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Journal articles on the topic 'Art - 19th century'

Author: Grafiati

Published: 4 June 2021

Last updated: 17 February 2022

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1

Przyblyski, Jeannene M., and Stephen F. Eisenman. "19th-Century Art." Art Journal 54, no. 1 (1995): 102. http://dx.doi.org/10.2307/777515.

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2

Fine, Amy M., Robert Rosenblum, and H. W. Janson. "19th-Century Art." Woman's Art Journal 6, no. 1 (1985): 41. http://dx.doi.org/10.2307/1358064.

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3

Sverakova, Slavka, and Gerald Needham. "19th Century Realist Art." Circa, no. 52 (1990): 44. http://dx.doi.org/10.2307/25557542.

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4

Board, Editorial. "Cover Art." Public Voices 2, no. 1 (2017): 6. http://dx.doi.org/10.22140/pv.419.

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5

Lampela, Laurel. "Women's Art Education Institutions in 19th Century England." Art Education 46, no. 1 (1993): 64. http://dx.doi.org/10.2307/3193419.

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6

Weidman, Jeffrey. "19TH-CENTURY ART. Robert Rosenblum , H. W. Janson." Art Documentation: Journal of the Art Libraries Society of North America 5, no. 1 (1986): 34–35. http://dx.doi.org/10.1086/adx.5.1.27947562.

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7

Guseva, Ksenia E. "ENGLISH ARCHITECTURAL CAPRICCIO IN THE CONTEXT OF THE DEVELOPMENT OF LEADING ART STYLES OF THE XIX CENTURY." Articult, no. 4 (2020): 65–77. http://dx.doi.org/10.28995/2227-6165-2020-4-65-77.

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Architectural capriccio in the context of the development of the landscape genre, formed in Italy in the 15th – 16th centuries, has gained currency in English art 19th-century. This was facilitated by cultural, historical, political and social reasons. The methodological features of architectural capriccio in the 19th century was influenced by various artistic and art styles in English. The article is devoted to the prerequisites for the formation and dissemination of “capriccio” in the work of English architects and artists: C. Cockerell, J. M. Gandy, T. Cole and others in the cultural and hi

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8

Herucová, Marta. "Case Studies in the 19th Century History of Art." Acta Historiae Artium 49, no. 1 (2008): 351–59. http://dx.doi.org/10.1556/ahista.49.2008.1.38.

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9

Efland, Arthur D. "Art and Education for Women in 19th Century Boston." Studies in Art Education 26, no. 3 (1985): 133. http://dx.doi.org/10.2307/1320318.

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10

Merrill, Ross. "Special Issue: Albert Bierstadt and 19th-Century American Art." Journal of the American Institute for Conservation 38, no. 1 (1999): 1. http://dx.doi.org/10.1179/019713699806113592.

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11

Green, Nile. "Technologies of the Image: Art in 19th-Century Iran." Iranian Studies 51, no. 5 (2018): 795–99. http://dx.doi.org/10.1080/00210862.2018.1488390.

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Tawadros, Çeylan. "Foreign bodies: Art history and the discourse of 19th‐century orientalist art." Third Text 2, no. 3-4 (1988): 51–67. http://dx.doi.org/10.1080/09528828808576189.

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13

Peckhaus, Volker. "19th Century Logic Between Philosophy and Mathematics." Bulletin of Symbolic Logic 5, no. 4 (1999): 433–50. http://dx.doi.org/10.2307/421117.

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AbstractThe history of modern logic is usually written as the history of mathematical or, more general, symbolic logic. As such it was created by mathematicians. Not regarding its anticipations in Scholastic logic and in the rationalistic era, its continuous development began with George Boole's The Mathematical Analysis of Logic of 1847, and it became a mathematical subdiscipline in the early 20th century. This style of presentation cuts off one eminent line of development, the philosophical development of logic, although logic is evidently one of the basic disciplines of philosophy. One need

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14

Franklin, Jonathan. "Going, going, gone: art auction catalogues from 19th-century Canada." Art Libraries Journal 24, no. 4 (1999): 44–48. http://dx.doi.org/10.1017/s0307472200019817.

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The art auction trade flourished in Canada as the 19th century progressed, pitting local artists against importers of European art; yet today there are relatively few preserved catalogues to show for all this activity. The National Gallery of Canada Library has been documenting the survivors, creating records in the SCIPIO database and arranging for microfilming. Individual lots have also been indexed (some of the idiosyncracies of auction catalogue entries are described below) and a Library Occasional Paper is to be published with a bibliographical listing and historical essay on the art auct

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Torbik, Vladimir S. "Restoration art furniture in the 19th century: ideas and methods." Vestnik of Saint Petersburg University. Arts, no. 3 (2016): 84–101. http://dx.doi.org/10.21638/11701/spbu15.2016.307.

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16

Karstein, Uta. "Konkurrenzbeziehungen: Allgemeine und konfessionelle Kunstvereine im Kunstfeld des 19. Jahrhunderts." Internationales Archiv für Sozialgeschichte der deutschen Literatur 45, no. 2 (2020): 334–44. http://dx.doi.org/10.1515/iasl-2020-0019.

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AbstractThe article compares secular and faith-based art societies in the 19th century. Of special interest are the societies’ missions and purposes, as well as their activities and organizational structures. The main thesis is based on the work of German sociologist Georg Simmel and his conflict theory. I argue that the competition of these societies had invigorating effects on the field of art and its institutionalization in the course of the 19th century.

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17

Pavlova, O. A. "HOFFMANANDSCHUMANN - GREAT ROMANTIES OF THE 19TH CENTURY. «KREISLERIANA»." National Association of Scientists 4, no. 26(53) (2020): 4–6. http://dx.doi.org/10.31618/nas.2413-5291.2020.4.53.182.

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This article will present the aesthetic views and worldview positions of one of the outstanding representatives of German Romanticism — E. T. A. Hoffman. The author's literary heritage will be analyzed, the views and spiritual values of the writer, his attitude to the musical art will be generalized. An important issue considered in the context of this article will be the influence of the views and ideals of E. Hoffman on the work of R. Schumann. We will study the content and idea of the cycle, its musical and stylistic features related to the expression of images of the literary heritage of E

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18

Vossen-Delbrück, Else. "Libraries of art museums." Art Libraries Journal 12, no. 1 (1987): 12–13. http://dx.doi.org/10.1017/s0307472200004983.

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With one exception Dutch art museum libraries date from the second half of the 19th century or later. In general, museum libraries reflect the scope of the museum they serve and exist primarily for the use of museum staff although the public are also admitted. Most now use the same cataloguing rules; manual catalogues are still commonplace but are likely to be displaced by the computer.

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19

Smith, Karen Manners. "Exhibit Review: Angels and Tomboys: Girlhood in 19th-Century American Art." Public Historian 36, no. 1 (2014): 123–27. http://dx.doi.org/10.1525/tph.2014.36.1.123.

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Tul’pe, Irina Aleksandrovna. "Islamic art in educational publications of late 19th – middle 20th century." Vestnik of Saint Petersburg State University of Culture 1 (March 2019): 45–52. http://dx.doi.org/10.30725/2619-0303-2019-1-45-52.

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21

Neset, Arne. "Rowing in Eden: Waterscapes in 19th Century American Art and Literature." American Studies in Scandinavia 30, no. 1 (1998): 1–16. http://dx.doi.org/10.22439/asca.v30i1.1114.

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22

Pares, Susan. "Charlotte Horlyck. Korean Art: From the 19th Century to the Present." Asian Affairs 49, no. 3 (2018): 567–68. http://dx.doi.org/10.1080/03068374.2018.1487732.

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23

Kahan, Robert S., and J. B. Colson. "More than Art: P. H. Emerson as 19th Century Photojournalism Pioneer." Journalism Quarterly 63, no. 1 (1986): 75–82. http://dx.doi.org/10.1177/107769908606300112.

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24

Baptista, Sofia. "O Que Pode “O Médico” de Sir L. Fildes Dizer-nos Hoje." Acta Médica Portuguesa 28, no. 4 (2015): 540. http://dx.doi.org/10.20344/amp.6743.

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Barbosa Ribeiro, Marta, and Joana Brites. "Rethinking the stylistic categories of Portuguese 19th century sculpture: the work of António Teixeira Lopes." Ars Longa. Cuadernos de arte, no. 26 (February 1, 2018): 157. http://dx.doi.org/10.7203/arslonga.26.10961.

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This paper aims to rethink 19th century Portuguese sculpture’s stylistic categories from the analysis of the work of António Teixeira Lopes, who is considered the major representative of naturalism in this country. First, the concept of naturalism in Portuguese art history is examined, with a critical characterization of its separation from romanticism (contrasting with mainstream literature) and demonstrating that its emergence from painting research and its adoption in sculpture is inoperative when observing a concrete art work. Secondly, with the Portuguese art reality as a backdrop, Teixei

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26

Arutynyan, A. A. "German history of art of 19th century and problems of Armenian Medieval heritage." Vestnik of Saint Petersburg State University of Culture, no. 2 (31) (June 2017): 147–50. http://dx.doi.org/10.30725/2619-0303-2017-2-147-150.

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The science of art in Germany is based on the classical tradition, associated with a focus on ancient heritage, and a romantic perception of Gothic as a manifestation of the national school. In the mid-nineteenth century the first General history of art appeared, which, along with the national art and culture examined regional schools. Armenian medieval art is systematized and concisely described in the work of Kugler, in Schnaase’s book analysis becomes more comprehensive, detailed and consistent.

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Портнова, Ирина. "Russian Animalier Art in the XVIII- XIX Centuries in the Context of European Schools: The Origins and Nature of Development." Space and Culture, India 9, no. 1 (2021): 50–65. http://dx.doi.org/10.20896/saci.v9i1.1135.

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This study delves into the process of development of Russian animal art of the 18th-19th Centuries. The primary purpose of the research was to make a review of these two historical periods, which determined the typical features of the early and mature periods of development of animal art in Russia—the time of the birth and development of the genre. According to the author, genre issues are important, and talking about it is necessary to define the image of the animalistic nature in all its specificity. In addition, it is noted that researchers do not characterise the stage of early Animalism,

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28

Gerasimov, A. P., and T. V. Biryukova. "INTERIOR OF ART NOUVEAU ARCHITECTURE IN SIBERIA." Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture, no. 2 (April 29, 2019): 102–12. http://dx.doi.org/10.31675/1607-1859-2019-21-2-102-112.

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The article discusses the development of the interior in private and public buildings in Russia late in the 19th and early 20th centuries. Romantic trends that emerged in architecture Western Europe in the 19th century turned into the new style expressed in modernity, which fundamentally differs from the historical repetition in architecture of the early period. This article is an interdisciplinary work and describes such arts as architecture, painting, and decorative and applied arts. The main feature of modernity is the internal space, subordinating the interior to the exterior, its graphic

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29

Veneno, Maria, Paula Nabais, Vanessa Otero, Adelaide Clemente, M. Conceição Oliveira, and Maria João Melo. "Yellow Lake Pigments from Weld in Art: Investigating the Winsor & Newton 19th Century Archive." Heritage 4, no. 1 (2021): 422–36. http://dx.doi.org/10.3390/heritage4010026.

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Weld (Reseda luteola) was one of the main sources of yellow dyes used for dyeing textiles and to prepare artists’ pigments in Europe until the 19th century. For the first time, this work explores the technology of preparing weld lake pigments in the 19th century by Winsor & Newton (W&N), a renowned supplier of artists’ materials. Five recipes were discovered in the W&N 19th century Archive Database and reconstructed in the laboratory. W&N was extracting weld in neutral and basic media, and preparing the insoluble lake by complexation with Al3+ in the form of alum (KAl(SO4)2•12H

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30

Ljøgodt, Knut. "‘Northern Gods in Marble’: the Romantic Rediscovery of Norse Mythology." Romantik: Journal for the Study of Romanticisms 1, no. 1 (2012): 141. http://dx.doi.org/10.7146/rom.v1i1.15854.

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The Norse myths were rediscovered in the late 18th century, and became important to contemporary culture during the first half of the 19th century. The Romantics discussed the usage of themes from Norse mythology; soon, these themes became widespread in art and literature. Their popularity is closely connected with the national ideals and political situations of the period, but they were often given individual artistic interpretations. The Romantic interest in Norse myths and heroes held sway over artists and writers throughout the 19th century.

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31

Rerup, Lorenz. "Grundtvig and the 19th Century." Grundtvig-Studier 44, no. 1 (1993): 16–26. http://dx.doi.org/10.7146/grs.v44i1.16095.

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Grundtvig og nationalismen i det 19. århundredeAf Lorenz RerupArtiklen beskæftiger sig med Grundtvigs folkelighedsbegreb i sammenh.ng med fremkomsten af nationalismen i Europa i det 18. og 19. århundrede. Grundtvig opførte sig ved visse lejligheder som en nationalist af den type, man almindeligvis tager afstand fra. Men Grundtvigs opførsel kan altid forklares ud fra det danske riges tilstand i de situationer, hvor Grundtvig udtalte sig nationalistisk.Dette eksemplificeres med truslen om adskillelse mellem Danmark og Norge under Napoleonskrigene i 1813, den slesvig-holstenske krig i 1848 og sej

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32

Cuypers, Constant. "A computerised compilation of contemporary art at Dutch exhibitions in the 19th century (CADENS)." Art Libraries Journal 12, no. 1 (1987): 42–44. http://dx.doi.org/10.1017/s0307472200005058.

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CADENS is a project based at the Institute of Art History at the University of Nijmegen. The intention is to provide comprehensive access to information on contemporary art contained in all Dutch 19th century art exhibition catalogues, by means of a computer database. Two publications, a directory of artists and a keyword index, are envisaged.

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33

Sinem Kucuk, Kamile. "The Sociocultural Aspects of Merchant Class in the Light of Russian Painting Art." European Journal of Multidisciplinary Studies 2, no. 1 (2016): 81. http://dx.doi.org/10.26417/ejms.v2i1.p81-85.

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The merchant class, which contributed to the improvement of Russia, evolved due to politicial reforms. Especially in 1861 the emancipation reform of the Russian serfs caused social and culturel changes in the life of merchants. In 19th and early 20th century, the works of Russian genre painters P.A. Fedetov, A.P. Ryabushkin, V.G. Perov, F. Juravlev and B.M. Kustodiyev not only reflected the social situation and stereotypes of merchants, but also revealed cultural history of the mentioned class. In this paper it is aimed to disclose the evolution of merchant class in 19th and the early 20th cen

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34

Kruglova, M. G. "Romantic Style in American Music and Its Place in Courses of Disciplines of Universities of Culture and Art." Uchenye Zapiski RGSU 19, no. 4 (2020): 220–27. http://dx.doi.org/10.17922/2071-5323-2020-19-4-220-227.

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in the development of American music of the 19th century, researchers find stylistic trends in romanticism. During this period, the characteristic features of national musical thinking and the features of the composer’s work of US composers manifest themselves. A similar thing was observed in European music of the same century: the Polish national composer school was formed in Chopin’s works, Liszt embodied the features of Hungarian music, Grieg – Norwegian, etc. Since the beginning of the 19th century, American composers have been passionate about European romantic trends, but at the same tim

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35

Clark, Maribeth. "The Quadrille as Embodied Musical Experience in 19th-Century Paris." Journal of Musicology 19, no. 3 (2002): 503–26. http://dx.doi.org/10.1525/jm.2002.19.3.503.

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During the 1830s in Paris the quadrille, a five-movement figure dance, became musically omnipresent to the distress of many critics, who saw the genre as detrimental to French music and musical taste. Discussions of the dance in journalism and literature associate bourgeois women and girls and working-class men with promotion of the genre. As a figure dance with walking steps, the quadrille was enjoyed by respectable women who experienced it as a safe frame for civilized social interaction, although their male counterparts found the dance boring and uninviting. In contrast, working-class men w

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36

Ogden, Kate Nearpass. "Musing on Medium: Photography, Painting, and the Plein Air Sketch." Prospects 18 (October 1993): 237–81. http://dx.doi.org/10.1017/s0361233300004920.

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The relationship of photography and painting has greatly intrigued art historians in recent years, as has the uneasy status of photography as “art” and/or “documentation.” An in-depth study of 19th-century landscape images suggests two new premises on the subject: first, that opinions differed on photography's status as an art in the 19th Century, just as they differ today; and, second, that the landscape photograph is more closely related to the plein air oil sketch than to the finished studio easel painting. For ease of comparison, the visual material used here will consist primarily of land

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37

РААТИКАЙНЕН, Риитта. "КАРЕЛИЯ И КАРЕЛЫ НА ФОТОГРАФИЯХ СЕВЕРОЕВРОПЕЙСКИХ ИССЛЕДОВАТЕЛЕЙ КОНЦА XIX ВЕКА". Nordic and Baltic Studies Review, № 5 (грудень 2020): 18–47. http://dx.doi.org/10.15393/j103.art.2020.1655.

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38

Currie, Christina. "19th-Century Portraits on Scored Panels in the Cleveland Museum of Art." Journal of the American Institute for Conservation 34, no. 1 (1995): 69. http://dx.doi.org/10.2307/3179436.

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39

Ginés Blasi, Mònica. "Chinese art and material culture in private collections of 19th century Barcelona." Locus Amoenus 13 (December 22, 2015): 139. http://dx.doi.org/10.5565/rev/locus.237.

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40

Tashtamirova, Liliya Sh. "Romanticist philosophical tradition of the 19th century in Wagner's philosophy of art." Vestnik Tomskogo gosudarstvennogo universiteta, no. 393 (April 1, 2015): 109–16. http://dx.doi.org/10.17223/15617793/393/17.

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41

Stankiewicz, Mary Ann. "Middle Class Desire: Ornament, Industry, and Emulation in 19th-Century Art Education." Studies in Art Education 43, no. 4 (2002): 324. http://dx.doi.org/10.2307/1320981.

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42

Thị Thu Thủy, Đào. "The art of "Double Seven-Six-Eight” poems of the 19th century." Journal of Science, Social Science 60, no. 3 (2015): 33–38. http://dx.doi.org/10.18173/2354-1067.2015-0006.

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43

Currie, Christina. "19th-Century Portraits on Scored Panels in the Cleveland Museum of Art." Journal of the American Institute for Conservation 34, no. 1 (1995): 69–75. http://dx.doi.org/10.1179/019713695806113767.

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44

Tiffin, Sarah, and Hélène Njoto. "Southeast Asia in Ruins: Art and Empire in the Early 19th Century." Journal of Social Issues in Southeast Asia 33, no. 3 (2018): 714–17. http://dx.doi.org/10.1355/sj33-3i.

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45

Pasachoff, J. M., and R. J. M. Olson. "Comets and meteors in 18th and 19th century British art and science." Physics Education 30, no. 3 (1995): 156–62. http://dx.doi.org/10.1088/0031-9120/30/3/006.

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46

RIJKE, VICTORIA DE. "YOUNG AMERICA: CHILDHOOD IN 19TH-CENTURY ART AND CULTURE BY CLAIRE PERRY." Art Book 13, no. 4 (2006): 50–51. http://dx.doi.org/10.1111/j.1467-8357.2006.00738.x.

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47

Tena Ramírez, Carmen de. "Precedentes de la institucionalización de la Historia del Arte en España: los estudios histórico-artísticos en el siglo XIX = Precedents of the institutionalisation of Art History in Spain: Historical and artistic studies in the 19th century." REVISTA DE HISTORIOGRAFÍA (RevHisto) 31 (September 23, 2019): 253. http://dx.doi.org/10.20318/revhisto.2019.4882.

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Resumen: El objetivo de este artículo es ofrecer una visión general acerca de los estudios histórico-artísticos realizados y publicados en España a lo largo del siglo XIX, así como poner de manifiesto que estos trabajos dieron base y fundamento a la posterior institucionalización de la Historia del Arte en la universidad española a comienzos de la centuria siguiente. Comenzamos nuestro texto con un estado de la cuestión para subrayar la necesidad de acometer esta clase de estudios; seguidamente exponemos una amplia perspectiva diacrónica sobre las circunstancias históricas que rodearon la prác

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48

Pérez-Jiménez, Aurelio. "The Lamp of Anaxagoras (Plu., Per. 16.8-9) and its Reception in the Art of the 17th-19th centuries." Ploutarchos 14 (October 30, 2017): 69–106. http://dx.doi.org/10.14195/0258-655x_14_4.

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In this article I follow the trails wich the famous anecdote of Anaxagoras, Pericles and the lamp (Plu., Per. 16.8-9) has let in European art of the last centuries. I will comment the details of different artistic pieces from the17th century emblematic and from Neoclassical painting and sculpture of the 18th and 19th Centuries, as well as some 19th French ‘pendules’, to put in value the importance that this anecdote has had in European art, due to its didactic strength and to its litterary plasticity.

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49

Rudenko, A. A. "DYBYNTSI’S CERAMIC CENTER ACTIVITY IN UKRAINIAN ART CULTURE OF THE 19th—20th CENTURY." Archaeology and Early History of Ukraine 29, no. 4 (2018): 361–85. http://dx.doi.org/10.37445/adiu.2018.04.21.

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The article is devoted to the study of the activity of one of the largest ceramic craft center of the Central Naddnipryanschyna from the 19th and early 20th centuries which is Dybyntsi village located in Boguslav district of Kyiv region in the context of the development of folk arts crafts. The local features of the art culture of Boguslav region were illuminated; the artistic means of ceramic products decoration were analyzed; the typology of the products assortment was determined according to its functional purpose; the five stages in the existence of the Dybyntsi’s ceramic industry were dis

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50

Zhao, Jialin, and Rainer Feldbacher. "Reflection of Sexual Morality in Literature and Art." Journal of Critical Studies in Language and Literature 1, no. 3 (2020): 81–88. http://dx.doi.org/10.46809/jcsll.v1i3.32.

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Tocqueville, in his book “Democracy in America”, talked about the concept of sexual morality, introduced it into his newpolitical science, and reflected on the situation of social morality before and after the French Revolution with the help of hisinvestigation of American social morality. From the end of the 19th century to late 20th century, the development of sexualmorality in the US and France has undergone different changes. In France before and after the Revolution, sexual ethicsshowed a very different picture, from palace porn culture and pornography before the Revolution to revolutiona

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