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Relevant bibliographies by topics / Art, aesthetics, enlightenment

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Academic literature on the topic 'Art, aesthetics, enlightenment'

Author: Grafiati

Published: 10 December 2022

Last updated: 31 July 2025

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Journal articles on the topic "Art, aesthetics, enlightenment"

1

Bandrovska, Olha T. "THE AESTHETIC REGIME IN THE MODERN ERA: ART AND DISCOURSE ON ART." Alfred Nobel University Journal of Philology 2, no. 26/1 (2023): 9–21. http://dx.doi.org/10.32342/2523-4463-2023-2-26/1-1.

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The article traces the changes in the aesthetic conventions of Modern art in accordance with the dynamics of literary development in Great Britain. The study focuses on three key areas: the impact of “the ancients and moderns” quarrel on European philosophical and literary thought; the nuances of critical and literary discourse in Enlightenment-era Great Britain; and the reception of the Enlightenment aesthetic values and novelties in Victorian criticism, linking them to the emergence of twentieth-century modernism. The subject involves the evolution of Enlightenment aesthetics and poetics in

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Liu, Jinyun, Zhenzhen Li, Haiyan Xu, and Huimin Huang. "Research on Surname Totem Art from the Perspective of Taoist Aesthetics." Arts Studies and Criticism 5, no. 2 (2024): 85. http://dx.doi.org/10.32629/asc.v5i2.2258.

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This article analyzes the surname totem from the Taoist aesthetic ideas, analyzes the aesthetic value of artistic expression research, and discusses the relationship between Taoist aesthetics and surname totem art. By comparing the core concepts, it reveals the commonality of Taoist aesthetic thought and surname totem in cultural inheritance and artistic creation, and then explores the new innovative enlightenment of Taoist aesthetic thought to art design, which helps to deepen the understanding of traditional culture. At the same time, it expands the new possibility of blending Taoist aesthet

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Wang, Kedi. "Art Aesthetic and Innovation Research on the Design of Car." Art and Society 3, no. 4 (2024): 82–85. http://dx.doi.org/10.56397/as.2024.08.10.

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The artistic aesthetics of automotive design involve aesthetics, design, and material science. The designer is required to use unique creativity and superb craftsmanship based on the basic design principles to create both the car form with high artistic aesthetics to meet consumers’ visual needs for the appearance of the vehicle and stimulate its sense of identity and belonging to the car brand culture. This article analyzes the artistic aesthetic points of automotive design and takes the Red Flag H9 as an example to explore the practical application of the artistic aesthetics of automobile de

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Berisha, Labinot, and Nexhmije Kastrati. "Aeshetics as a possibility for the study and understanding of the art of word – literature." Edelweiss Applied Science and Technology 9, no. 4 (2025): 2405–12. https://doi.org/10.55214/25768484.v9i4.6555.

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Aesthetics, as a discipline, has evolved in parallel with the arts, reflecting an increasingly broad and interconnected range of concerns. It now encompasses a wide array of categories, concepts, and principles that continue to develop. During the European Enlightenment, art was regarded as a means of transmitting knowledge and promoting moral refinement. In contrast, Romantic aesthetics foregrounded imagination, creativity, and human freedom, thereby challenging Enlightenment ideals. Aesthetic thought has consistently been shaped by both individual and collective tastes, cultural contexts, an

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Kent, Alexander J. "From a Dry Statement of Facts to a Thing of Beauty: Understanding Aesthetics in the Mapping and Counter-Mapping of Place." Cartographic Perspectives, no. 73 (September 1, 2012): 37–60. http://dx.doi.org/10.14714/cp73.592.

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Aesthetics plays a key role in cartographic design and is especially significant to the representation of place, whether by the state, the community, the crowd, or the artist. While state topographic mapping today demonstrates a rich diversity of national styles, its evolution (particularly since the Enlightenment) has led to the establishment of a particular aesthetic tradition, which has recently been challenged by counter-mapping initiatives and through map art. This paper explores the function of aesthetics in the cartographic representation of place. It offers an analysis of the aesthetic

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CARROLL, NOËL. "LES CULS-DE-SACOF ENLIGHTENMENT AESTHETICS: A METAPHILOSOPHY OF ART." Metaphilosophy 40, no. 2 (2009): 157–78. http://dx.doi.org/10.1111/j.1467-9973.2009.01586.x.

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Fritz, Martin. "Hallische Avantgarde. Die Erfindung der Ästhetik und die Ästhetisierung des Christentums." Journal for the History of Modern Theology / Zeitschrift für Neuere Theologiegeschichte 21, no. 1-2 (2014): 1–27. http://dx.doi.org/10.1515/znth-2015-0001.

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AbstractAvantgarde in Halle: The Invention of Aesthetics and the Aestheticization of Christianity. The foundation of scholarly aesthetics by the Halle philosopher Alexander Gottlieb Baumgarten and Georg Friedrich Meier in the middle of the 18th century took place within a milieu that was shaped by both pietism and the Enlightenment. Martin Fritz demonstrates that aesthetics in Halle itself can be considered a synthesis of pietism and Enlightenment ideas. The sensualization of basic Christian concepts is of eminent relevance for these aesthetics, in order to reinvent the pietistic striving for

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Dziamski, Grzegorz. "Przemiany estetyki." Przegląd Kulturoznawczy, no. 1 (51) (March 2022): 127–47. http://dx.doi.org/10.4467/20843860pk.22.009.15754.

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Metamorphosis of Aesthetics Many aesthetic lecturers feel that the subject of their lectures is not so much aesthetics as the history of aesthetics, the aesthetic views of Plato and Aristotle, Kant and Hegel, Hume and Burke, British philosophers of taste and German romantics. Does this mean that aesthetics is nourished by its own past, nourished by reinterpretations of its classics, defends concepts and categories that no longer inspire anyone? Don’t they open up new cognitive perspectives? Does this mean that aesthetics is dead today, like Latin or Sanskrit, and that its vision of art and bea

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Dabney Townsend. "Art and Enlightenment: Scottish Aesthetics in the Eighteenth Century (review)." Hume Studies 31, no. 1 (2005): 184–86. http://dx.doi.org/10.1353/hms.2011.0242.

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Hafertepe, Kenneth. "An Inquiry into Thomas Jefferson's Ideas of Beauty." Journal of the Society of Architectural Historians 59, no. 2 (2000): 216–31. http://dx.doi.org/10.2307/991591.

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A careful reading of eighteenth-century aesthetics provides a view of Thomas Jefferson's thinking about art and architecture quite different from the existing scholarly paradigm. Jefferson owned, read, and quoted Enlightenment philosophy and criticism, most notably that of Henry Home, known as Lord Kames. Far from privileging reason over emotion, these philosophers held that all people are created with innate senses of beauty and morality, as well as a rational faculty. Because of the sense of beauty, certain qualities in objects can inspire the idea of beauty in the mind; other ideas of beaut

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Dissertations / Theses on the topic "Art, aesthetics, enlightenment"

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Gurciullo, Sebastian 1968. "Between art and philosophy : Adorno and Foucault as heirs and critics of Enlightenment." Monash University, School of Literary, Visual and Cultural Studies, 2000. http://arrow.monash.edu.au/hdl/1959.1/7662.

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Buchenau, Stefanie. "The art of invention and the invention of art : logic, rhetoric and aesthetics in the early german Enlightenment." Lyon, Ecole normale supérieure, 2004. http://www.theses.fr/2004ENSF0013.

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Ce travail cherche à réévaluer la signification de l'esthétique de la "Frühaufklarung" dans l'histoire de l'esthétique moderne. Contre le discours classique de la littérature secondaire qui le plus souvent réduit cette esthétique à une préfiguration imparfaite de l'esthétique kantienne et postkantienne, il montre que les "Frühaufklärer" ne fondent pas seulement une tradition esthétique moderne, mais qu'ils défendent un projet cohérent et original; il convient en effet de situer leur esthétique dans le contexte du débat moderne sur "l'ars inveniendi" initié par Francis Bacon et développé par se

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Burke, Devin Michael Paul. "Music, Magic, and Mechanics: The Living Statue in Ancien-Régime Spectacle." Case Western Reserve University School of Graduate Studies / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=case1449258139.

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Fick, Kimary E. "Sensitivity, Inspiration, and Rational Aesthetics: Experiencing Music in the North German Enlightenment." Thesis, University of North Texas, 2015. https://digital.library.unt.edu/ark:/67531/metadc822804/.

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This dissertation examines pre-Kantian rational philosophy and the development of the discipline of aesthetics in the North German Enlightenment. With emphasis on the historical conception of the physiological and psychological experience of music, this project determines the function of music both privately and socially in the eighteenth century. As a result, I identify the era of rational aesthetics (ca.1750-1800) as a music-historical period unified by the aesthetic function and metaphysical experience of music, which inform the underlying motivation for musical styles, genres, and means of

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Soudková, Kateřina. "Myšlenky zenového buddhismu a jejich odraz v japonském umění." Master's thesis, 2016. http://www.nusl.cz/ntk/nusl-350514.

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Zen Buddhism Thoughts and their Reflection in Japanese Art This thesis covers the development of Chan and Zen Buddhism thoughts, their effect on Japanese culture and their reflection in specific art forms. In the first part, it summarizes the arriving and settling of Zen in Japan as a follow-up to Chan development in China and as a reaction to the preceeding Buddhist schools in Japan. In the second part it deduces a set of criteria for defining "Zen Arts" from the general trends in taste at that time. And in the third part, it compares the differences in architecture, landscape design and pain

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Sheng-Hua, Cheng, and 鄭勝華. "An Art Theory Working Toward Man's Enlightenment and Redemption: On Adorno's Aesthetic Issues." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/07974170113183878426.

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碩士<br>國立高雄師範大學<br>美術系碩士班<br>93<br>Abstract This study explores Adorno’s aesthetic theory and the main issues it takes up. The diversity and curious appearances of modern art works had made interpretation based on art theory of the past almost impossible. The uniqueness of Adorno’s aesthetic theory lies in his philosophical interpretation of modern art works. In so doing, he caught the spirit of those works precisely. As a gesture meant to fight against and oppose the society, the artworks of then offered a chance of reflection. This thesis is divided into the following three parts: First, an

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Martini, Allesandro. "Norms for the evaluation of literature focusing primarily on the Frankfurt School." Diss., 2000. http://hdl.handle.net/10500/18637.

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Critical Theory, as posited by members of The Frankfurt School, was evaluated with the objective of attaching an implied ethical dimension. This was discovered in their privileging of a particular type of aesthetic, as evinced in their analysis of certain works of autonomous High Modernism. This implied ethic, which is one based around the concept of enlightenment as potential for emancipation, was then applied as a norm for the evaluation of art. This ethic, however, does not seek to impose a particular reading on (specifically) literary production: Rather, it seeks to impart the import

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Books on the topic "Art, aesthetics, enlightenment"

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Albaugh, Stephen. Art against the Enlightenment. Iowa Institute of Philosophy, 1990.

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2

Jonathan, Friday, ed. Art and enlightenment: Scottish aesthetics in the eighteenth century. Imprint Academic, 2004.

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Kavanagh, Thomas M. Esthetics of the moment: Literature and art in the French Enlightenment. University of Pennsylvania Press, 1996.

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1948-, Baker Nancy Kovaleff, Christensen Thomas Street, and Koch Heinrich Christoph 1749-1816, eds. Aesthetics and the art of musical composition in the German Enlightenment: Selected writings of Johann Georg Sulzer and Heinrich Christoph Koch. Cambridge University Press, 1995.

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5

Foundation, Voltaire, ed. Correspondence: Images of the eighteenth century ; Polemic ; Style and aesthetics. Voltaire Foundation, 2004.

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6

Buchenau, Stefanie. Founding of Aesthetics in the German Enlightenment: The Art of Invention and the Invention of Art. Cambridge University Press, 2013.

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Koch, Heinrich Christoph, and Johann Georg Sulzer. Aesthetics and the Art of Musical Composition in the German Enlightenment. Edited by Nancy Baker and Thomas Christensen. Cambridge University Press, 1996. http://dx.doi.org/10.1017/cbo9780511518348.

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Buchenau, Stefanie. Founding of Aesthetics in the German Enlightenment: The Art of Invention and the Invention of Art. Cambridge University Press, 2013.

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Buchenau, Stefanie. Founding of Aesthetics in the German Enlightenment: The Art of Invention and the Invention of Art. Cambridge University Press, 2013.

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Buchenau, Stefanie. Founding of Aesthetics in the German Enlightenment: The Art of Invention and the Invention of Art. University of Cambridge ESOL Examinations, 2015.

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Book chapters on the topic "Art, aesthetics, enlightenment"

1

Eve, Martin Paul. "Art, Society and Ethics: Adorno’s Dialectic of Enlightenment, Aesthetic Theory and Pynchon." In Pynchon and Philosophy. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137405500_7.

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Köhler, Sigrid G. "Chapter 5. Showing and feeling the atrocities of slavery." In Comparative History of Literatures in European Languages. John Benjamins Publishing Company, 2024. http://dx.doi.org/10.1075/chlel.xxxvi.05koh.

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German-language playwrights inscribed themselves into the international debate on abolition at the end of the 18th century, making themselves part of a transnational political communicative space. Most of these authors are rarely read today, except for August von Kotzebue, the most frequently performed German-language author of this period. These authors usually conceived their plays as discourse dramas that reflected the contradiction between the ideals of the Enlightenment and the system of enslavement and denounced slavery as a violation of human rights. To this end, as an analysis of Kotze

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Gallitelli, Eleonora. "Genio nazionale versus gusto universale. Baretti interprete e apologeta di Shakespeare nella polemica contro Voltaire." In Biblioteca di storia. Firenze University Press, 2024. http://dx.doi.org/10.36253/979-12-215-0448-4.08.

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In the last decades of the eighteenth century, Voltaire sparked off a fierce debate on the merits and demerits of Shakespeare’s plays, to which Baretti responded with his Discours sur Shakespeare et sur M. de Voltaire. Defending the English playwright against the charges brought against him by the French philosopher, Baretti framed what would be a fundamental tension in the transition from the Age of Enlightenment to the Romantic Age: the question of universalism, understood in terms of the opposition between “universal taste” and “national genius”. In an argument remarkable for its profundity

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Haschemi Yekani, Elahe. "Foundations: Defoe and Equiano." In Familial Feeling. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-58641-6_2.

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AbstractThis chapter discusses Daniel Defoe’s Robinson Crusoe and Olaudah Equiano’s The Interesting Narrative as foundational texts of emergent enlightenment thinking about the subject in relation to modernity and slavery. The aesthetics of their entangled foundational tonality is characterised by self-reflexive descriptions of psychological interiority, a retrospective temporal framework, religious conversion, and a belief in the emerging modern market economy. While both self-made men develop an emotive claim to Britishness, the representation of familial feelings remains stifled. In contras

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Clough, Patricia Ticineto. "Three Notes, Three Questions." In Speculative Medievalisms. punctum books, 2013. https://doi.org/10.21983/p3.0021.1.22.

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When I was invited to respond to a talk to be given by Gra-ham Harman at a conference on Speculative Medievalisms, my first thoughts were not about Aristotle. My first thoughts were about Harman’s work on Bruno Latour, who has fa-mously claimed that we have never been modern. So perhaps we are becoming medieval, I thought: circuiting back through the Enlightenment and the Renaissance to a future age where darkness is to be revalued, with speculative realism, the meas-ure. Although I first read Latour in the late 1980s when some few sociologists studying science and technology were doing so, Ha

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"Chapter 1. Allegory, Poetic Theology, and Enlightenment Aesthetics." In The Insistence of Art. Fordham University Press, 2020. http://dx.doi.org/10.1515/9780823275823-002.

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Schroeder, David P. "Theory versus Practice Aesthetics and Instrumental Music." In Haydn and the Enlightenment. Oxford University PressOxford, 1990. http://dx.doi.org/10.1093/oso/9780198161592.003.0007.

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Abstract An intriguing separation inevitably appears to exist between theory and practice, between the thinking of eighteenth-century music theorists or aestheticians and the compositional approaches of a practising musician such as Haydn. Aesthetics, as a branch of philosophical inquiry, has its own principles and procedures, and need not be disturbed by the approaches to art emerging at the same time. Modern aesthetic historians, such as Rene Wellek, make no apologies for the independence of their discipline and its detachment from the practice of writing.1 Concerning music aesthetics, Carl

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"Aesthetic foundations." In Aesthetics and the Art of Musical Composition in the German Enlightenment. Cambridge University Press, 1996. http://dx.doi.org/10.1017/cbo9780511518348.003.

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Milam, Jennifer, and Nicola Parsons. "Introduction. The Potential Vısibility of Ideas in Enlightenment Art and Aesthetics." In Making Ideas Visible in the Eighteenth Century. University of Delaware Press, 2022. http://dx.doi.org/10.36019/9781644532355-003.

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"Foreword by Ian Bent." In Aesthetics and the Art of Musical Composition in the German Enlightenment. Cambridge University Press, 1996. http://dx.doi.org/10.1017/cbo9780511518348.001.

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Conference papers on the topic "Art, aesthetics, enlightenment"

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Didmanidze, Ibraim, and Irma Bagrationi. "INFORMATION PARADIGMS OF ART FROM THE HISTORY OF SOCIAL AESTHETICS." In 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s07.06.

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The present scientific paper deals with the worldview understanding of features of information and communication functions of art according to the �Theory of Environment� and �Conception of Organotropism� from the history of Europeanworldview philosophical and aesthetic thought, particular: According to the main principle of Social Aesthetics of French philosopher and sociologist Jean-Marie Guyau [in the work �Problems of Contemporary Aesthetics�] the aesthetic ideal of art has a meaning by presentive only social sympathy aesthetics; A German philosopher and aesthetician Alexander Gottlieb Bau

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Wenying, Dong, and Geng Yien. "Life Aesthetics in Japanese Civil Lacquerware and Its Enlightenment to Chinese Traditional Handicrafts." In 2nd International Conference on Language, Art and Cultural Exchange (ICLACE 2021). Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210609.059.

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Vasilyeva, M. "DESIGN OF PUBLIC SPACES IN THE AGE OF ENLIGHTENMENT." In Aesthetic Problems of Environmental Design. LCC MAKS Press, 2024. https://doi.org/10.29003/m4224.978-5-317-07275-9/142-147.

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The article examines the main positions that are important for the modern concept of “environmental design”: an instrumental attitude to space and the deliberate variability of forms, the projectivity of the environment, as well as the presence of social groups to which this design is available. The author argues why the concept of “environmental design” can only be fully used when applied to current examples of space design. At the same time, the author proposes to consider the Age of Enlightenment (18th century and the first half of the 19th century) as the beginning of a great deal of work

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Brūzgienė, Rūta. "The Musicality of Lithuanian Poetry: Codes of a Different Speaking." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.3.8934.

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Research on the interactions between literature and other art forms, observed since the appearance of syncretic art, took off in the 18th century. These multifaceted and multidisciplinary connections between time-based arts are systematized in W. Wolf’s general concept of intermediality at the end of 20th century. Based on this concept, the paper will provide some aspects of the musicality of Lithuanian poetry. The study is based on works by V. Daujotytė, V. Česnulevičiūtė, O. Juozapaitienė, J. Girdzijauskas, V. Kubilius, Ž. Ramoškaitė, D. Razauskas, W. Wolf, and others; comparative methodolog

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Reports on the topic "Art, aesthetics, enlightenment"

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NELYUBINA, E., and L. PANFILOVA. ASSESSMENT OF THE QUALITY OF EDUCATIONAL ELECTRONIC PUBLICATIONS AND RESOURCES. Science and Innovation Center Publishing House, 2021. http://dx.doi.org/10.12731/2658-4034-2021-12-4-2-85-97.

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Now the whole life of a person has switched to online mode. These changes also affected the education system. This means the need to introduce new technologies into the educational process. Books, manuals, printed publications are being replaced by electronic educational resources. Providing up-to-date, verified information to students has always been and remains one of the most important functions of the teacher. Unfortunately, with the transition of training to the online mode, the teacher cannot use his literature when conducting classes. In this regard, there is a need to use electronic re

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