University, Series "The Theory of Culture and Philosophy of Science", no. 67 (June 28, 2023): 14–22. https://doi.org/10.26565/2306-6687-2023-67-02.

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The purpose of the study is to consider the topography of foreignness of Waldenfels as an example of a possible phenomenology of modern art and all the contradictions of the modern artistic image. Research methods – hermeneutics, phenomenology, responsive phenomenology of B. Waldenfels, philosophy of art, discursive and art analysis, philosophy of trauma. Scientific novelty. It is proved that modern postmodern and metamodern culture is characterized by the understanding of the Stranger and alienation. The best theoretician of the problem of the Stranger and the meeting of a person with a stran
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Gentry, Gerad. "Hegel's End of Art and the Artwork as an Internally Purposive Whole." Journal of the History of Philosophy 61, no. 3 (2023): 473–98. http://dx.doi.org/10.1353/hph.2023.a902880.

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abstract: Hegel's end-of-art thesis is arguably the most notorious assertion in aesthetics. I outline traditional interpretive strategies before offering an original alternative to these. I develop a conception of art that facilitates a reading of Hegel on which he is able to embrace three seemingly contradictory theses about art, namely, (i) the end-of-art thesis, (ii) the continued significance of art for its own sake (autonomy thesis), and (iii) the necessity of art for robust knowledge (epistemicnecessity thesis). I argue that Hegel is able to embrace all three theses at once through a con
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Kholili Hasib. "Islamic Aesthetic Philosophy in Arabic Calligraphy." Journal of Calligraphy 1, no. 1 (2022): 27–37. http://dx.doi.org/10.17977/um082v1i12021p27-37.

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This article describes the aesthetic value of Arabic calligraphy or khat. This study of khat art's aesthetic value aims to reveal the model and philosophy of Arabic calligraphy as an Islamic work of art. The analysis in this article employed descriptive methods and two approaches, notably philosophical and historical. The model and philosophy of a work of Islamic art are influenced by the aqliyyah influence of an artist, according to the analysis. Because religious values influence an artist's perspective, his artwork contains an aesthetic philosophy that is also religious. For example, since
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Dissertations / Theses on the topic "Art's philosophy"

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Quaoser, Nova. "Art's Truth: An Aid to Ethical Sensibility." Scholarship @ Claremont, 2019. https://scholarship.claremont.edu/cmc_theses/2123.

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In this paper I explore the philosophical implications of decision theory and deliberation on ethics, paying special attention to how vicious individuals yearn for a separate philosophical account. Drawing largely on Fricker, McDowell, Paul, and Nussbaum I discuss how transformative experiences open a window for understanding moral development in terms of habituation in the Aristotelian sense, and further how the vicious individual’s failure to deliberate may be remedied via a transformation through art.
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Domínguez, Javier. "Culture and Art: A Correspondence in Progress. Art's Ideal in Hegel, Corrections to an Established Interpretation." Pontificia Universidad Católica del Perú - Departamento de Humanidades, 2012. http://repositorio.pucp.edu.pe/index/handle/123456789/113182.

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The art ideal is usually understood as an exemplary art that stands out in a formalist conception of the history of art, or as the art that matches the programmatic conception of a normative aesthetics. Hegel’s conception is different in that it makes no emphatic command for ideal conditions of art or for it. Instead, and according to his notion of the ideal, which is none other than the idea of the true in history and its realities, the art ideal is art itself accomplishing this task of realization. It achieves this by way of intuition, and with relation to the culture of sensuality, whereby
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Higgins-Linder, Melissa M. "Case Study of the Columbus Museum of Art's Teaching for Creativity Summer Institute." Kent State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=kent1499353441955593.

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Cameron-Caluori, George. "Philosophy and musical criticism." Thesis, University of Ottawa (Canada), 1988. http://hdl.handle.net/10393/5314.

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Jörnvi, Malin. "Visionary Philosophy." Thesis, Uppsala universitet, Avdelningen för estetik, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-429020.

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In this thesis I look at possible implications of the philosophical use of sight metaphors as rendered visible in the philosophy of Iris Murdoch. Through Murdoch’s reading of Plato, and together with the perspectives added by Ludwig Wittgenstein, Paul de Man, Carolyn Korsmeyer, and Mats Persson, I argue that some contemporary philosophy as shaped by science and logic might be partially blind to essential aspects of human life and human awareness. I show that this partial blindness becomes visible in an inability to acknowledge and understand the philosophical importance of that which cannot be
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Brito, Vanessa. "Les arts dans la philosophie de Gilles Deleuze." Paris 8, 2007. http://www.theses.fr/2007PA082850.

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Ce qui se présente toujours à l'étonnement de qui se saisit de l'œuvre de Deleuze, c'est l'abondance de ses références artistiques et la profusion des rencontres entre art et philosophie. En identifiant un programme à résonances éthiques et politiques que Deleuze accorde à la littérature, à la peinture ou au cinéma, ce travail se propose d'éclairer comment s'organisent les rencontres entre le visible et le lisible. Il cherche notamment à préciser quel est le rôle et le statut des arts dans la philosophie de Deleuze. En analysant la notion d'une "philosophie pratique", la conception deleuzienne
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Declercq, Dieter. "A philosophy of satire : critique, entertainment, therapy." Thesis, University of Kent, 2017. https://kar.kent.ac.uk/64125/.

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What is satire, what can it do and what not, and why should we care about it? Since its introduction as a classification of artworks in Roman times, these fundamental questions about satire have been continually addressed by satirists themselves, their fans, their detractors, political and moral authorities, art-critics, and, not in the least, scholars. These longstanding debates about the fundamental issues of satire have often been fruitful and enlightening. Still, the fundamental questions about satire's nature, its function and its significance have remained unanswered. In this thesis, I a
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Courtois, Fleur. "Arts de la ruse: pour une expérimentation tactique des sciences humaines à partir de Michel de Certeau." Doctoral thesis, Universite Libre de Bruxelles, 2009. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210363.

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A travers l'oeuvre de Michel de Certeau, les manières de dire et de faire d'une part, dans le quotidien d'autre part dans les sciences humaines sont travaillées pour rendre compte d'une philosophie de la ruse. Sont mobilisés à cette occasion le constructivisme (Latour, Stengers), le pragmatisme (James), le structuralisme (Lacan, Barthes) et les philosophies de Deleuze et Foucaut.<br>Doctorat en Philosophie<br>info:eu-repo/semantics/nonPublished
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Lafferty, Michael Gerald. "Arthur Danto's philosophy of art." Thesis, University of Warwick, 2006. http://wrap.warwick.ac.uk/42211/.

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The thesis is a critical examination of Danto's philosophy of art. It begins with his article 'The Artworld' where he proposes a special is of artistic identification to distinguish artworks. Danto's idea of the artworld is discussed, a historical and contextual theory of art, which arose from his attempt to explain the difference between Warhol's Brillo Boxes sculpture and an indiscernible stack of everyday Brillo boxes. It is argued that Danto unsuccessfully attempts to shore up his artworld concept with the special is. The technique of comparing indiscernible counterparts, from Danto's book
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Galaverna, Christine. "Philosophie de l'art et arts africains : une approche pragmatique." Grenoble 2, 1999. http://www.theses.fr/1999GRE29026.

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L'enjeu de cette these est l'elaboration d'une approche pragmatique de la philosophie de l'art, c'est-a-dire une approche prenant en compte l'ensemble du processus artistique depuis le projet de l'artiste jusqu'a l'activation de l'oeuvre par un public. Cette approche s'est construite a partir des ouvertures pragmatiques presentes dans langages de l'art de nelson goodman ainsi qu'a partir de l'exemple des arts africains compris comme exemple limite dans la mesure ou ils permettent de mettre en evidence les ambiguites de la problematique de l'art, notamment en ce qui concerne la definition de l'
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Books on the topic "Art's philosophy"

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Zimmermann, Bernhard. Von artes liberales zu liberal arts. Rombach, 2013.

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Henk, Oosterling, and Ziarek Ewa Płonowska 1961-, eds. Intermedialities: Philosophy, arts, politics. Lexington Books, 2010.

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A, French Peter, Uehling Theodore E, and Wettstein Howard K, eds. Philosophy and the arts. University of Notre Dame Press, 1991.

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Diane, Collinson, Wilkinson Robert, and Open University. Philosophy of the Arts Course Team., eds. Philosophy of the arts. Open University, 1992.

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1943-, Sim Stuart, and Open University. Philosophy of the Arts Course Team., eds. Philosophy of the arts. Open University, 1992.

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Davies, David. Philosophy of the Performing Arts. Wiley-Blackwell, 2011. http://dx.doi.org/10.1002/9781444343458.

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Harrison, Andrew, ed. Philosophy and the Visual Arts. Springer Netherlands, 1987. http://dx.doi.org/10.1007/978-94-009-3847-2.

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Ballard, Edward Goodwin. Philosophy and the Liberal Arts. Springer Netherlands, 1989. http://dx.doi.org/10.1007/978-94-009-2368-3.

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Dale, Jacquette, ed. Schopenhauer, philosophy, and the arts. Cambridge University Press, 1996.

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Ballard, Edward G. Philosophy and the liberal arts. Kluwer Academic, 1989.

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Book chapters on the topic "Art's philosophy"

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Peek, Philip M. "Philosophy and the Arts." In Encyclopedia of African Religions and Philosophy. Springer Netherlands, 2021. http://dx.doi.org/10.1007/978-94-024-2068-5_309.

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Jevnaker, Birgit Helene, and Johan Olaisen. "Understanding Practices Through an Inclusive Philosophy of Experiencing: Insights from Four Art Museums." In Reimagining Sustainable Organization. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-96210-4_5.

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AbstractThe chapter discusses the inclusive knowledge philosophy fundamental for different modes of experiencing living enterprises. We combine two related philosophical lenses to enable fundamental understanding of concerted practices and strategic accomplishments for leadership and management. The American pragmatist philosopher John Dewey pointed to the importance of restoring the continuity between the refined and intensified experiences in our practices and everyday doings. He based this restoring on “the inclusive philosophic idea”. By this idea he was acknowledging the possibilities of
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Cesalli, Laurent, Christopher Schabel, Börje Bydén, et al. "Liberal Arts." In Encyclopedia of Medieval Philosophy. Springer Netherlands, 2011. http://dx.doi.org/10.1007/978-1-4020-9729-4_300.

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Izibili, Matthew A. "African Arts and Difference." In Handbooks in Philosophy. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-14835-5_10.

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Izibili, Matthew A. "African Arts and Difference." In Handbooks in Philosophy. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-04941-6_10-1.

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Elberfeld, Rolf. "On Decolonizing Philosophy and the Arts." In Decolonial Aesthetics I. Springer Berlin Heidelberg, 2023. http://dx.doi.org/10.1007/978-3-662-65899-4_2.

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Rudolph, Enno, and Johannes Picht. "Philosophy and Politics (1972)." In Pioneers in Arts, Humanities, Science, Engineering, Practice. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-31790-4_7.

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Mehrens, Patrik. "Liberal Arts Education." In Encyclopedia of Educational Philosophy and Theory. Springer Singapore, 2016. http://dx.doi.org/10.1007/978-981-287-532-7_483-1.

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Kehk, Bee Lian. "Visual Arts Education." In Encyclopedia of Educational Philosophy and Theory. Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-287-532-7_679-1.

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Mehrens, Patrik. "Liberal Arts Education." In Encyclopedia of Educational Philosophy and Theory. Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-287-588-4_483.

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Conference papers on the topic "Art's philosophy"

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Wenting Xie and Ren Peng. "Philosophy of art & arts in philosophy." In Conceptual Design (CAID/CD). IEEE, 2008. http://dx.doi.org/10.1109/caidcd.2008.4730806.

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Ames, Morgan. "Session details: alt.chi -- Arts & Philosophy." In CHI '15: CHI Conference on Human Factors in Computing Systems. ACM, 2015. http://dx.doi.org/10.1145/3261057.

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Bartee, Jennifer. "Affective Arts Education: Forming the Foundation for a New Philosophy of Arts Education." In 2023 AERA Annual Meeting. AERA, 2023. http://dx.doi.org/10.3102/2009150.

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Miklosikova, Miroslava. "PHILOSOPHY, PEDAGOGY AND DIDACTICS." In 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017. Stef92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/hb21/s06.040.

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Bruzan, Adinel, Raluca Mocan, and Roxana Vicovanu. "Penser le mouvement. Littérature, arts et philosophie." In Penser le mouvement. Fabula, 2015. http://dx.doi.org/10.58282/colloques.2603.

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Polmeer, Gareth. "Sublating Time: Hegel’s speculative philosophy and digital aesthetics." In Electronic Visualisation and the Arts. BCS Learning & Development, 2016. http://dx.doi.org/10.14236/ewic/eva2016.49.

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Chistyakova, Olga. "Postmodern Philosophy and Contemporary Art." In 4th International Conference on Arts, Design and Contemporary Education (ICADCE 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/icadce-18.2018.26.

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He, Shuqing. "Beauty and Art in the Oriental Philosophy. An Aesthetic Study in the Traditional Chinese Philosophy." In 3rd International Conference on Arts, Design and Contemporary Education (ICADCE 2017). Atlantis Press, 2017. http://dx.doi.org/10.2991/icadce-17.2017.20.

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McMillan, George. "A UNIFIED THEORY AND THE FIFTH ERA OF PHILOSOPHY." In 2nd Arts & Humanities Conference, Florence. International Institute of Social and Economic Sciences, 2018. http://dx.doi.org/10.20472/ahc.2017.002.004.

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Lukina, Galima. "Philosophy of Intonation in Sergey Taneyev's Cantatas." In 2015 International Conference on Arts, Design and Contemporary Education. Atlantis Press, 2015. http://dx.doi.org/10.2991/icadce-15.2015.6.

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