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Books on the topic 'Art, Aboriginal Australian Economic aspects'

Author: Grafiati
Published: 11 December 2022
Last updated: 30 January 2023

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1

Untitled: Art, culture, gender, law. New York: Columbia University Press, 2012.

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2

Ruth, Hessey, ed. The dealer is the devil: An insider's history of the Aboriginal art trade. Blackheath, NSW, Australia: Brandl & Schlesinger, 2014.

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3

Seeking the centre: The Australian Desert in literature, art and film. Cambridge, UK: Cambridge University Press, 1998.

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4

Glowczewski, Barbara, and Rosita Henry. Challenge of indigenous peoples: Spectacle or politics. Cumnor, Oxford: Bardwell Press, 2011.

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5

Prosser, Gary. Visual & craft artists: A national study of the Australian crafts and visual arts industry. Redfern, NSW: Australia Council, 1989.

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6

The enigma of Aboriginal health: Interaction between biological, social, and economic factors in Alice Springs town-camps. Canberra: Australian Institute of Aboriginal Studies ; Atlantic Highlands, NJ : Sold and distributed in North America by Humanities Press, 1985.

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7

Bryan, Horrigan, Young Simon solicitor, and Queensland University of Technology. Centre for Commercial and Property Law., eds. Commercial implications of native title. Sydney: Federation Press in association with the Centre for Commercial and Property Law, Queensland University of Technology, 1997.

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8

Altman, Jon C. People on country: Vital landscapes, indigenous futures. Edited by Kerins Seán. Annandale, N.S.W: Federation Press, 2012.

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9

Voyageur, Cora Jane, Laura Brearley, and Brian Calliou. Restorying Indigenous leadership: Wise practices in community development. Banff, Alberta, Canada: Banff Centre Press, 2014.

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10

Judith, Ryan, ed. Spirit in land: Bark paintings from Arnhem Land in the National Gallery of Victoria. [Melbourne, Vic.]: The Gallery, 1990.

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11

Lurrtjulu-la Palyanma: Let's keep doing it together. Kalgoorlie, W.A: Wilurarra Creative, 2010.

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12

Dealer Is the Devil: An Insider's History of the Aboriginal Art Trade. Brandl & Schlesinger, 2014.

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13

(Editor), Hetti Perkins, Margie West (Editor), and Theresa Willsteed (Editor), eds. One Sun One Moon: Aboriginal Art in Australia. Art Gallery of New South Wales, 2007.

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14

Counting Blackness: Recalibrating Knowledge in the Sandstone University. University of Queensland Press, 2016.

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15

Haynes, Roslynn D. Seeking the Centre: The Australian Desert in Literature, Art and Film. Cambridge University Press, 1999.

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16

Barbara, Glowczewski, and Henry Rosita, eds. Le défi indigène: Entre spectacle et politique. Montreuil: Aux lieux d'être, 2007.

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17

Gattenhof, Sandra. Measuring Impact: Models for Evaluation in the Australian Arts and Culture Landscape. Palgrave Macmillan Limited, 2015.

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18

Gattenhof, Sandra. Measuring Impact: Models for Evaluation in the Australian Arts and Culture Landscape. Palgrave Macmillan Limited, 2015.

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19

Throsby, David, and Katya Petetskaya. Integrating Art Production and Economic Development in North-West NT and the Tiwi Islands: National Survey of Remote Aboriginal and Torres Strait Islander Artists. Macquarie University, 2019.

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20

Russell, Lynette. Procuring Passage. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037153.003.0004.

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This chapter discusses the assumption that resource maritime labor was exclusively performed by men. It argues that in southeastern Australia the success and wealth produced by the sealing industry up to 1815 and the subsequent economic stability of European men was wholly dependent on Tasmanian pallawah or indigenous women's skills and expertise. Although there are estimates that there were as many as 200 Newcomer men involved in the industry, each man often had between three and five Aboriginal women working with him. In some years the islands yielded between ten and twenty thousand sealskins. Each hunting episode required the women to club the seal and drag it to the beach, where they would begin the butchering process. The women also developed useful skills in boat handling and other associated aspects of the industry.
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21

Restorying Indigenous Leadership: Wise Practices in Community Development. Banff Centre Pr, 2015.

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22

Ryan, Judith. Spirit in Land: Bark Paintings from Arnhem Land. National Gallery of Victoria, 2002.

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23

A Time Traverler's Theory of Relativity. Carolrhoda Books, 2019.

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