Relevant bibliographies by topics / Art, Abstract

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Art, Abstract'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "Art, Abstract"

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Ickes, Melinda J., and Stephen F. Gambescia. "Abstract Art." Health Promotion Practice 12, no. 4 (July 2011): 493–96. http://dx.doi.org/10.1177/1524839911413128.

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Kumar, A. Sampath. "Abstract art." Indian Journal of Thoracic and Cardiovascular Surgery 20, no. 1 (January 2004): 1. http://dx.doi.org/10.1007/s12055-004-0283-5.

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Mikulinsky, Romi, and Yanai Toister. "From Abstract Art to Abstracted Artists." Journal of Science and Technology of the Arts 8, no. 1 (November 30, 2016): 29. http://dx.doi.org/10.7559/citarj.v8i1.219.

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Tabulo, Kym. "Abstract sequential art." Journal of Graphic Novels and Comics 5, no. 1 (June 9, 2013): 29–41. http://dx.doi.org/10.1080/21504857.2013.803994.

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Michalowski, Stefan, and Georgia Smith. "Art: Abstract relativity." Nature 470, no. 7332 (February 2011): 38. http://dx.doi.org/10.1038/470038a.

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Berry, Kenneth. "ABSTRACT ART AND EDUCATION." British Journal of Aesthetics 32, no. 3 (1992): 266–68. http://dx.doi.org/10.1093/bjaesthetics/32.3.266.

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Singh, Gary. "Electrifying Digital Abstract Art." IEEE Computer Graphics and Applications 35, no. 2 (March 2015): 4–5. http://dx.doi.org/10.1109/mcg.2015.27.

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Thistlethwaite, Jill. "Abstract art and publication." Clinical Teacher 17, S1 (September 25, 2020): 4–5. http://dx.doi.org/10.1111/tct.13250.

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Clarke, Jenni. "Deep space abstract art." Practical Pre-School 2013, no. 145 (February 2013): ix—x. http://dx.doi.org/10.12968/prps.2013.1.145.ix.

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Toljan, Karlo. "Neuroscience and abstract art." Gyrus 3, no. 1 (2015): 8–10. http://dx.doi.org/10.17486/gyr.3.1002.

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Dissertations / Theses on the topic "Art, Abstract"

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Kappers, Michael. "VIRTUALLY ABSTRACT." Master's thesis, University of Central Florida, 2008. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4011.

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My most recent body of work frees me from traditional animation and graphic design principles that had become second nature in my creative practice over years of commercial work in industry. I now find myself unconsciously creating shape and form without a preconceived vision of the final outcome. This allows for a free-flowing approach to my canvas. The canvas in which my forms are created is virtual space and can be described as an infinite cube. The first step I take in each of my pieces is creating a cube with the center residing at Cartesian coordinates 0,0,0. From there, I make the decision either to subdivide the cube into sections or extrude faces from the cube. In either case, I begin to see the possibilities in which the form can take. Some forms are organic and rhythmic while others become machined and rigid. At this stage, color and light are not a part of the equation.
M.F.A.
Department of Art
Arts and Humanities
Studio Art and the Computer MFA
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Mosina, E. O. "Abstract vision in fashion." Thesis, Київський національний університет технологій та дизайну, 2018. https://er.knutd.edu.ua/handle/123456789/11355.

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Jakeman, Jane. "Abstract art and communication in 'Mamluk' architecture." Thesis, University of Oxford, 1993. http://ora.ox.ac.uk/objects/uuid:83f44ba8-2ba6-4ff1-8732-9e78d65ad5c5.

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Fourteenth-century Cairo saw a movement towards abstract, geometric art. This movement reflected contemporary intellectual interests and represents the culmination of the ascendancy of Islamic philosophy over the humanist vocabulary of art. The thesis seeks explanations for the positive, i.e. for the forms which art actually took, rather than concentrating on prohibitive mechanisms. In architecture, the disappearance of stucco vegetal decoration may have been partly due to the effects of an outbreak of plague, but the main influences on contemporary art and architecture came from the esoteric habits of thought induced by sufism, alchemy and hermeticism, and from the dualist concerns of Islamic philosophy. The thesis discusses the continuity between sufism and Shī'ism, the history of sufism in Cairo as it affected art and architecture, concepts of the microcosm and the macrocosm, and theories of colour, substance and gilding. The thesis examines talismans and other esoteric material. It discusses architectural incorporata, presents a catalogue of Pharaonic material re-used in Islamic architecture, and argues that blocks bearing Pharaonic hieroglyphs represented Hermetic lore and, at entrances to buildings, paralleled the use of Pharaonic references at the beginning of esoteric manuscripts. The detailed discussion of architecture takes the form of an examination of a religious building, scrutinising the underlying principles of decoration and then moving on to specific elements such as the entrance and the mihrab. The thesis discusses, and dissents from, iconographic interpretations of architectural imagery. It attempts to evolve a terminology for discussion and concludes that 'mamluk' is inappropriate as a cultural term, since the influence of the individual patron on art and architecture was less innovative than the intellectual background of the period, and the dissociation of the patron from contemporary society has been over-estimated. It comes to the conclusion that 'an art of the bāṭin' would more effectively express the major influence on the art and architecture of fourteenthcentury Cairo.
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Pearce, Mary. "Colour and communication in twentieth century abstract art." Thesis, Kingston University, 2001. http://eprints.kingston.ac.uk/20686/.

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The core of this research has been to undertake both an analytical study of the role of colour in early twentieth century abstract art and to produce a CD-Rom as an interdisciplinary design tool, to convey the material in a manner through which complex ideas can be easily assimilated. Multimedia has the advantage of possibilities for interactivity, a graphic interface, sound, animation and of organising information in a matrix of cross-references. This adds new dimensions to the study of visual arts and facilitates an analytical approach to the subject. There are also innovative possibilities for the didactic function of the presentation as an educational tool, especially as the information has been organised in levels to appeal to different kinds of audiences, where original theories, essays, notes and internet links to related material, are accessible if the user wishes to investigate more deeply. With regard to the art historical content, although colour contains some inherent qualities which affect human perception; it still relies heavily on its cultural context in order to acquire meaning within works of art, the proposal in this research is therefore, to discuss the perception of colour within one specific tradition, that of Western modernism. It begins with the influence of nineteenth century colour theory on the early twentieth century European painters and focuses on how the change in the role of colour progressed in parallel with the development of abstract art. Using selected painters as examples, I have introduced French and German development of the role of colour, and then show how this technical and expressive understanding of colour also permeated the United States and influenced the American Abstract Expressionist painters. Thus demonstrating that the way that colour is used in their work relies on the same understanding of colour that was developed in the early twentieth century in Europe. Unlike previous research in colour, the analogies with music, calligraphy and poetry are explored as being strongly associated with the role of colour in Western abstract painting, especially their roots in `simultaneity', as evident in the work of Robert Delaunay, which involved issues of time and space in painting. Individual compositions are therefore analysed from various angles within their cultural context, which is made possible through the multifaceted qualities of new multimedia, mentioned above.
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Shah, Diti. "An abstract expression of September 11, 2001." Texas A&M University, 2006. http://hdl.handle.net/1969.1/4448.

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Historical events captured in an abstract manner have the ability to produce a profound effect on the emotions. The purpose of this research is to create a time-based computer media work, using dialogue from playwright Anne Nelson's The Guys, based on the September 11, 2001 attacks on the World Trade Center in New York City, with emphasis on visual imagery, particularly the use of line and color, to enhance the dramatic and emotional content of the piece. The stylistic direction of the thesis work is greatly influenced by selected works of abstract expressionists Robert Motherwell and Franz Kline, whose artwork was shaped by the social backdrop of World War II.
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Budrytė, Kristina. "Lithuanian Abstract painting in Soviet period." Doctoral thesis, Lithuanian Academic Libraries Network (LABT), 2009. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2008~D_20090312_110650-92526.

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The Aim of the research is to define and analyse works of Lithuanian abstract painting during the Soviet period by establishing and comparing the diversity of criticism and practices of abstract art in Lithuania over several decades (from the end of the 1950s to the 1980s). In this thesis abstract paining is treated as a radical artistic reaction in Lithuania in terms of its theoretical and historical characteristics, and the general artistic context during the Soviet period is analysed in terms of socio-political issues. This is a study of the most celebrated examples of Western European art (also American art) presenting the most recent tendencies that developed out of them and juxtaposing it with the Central European culture (as the area of Soviet influence). Western European culture and its artistic movements were a complete opposition to the artificially built Eastern Block during the Soviet period. The forced separation of this period defined its unique qualities that found one expression in Central Europe and a different one in countries occupied by the Soviets (eg. in Lithuania); it also formed the position of freedom of an alternative art. Whereas in the West abstraction, in its own time, was the great boom of modernism because it freed painting from the traditional language of ‘representation’ and illustration, in Lithuania, in its local context, it had more functions: it was considered to be the great achievement of late modernism that helped to discover newer than... [to full text]
Disertacijos santraukoje nurodomi analizuoti Lietuvos abstrakčiosios tapybos kūriniai sovietmečiu, išskiriant ir lyginant kelių dešimtmečių (nuo šeštojo pabaigos iki devintojo) dailės ir dailės kritikos įvairovę Lietuvoje. Abstrakčioji tapyba, peržvelgus jos teorinius ir istorinius akcentus, vertinama kaip radikali meninė reakcija Lietuvoje, o bendras meninis kontekstas sovietmečiu analizuojamas iš sociopolitikos problematikos perspektyvos. Tai Vakarų Europos (bei iš JAV atkeliavusių) žymiausių pavyzdžių analizė, pateikianti išsivysčiusias iš jų naująsias tendencijas ir Vidurio Europos (kaip sovietmečio įtakos lauko) kultūrų sugretinimas. Visiška priešingybe sovietmečio dirbtinai suręstam Rytų blokui buvo Vakarų Europos kultūra ir jų meninės srovės. Priverstinis to laikotarpio atskyrimas nulėmė savitumus, vienaip pasireiškusius Vidurio Europoje, kitaip – sovietų okupuotose šalyse (pvz., Lietuvoje), ir iššaukusius kitokio meno laisvės poziciją. Vakaruose abstrakcija buvo modernizmo suklestėjimas, tai reiškė išsivadavimą iš tradicinės dailės kalbos, susijusios su vaizdo atvaizdavimu. Lietuvoje abstrakcijos apraiškos turėjo ir kitokių funkcijų: plastinės meninės kalbos įvairove buvo bandoma paneigti priverstinai primestą socrealizmo ideologiją. Disertacijos santraukoje atskleidžiamos Lietuvos abstrakčiosios tapybos formavimosi prielaidos ir galimybės. Abstrakčiosios tapybos užuomazgos –– S. Kisarauskienės, V. Kisarausko darbų pavyzdžiai, J. Švažo, L. Katino ir kt. tapyba XX... [toliau žr. visą tekstą]
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Virginianne. "Art lessons that develop a positive attitude toward abstract art, an interview study." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ39494.pdf.

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Godfrey, Mark Benjamin. "The memory of Modernism abstract art and the Holocaust /." Online version, 2002. http://ethos.bl.uk/OrderDetails.do?did=1&uin=uk.bl.ethos.395783.

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Godfrey, Mark. "The memory of Modernism : abstract art and the Holocaust." Thesis, University College London (University of London), 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.395783.

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Mumba, Patrick. "Abstract art and the contested ground of African modernisms." Thesis, Rhodes University, 2016. http://hdl.handle.net/10962/d1021165.

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This submission for a Masters of Fine Art consists of a thesis titled Abstract Art and the Contested Ground of African Modernisms developed as a document to support the exhibition Time in Between. The exhibition addresses the fact that nothing is permanent in life, and uses abstract paintings that reveal in-between time through an engagement with the processes of ageing and decaying. Life is always a temporary situation, an idea which I develop as Time in Between, the beginning and the ending, the young and the aged, the new and the old. In my painting practice I break down these dichotomies, questioning how abstractions engage with the relative notion of time and how this links to the processes of ageing and decaying in life. I relate this ageing process to the aesthetic process of moving from representational art to semi-abstract art, and to complete abstraction, when the object or material reaches a wholly unrecognisable stage. My practice is concerned not only with the aesthetics of these paintings but also, more importantly, with translating each specific theme into the formal qualities of abstraction. In my thesis I analyse abstraction in relation to ‘African Modernisms’ and critique the notion that African abstraction is not ‘African’ but a mere copy of Western Modernism. In response to this notion, I have used a study of abstraction to interrogate notions of so-called ‘African-ness’ or ‘Zambian-ness’, whilst simultaneously challenging the Western stereotypical view of African modern art. I have also related the theoretical and practical analysis of abstraction to scholarly debates on abstraction and ‘African Modernism’, arguing for multiple African Modernisms.
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Books on the topic "Art, Abstract"

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Kärnten, Museum Moderner Kunst, ed. Abstrakt: Abstract. Kärnten: MMKK, Museum Moderner Kunst Kärnten, 2008.

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Garitte, André. Un siecle d'art abstrait: 100 abstraits belges = Een eeuw abstracte kunst : 100 Belgische abstracten. Bruxelles: René Magritte Museum, 2010.

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Moszynska, Anna. Abstract art. London: Thames and Hudson, 1990.

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Whitford, Frank. Understanding abstract art. New York: E.P. Dutton, 1987.

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Fer, Briony. On abstract art. New Haven: Yale University Press, 1997.

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Collectie Museum voor Abstracte Kunst (Brussels, Belgium), ed. Abstracte veelzijdigheid: Diversité abstraite. Antwerpen]: Petraco-Pandora NV, 2019.

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Anfam, David. Abstract expressionism. New York, N.Y: Thames and Hudson, 1990.

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Center, Walker Art, ed. Abstract resistance. Minneapolis, MN: Walker Art Center, 2010.

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Michael, Petry, ed. Abstract eroticism. London: Academy Group, 1996.

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Thaw, Eugene Victor. The abstract expressionists. New York: Metropolitan Museum of Art, 1987.

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Book chapters on the topic "Art, Abstract"

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Bense, Max. "Small Abstract Aesthetics." In A Companion to Digital Art, 247–64. Hoboken, NJ: John Wiley & Sons, Inc, 2016. http://dx.doi.org/10.1002/9781118475249.ch9.

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Bouleau, Nicolas. "Daring the Abstract in Art." In Risk and Meaning, 165–82. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-17647-0_10.

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Caliandro, Stefania. "Empathy, Meaning and Abstract Art." In Lecture Notes in Morphogenesis, 61–74. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-29631-5_4.

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Crowther, Paul. "Abstract Art and Transperceptual Space." In Theory of the Art Object, 43–56. London ; New York : Routledge, 2019. | Series: Routledge advances in art and visual studies: Routledge, 2019. http://dx.doi.org/10.4324/9780429264320-3.

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Hackett, Paul M. W. "Defining Two-Dimensional Abstract Art." In Psychology and Philosophy of Abstract Art, 1–10. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-48332-4_1.

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"Abstract Art Activities Abstract Art Activities." In Changing Seasons, 90–98. Purdue University Press, 2018. http://dx.doi.org/10.2307/j.ctv15wxqvd.9.

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Luton, Fe, and Lian Jacobs. "Abstract art." In The Big Book of Primary Club Resources: Creative Arts, 43–55. Routledge, 2018. http://dx.doi.org/10.4324/9780429454240-4.

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"abstract art." In The Fairchild Books Dictionary of Interior Design. Fairchild Books, 2021. http://dx.doi.org/10.5040/9781501365171.011.

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"Abstract Art." In The Art Activity Manual, 174–78. Routledge, 2017. http://dx.doi.org/10.4324/9781315174341-25.

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Brown, John H. "Art, abstract." In Routledge Encyclopedia of Philosophy. London: Routledge, 2021. http://dx.doi.org/10.4324/9780415249126-m001-3.

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Article Summary Given the detailed coverage of the varieties of abstract art in the 1998 article (hereafter ‘Abstract1998’), what further points and observations are now needed? Here are four. (1) Yet deeper knowledge of illegitimate bias and misunderstanding of disfavoured art forms worldwide, both in the past and now, that affect both the foundational concept of non-abstract verisimilitude and its polar opposite, abstract art. (2) Broader survey of factors driving the creation of forms of abstraction and their appreciation. Why are some now so well appreciated after such long dismissal? (3) Diagnosis of forms of connection between abstract and non-abstract art that justify regarding them as belonging to the omnivorous category of art. (4) Reflections on deep limits of our understanding of artistic conceptions reaching beyond all current ideas. Each part of this revision can consider only a sampling of a stupendously diverse situation which continues to evolve at a rapid pace.
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Conference papers on the topic "Art, Abstract"

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Hung, Christina Nguyen. "Art-lab-bio-studio (abstract only)." In the fourth international conference. New York, New York, USA: ACM Press, 2010. http://dx.doi.org/10.1145/1709886.1709980.

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Zhang, Kang, and Jinhui Yu. "Generating abstract paintings in Kandinsky style." In SIGGRAPH Asia 2013 Art Gallery. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2542256.2542257.

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Osmond, Joe. "Abstract Animation and the Art of Sound." In Electronic Visualisation and the Arts (EVA 2011). BCS Learning & Development, 2011. http://dx.doi.org/10.14236/ewic/eva2011.61.

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Son, Jungah, Marko Peljhan, and George Legrady. "Reflection on Abstract Art through Kandinsky's Teaching: Reflection on Abstract Art through Reconstruction of Kandinsky's Teaching at the Bauhaus." In SA '23: SIGGRAPH Asia 2023. New York, NY, USA: ACM, 2023. http://dx.doi.org/10.1145/3610591.3616436.

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Zgheib, Caren, Munia Hatem, Johny Kamel, Mariette Awad, Fadi Karameh, and Mihran Gurunian. "A Musical Classification and Interpretation of Abstract Art." In International Conference. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2523429.2531848.

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Hibadullah, Cik Fazilah, Alan Wee-Chung Liew, and Jun Jo. "Colour-emotion association study on abstract art painting." In 2015 International Conference on Machine Learning and Cybernetics (ICMLC). IEEE, 2015. http://dx.doi.org/10.1109/icmlc.2015.7340605.

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Davtyan, Vardan. "Art therapy in space of modern culture abstract." In Scientific researches for development future. B&M Publishing, 2020. http://dx.doi.org/10.15350/f_7/10.

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Fernandes, Carlos M., Antonio Mora, Juan Julian Merelo, and Agostinho C. Rosa. "Swarm art with KANTS: Using an ant clustering algorithm for generating abstract paintings." In 2012 International Conference on Complex Systems (ICCS). IEEE, 2012. http://dx.doi.org/10.1109/icocs.2012.6458508.

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Morgan, Paris M. "THE CELLULAR ARCHITECTURE OF WOOD EXPRESSED AS ABSTRACT ART." In GSA Annual Meeting in Denver, Colorado, USA - 2016. Geological Society of America, 2016. http://dx.doi.org/10.1130/abs/2016am-285892.

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Simpson, Joseph J., Cihan H. Dagli, and Ann Miller. "System Evaluation and Description Using Abstract Relation Types (ART)." In 2007 1st Annual IEEE Systems Conference. IEEE, 2007. http://dx.doi.org/10.1109/systems.2007.374670.

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Reports on the topic "Art, Abstract"

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Sinnett, J. C. Operational Protection.....Crystal Ball or Abstract Art. Fort Belvoir, VA: Defense Technical Information Center, May 2000. http://dx.doi.org/10.21236/ada381617.

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Galenson, David. Two Paths to Abstract Art: Kandinsky and Malevich. Cambridge, MA: National Bureau of Economic Research, August 2006. http://dx.doi.org/10.3386/w12403.

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Craven, Michael. Abstract art and controversy : a case study of Louis Bunce's airport mural and other Portland art controversies. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.6180.

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Poloboc, Alina. Fancy Pink Goat. Intellectual Archive, December 2023. http://dx.doi.org/10.32370/iaj.2998.

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"Fancy Pink Goat" is a contemporary art piece from the Fancy Collection, created in Spain in 2022. It is a vividly colorful painting dominated by pink and blue, which are the signature colors of the artist`s style. The painting features a fancy goat walking through the jungle with its elegant collar and abstract, long legs. Surrounding the Fancy Pink Goat are a variety of other unusual creatures inhabiting the jungle and keeping the goat company. The artist`s signature red high-heeled shoes are also present, adding a touch of sophistication and style to the painting. This artwork is an impressive example of the artist`s unique style, which blends elements of surrealism and abstraction to create a sense of fantasy and wonder. The overall effect is an intriguing and vibrant work of art that captures the viewer`s imagination. With its expert technique and distinctive style, "Fancy Pink Goat" is truly a gem in the Fancy Collection.
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King, Wayne. Process Control for Defect Mitigation in Laser Powder Bed Fusion Additive Manufacturing. 400 Commonwealth Drive, Warrendale, PA, United States: SAE International, May 2023. http://dx.doi.org/10.4271/epr2023011.

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<div class="section abstract"><div class="htmlview paragraph">Success in metal additive manufacturing (AM) relies on the optimization of a large set of process parameters to achieve materials whose properties and performance meet design and safety requirements. Despite continuous improvements in the process over the years, the quality of AM parts remains a major concern for manufacturers. Today, researchers are starting to move from discrete geometry-dependent build parameters to continuously variable or dynamically changing parameters that are geometry- and scan-path aware. This approach has become known as “feedforward control.”</div><div class="htmlview paragraph"><b>Process Control for Defect Mitigation in Laser Powder Bed Fusion Additive Manufacturing</b> discusses the origins of feedforward control, its early implementations in AM, the current state of the art, and a path forward to its broader adoption.</div><div class="htmlview paragraph"><a href="https://www.sae.org/publications/edge-research-reports" target="_blank">Click here to access the full SAE EDGE</a><sup>TM</sup><a href="https://www.sae.org/publications/edge-research-reports" target="_blank"> Research Report portfolio.</a></div></div>
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Villa, Michele, Massimo Le Pera, and Michela Bottega. Quality of Abstracts in Randomized Controlled Trials Published in Leading Critical Care Nursing Journals. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, June 2022. http://dx.doi.org/10.37766/inplasy2022.6.0039.

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Review question / Objective: This review aims to evaluate the methodological quality of RCT-abstracts in leading critical care nursing journals. A methodological quality review with the Consolidated Standards of Reporting Trials (CONSORT) criteria will be performed in RCT-abstracts published between 2011-2021 in the first Scopus-ranking (2021) nursing journals. Eligibility criteria: Abstracts of scientific articles will be included if they fulfil the following inclusion criteria: 1) they report the results of parallel and/or cross-over group RCTs, 2) they are written in English, 3) they refer to the care of adult patients with acute/critical illness or conducted in adult ICUs.Manuscripts reporting results of pilot or feasibility studies, cluster trials, observational or cohort studies, interim analyses, economic analyses of RCTs, post-trial follow-up studies, subgroup and secondary analyses of previously published RCTs, editorials and RCTs without an abstract such as RCTs published as letters to the editor, single-subject clinical trials will be excluded.
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Ziesler, Pamela, and Claire Spalding. Statistical abstract: 2023. National Park Service, 2024. http://dx.doi.org/10.36967/2304344.

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In the pages that follow, a series of tables and figures display visitor use statistics for calendar year 2023. By documenting visits, hours, and overnight stays across the National Park System, the National Park Service (NPS) Statistical Abstract offers a historical record of visitor use in parks and provides NPS staff and partners with a useful tool for effective management and planning. In 2023, 400 of the 428 National Park System units collected and reported visitor use statistics; the remainder are unable to do so for a variety of reasons such as administration by another agency, non-federal land ownership, or new parks that lack staff and facilities for the management of visitor use statistics. The responsibility for compiling and summarizing visitor use statistics resides with the Social Science Program in the NPS Natural Resource Stewardship and Science Directorate. The Program relies on the conscientious efforts of NPS field personnel to count, record, and report visitor use. This system of collecting and summarizing monthly visitor use data is combined with continuous review and assessment of park visitor use estimation procedures to promote consistency and accuracy of data. Detailed instructions for the units that collect data, monthly visitation summaries, and reports displaying trends in park visitation are available on the NPS Visitor Use Statistics website (https://irma.nps.gov/Stats/)
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8

Moran, Matthew. Decarbonizing Mobility with Liquid Hydrogen. 400 Commonwealth Drive, Warrendale, PA, United States: SAE International, July 2024. http://dx.doi.org/10.4271/epr2024015.

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<div class="section abstract"><div class="htmlview paragraph">Liquid hydrogen (LH2) is playing a key role in decarbonization of the global energy landscape. Its large-scale continuous use in the space industry provides a foundation for transitioning state-of-the-art capabilities to other sectors. Key advancements in materials, cryogenics, and system optimization are being applied to reduce costs and increase performance for various mobile and stationary use cases. However, some unsettled topics remain to be addressed related to production, liquefaction, storage, distribution, safety, and economics. The optimal solutions to these unsettled topics will vary depending on the region, industry sector, and application.</div><div class="htmlview paragraph"><b>Decarbonizing Mobility with Liquid Hydrogen</b> provides a brief and balanced assessment of the relevant technologies, established practices, system operations, emerging trends, strategic considerations, and economic drivers. Addressing these unsettled topics is tied to the evolving economic strategies of governmental policies, public and private investment, competitive structures, regional approaches, and innovative business models.</div><div class="htmlview paragraph"><a href="https://www.sae.org/publications/edge-research-reports" target="_blank">Click here to access the full SAE EDGE</a><sup>TM</sup><a href="https://www.sae.org/publications/edge-research-reports" target="_blank"> Research Report portfolio.</a></div></div>
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ARMY RESEARCH LAB ADELPHI MD. ARL Summer Student Research Symposium. Volume 2: Compendium of Abstracts. Fort Belvoir, VA: Defense Technical Information Center, August 2012. http://dx.doi.org/10.21236/ada568741.

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Choquette, Gary. PR-000-22COMP-R03 Potential Impact Radius Compendium. Chantilly, Virginia: Pipeline Research Council International, Inc. (PRCI), September 2022. http://dx.doi.org/10.55274/r0012240.

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This compendium is a selection of past PRCI research and technical resources related to the calculation of the potential impact radius. Reports were selected based on their final report abstracts and does not include further analysis or an additional technical review of the final report. Meta data is provided for each resource (when available) including the length of the report, its abstract, author(s), and company that performed the research. This list of documents includes PRCI funded research as well as research that PRCI has rights to access including cofunded work and information in the public domain. The reports are grouped by the related research category assigned to each document.
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